This book provides students and other interested readers with a comprehensive survey of science fiction history and numerous essays addressing major science fiction topics, authors, works, and subgenres written by a distinguished scholar. This encyclopedia deals with written science fiction in all of its forms, not only novels and short stories but also mediums often ignored in other reference books, such as plays, poems, comic books, and graphic novels. Some science fiction films, television programs, and video games are also mentioned, particularly when they are relevant to written texts. Its focus is on science fiction in the English language, though due attention is given to international authors whose works have been frequently translated into English. Since science fiction became a recognized genre and greatly expanded in the 20th century, works published in the 20th and 21st centuries are most frequently discussed, though important earlier works are not neglected. The texts are designed to be helpful to numerous readers, ranging from students first encountering science fiction to experienced scholars in the field.
Why we need government intervention in the free market to protect competition and encourage innovation Starting about thirty years ago, conservatives forced an overhaul of competition policy that has loosened business rules for everything from selling products to buying competitors. Gary Reback thinks the changes have gone too far. Today's competition policies, he argues, were made for the old manufacturing economy of the 1970s. But in a high-tech world, these policies actually slow innovation, hurt consumers, and entrench big companies at the expense of entrepreneurs. Free the Market! is both a memoir of Reback's titanic legal battles—involving top companies such as Apple, Microsoft, IBM, Oracle, and AT&T—and a persuasive argument for measured government intervention in the free market to foster competition. Among the fascinating questions he considers: Can a company ever compete too hard for the public good? Should policy makers worry more about promoting competition or improving efficiency? Does it help consumers when a manufacturer sets the prices its retailers charge? Should the government do more to stop controversial mergers? At what point does intellectual property protection hurt innovation?
Long recognized as America's most brilliant jazz writer, the winner of many major awards--including the prestigious National Book Critics Circle Award--and author of a highly popular biography of Bing Crosby, Gary Giddins has also produced a wide range of stimulating and original cultural criticism in other fields. With Natural Selection, he brings together the best of these previously uncollected essays, including a few written expressly for this volume. The range of topics is spellbinding. Writing with insight, humor, and a famously deft touch, he offers sharp-edged perspectives on such diverse subjects as Federico Fellini and Jean Renoir, Norman Mailer and Ralph Ellison, Marlon Brando and Groucho Marx, Duke Ellington and Bob Dylan, horror and noir, the cartoon version of Animal Farm and the comic book series Classics Illustrated. Giddins brings to criticism an uncommon ability, long demonstrated in his music writing, to address in very few words an entire career, so that we get an in-depth portrait of the artist beyond the film, book, or recording under review. For instance, Giddins offers a stunning reappraisal of Doris Day, who he terms "the coolest and sexiest female singer of slow ballads in film history." He argues eloquently for a reconsideration of the forgotten German-language novelist Soma Morgenstern. In a section on comedy, he offers fresh perspectives on the three great silent film stars--Chaplin, Keaton, and Lloyd--while resurrecting the legendary Jack Benny and reevaluating the controversial Jerry Lewis. There's also a memorable look at Bing Crosby's film career (he calls Crosby's blockbuster Going My Way "a neglected masterpiece") and a close examination of Marcel Carne's beloved Children of Paradise. Of course, Giddins also supplies excellent commentary on jazz: major and underrated figures, and especially the uses of jazz in film. A wonderful gathering of little-known treasures, Natural Selection will broaden the perception of Gary Giddins as one of our most important cultural critics.
