Icon’s Request is the gripping follow up to I Am Dead by thriller sci-fi novelist Gareth Wiles, in which Peter Smith created a world ravaged by madness.The mysterious Reaping Icon is collecting psychopaths for his games and requests the pleasure of Peter. In his life since I Am Dead, Peter is a murderer, driven insane by the book he wrote. However, when Reaping Icon casts him into another reality, it ironically gives Peter a fresh chance to start anew. But how many people must suffer around him as the world rejects this path, and how many times can he dodge death as everyone is out for blood? In part one, Reaping Icon collects his psychopaths and we get a snapshot of their disturbed lives just prior to his arrival. In part two, Peter Smith’s memory is wiped and he finds himself embroiled in a murder investigation, hunted by both the police and the psychopaths who are following Reaping Icon’s request. In part three, we learn more about what happened just after the events of I Am Dead and the devastating effect it has had on the universe. In part four, Peter is once again hunted by psychopaths and involved in yet more bizarre, seemingly random murders. Will he regain his memory in time, or will remembering who he really is be his ultimate downfall?Icon’s Request, which has been inspired by Joseph Conrad, Franz Kafka and Albert Kamus, will appeal to fans of sci-fi/fantasy fiction who question the madness and randomness of modern society. It delivers real people struggling with real problems, mixing fantasy and crime to demonstrate how close all our lives are to the fantastical, and how the lines between reality and fiction can be easily blurred.
The government has legalised assisted dying, and one man is staging the ultimate reality TV show – where the audience get to help him on his way. As the clock ticks down, and those for and against the impending broadcast argue their case, we travel back in time to discover what lead Peter to this terrible point in his life. A list of unsolved murders, suicides and destroyed friendships have been left scattered wherever Peter has set foot. As we discover a family torn apart by his brief presence in their lives so many years ago, we also see the effect he’s had on one impressionable young man who sticks by him the whole time: Neville. Peter’s biggest fan, and wholehearted believer in the book Peter wrote, Neville treats his idol as a messianic figure. The two are their own worst enemies, finding themselves embarking on a murderous journey to the depths of depravity together with a host of other damaged souls. That one of them, OAP getaway driver Gerty, might finally redeem herself after a lifetime of crime, leaves hope for Peter himself...This gripping sequel to I Am Dead and Icon’s Request has been inspired by Joseph Conrad, Franz Kafka and Albert Kamus. Gareth also takes inspiration from TV shows like Doctor Who, The Saint and Danger Man. A Matter of Dark will appeal to fans of sci-fi/fantasy fiction who consider how fast the world is moving, both technologically and morally. We’re all naturally fearful of change – but need we be?
Joe Durvance was the biggest TV star of the 1980s, but now he’s a nobody. When he can’t even get a role in panto, he decides to accept an offer to appear at a low-key sci-fi convention. What he doesn’t reckon on is being murdered onstage during his Q&A session by a masked latex-clad cosplayer, with no end of suspects including crazy fans, rival convention organisers and even his own son. Joe’s wife Janette is half his age and wasn’t even born when his show The Constellation Cowboys was on TV. With her husband dead, she doesn’t waste any time in shacking up with her stepson Antoine. As their passion intensifies, and dark secrets from the past begin to creep out of the woodwork, who will be left alive as the killer rampages through all the suspects? Now it’s up to Inspector Nicola Williams to stop the maniac, but she has her own demons to fight. The love of her life is dead, her superintendent has quit and things are getting steamy with a male officer half her age. Luckily she has the help of Joe Durvance’s super-fan Justin Bates, an eccentric sci-fi obsessive who feels right at home in the murky world of comic-cons and Z-list celebrities... Gareth’s latest offering The Comic-Con Killer brings together comedy and crime, weaving in elements of spoof.
