In recent years the interaction between dynamical systems theory and non-equilibrium statistical mechanics has been enormous. The discovery of fluctuation theorems as a fundamental structure common to almost all non-equilibrium systems, and the connections with the free energy calculation methods of Jarzynski and Crooks, have excited both theorists and experimentalists. This graduate-level book charts the development and theoretical analysis of molecular dynamics as applied to equilibrium and non-equilibrium systems. Designed for both researchers in the field and graduate students of physics, it connects molecular dynamics simulation with the mathematical theory to understand non-equilibrium steady states. It also provides a link between the atomic, nano, and macro worlds. The book ends with an introduction to the use of non-equilibrium statistical mechanics to justify a thermodynamic treatment of non-equilibrium steady states, and gives a direction to further avenues of exploration.
Gathers Poe's essays on the theory of poetry, the art of fiction, the role of the critic, leading nineteenth-century writers, and the New York literary world.
This study uses the ecology and behaviour of modern elephants to create models for reconstructing the life and death of extinct mammoths and mastodons.
The long and tortured career of Ira B. Arnstein, "the unrivaled king of copyright infringement plaintiffs," opens a curious window into the evolution of copyright law in the United States. As Gary A. Rosen shows in this frequently funny and always entertaining history, the litigious Arnstein was a trenchant observer and most improbable participant in the transformation of not just copyright, but of American popular music itself. A musical prodigy in the late nineteenth century, Arnstein performed as a boy soprano at the famous 1893 "White City" exhibition in Chicago. He grew up to be a composer of moderate accomplishment, but by the mid-1920s his fortunes had reversed in the face of changing tastes and times. Embittered and confused, he became convinced that he was the victim of a conspiracy to steal his music and set out on a three-decade-long campaign to prove it, suing most of the major players in the popular music industry of his day. Although Arnstein never won a case, Rosen shows that the decisions rendered ultimately defined some of the basic parameters of copyright law. His most consequential case, against a dumbfounded Cole Porter, established precedents that have provided the foundation for successful suits against George Harrison, Michael Bolton, and many others. Unfair to Genius alternates the stories of Arnstein and a colorful cast of supporting characters with a fascinating account of the economic, technological, and legal forces of the first half of the twentieth century that shifted the balance of power from the mercenary music publishers of Tin Pan Alley to the composers and lyricists who wrote the Great American Songbook.
From the founding of the colonies to the declaration of the Supreme Court, America's heritage is built upon the principles of the Christian religion. And yet the secularists are dismantling this foundation brick by brick, attempting to deny the very core of our national life. Gary DeMar presents well-documented facts which will change your perspective about what it means to be a Christian in America; the truth about America's Christian past as it relates to supreme court justices, and presidents; the Christian character of colonial charters, state constitutions, and the US Constitution; the Christian foundation of colleges, the Christian character of Washington, D.C.; the origin of Thanksgiving and so much more."--Publisher's description
Sourcing the major traditions of progressive Christian social ethics--social gospel liberalism, Niebuhrian realism, and liberation theology--Gary Dorrien argues for the social-ethical necessity of social justice politics. In carefully reasoned essays, he focuses on three subjects: the ethics and politics of economic justice, racial and gender justice, and antimilitarism, making a constructive case for economic democracy, along with a liberationist understanding of racial and gender justice and an anti-imperial form of liberal internationalism. In Dorrien's view, the three major discourse traditions of progressive Christian social ethics share a fundamental commitment to transform the structures of society in the direction of social justice. His reflections on these topics feature innovative analyses of major figures, such as Walter Rauschenbusch, Reinhold Niebuhr, James Burnham, Norman Thomas, and Michael Harrington, and an extensive engagement with contemporary intellectuals, such as Rosemary R. Ruether, Katie Cannon, Gregory Baum, and Cornel West. Dorrien also weaves his personal experiences into his narrative, especially his involvement in social justice movements. He includes a special chapter on the 2008 presidential campaign and the historic candidacy of Barack Obama.