Finalist, 2022 Big Other Book Award for Nonfiction Never before has it been more important for Left thinking to champion expansive visions for societal transformation. Yet influential currents of critical theory have lost sight of this political imperative. Provincial notions of places, periods, and subjects obstruct our capacity to invent new alignments and envision a world we wish to see. Political imagination is misread as optimism. Utopianism is conflated with idealism. Revolutionary traditions of non-liberal universalism and non-bourgeois humanism are rendered illegible. Negative critique becomes an end in itself. Pessimism is mistaken for radicalism and political fatalism risks winning the day. In this book, Gary Wilder insists that we place solidarity and temporality at the center of our political thinking. He develops a critique of Left realism, Left culturalism, and Left pessimism from the standpoint of heterodox Marxism and Black radicalism. These traditions offer precious resources to relate cultural singularity and translocal solidarity, political autonomy and worldwide interdependence. They develop modes of immanent critique and forms of poetic knowledge to envision alternative futures that may already dwell within our world: traces of past ways of being, knowing, and relating that persist within an untimely present; or charged residues of unrealized possibilities that were the focus of an earlier generation’s dreams and struggles; or opportunities for dialectical reversals embedded in the contradictory tendencies of the given order. Concrete Utopianism makes a bold case for embracing what Wilder calls a politics of the possible-impossible. Attentive to the non-identical character of places, periods, and subjects, insisting that axes of political alignment and contestation are neither self-evident nor unchanging, reworking Lenin’s call to “transform the imperial war into a civil war,” he invites Left thinkers see beyond inherited distinctions between here and there, now and then, us and them. Guided by the spirit of Marx’s call for revolutionaries to draw their poetry from a future they cannot fathom yet must nevertheless invent, he calls for practices of anticipation that envision and enact, call for and call forth, seemingly impossible ways of being together. He elaborates a critical orientation that emphasizes the dialectical relations between aesthetics and politics, political imagination and transformative practice, concrete interventions and revolutionary restructuring, past dreams and possible worlds, means of struggle and its ultimate aims. This orientation requires nonrealist epistemologies that do not mistake immediate appearances with the really real. Such epistemologies would allow critics to recognize uncanny and untimely aspects of social life, whether oppressive or potentially emancipatory. They may help actors to render the world subversively uncanny and untimely. They may clear pathways for the kind of critical internationalism and concrete utopianism that Left politics cannot afford to ignore.
The identity of Jack the Ripper has consumed public curiosity since he first tormented the East End of London in 1888. Numerous theories have been offered as to his identity, but he remains in the shadows where, it seems, only imaginative literature has been able to elucidate his meaning to the modern world. This work surveys the literary, film, television, and radio treatments of Jack the Ripper and his crimes. The works of fiction are thoroughly analyzed, as are the major nonfiction works that have offered various theories about the Ripper's identity. Works whose narratives are obviously inspired by Jack the Ripper and his crimes are also discussed.
In the early 1880s, proponents of what came to be called “the social gospel” founded what is now known as social ethics. This ambitious and magisterial book describes the tradition of social ethics: one that began with the distinctly modern idea that Christianity has a social-ethical mission to transform the structures of society in the direction of social justice. Charts the story of social ethics - the idea that Christianity has a social-ethical mission to transform society - from its roots in the nineteenth century through to the present day Discusses and analyzes how different traditions of social ethics evolved in the realms of the academy, church, and general public Looks at the wide variety of individuals who have been prominent exponents of social ethics from academics and self-styled “public intellectuals” through to pastors and activists Set to become the definitive reference guide to the history and development of social ethics Recipient of a CHOICE Outstanding Academic Title for 2009 award
This is a sustained argument about the idea of science fiction by a renowned critic. Overturning many received opinions, it is both controversial and stimulating Much of the controversy arises from Westfahl's resurrection of Hugo Gernsback - for decades a largely derided figure - as the true creator of science fiction. Following an initial demolition of earlier critics, Westfahl argues for Gernsback's importance. His argument is fully documented, showing a much greater familiarity with early American science fiction, particularly magazine fiction, than previous academic critics or historians. After his initial chapters on Gernsback, he examines the way in which the Gernsback tradition was adopted and modified by later magazine editors and early critics. This involves a re-evaluation of the importance of John W. Campbell to the history of science fiction as well as a very interesting critique of Robert Heinlein's Beyond the Horizon, one the seminal texts of American science fiction. In conclusion, Westfahl uses the theories of Gernsback and Campbell to develop a descriptive definition of science fiction and he explores the ramifications of that definition. The Mechanics of Wonder will arouse debate and force the questioning of presuppositions. No other book so closely examines the origins and development of the idea of science fiction, and it will stand among a small number of crucial texts with which every science fiction scholar or prospective science fiction scholar will have to read.
