A captivating and analytical compendium to the hit show -and its creation, story, and impact on contemporary media and popular culture. This one-stop primer offers a succinct analysis of one of the most skillfully produced, artistically innovative, and culturally resonant scripted series in modern television. It opens by explaining how Mad Men (AMC, 2007–2015) functions as a representative example of much deeper and more profound structural changes happening in television since the 2000s. Gary R. Edgerton highlights influences driving the creation of the show, including creator Matthew Weiner’s personal connections to the subject matter and the development of the main character, Don Draper (Jon Hamm). Analysis of the show’s story progression is delineated by a pivotal shift from a culturally relevant Zeitgeist phenomenon to a narrative more concerned with Draper’s introspective and existential journey to reconciliation and self-awareness. Cultural reflections are also explored with interrogations of privilege and prejudice, the American Dream, ethnicity, race, gender politics, and class as witnessed through the program’s complex and conflicted characters. Following its debut, Mad Men quickly became a bellwether of contemporary culture. The award-winning series set the creative standard in drama over the span of its initial run and is now recognized as a milestone in the history and development of scripted television. Throughout its seven seasons, the series struck a delicate balance of being both complex and cerebral while also entertaining and accessible, a balance that Edgerton skillfully carries over to this book.
Richly researched and engaging, The Columbia History of American Television tracks the growth of TV into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. Renowned media historian Gary R. Edgerton follows the technological progress and increasing cultural relevance of television from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. In conclusion, Edgerton takes a discerning look at our current Digital Era and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape.
This study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.
The first book to take readers behind the scenes of Ken Burns' documentary efforts reveals the inner workings of Florentine Films, the company that has redefined documentary television.
This edition from Osprey Publishing presents the full story of the American Civil War. The four long years of Civil War saw fighting across America on an unprecedented scale, incurring losses to both sides to an extent never previously imagined. As the battles raged from east to west, from the First Battle of Bull run to Sherman's march to the Sea, no part of America remained untouched by the war, with families finding themselves torn and fighting on opposing sides. More than 150 years on, the war continues to fascinate us, and the key commanders, both presidents, and battle sites are forever enshrined in America's history. With a foreword by James McPherson, this volume brings together the work of four leading US historians to provide a thoroughly comprehensive and insightful study of the war, packed with first-hand accounts from soldiers and civilians alike. Superbly illustrated with more than 150 contemporary black-and white and color images, and with 40 specially commissioned full-color maps, this edition provides an analysis of the causes, events, and effects of the Civil War.
Kansas City, 1929: Myrtle and Jack Bennett sit down with another couple for an evening of bridge. As the game intensifies, Myrtle complains that Jack is a “bum bridge player.” For such insubordination, he slaps her hard in front of their stunned guests and announces he is leaving. Moments later, sobbing, with a Colt .32 pistol in hand, Myrtle fires four shots, killing her husband. The Roaring 1920s inspired nationwide fads–flagpole sitting, marathon dancing, swimming-pool endurance floating. But of all the mad games that cheered Americans between the wars, the least likely was contract bridge. As the Barnum of the bridge craze, Ely Culbertson, a tuxedoed boulevardier with a Russian accent, used mystique, brilliance, and a certain madness to transform bridge from a social pastime into a cultural movement that made him rich and famous. In writings, in lectures, and on the radio, he used the Bennett killing to dramatize bridge as the battle of the sexes. Indeed, Myrtle Bennett’s murder trial became a sensation because it brought a beautiful housewife–and hints of her husband’s infidelity–from the bridge table into the national spotlight. James A. Reed, Myrtle’s high-powered lawyer and onetime Democratic presidential candidate, delivered soaring, tear-filled courtroom orations. As Reed waxed on about the sanctity of womanhood, he was secretly conducting an extramarital romance with a feminist trailblazer who lived next door. To the public, bridge symbolized tossing aside the ideals of the Puritans–who referred derisively to playing cards as “the Devil’s tickets”–and embracing the modern age. Ina time when such fearless women as Amelia Earhart, Dorothy Parker, and Marlene Dietrich were exalted for their boldness, Culbertson positioned his game as a challenge to all housebound women. At the bridge table, he insisted, a woman could be her husband’s equal, and more. In the gathering darkness of the Depression, Culbertson leveraged his own ballyhoo and naughty innuendo for all it was worth, maneuvering himself and his brilliant wife, Jo, his favorite bridge partner, into a media spectacle dubbed the Bridge Battle of the Century. Through these larger-than-life characters and the timeless partnership game they played, The Devil’s Tickets captures a uniquely colorful age and a tension in marriage that is eternal.