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
Martin T. Manton was a corrupt federal appeals court judge in New York who was convicted in 1939 and sent to prison. At the time, this was a hugely important story: Manton was considered the highest-ranking judge in the United States after the nine Justices of the Supreme Court, and was nearly appointed to that august body in 1922. Yet his story has never been told in book-length form before, and never with the benefit of such exhaustive research. More than just a biography, Justice for Sale examines Manton’s misconduct in the context of the culture of corruption and organized crime that permeated New York City in the first part of the twentieth century. Dozens of others—prominent business executives, leading Wall Street lawyers, accountants, bankers, fixers, con men, another federal judge—participated in Manton’s crimes. The book profiles these unscrupulous and often colorful characters as well. It wasn’t until Manhattan D.A. and future presidential candidate Thomas Dewey’s successful pursuit of Manton, a federal grand jury investigation, and a sensational prosecution and trial in federal court that shocked the nation that Manton and his corrupt schemes were finally brought down.
We live in a crazy world where anything is possible. Politics are upended; climate change is un-done; the stock market soars; and people concentrate only on themselves. This is a “me” world, and screw the next guy. Suppose, just suppose, that a visitor from your past nuclear family – your grandfather – suddenly and mysteriously appears. How do you handle it? How does your grandfather handle it? I mean, here he is, from the world of 1920s New York, transported to 2017. Imagine the culture shock! Déjà Vu All Over Again tackles this well-researched historical novel with humor and human interest, intermingled with the wonders of today. This novel brings back a soul from the past, long dead and buried, to meet his grandson, give him advice and guide him, and see the progress made in almost 100 years. Gary Chattman, age 70, is going about his business, still working, still wondering about the meaning of life, when he meets up with his grandfather, Nat Kornfeld, appearing as a lively 26-year-old! Can Nat answer the questions we all yearn to ask? Is there life after death? What happens when we die? And can Nat help Gary with the direction he seeks for his life?
In the twenties, thirties, and forties, now-legendary American songwriters and lyricists created a repertoire of popular songs, songs that have captured the hearts of generations of music lovers. George Gershwin, Richard Rodgers, Cole Porter, Jerome Kern, Harold Arlen, Hoagy Carmichael and many others, along with such lyricists as Ira Gershwin, Lorenz Hart, and Dorothy Fields, produced extraordinary songs of signal importance to the American musical heritage. In this book Allen Forte shares his love of American popular song. He discusses in detail twenty-three songs, ranging from Gershwin’s “Fascinating Rhythm” (1924) to Irving Berlin’s “Steppin’ Out with My Baby” (1947), guiding readers and listeners toward a deeper appreciation of this vital and engaging music. Forte writes for the general reader, assuming no background other than a familiarity with basic music notation. Each song is discussed individually and includes complete lyrics and simple leadsheet notation. Forte discusses the songs’ distinctive musical features and their sophisticated, often touching and witty lyrics. Readers can follow the music while they listen to the accompanying compact disc, which was specially recorded for this volume by baritone Richard Lalli and pianist-arranger Gary Chapman, with Allen Forte, pianist-arranger for “Embraceable You” and “Come Rain or Come Shine”. Learn about these favorite songs and more: “How Long Has This Been Going On?” “What Is This Thing Called Love?” “Embraceable You” “Autumn in New York” “I’ve Got You Under My Skin” “The Nearness of You” “That Old Black Magic” “Come Rain or Come Shine”
On a freezing night in January 1993, masked gunmen walked through the laughably lax security at the Rochester Brink's depot, tied up the guards, and unhurriedly made off with $7.4 million in one of the FBI's top-five armored car heists in history. Suspicion quickly fell on a retired Rochester cop working security for Brinks at the time-as well it might. Officer Tom O'Connor had been previously suspected of everything from robbery to murder to complicity with the IRA. One ex-IRA soldier in particular was indebted to O'Connor for smuggling him and his girlfriend into the United States, and when he was caught in New York City with $2 million in cash from the Brink's heist, prosecutors were certain they finally had enough to nail O'Connor. But they were wrong. In Seven Million, the reporter Gary Craig meticulously unwinds the long skein of leads, half-truths, false starts, and dead ends, taking us from the grim solitary pens of Northern Ireland's Long Kesh prison to the illegal poker rooms of Manhattan to the cold lakeshore on the