MORE GRIPPING, NO-HOLDS-BARRED LRRP ACCOUNTS FROM THE FRONT LINES During the Vietnam War, few combat operations were more dangerous than LRRP/Ranger missions. Vastly outnumbered, the patrols faced overwhelming odds as they fought to carry out their missions, from gathering intelligence, acting as hunter/killer teams, or engaging in infamous “Parakeet” flights– actions in which teams were dropped into enemy areas and expected to “develop” the situation. PHANTOM WARRIORS II presents heart-pounding, edge-of-your-seat stories from individuals and teams. These elite warriors relive sudden deadly firefights, prolonged gun battles with large enemy forces, desperate attempts to help fallen comrades, and the sheer hell of bloody, no-quarter combat. The LRRP accounts here are a testament to the courage, guts, daring, and sacrifice of the men who willingly faced death every day of their lives in Vietnam.
The Southern Claims Commission was the agency established to process more than 20,000 claims by pro-Union Southerners for reimbursement of their losses during the Civil War. The present work is a "master index" to the case files of the Commission. The index gives, in tabular form, the name of the claimant, his county and state, the Commission number, office number and report number, and the year and the status of the claim.
A team of experts in ministry and the Bible, offer skills for the long haul. They employ the Old Testament notion of covenant and ask ministers to enter a covenant both for their own self-care and as a key to framing and enlivening their care for others in ministry. True-to-life stories show how biblically based covenantal relationships with clear boundaries promote healthy relationships, and are integral to faithful personal and pastoral care.
Jonny Strongbow is a seeker of knowledge, justice, and his identity. His search brings changes to the world around him. On both a spiritual and intellectual quest, he finds new meaning in life. He brings the history of Mars to the forefront and brings renewed hope to its new inhabitants. This story brings spiritualism and technology together in a unique way and is a representation of how I view the universe.
When Technocultures Collide provides rich and diverse studies of collision courses between technologically inspired subcultures and the corporate and governmental entities they seek to undermine. The adventures and exploits of computer hackers, phone phreaks, urban explorers, calculator and computer collectors, “CrackBerry” users, whistle-blowers, Yippies, zinsters, roulette cheats, chess geeks, and a range of losers and tinkerers feature prominently in this volume. Gary Genosko analyzes these practices for their remarkable diversity and their innovation and leaps of imagination. He assesses the results of a number of operations, including the Canadian stories of Mafiaboy, Jeff Chapman of Infiltration, and BlackBerry users. The author provides critical accounts of highly specialized attributes, such as the prospects of deterritorialized computer mice and big toe computing, the role of electrical grid hacks in urban technopolitics, and whether info-addiction and depression contribute to tactical resistance. Beyond resistance, however, the goal of this work is to find examples of technocultural autonomy in the minor and marginal cultural productions of small cultures, ethico-poetic diversions, and sustainable withdrawals with genuine therapeutic potential to surpass accumulation, debt, and competition. The dangers and joys of these struggles for autonomy are underlined in studies of RIM’s BlackBerry and Julian Assange’s WikiLeaks website.
The truth is - it doesn't matter how smart or how slick a presentation is, if it isn't in sync with the decision maker's mindset, then it's bound to fail. That's the conclusion drawn by Miller and Williams, who completed an exhaustive study of more than 1,700 key business executives. Their research shows that decision makers can be placed into five distinct categories: Charismatics, Thinkers, Skeptics, Followers, and Controllers. Once the category the decision maker falls into is determined, then the presentation can be tailored to their precise mindset.