Peter Smith is the final link between The Great Collective and The Space. With him, the curse must end... The Great Collective were the first to make contact with The Space. Granted immortality, they lived and lived, ceaseless witnesses to humanity’s ills. Resentment manifested itself as the evil Reaping Icon. The fate of the world rests on stopping his poison. Inspector Noose – finished, alone. Framed for a heinous double murder, the so-so crime solver and love rat hits rock bottom as his past misdeeds catch up with him and seed his tragic downfall. He will never come back from this, but one last deed must be done to put things right. Alex – weak, feeble. Blamed for the assassination of the Prime Minister and frustrated by a wife who hates him, the young man lets himself become consumed by the malevolent Reaping Icon. He opens Alex up to The Space – the summation of everything that ever was, is or will be – and gives him ultimate control over humanity. Peter Smith – dead, alive. The man who dies and is reborn endlessly now knows who he is and wants to break free from his curse. Nobody wants to live forever, but to have his wish he must contemplate a confrontation with the manifestation of all humanity’s evil: Reaping Icon. But will joining him prove more inviting than stopping him..? Where The Birds Hide At Night follows on from Gareth Wiles’ previous books – I AM DEAD, Icon’s Request and A Matter of Dark – which are all a part of The Great Collective saga. It will appeal to those who enjoy sci-fi with a hint of mystery, as well as fans of Gareth’s previous books. His books have received glowing feedback, whose readers particularly enjoy the speculative nature of his novels, as he takes current debates and gives them a dark twist.
Peter Smith is dead. No getting away from that. Or is there?Being dead is the least of his worries when he finds himself prosecuted in an ethereal court on dubious charges and the prosecutor is his brother, Stuart. When Peter is sent to the waiting room, he re-lives his final day on Earth. We see his ambiguous relationship with his mother, who he lived alone with, and his brother Stuart and his wife Diane, who bring news of pregnancy. Peter is devastated at the news and leaves the house, only to be killed instantly. In the courtroom Stuart and the Judge preside over Peter's fate. When his mother's love interest The Major testifies, he reveals that Peter let a young woman, Lauren, die. Peter is sent back to die in her place and restore balance but he saves both Lauren and himself, causing a devastating change of events...Gareth is inspired by author Joseph Conrad and his struggle between existential awareness and moral obligation, particularly in his novel The Secret Agent. He also takes inspiration from Franz Kafka and D.H. Lawrence. I Am Dead will appeal to that man who wonders what society really has to offer him, or that woman who fears what society has planned for her...
Peter Smith is the final link between The Great Collective and The Space. With him, the curse must end... The Great Collective were the first to make contact with The Space. Granted immortality, they lived and lived, ceaseless witnesses to humanity’s ills. Resentment manifested itself as the evil Reaping Icon. The fate of the world rests on stopping his poison. Inspector Noose – finished, alone. Framed for a heinous double murder, the so-so crime solver and love rat hits rock bottom as his past misdeeds catch up with him and seed his tragic downfall. He will never come back from this, but one last deed must be done to put things right. Alex – weak, feeble. Blamed for the assassination of the Prime Minister and frustrated by a wife who hates him, the young man lets himself become consumed by the malevolent Reaping Icon. He opens Alex up to The Space – the summation of everything that ever was, is or will be – and gives him ultimate control over humanity. Peter Smith – dead, alive. The man who dies and is reborn endlessly now knows who he is and wants to break free from his curse. Nobody wants to live forever, but to have his wish he must contemplate a confrontation with the manifestation of all humanity’s evil: Reaping Icon. But will joining him prove more inviting than stopping him..? Where The Birds Hide At Night follows on from Gareth Wiles’ previous books – I AM DEAD, Icon’s Request and A Matter of Dark – which are all a part of The Great Collective saga. It will appeal to those who enjoy sci-fi with a hint of mystery, as well as fans of Gareth’s previous books. His books have received glowing feedback, whose readers particularly enjoy the speculative nature of his novels, as he takes current debates and gives them a dark twist.