Canadian border where the body parts began washing up. The story is populated by a colorful cast of characters, including cops and FBI agents, prison snitches, a radical priest of the Melkite order who ran a home for troubled teenagers on the Lower East Side of Manhattan, and the IRA rebel who'd spent long years jailed in one of Northern Ireland's most brutal prisons and who was living underground in New York posing as a comics dealer. Finally, Craig investigates the strange, sad fate of Ronnie Gibbons, a down-and-out boxer and muscle-for-hire in illegal New York City card rooms, who was in on the early planning of the heist, and who disappeared one day in 1995 after an ill-advised trip to Rochester to see some men about getting what he felt he was owed. Instead, he got was what was coming to him. Seven Million is a meticulous re-creation of a complicated heist executed by a variegated and unsavory crew, and of its many repercussions. Some of the suspects are now dead, some went to jail; none of them are talking about the robbery or what really happened to Ronnie Gibbons. And the money? Only a fraction was recovered, meaning that most of the $7 million is still out there somewhere.
Prepare to get lost, as the time-traveler and his assistant venture into dark space. It's time for authors from around the world to unofficially pay homage to the longest-running science-fiction show in the world, and unleash their own tales of futuristic terror.
The Disputed Legacy of Sidney Hook examines the sixty-year career of one of the foremost public intellectuals in the United States. Sidney Hook’s convictions were widely disseminated through books, academic journals, newspapers articles, lectures, and several organizations that he founded. Hook’s legacies include being a leading Marxist-Leninist scholar, his long-standing commitment to secular humanism, his legacy as a legendary polemicist, his cultural conservatism if not neoconservatism, and his defense of democracy and John Dewey’s pragmatic and Cold War liberalism. Bullert concludes that Hook’s core philosophy is best typified by his Deweyan pragmatism, vigilant anti-communism, and secular humanism.
The critical literary world has spent a wealth of thought and words on the question of Hawthorne himself: Where does he stand in his works? In history? In literary tradition? In this major new study, G. R. Thompson recasts the "Hawthorne question" to show how authorial presence in the writer's works is as much a matter of art as the writing itself. The Hawthorne who emerges from this masterful analysis is not, as has been supposed, identical to the provincial narrator of his early tales; instead he is revealed to be the skillful manipulator of that narrative voice, an author at an ironic distance from the tales he tells. By focusing on the provincial tales as they were originally conceived--as a narrative cycle--Thompson is able to recover intertextual references that reveal Hawthorne's preoccupation with framing strategies and variations on authorial presence. The author shows how Hawthorne deliberately constructs sentimental narratives, only to deconstruct them. Thompson's analysis provides a new aesthetic context for understanding the whole shape of Hawthorne's career as well as the narrative, ethical, and historical issues within individual works. Revisionary in its view of one of America's greatest authors, The Art of Authorial Presence also offers invaluable insight into the problems of narratology and historiography, ethics and psychology, romanticism and idealism, and the cultural myths of America.
A “delightful, honest, and entertaining” memoir by an Air Force One pilot and member of Lyndon Johnson’s inner circle (Bill Moyers). When Lyndon Baines Johnson wanted to go somewhere, there was no stopping him. This dynamic president called for Air Force One as others summon a taxi—at a moment’s notice—whatever the hour or the weather. And the man who made sure that LBJ got his ride was General James U. Cross, the president’s hand-picked pilot, top military assistant, and personal confidant. In this book, he goes on the record for the first time, creating a fascinating, behind-the-scenes portrait of America’s complex, often contradictory, always larger-than-life thirty-sixth president. In addition to piloting Air Force One around the globe, he served the president in multiple capacities, including directing the Military Office in the White House; managing a secret two-million-dollar presidential emergency fund; supervising the presidential retreat at Camp David, the president’s entire transportation fleet, and the presidential bomb shelters; running the White House Mess; hiring White House social aides, including the president’s future son-in-law, Charles Robb; and writing condolence letters to the families of soldiers killed in Vietnam. This wide-ranging, around-the-clock access to President Johnson allowed Cross to witness events and share moments that add color and depth to our understanding of one of America’s most demanding and unpredictable presidents.