The history of leisure time, from the earliest societies to the work-from-home era Free time, one of life’s most precious things, often feels unfulfilling. But why? And how did leisure activities transition from strolling in the park for hours to “doomscrolling” on social media for thirty minutes? Today, despite the promise of modern industrialization, many people experience both a scarcity of free time and a disappointment in it. Free Time offers a broad historical explanation of why our affluent society does not afford more time away from work and why that time is often unsatisfying. Gary S. Cross explores the cultural, social, economic, and political history, especially of the past 250 years to understand the roots of our conceptions of free time and its use. By the end of the nineteenth century, a common expectation was that industrial innovations would lead to a progressive reduction of work time and a subsequent rise in free time devoted to self-development and social engagement. However, despite significant changes in the early twentieth century, both goals were frustrated, thus leading to the contemporary dilemma. Cross touches on leisure of all kinds, from peasant festivals and aristocratic pleasure gardens to amusement parks, movie theaters and organized sports to internet surfing, and even the use of alcohol and drugs. This wide-ranging cultural and social history explores the industrial-era origins of our modern obsession with work and productivity, but also the historical efforts to liberate time from work and cultivate free time for culture. Insightful and informative, this book is sure to help you make sense of your own relationship to free time.
Florida is a story of astonishing growth, a state swelling from 500,000 residents at the outset of the 20th century to some 16 million at the end. As recently as mid-century, on the eve of Pearl Harbor, Florida was the smallest state in the South. At the dawn of the millennium, it is the fourth largest in the country, a megastate that was among those introducing new words into the American vernacular: space coast, climate control, growth management, retirement community, theme park, edge cities, shopping mall, boomburbs, beach renourishment, Interstate, and Internet. Land of Sunshine, State of Dreams attempts to understand the firestorm of change that erupted into modern Florida by examining the great social, cultural, and economic forces driving its transformation. Gary Mormino ranges far and wide across the landscape and boundaries of a place that is at once America's southernmost state and the northernmost outpost of the Caribbean. From the capital, Tallahassee--a day's walk from the Georgia border--to Miami--a city distant but tantalizingly close to Cuba and Haiti--Mormino traces the themes of Florida's transformation: the echoes of old Dixie and a vanishing Florida; land booms and tourist empires; revolutions in agriculture, technology, and demographics; the seductions of the beach and the dynamics of a graying population; and the enduring but changing meanings of a dreamstate. Beneath the iconography of popular culture is revealed a complex and complicated social framework that reflects a dizzying passage from New Spain to Old South, New South to Sunbelt.
Mount Dora is known for its southern charm and New England look, yet its history is just as engaging. The "Festival City" began with the arrival of pioneer families such as the Drawdys, Simpsons and Tremains. In the 1880s, it became a popular destination for Chautauqua events, when visitors gathered beside Lake Gertrude and Lake Dora for educational and cultural enrichment. In the twentieth century, Mount Dora weathered economic setbacks and racial conflict before becoming a premier city of the arts. Today, this beautiful lakefront community welcomes thousands of visitors to its numerous festivals, events and active shopping village. Join authors Gary McKechnie and Nancy Howell as they celebrate the intriguing history of their town.