The government has legalised assisted dying, and one man is staging the ultimate reality TV show – where the audience get to help him on his way. As the clock ticks down, and those for and against the impending broadcast argue their case, we travel back in time to discover what lead Peter to this terrible point in his life. A list of unsolved murders, suicides and destroyed friendships have been left scattered wherever Peter has set foot. As we discover a family torn apart by his brief presence in their lives so many years ago, we also see the effect he’s had on one impressionable young man who sticks by him the whole time: Neville. Peter’s biggest fan, and wholehearted believer in the book Peter wrote, Neville treats his idol as a messianic figure. The two are their own worst enemies, finding themselves embarking on a murderous journey to the depths of depravity together with a host of other damaged souls. That one of them, OAP getaway driver Gerty, might finally redeem herself after a lifetime of crime, leaves hope for Peter himself...This gripping sequel to I Am Dead and Icon’s Request has been inspired by Joseph Conrad, Franz Kafka and Albert Kamus. Gareth also takes inspiration from TV shows like Doctor Who, The Saint and Danger Man. A Matter of Dark will appeal to fans of sci-fi/fantasy fiction who consider how fast the world is moving, both technologically and morally. We’re all naturally fearful of change – but need we be?
Icon’s Request is the gripping follow up to I Am Dead by thriller sci-fi novelist Gareth Wiles, in which Peter Smith created a world ravaged by madness.The mysterious Reaping Icon is collecting psychopaths for his games and requests the pleasure of Peter. In his life since I Am Dead, Peter is a murderer, driven insane by the book he wrote. However, when Reaping Icon casts him into another reality, it ironically gives Peter a fresh chance to start anew. But how many people must suffer around him as the world rejects this path, and how many times can he dodge death as everyone is out for blood? In part one, Reaping Icon collects his psychopaths and we get a snapshot of their disturbed lives just prior to his arrival. In part two, Peter Smith’s memory is wiped and he finds himself embroiled in a murder investigation, hunted by both the police and the psychopaths who are following Reaping Icon’s request. In part three, we learn more about what happened just after the events of I Am Dead and the devastating effect it has had on the universe. In part four, Peter is once again hunted by psychopaths and involved in yet more bizarre, seemingly random murders. Will he regain his memory in time, or will remembering who he really is be his ultimate downfall?Icon’s Request, which has been inspired by Joseph Conrad, Franz Kafka and Albert Kamus, will appeal to fans of sci-fi/fantasy fiction who question the madness and randomness of modern society. It delivers real people struggling with real problems, mixing fantasy and crime to demonstrate how close all our lives are to the fantastical, and how the lines between reality and fiction can be easily blurred.
Peter Smith is dead. No getting away from that. Or is there?Being dead is the least of his worries when he finds himself prosecuted in an ethereal court on dubious charges and the prosecutor is his brother, Stuart. When Peter is sent to the waiting room, he re-lives his final day on Earth. We see his ambiguous relationship with his mother, who he lived alone with, and his brother Stuart and his wife Diane, who bring news of pregnancy. Peter is devastated at the news and leaves the house, only to be killed instantly. In the courtroom Stuart and the Judge preside over Peter's fate. When his mother's love interest The Major testifies, he reveals that Peter let a young woman, Lauren, die. Peter is sent back to die in her place and restore balance but he saves both Lauren and himself, causing a devastating change of events...Gareth is inspired by author Joseph Conrad and his struggle between existential awareness and moral obligation, particularly in his novel The Secret Agent. He also takes inspiration from Franz Kafka and D.H. Lawrence. I Am Dead will appeal to that man who wonders what society really has to offer him, or that woman who fears what society has planned for her...
An undergraduate-level introduction to number theory, with the emphasis on fully explained proofs and examples. Exercises, together with their solutions are integrated into the text, and the first few chapters assume only basic school algebra. Elementary ideas about groups and rings are then used to study groups of units, quadratic residues and arithmetic functions with applications to enumeration and cryptography. The final part, suitable for third-year students, uses ideas from algebra, analysis, calculus and geometry to study Dirichlet series and sums of squares. In particular, the last chapter gives a concise account of Fermat's Last Theorem, from its origin in the ancient Babylonian and Greek study of Pythagorean triples to its recent proof by Andrew Wiles.