The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.
There is a symbiotic relationship between theoretical nonequilibrium statistical mechanics on the one hand and the theory and practice of computer simulation on the other. Sometimes, the initiative for progress has been with the pragmatic requirements of computer simulation and at other times, the initiative has been with the fundamental theory of nonequilibrium processes. This book summarises progress in this field up to 1990"--Publisher's description.
Gary Giddins's Weather Bird is a brilliant companion volume to his landmark in music criticism, Visions of Jazz, winner of the National Book Critics Circle Award in Criticism. More then 140 pieces, written over a 14-year period, are brought together for the first time in this superb collection of essays, reviews, and articles. Weather Bird is a celebration of jazz, with illuminating commentaryon contemporary jazz events, today's top muscicians, the best records of the year, and on leading figures from jazz's past. Readers will find extended pieces on Louis Armstrong, Erroll Garner, Benny Carter, Sonny Rollins, Dave Brubeck, Ornette Coleman, Billie Holiday, Cassandra Wilson, Tony Bennett, and many others. Giddins includes a series of articles on the annual JVC Jazz Festival, which offers a splendid overview of jazz in the 1990s. Other highlights include an astute look at avant-garde music ("Parajazz") and his challenging essay, "How Come Jazz Isn't Dead?" which advances a theory about the way art is born, exploited, celebrated, and sidelined to the museum. A radiant compendium by America's leading music critic, Weather Bird offers an unforgettable look at the modern jazz scene.
A sweeping, ambitious history of American democratic socialism from one of the world’s leading intellectual historians and social ethicists “Dorrien is supremely qualified for the task he has set himself in this very thoughtful, necessary, and timely book.”—Maurice Isserman, author of The Other American: The Life of Michael Harrington Democratic socialism is ascending in the United States as a consequence of a widespread recognition that global capitalism works only for a minority and is harming the planet’s ecology. This history of American democratic socialism from its beginning to the present day interprets the efforts of American socialists to address and transform multiple intersecting sites of injustice and harm. Comprehensive, deeply researched, and highly original, this book offers a luminous synthesis of secular and religious socialisms, detailing both their intellectual and their organizational histories.
The third edition of Contemporary Trusts and Estates captures the rapid evolution of doctrine in trusts and estates law that has occurred over the past half-century in response to profound societal and demographic changes. Based on recent developments in legal education, this casebook integrates legal analysis, judgment and perspective, ethics, and practice skills. It focuses simultaneously on the theoretical foundations and practical applications of the material, teaching students by using traditional case analysis and, at the professor’s option, innovative exercises. Features: Newly designed, with Wills now presented before Trusts New problems, exercises and cases ¿ Post-Obergefell v. Hodges developments for same-sex families More material on decanting and the new Uniform Trust Decanting Act Inclusion of the Uniform Powers of Appointment Act Discussion of planning for digital assets Incorporation of 2016 ACTEC Commentary on the Model Rules
Collects Not Brand Echh (1967) #1-13; Not Brand Echh (2017) #14 and material from Amazing Spider-Man Annual (1964) #1 and #5, Daredevil Annual (1967) #1, Fantastic Four Annual #5, Sgt. Fury Annual #4 and Avengers Annual #2. When Stan Lee set the tone for the Marvel Age of Comics, it came with a healthy dose of humor. And when fans demanded more Marvel mayhem, Stan along with Jack Kirby, Gene Colan and the Bullpens mistress of mirth, Marie Severin turned the dial to 11 and let loose! Presenting the masterpiece of Silver Age satire, packed with Marvels greatest talents taking a sideways look at the heroes they made famous (and even some they didnt). Charlie America, Scaredevil, the Revengers, Sore: Son of Shmodin, the Sunk-Mariner and the one and only Forbush Man are coming at you. Duck!
