Acclaimed writer of This is Uncool and Popcorn turns his attention to the (first ever) look at the teen movie Everyone undergoes some kind of teenage trauma, and a fundamental way of coping, or rite of passage, is the teen movie. Yet until now there has been no book that explores this successful movie sub-genre with any depth. Step forward Garry Mulholland, who, taking his cue from his previous, hugely acclaimed pop culture list books (This is Uncool and Fear of Music), seeks to create a pantheon of the very finest teen movies, or in Garry Mulholland's words: 'I'll be doing what film critics have been loathe to do since the 1950s, and taking the entire subculture of teen movies seriously, making a constant and compelling argument that Grease and A Nightmare on Elm Street tell us a great deal more about modern life and human nature than Citizen Kane and The Godfather.' From Kes to Fame, Badlands to the Breakfast Club, and National Lampoon's Animal House to Twilight, Garry Mulholland re-evaluates a much maligned genre, and brings it all back again: the good, the bad and the traumatic.
Debunking outdated and inaccurate beliefs about investment management and reveals the new realities of the post-modern financial markets There have been a lot of big changes in the investment world over the past decade, and many long-cherished beliefs about the structures and performance of various investments no longer apply. Unfortunately the news seems not to have reached many thought leaders and investment professionals who persist in trying, and failing, to apply 20th-century thinking to 21st-century portfolio management. Nowhere is this more true than when it comes to the subject of alternative investments. Written by an all-star team of investment management experts, this book debunks common myths and misconceptions about most classes of alternative investments and offers valuable advice on how to develop investment management and asset allocation strategies consistent with the new realities of the ever-changing world of alternative investments. Covers most alternative asset classes, including private equity, real estate, managed futures, hedge funds, commodity indices, and more Debunks long-held assumptions about the structure and performance of various investment classes that continue to dominate the industry Explores the implications for investment managers of the proliferation of international marketable securities and global financial markets Provides an overview of both the micro and the macro aspects of each alternative investment class
How did the Olympics evolve into a multi-national phenomenon? How can the Olympics help us to understand the relationship between sport and society? What will be the impact and legacy of the Olympics after Tokyo in 2020? Understanding the Olympics answers all these questions by exploring the social, cultural, political, historical, and economic context of the Games. This thoroughly revised and updated edition discusses recent attempts at future proofing by the International Olympic Committee (IOC) in the face of growing global anti-Olympic activism, the changing geo-political context within which the Olympics take place, and the Olympic histories of the next three cities to host the Games – Tokyo (2020), Paris (2024), and Los Angeles (2028) – as well as the legacy of the London (2012) Olympics. For the first time, this new edition introduces the reader to the emergence of ‘other Games’ associated with the IOC – the Winter Olympics, the Paralympics, and the Youth Olympics. It also features a full Olympic history timeline, many new photographs, refreshed suggestions for further reading, and revised illustrations. The most up-to-date and authoritative textbook available on the Olympic Games, Understanding the Olympics is essential reading for anybody with an interest in the Olympics or the wider relationship between sport and society.
Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.
A keen observer of British manners and mores, Mike Leigh has been hailed as a celebrator of 'ordinary' people. Comparing and contrasting all his films from Bleak Moments and High Hopes through Naked, the Oscar nominated Secrets and Lies and Topsy Turvy to All or Nothing, Garry Watson considers this claim, examining both their influence and their effect. Through careful textual detail and wider social and literary comparison with the works of Charles Dickens and T.S. Eliot, he argues ultimately for the aritistic and cultural significance of Leigh's work as one of Britain's most respected film-makers.
Garry was the first journalist to interview and publish a profile of the promising, soul-jazz-influenced singer songwriter in a national newspaper in January 2004. He remembers her as funny, warm, charming and brutally, brilliantly, honest. Despite being relatively unknown at the time, she still commanded attention wherever she went: she was charismatic and unique. She wasn't deliberately setting out to attract attention: he describes her face as having that 'somewhat glazed, distracted expression she would often adopt when performing live, as if she had left the gas on and had left her voice to its own devices while she tries to recall for sure.'Six and half year later, a few hundred metres from the café where Garry interviewed Amy for the first time, Amy was found dead. The inquest concluded it was death by misadventure - three bottles of vodka was too much for a body ravaged by alcohol, cocaine, ketamine, heroine, emphysyma, anorexia and bulimia. This book is three things: a biography of a famous pop star; a real life modern tragedy and a detective story. We know where and how Amy Winehouse died and we know what killed her - but we don't know why. Why does someone who has everything - talent, integrity, family, friends, looks, charisma, money - commit a slow and inexorable suicide. Garry is a brilliant, vivid writer who really wants to carry out a forensic search for answers. He will interview family, friends Lily Allen, Peter Doherty, her boyfriend at the time of her death, and her management. He is connected and trusted (Garry is good mates with Amy's career long press officer).No one wilfully gives up on their life at the age of 27 without one hell of a powerful reason. At the end of this book, her millions of fans are going to know exactly what that reason is.
Hugely acclaimed author of THIS IS UNCOOL and FEAR OF MUSIC turns his attention to rock 'n' roll movies. From BLACKBOARD JUNGLE to QUADROPHENIA, from 8 MILE to ABBA: THE MOVIE, no one has seriously looked at the strange phenomenon that is the rock 'n' roll movie. Garry Mulholland turns his focus away from classic records to the best, the worst, the weird and the completely deranged from the world of the rock movie. Part serious critical appreciation, part celebration of B-movie trash, Garry Mulholland's inclusive approach is the key to his success. He is as comfortable deconstructing the likes of PERFORMANCE, GIMME SHELTER or JUBILEE as he is celebrating FOOTLOOSE or JAILHOUSE ROCK. As he writes: '... Anyone who rejects the joy that the likes of GREASE or DIRTY DANCING or FAME have brought millions of people without even attempting to engage with why such unapologetic trash works can't really be that interested in filmgoers at all.
Acclaimed writer of This is Uncool and Popcorn turns his attention to the (first ever) look at the teen movie Everyone undergoes some kind of teenage trauma, and a fundamental way of coping, or rite of passage, is the teen movie. Yet until now there has been no book that explores this successful movie sub-genre with any depth. Step forward Garry Mulholland, who, taking his cue from his previous, hugely acclaimed pop culture list books (This is Uncool and Fear of Music), seeks to create a pantheon of the very finest teen movies, or in Garry Mulholland's words: 'I'll be doing what film critics have been loathe to do since the 1950s, and taking the entire subculture of teen movies seriously, making a constant and compelling argument that Grease and A Nightmare on Elm Street tell us a great deal more about modern life and human nature than Citizen Kane and The Godfather.' From Kes to Fame, Badlands to the Breakfast Club, and National Lampoon's Animal House to Twilight, Garry Mulholland re-evaluates a much maligned genre, and brings it all back again: the good, the bad and the traumatic.
Story of the father of Anita Cobby who was murdered in 1986, member of the Serious Offenders Review Council and founder of a Homicide Victims' Support group.
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