This book is a fictional account of the life of German film and theatre actor Werner Krauss, eponymous star of the classic silent film The Cabinet of Doctor Caligari. Upon gaining worldwide recognition in this film, Krauss was co-opted into the Nazi hate campaign of the 1930s and 1940s. He featured in the vicious propaganda film Jud Suss, and he was complicit in giving anti-Semitic performances onstage, most notably as Shylock in Shakespeare's The Merchant of Venice. The book focuses on three distinct eras in Krauss' life: the struggling, exuberant actor of the 1920s; the philandering pragmatist of the 1930s; and the elderly, neurotic outcast of the 1940s. Despite his honourable intentions, Krauss was all-too-often undermined by his inability to say no to women, alcohol and the egregious Joseph Goebbels. In this fictional re-imagining of his life, Krauss' motives and decisions are explored in an attempt to discover why he collaborated with the Nazis in the way that he did, as well as demonstrating the personal and political consequences of his actions. As someone who was influenced by the Nazi regime, and, in turn, influential in perpetuating their message, Krauss' story tells the wider story of the role of the arts and media in Nazi Germany. Extensively researched, including contemporary news stories, archived film material, critical essays on Krauss and translated passages from his autobiography, Das Schauspiel Meines Lebens, this fictional reconstruction of Krauss' life and career is preceded by a substantive Introduction by the author, setting the novel in the context of the genre of Holocaust fiction, emulating and reminiscent of Christopher Isherwood's Goodbye to Berlin and Thomas Keneally's Schindler's Ark.
The knights of King Arthur's Round Table - Erec, Lancelot, Yvain, Perceval and Gawain - first appeared in the works of Chrétien de Troyes, who cast into Old French stories told by Welsh and Breton story tellers which had their origin in Celtic myth and legend. Chrétien wrote at a time when faery lore was still taken seriously - some leading families even claimed descent from faery ancestors! So we do well to look again at these early stories, for they were written not so much in terms of mystical quests or examples of military chivalry but records of initiation into Otherworld dynamics. Gareth Knight, an acknowledged expert on spiritual and magical traditions and a student of medieval French, goes to the well spring of Arthurian tradition to unveil these original principles. What is more, he shows how they can be regenerated today. "Opening the faery gates" can have its reward not only in terms of personal satisfaction and spiritual growth but as part of a much needed realignment of our spiritual responsibilities as human beings on planet Earth.
This work argues that although "The Waste Land" demands close reading, the spirit of the old New Criticism works with inappropriate assumptions about unity and closed form. Many critics have tried to fix the text, to find hidden narratives and plots, spiritual guests and allegories of salvation. Instead, this reading sees the poem as resolutely open-ended, supporting this view with recent developments in Reader-Response criticism and Reception Theory. The study focuses on the way poetry sounds (or does not sound, cannot be sounded). It concentrates on syntax, lineation and intonation. It also brings out the presence of the muted voices of wronged women in a work often called misogynistic.
A guided tour of the mathematical principles inherent in music. Taking a "music first" approach, Gareth E. Roberts's From Music to Mathematics will inspire students to learn important, interesting, and at times advanced mathematics. Ranging from a discussion of the geometric sequences and series found in the rhythmic structure of music to the phase-shifting techniques of composer Steve Reich, the musical concepts and examples in the book motivate a deeper study of mathematics. Comprehensive and clearly written, From Music to Mathematics is designed to appeal to readers without specialized knowledge of mathematics or music. Students are taught the relevant concepts from music theory (notation, scales, intervals, the circle of fifths, tonality, etc.), with the pertinent mathematics developed alongside the related musical topic. The mathematics advances in level of difficulty from calculating with fractions, to manipulating trigonometric formulas, to constructing group multiplication tables and proving a number is irrational. Topics discussed in the book include • Rhythm • Introductory music theory • The science of sound • Tuning and temperament • Symmetry in music • The Bartók controversy • Change ringing • Twelve-tone music • Mathematical modern music • The Hemachandra–Fibonacci numbers and the golden ratio • Magic squares • Phase shifting Featuring numerous musical excerpts, including several from jazz and popular music, each topic is presented in a clear and in-depth fashion. Sample problems are included as part of the exposition, with carefully written solutions provided to assist the reader. The book also contains more than 200 exercises designed to help develop students' analytical skills and reinforce the material in the text. From the first chapter through the last, readers eager to learn more about the connections between mathematics and music will find a comprehensive textbook designed to satisfy their natural curiosity.