This wartime biography follows the life of a Second World War B-17 bombardier from the beginning of the war to its conclusion. Based on the 150 letters the airman, Fred Lull, wrote home to his mother, much of the horrors of what he experienced off the wing of his plane, aircraft destroyed, dismemberment by flak, go unshared. Fred did not want his mother to worry and could not tell her: ‘I noticed some movement and a flash of light out of the corner of my right eye. The plane that had been flying right next to us had exploded and simply disappeared.’ Using the bombardier’s combat flight record, research data and interviews of former B-17 crew members, the story unfolds, breaking through the barrier of an unwillingness and inability to tell loved ones of the smell and taste of war.
This comprehensive volume examines the `big business', such as health care corporations and insurance companies, that has grown up around rehabilitation of the disabled in the United States, and the impact that this has had on care. Albrecht discusses how the quality of care is influenced by income, income potential and insurance cover and traces how the financial growth in this industry has changed the nature of the care provided. He also presents a realistic assessment of the policy options and solutions available to a society that values equity in ensuring that quality rehabilitation services are equally available to all.
From Bing Crosby's early days in college minstrel shows and vaudeville, to his first hit recordings, from his 11 year triumph as star of America's most popular radio show, to his first success in Hollywood, Gary Giddins provides a detailed study of the rise of this American star.
Serpins constitute a superfamily of proteins that possess a unique tertiary structure and mechanism of proteinase inhibition. In humans, serpins constitute 10% of the plasma proteins and are best known as critical regulators of both the thrombotic and fibrinolytic systems. Serpins also participate in the regulation of the complement cascade, angiogenesis, tumor metastasis, apoptosis and innate immunity. Considering the importance of these molecules in regulating proteolytic cascades, it is not surprising to find that loss- and gain-of-function mutations result in significant human diseases.Massive thrombosis or bleeding, hereditary angioedema, Alzheimer's disease, diabetic angiopathy and tumor invasion are some of the human diseases associated with serpins. In addition, mutations that alter serpin conformations (the serpinopathies) lead to lung disease, cirrhosis and a form of familial dementia. The goal of this text is to present the current knowledge on the molecular and cellular basis of serpins and their diseases.
We pierced the thick, black veil of the fever fires and entered hell." As the guns fell silent at Appomattox the gods were already shaping the next battlefield. No one living in Memphis realized the target would be narrowed this time to just eight square miles overlooking the Mississippi River. This second book in the ten-part Your Winding Daybreak Ways series begins where author Gary Bargatze's debut novel, Warfield, leaves off. Thomas has survived the Civil War and the gods' war on his family; he has been graduated from the university; and he is now happily on his way to Memphis to teach English at the prestigious Westminster Academy. But unbeknownst to Thomas he is about to enter an even more punishing circle of hell. This historically accurate, underreported telling of the horrific yellow fever epidemics of the 1870s explores race, unspeakable loss and the courage of African-Americans who sped toward death to serve as nurses, undertakers and police as the masses fled Memphis in panic. *****
In this fascinating autobiography Erics son, Gary Morecambe, describes what it’s like to grow up in the presence of one of the best-loved and most fondly remembered of all British comedy greats. Eric and Ernie brought sunshine and laughter to the people of Britain for an amazing 22 years. Includes photos from the Morecambe family archive and unseen extracts from his father’s personal diaries. Frank and outspoken, this book provides a compelling insight into the man behind the laughter, a man who was constantly worried that one day he would be found out, who never lost his love of Long John Silver impressions, and who continued to work until heart disease finally killed him at only 58 years of age.