‘Well written and persuasive …objective and well-rounded….this scholarly rehabilitation should be the standard biography’ **** Andrew Roberts, Mail on Sunday ‘A true judgment of him must lie somewhere between hero and zero, and in this detailed biography Gary Sheffield shows himself well qualified to make it … a balanced portrait’ Sunday Times ‘Solid scholarship and admirable advocacy’ Sunday Telegraph Douglas Haig is the single most controversial general in British history. In 1918, after his armies had won the First World War, he was feted as a saviour. But within twenty years his reputation was in ruins, and it has never recovered. In this fascinating biography, Professor Gary Sheffield reassesses Haig’s reputation, assessing his critical role in preparing the army for war.
Well written and persuasive ...objective and well-rounded....this scholarly rehabilitation should be the standard biography' - Andrew Roberts, Mail on Sunday 'A true judgment of him must lie somewhere between hero and zero, and in this detailed biography Gary Sheffield shows himself well qualified to make it ... a balanced portrait' - The Sunday Times 'Solid scholarship and admirable advocacy' - Sunday Telegraph Douglas Haig is the single most controversial general in British history. In 1918, after his armies had won the First World War, he was feted as a saviour. But within twenty years his reputation was in ruins, and it has never recovered. Drawing on previously unknown private papers and new scholarship unavailable when The Chief was first published, eminent First World War historian Gary Sheffield reassesses Haig's reputation, assessing his critical role in preparing the army for war.
With the latest edition of this classroom success, Shelly and Cashman have successfully blended coverage of cutting-edge technology with core computer concepts to make learning about computers interesting and easy. Discovering Computers 2001: Concepts for a Connected World fosters online course development with its integration of the World Wide Web and enhanced end-of-chapter material supported by WebCT and CyberClass.
By examining important aspects of science fiction in the twentieth century, this book explains how the genre evolved to its current state. Close critical attention is given to topics including the art that has accompanied science fiction, the subgenres of space opera and hard science fiction, the rise of SF anthologies, and the burgeoning impact of the marketplace on authors. Included are in-depth studies of key texts that contributed to science fiction's growth, including Philip Francis Nowlan's first Buck Rogers story, the first published stories of A. E. van Vogt, and the early juveniles of Isaac Asimov, Arthur C. Clarke and Robert Heinlein.
An examination of science fiction editor and author Hugo Gernsback's career, this critical study explores the many ways in which his work influenced the genre. It summarizes the science fiction theories of Gernsback and his successors, considers his efforts to define science fiction both verbally and visually, and for the first time offers detailed studies of his rarest periodicals, including Technocracy Review, Superworld Comics, and Science-Fiction Plus. An analysis of his ground-breaking novel, Ralph 124C 41+: A Romance of the Year 2660, and its influences on a variety of science fiction novels, films and television programs is also offered.
Moby Dick in Silicon Valley, this bright and readable (The New York Times) book tells the true story of Bill Gates and those who would harpoon him, offering a hilarious and original investigation into the meaning of America's most controversial mogul.
British Columbia has one of the richest assemblages of bird species in the world. The four volumes of The Birds of British Columbia provide unprecedented coverage of this region's birds, presenting a wealth of information on the ornithological history, habitat, breeding habits, migratory movements, seasonality, and distribution patterns of each of the 472 species of birds. This third volume, covering the first half of the passerines, builds on the authoritative format of the previous bestselling volumes. It contains 89 species, including common ones such as swallows, jays, crows, wrens, thrushes, and starlings. The text is supported by hundreds of full-colour pictures, including unique habitat photographs, detailed distribution maps, and beautiful illustrations of the birds, their nests, eggs, and young. The Birds of British Columbia is a complete reference work for bird-watchers, ornithologists, and naturalists who want in-depth information on the province's regularly occurring and rare birds.
Presents eleven chapters and six special features that cover basic through intermediate computer concepts, with an emphasis on the personal computer and its practical use, including hardware, software, application and system software, the Internet and World Wide Web, communications, e-commerce, and computers in society.
This third edition, from the Shelly Cashman Series, covers the same breadth, but with less depth as Discovering Computers 2007: Complete. This title is ideal for a short course on computer concepts or in application software courses. With the Shelly Cashman Series' project-oriented, step-by-step pedagogy, and full-color screenshots, this book includes new exercises, and tools on the Online Companion.
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