An eclectic mix of Speculative Fiction pieces around the theme of LIGHT. Short stories and poetry vie for your attention with two entries from our special guest authors - Adrian Tchaikovsky and Peter McLean. With Sci-Fi, Fantasy, Supernatural, Horror and everything between, there is something here for every taste. All proceeds go to the Mental Health charity - MIND.
Urban Criminology offers an accessible analysis of our urban condition, viewed through the prism of crime, disorder and social harm. This book gathers cutting-edge treatments, research field reports and critical examinations of crime and harm in cities, from the disciplines of urban studies and criminology. The social, economic and political composition of cities and the various inequalities that mark out and drive the problem of crime in many cities today are foregrounded. Readers follow a series of thematic engagements, generating a deeper understanding of a range of key areas that include problems of violence, social and spatial divisions, housing, policing and the role of the urban economy in issues of financial crime. This book comes at a time of rising crime in many cities and complex responses by city administrations and communities. It presents a critical, political thesis – that crime in cities must be understood with reference to the varying social structures, political forces and economic opportunities of cities. These influences intersect to produce dramatic variations in victimisation and attempts at social control, often felt most strongly around class and gender divisions. To understand crime, we must better understand the life of the city. Urban Criminology seeks to present an integrated framework that brings to life these key issues and seeks to enthuse students of our urban condition – to locate the harms within it and to identify ways of reducing the risk of crime. This book is ideal reading for all students with an interest in cities, crime, community life, urban sociology and urban cultures.
Through the lens of an extraordinary family, a number of fascinating stories relating to the wider tumult of late 19th century Europe are revealed. Playing an instrumental role in the Ottoman Empire, the story of the Robinsons is an incredible rags-to-riches tale that stretches from the tenant farms of Lincolnshire to the palaces of Constantinople.
This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of Icelanders—and taking into account a number of little-studied sagas as well as the more well-known works—it comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. Men and Masculinities in the Sagas of Icelanders elucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and femininities. Ultimately, the volume demonstrates that masculinity is not simply glorified in the sagas, but is represented as being both inherently fragile and a burden to all characters, masculine and non-masculine alike.
Post-colonial theory is a relatively new area in critical contemporary studies, having its foundations more Postcolonial Criticism brings together some of the most important critical writings in the field, and aims to present a clear overview of, and introduction to, one of the most exciting and rapidly developing areas of contemporary literary criticism. It charts the development of the field both historically and conceptually, from its beginnings in the early post-war period to the present day. The first phase of postcolonial criticism is recorded here in the pioneering work of thinkers like Aimé Césaire, Frantz Fanon, Edward Said, and Gayatri Spivak. More recently, a new generation of academics have provided fresh assessments of the interaction of class, race and gender in cultural production, and this generation is represented in the work of Aijaz Ahmad, bell hooks, Homi Bhabha, Abdul JanMohamed and David Lloyd. Topics covered include negritude, national culture, orientalism, subalternity, ambivalence, hybridity, white settler societies, gender and colonialism, culturalism, commonwealth literature, and minority discourse. The collection includes an extensive general introduction which clearly sets out the key stages, figures and debates in the field. The editors point to the variety, even conflict, within the field, but also stress connections and parallels between the various figures and debates which they identify as central to an understanding of it. The introduction is followed by a series of ten essays which have been carefully chosen to reflect both the diversity and continuity of postcolonial criticism. Each essay is supported by a short introduction which places it in context with the rest of the author's work, and identifies how its salient arguments contribute to the field as a whole. This is a field which covers many disciplines including literary theory, cultural studies, philosophy, geography, economics, history and politics. It is designed to fit into the current modular arrangement of courses, and is therefore suitable for undergraduate and postgraduate courses which address postcolonial issues and the 'new' literatures in English.