The Early Settlement of North America is an examination of the first recognisable culture in the New World: the Clovis complex. Gary Haynes begins his analysis with a discussion of the archaeology of Clovis fluted points in North America and a review of the history of the research on the topic. He presents and evaluates all the evidence that is now available on the artefacts, the human populations of the time, and the environment, and he examines the adaptation of the early human settlers in North America to the simultaneous disappearance of the mammoths and mastodonts. Haynes offers a compelling re-appraisal of our current state of knowledge about the peopling of this continent and provides a significant new contribution to the debate with his own integrated theory of Clovis, which incorporates vital new biological, ecological, behavioural and archaeological data.
In the name of academic freedom, the core values of higher education_honest scholarship, unbiased research, and diversity of thought and person_have been corrupted by an academy more interested in preserving its privileges than in protecting its own integrity. The American university has lost its civility. Nowhere is this loss more apparent than in the rise of anti-Semitism and anti-Israelism on college campuses. This book documents the alarming rise in bigotry and bullying in the academy, using a range of evidence from first-hand accounts of intimidation of students by anti-Israel professors to anti-Semitic articles in student newspapers and marginalization of pro-Israel scholars. The UnCivil University exposes the unspoken world of double standards, bureaucratic paralysis, and abdication of leadership that not only allows but often supports a vocal minority of extremists on campus.
This book is an extensive investigation of letters and letter writing across two centuries, focusing on the sociocultural function and meaning of epistolary writing - letters that were circulated, were intended to circulate, or were perceived to circulate within the culture of epistolarity in early modern England. The study examines how the letter functioned in a variety of social contexts, yet also assesses what the letter meant as idea to early modern letter writers, investigating letters in both manuscript and print contexts. It begins with an overview of the culture of epistolarity, examines the material components of letter exchange, investigates how emotion was persuasively textualized in the letter, considers the transmission of news and intelligence, and examines the publication of letters as propaganda and as collections of moral-didactic, personal, and state letters. Gary Schneider is an Assistant Professor in the Department of English at the University of Texas-Pan American.
The bloody and decisive two-day battle of Shiloh (April 6-7, 1862) changed the entire course of the American Civil War. The stunning Northern victory thrust Union commander Ulysses S. Grant into the national spotlight, claimed the life of Confederate commander Albert S. Johnston, and forever buried the notion that the Civil War would be a short conflict. The conflagration at Shiloh had its roots in the strong Union advance during the winter of 1861-1862 that resulted in the capture of Forts Henry and Donelson in Tennessee. The offensive collapsed General Albert S. Johnstons advanced line in Kentucky and forced him to withdraw all the way to northern Mississippi. Anxious to attack the enemy, Johnston began concentrating Southern forces at Corinth, a major railroad center just below the Tennessee border. His bold plan called for his Army of the Mississippi to march north and destroy General Grants Army of the Tennessee before it could link up with another Union army on the way to join him. On the morning of April 6, Johnston boasted to his subordinates, Tonight we will water our horses in the Tennessee! They nearly did so. Johnstons sweeping attack hit the unsuspecting Federal camps at Pittsburg Landing and routed the enemy from position after position as they fell back toward the Tennessee River. Johnstons sudden death in the Peach Orchard, however, coupled with stubborn Federal resistance, widespread confusion, and Grants dogged determination to hold the field, saved the Union army from destruction. The arrival of General Don C. Buells reinforcements that night turned the tide of battle. The next day, Grant seized the initiative and attacked the Confederates, driving them from the field. Shiloh was one of the bloodiest battles of the entire war, with nearly 24,000 men killed, wounded, and missing. Edward Cunningham, a young Ph.D. candidate studying under the legendary T. Harry Williams at Louisiana State University, researched and wrote Shiloh and the Western Campaign of 1862 in 1966. Although it remained unpublished, many Shiloh experts and park rangers consider it to be the best overall examination of the battle ever written. Indeed, Shiloh historiography is just now catching up with Cunningham, who was decades ahead of modern scholarship. Western Civil War historians Gary D. Joiner and Timothy B. Smith have resurrected Cunninghams beautifully written and deeply researched manuscript from its undeserved obscurity. Fully edited and richly annotated with updated citations and observations, original maps, and a complete order of battle and table of losses, Shiloh and the Western Campaign of 1862 will be welcomed by everyone who enjoys battle history at its finest. About the Authors: Edward Cunningham, Ph.D., studied under T. Harry Williams at Louisiana State University. He was the author of The Port Hudson Campaign: 1862-1863 (LSU, 1963). Dr. Cunningham died in 1997. Gary D. Joiner, Ph.D., is the author of One Damn Blunder from Beginning to End: The Red River Campaign of 1864, winner of the 2004 Albert Castel Award and the 2005 A. M. Pate, Jr., Award, and Through the Howling Wilderness: The 1864 Red River Campaign and Union Failure in the West. He lives in Shreveport, Louisiana. Timothy B. Smith, Ph.D., is author of Champion Hill: Decisive Battle for Vicksburg (winner of the 2004 Mississippi Institute of Arts and Letters Non-fiction Award), The Untold Story of Shiloh: The Battle and the Battlefield, and This Great Battlefield of Shiloh: History, Memory, and the Establishment of a Civil War National Military Park. A former ranger at Shiloh, Tim teaches history at the University of Tennessee.