A captivating and analytical compendium to the hit show -and its creation, story, and impact on contemporary media and popular culture. This one-stop primer offers a succinct analysis of one of the most skillfully produced, artistically innovative, and culturally resonant scripted series in modern television. It opens by explaining how Mad Men (AMC, 2007–2015) functions as a representative example of much deeper and more profound structural changes happening in television since the 2000s. Gary R. Edgerton highlights influences driving the creation of the show, including creator Matthew Weiner’s personal connections to the subject matter and the development of the main character, Don Draper (Jon Hamm). Analysis of the show’s story progression is delineated by a pivotal shift from a culturally relevant Zeitgeist phenomenon to a narrative more concerned with Draper’s introspective and existential journey to reconciliation and self-awareness. Cultural reflections are also explored with interrogations of privilege and prejudice, the American Dream, ethnicity, race, gender politics, and class as witnessed through the program’s complex and conflicted characters. Following its debut, Mad Men quickly became a bellwether of contemporary culture. The award-winning series set the creative standard in drama over the span of its initial run and is now recognized as a milestone in the history and development of scripted television. Throughout its seven seasons, the series struck a delicate balance of being both complex and cerebral while also entertaining and accessible, a balance that Edgerton skillfully carries over to this book.
The Southern Claims Commission was the agency established to process more than 20,000 claims by pro-Union Southerners for reimbursement of their losses during the Civil War. The present work is a "master index" to the case files of the Commission. The index gives, in tabular form, the name of the claimant, his county and state, the Commission number, office number and report number, and the year and the status of the claim.
For over a decade the Middle East has monopolized news headlines in the West. Journalists and commentators regularly speculate that the region's turmoil may stem from the psychological momentum of its cultural traditions or of a "tribal" or "fatalistic" mentality. Yet few studies of the region's cultural psychology have provided a critical synthesis of psychological research on Middle Eastern societies. Drawing on autobiographies, literary works, ethnographic accounts, and life-history interviews, The Middle East: A Cultural Psychology, offers the first comprehensive summary of psychological writings on the region, reviewing works by psychologists, anthropologists, and sociologists that have been written in English, Arabic, and French. Rejecting stereotypical descriptions of the "Arab mind" or "Muslim mentality,' Gary Gregg adopts a life-span- development framework, examining influences on development in infancy, early childhood, late childhood, and adolescence as well as on identity formation in early and mature adulthood. He views patterns of development in the context of recent work in cultural psychology, and compares Middle Eastern patterns less with Western middle class norms than with those described for the region's neighbors: Hindu India, sub-Saharan Africa, and the Mediterranean shore of Europe. The research presented in this volume overwhelmingly suggests that the region's strife stems much less from a stubborn adherence to tradition and resistance to modernity than from widespread frustration with broken promises of modernization--with the slow and halting pace of economic progress and democratization. A sophisticated account of the Middle East's cultural psychology, The Middle East provides students, researchers, policy-makers, and all those interested in the culture and psychology of the region with invaluable insight into the lives, families, and social relationships of Middle Easterners as they struggle to reconcile the lure of Westernized life-styles with traditional values.
Born into one of the wealthiest families in Philadelphia and raised and educated in that vital center of eighteenth-century American Quakerism, Anne Emlen Mifflin was a progressive force in early America. This detailed and engaging biography, which features Anne’s collected writings and selected correspondence, revives her legacy. Anne grew up directly across the street from the Pennsylvania statehouse, where the Continental Congress was leading the War of Independence. A Quaker minister whose busy pen, agile mind, and untiring moral energy produced an extensive corpus of writings, Anne was an ardent abolitionist and social reformer decades before the establishment of women’s anti-slavery societies. And at a time when most Americans never ventured beyond their own village, hamlet, or farm, Anne journeyed thousands of miles. She traveled to settlements of Friends on the frontier and met with Native Americans in the rough country of northwestern Pennsylvania, New York, and Canada. Our Beloved Friend provides a unique window onto the lives of Quakers during the pre-Revolutionary era, the establishment of the New Republic, and the War of 1812.
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