New Paths on the Quest for the Grail Explore the transformative power of the Grail and discover extraordinary revelations from nearly forgotten Grail texts. Temple of the Grail offers the first English translations of the thirteenth-century Sone de Nansay and the Later Titurel by Albrecht, together with insights from the Letter of Prester John. These texts, along with brilliant commentary by foremost Grail scholars John Matthews and Gareth Knight, provide tantalizing clues into the modern understanding of the Grail quest, shedding important new light on the mysteries of the Grail temple itself, its relationship to the sacred understanding of architecture and symbolism, and its rediscovery in the heart of the Middle East. In addition, Temple of the Grail explores the lineage of the mystical Swan Knights, said to be guardians of the Grail descended from Sone himself. Filled with fascinating perspectives on one of the greatest mysteries of all time, this book is a must-have for Grail aficionados. The interpretations of the Grail temple and the effects of standing before the Grail live at the heart of the mystery. The profound ideas explored in Temple of the Grail open new pathways of engagement with this essential part of our continued spiritual evolution.
Gareth Goossen describes worship as entailing more than music, as entailing all of life. To that one can only say a hearty 'Amen.' But he does more than this, for he not only describes the goal of worship, doing so in a very down-to-earth way, but he also gives us the practical steps for progressing towards that goal. Worship does involve all of life, and I warmly recommend this book to anyone who is interested in entering into this reality. Dr. Peter H. Davids, author, pastor, professor, and New Testament scholar At the very heart of worship is our longing to know and love God! Worship Walk helps bring us back to that heart in a compelling way! There are many powerful truths covered in this bookI love the way Gareth helps us to remember the truth of the cost of worship. God is more committed to forming his character in us than he is in providing for our comfort. This book is a timely reminder of what worship is all about and how we are to walk it out in our lives. Brian Doerksen, world-renowned songwriter and worship leader Worship Walk is an amazing manual for Christian living. Gareth has taken foundational aspects of Christianity and shown them through the lens of worship. As a worship leader who has also found great joy in worshipping God through things in addition to music (mountain biking, for one), I found this book to be very affirming but also very challenging! Kevin Boese, songwriter and worship pastor
Around the world every year very many students have to complete dissertations or theses as part of their undergraduate or masters studies in tourism and related subjects. Often this substantial piece of self-directed work is the culmination of their programmes. More than just a means to consolidate their final grades, it is also an exciting chance to research a topic of their choosing and a potential gateway to more advanced study as well as job offers and future career paths. Yet for all these reasons, many students view the dissertation as a tricky challenge. This comprehensive book intends to take the stress and anxiety out of doing a dissertation in tourism studies and related disciplines. The process is examined from the germination of an idea to the submission and assessment of the final document. Written primarily for students conducting independent research for the first time, this book offers simple advice and a clear framework which students can adopt even in more advanced studies at masters and doctoral level. This book debunks popular myths, and aims to overcome common pitfalls. It focuses on the aims and objectives as the DNA of every dissertation. Rather than view it as a single, overwhelming project, the dissertation is presented as a series of more modest, manageable yet crucially inter-linked tasks that all students can successfully complete through careful preparation and effective time management. Dissertations are not to be underestimated and they demand great care and attention, but they can also be immensely rewarding and enriching experiences academically and personally. This ‘jargon free’ book is also written with overseas students specifically in mind, drawing directly on our overseas students’ experiences. This valuable resource contains start of chapter learning objectives and end of chapter checklists, as well as numerous boxed case studies, to further help assist students through their dissertation.
Because of the combination of information, understanding and insight on which it is founded, The Magical World of the Inklings is more than outstanding. It is not in the same league with anything else I have come across." - Owen Barfield The works of J. R. R. Tolkien, C. S. Lewis, Charles Williams and Owen Barfield have had a profound impact on the contemporary world. Together they were The Inklings, a small literary group of friends who set out to explore the 'mythopoeic' or myth-making element in imaginative fiction. The Magical World of the Inklings reveals how each of these writers created a 'magical world' which initiated the reader into hidden and powerful realms of the creative imagination.