This biography covers the life of Lewis Swift (1820-1913), who discovered 13 comets and nearly 1,200 other deep sky objects. All 13 comets found by Swift now bear his name, including three periodic comets with periods of 6 years (11P/Tempel-Swift-LINEAR), 9 years (64P/Swift-Gehrels), and 133 years (109P/Swift-Tuttle). Swift's enthusiasm and success as an amateur astronomer helped make him famous in the United States. With the help of others, Swift was able to buy a 16-inch refractor, the third largest telescope in the United States at the time. Hulbert Harrington Warner built "Warner Observatory" to house this telescope. As a prolific writer and lecturer, Swift's stories appeared in newspapers and magazines, while his lectures showed that he was able to explain anything in a way that everyone could understand. When Warner went broke during the "Panic of 1893," Swift was forced to leave his home. Almost two dozen invitations arrived from around the United States asking him to bring his telescope to their city, and he eventually accepted the invitation of Californian Thaddeus Sobieski Constantin Lowe. This book highlights Swift's valuable contributions to astronomy before failing eyesight forced him to give up this profession. In addition to detailing Swift's life, biographical material is also provided for a number of individuals who were influenced by Swift. This includes his son, Edward, who was discovering deep sky objects as a teenager.
This book begins with the context of an agency-based evaluation and describes the method within that context. Students will gain a more complete understanding of this contextual challenge and will learn techniques for operating in the face of these challenges.
Chronicles the rise of the English band Coldplay, from their insecure beginnings to their position as two-time Grammy winners with sold-out concerts and two multiplatinum albums to their credit.
In the early 1880s, proponents of what came to be called “the social gospel” founded what is now known as social ethics. This ambitious and magisterial book describes the tradition of social ethics: one that began with the distinctly modern idea that Christianity has a social-ethical mission to transform the structures of society in the direction of social justice. Charts the story of social ethics - the idea that Christianity has a social-ethical mission to transform society - from its roots in the nineteenth century through to the present day Discusses and analyzes how different traditions of social ethics evolved in the realms of the academy, church, and general public Looks at the wide variety of individuals who have been prominent exponents of social ethics from academics and self-styled “public intellectuals” through to pastors and activists Set to become the definitive reference guide to the history and development of social ethics Recipient of a CHOICE Outstanding Academic Title for 2009 award
This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
In 1958, soon after his arrival in Los Angeles, Gary Graver caught a showing of die recently released Touch of Evil. Upon viewing the B classic, Graver decided he wanted to be a director and spent many years honing his craft, as both a cinematographer and a director, not to mention writer, actor, and producerùmuch like his idol, Orson Welles. In 1970, when Graver learned that Welles was in town, he impulsively called the director and offered his services as a cameraman. It was only the second time in Welles's career that he had received such an offer from a cinematographer, the other from Gregg Toland who worked on Citizen Kane. Book jacket.
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