It was over a decade ago that experimental psychologists and media-effects researchers declared the debate on the effects of violent video gaming as “essentially over,” referring to the way violence in videogames increases aggressive thoughts, feelings and behaviors in players. Despite the decisive tone of this statement, neither the presence nor popularity of digital games has since diminished, with games continuing to attract new generations of players to experience its technological advancements in the narration of violence and its techniques of depiction. Drawing on new insights achieved from research located at an intersection between humanities, social and computer sciences, Gareth Schott's addition to the Approaches in Digital Game Studies series interrogates the nature and meaning of the “violence” encountered and experienced by game players. In focusing on the various ways "violence" is mediated by both the rule system and the semiotic layer of games, the aim is to draw out the distinctiveness of games' exploitation of violence or violent themes. An important if not canonical text in the debates about video games and violence, Violent Games constitutes an essential book for those wishing to make sense of the experience offered by games as technological, aesthetic, and communicational phenomena in the context of issues of media regulation and the classification of game content “as” violence.
A collection of near-future, optimistic SF stories where some of the genre's brightest stars and most exciting new talents portray the possible roads to a better tomorrow. SHINE shows that positive change is far from being a foregone conclusion, but needs to be hard fought, innovative, robust and imaginative. Let's make our tomorrows SHINE. Featuring orginal stoires by Alastair Reynolds, Kay Kenyon, Lavie Tidhar, Jason Andrew Madeline Ashby, Jacques Barcia, Eva Maria Chapman, Ken Edgett, Silvia Moreno-Garcia, Eric Gregory, Mari Ness, Holly Phillips, Gareth L. Powell & Aliette de Bodard, Gord Sellar, Paula R. Stiles and Jason Stoddard.
A collection of essays tracing the historical importance and esoteric influence of Merlin and the Grail tradition, from its mythological beginnings right down to its relevance in modern magical practice.
The long-awaited magical autobiography of Gareth Knight covers a long career in pursuit of the Mysteries, from the adventures of New Dimensions magazine to the calling of King Arthur, from the rituals of Sherwood Forest to the Somme, from the wrath of fellow ritual magicians to the shining allure of Faery.
Available in paperback for the first time, Gareth Griffith's book provides a comprehensive critical account of the political ideas of one of the most influential commentators of the twentieth century. With close reference to a range of Shaw's texts, from the Fabian tracts to the plays, Gareth Griffith draws out the central theoretical messages of Shaw's engagement with politics. The first part of the book provides an intellectual biography, while at the same time analysing Shaw's key concerns in relation to his Fabianism, arguments for equality of income and ideas on democracy and education. Part Two looks at those areas which Shaw approached as long-standing historical problems or dramas requiring immediate thought or action; sexual equality, the Irish question, war, fascism and sovietism. The book is directed to the general reader as well as to specialists. It will be central reading for anyone seeking to understand Shaw's life, and literary and political writings, or the development of political thinking in this century, or the problems and potential inherent in socialism.
This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.
For many centuries, honey, garlic and vinegar have been known as healing foods. Individually, they can clean wounds... boost your energy... fight infection... help you sleep... moisturise your skin and hair... clean and disinfect your home... soothe rashes and stings. But when used in combination, many slimmers believe they can help you lose weight, and reduce hunger pangs and food cravings. Now you can try every recipe, tip and remedy I've discovered in The Honey, Garlic and Vinegar MIRACLE. This one book could help you solve all kinds of health niggles.... Lose weight faster with this special combination of honey, garlic and vinegar. Reduce the appearance of winkles, help your skin keep moist and young-looking. Ease the symptoms of coughs and colds without expensive drugs or drowsiness. Boost your libido - the ancient Greek warrior way. Instantly treat common ailments like indigestion, heartburn and headaches. Relieve pain, Ward off infections, superbugs and food poisoning. Soothe stings, bites and rashes the natural way... sleep more easily at night...Get rid of bad breath... clean your home naturally.. Forget what you think you know about honey, garlic and vinegar. You'll find this book full of surprises.
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