This book examines the extensive network of security professionals and the wide range of practices that have spread in Azerbaijan’s energy sector. It unpacks the interactions of state, supra‐state, and private security organisations and argues that energy security has enabled and normalised a coercive way of exercising power.
Known as ‘the land of fire’, Azerbaijan’s politics are materially and ideologically shaped by energy. In the country, energy security emerges as a mix of coercion and control, requiring widespread military and law enforcement deployment. This book examines the extensive network of security professionals and the wide range of practices that have spread in Azerbaijan’s energy sector. It unpacks the interactions of state, supra‐state, and private security organizations and argues that energy security has enabled and normalized a coercive way of exercising power. This study shows that oppressive energy security practices lead to multiple forms of abuse and poor energy policies.
Timed with the centennial of the Panama-Pacific International Exposition (PPIE) of 1915, Jewel City presents a large and representative selection of artworks from the fair, emphasizing the variety of paintings, sculptures, photographs, and prints that greeted attendees. It is unique in its focus on the works of art that were scattered among the venues of the expositionÑthe most comprehensive art exhibition ever shown on the West Coast. Notably, the PPIE included the first American presentations of Italian Futurism, Austrian Expressionism, and Hungarian avant-garde painting, and there were also major displays of paintings by prominent Americans, especially those working in the Impressionist style. This lavishly illustrated catalogue features works by masters such as Winslow Homer, John Singer Sargent, Claude Monet, Paul CŽzanne, Robert Henri, Edward Weston, Imogen Cunningham, Edvard Munch, Oskar Kokoschka, Umberto Boccioni, and many more. The volume also explores the PPIEÕs distinctive murals program, developments in the art of printmaking, and the legacy of the French Pavilion, which hosted an abundance of works by Auguste Rodin and inspired the founding and architecture of the Legion of Honor museum in San Francisco. A rich and fascinating study of a critical moment in American and European art history, Jewel City is indispensable for understanding both the United StatesÕ and CaliforniaÕs role in the reception of modernism as well as the regionÕs historical place on the international art stage. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young Museum, San Francisco: October 17, 2015ÐJanuary 10, 2016
Terrific . . . Vibrant . . . When the Clock Broke is one of those rarest of books: unflaggingly entertaining while never losing sight of its moral core." —Jennifer Szalai, The New York Times "When the Clock Broke is leagues more insightful on the subject of Trump’s ascent than most writing that purports to address the issue directly." —Becca Rothfeld, The Washington Post "Lively and kaleidoscopic." —Andrew Marantz, The New Yorker "John Ganz is the most important young political writer of his generation—just the one our dark moment needs." —Rick Perlstein A revelatory look back at the convulsions at the end of the Reagan era—and their dark legacy today. With the Soviet Union extinct, Saddam Hussein defeated, and U.S. power at its zenith, the early 1990s promised a “kinder, gentler America.” Instead, it was a period of rising anger and domestic turmoil, anticipating the polarization and resurgent extremism we know today. In When the Clock Broke, the acclaimed political writer John Ganz tells the story of America’s late-century discontents. Ranging from upheavals in Crown Heights and Los Angeles to the advent of David Duke and the heartland survivalists, the broadcasts of Rush Limbaugh, and the bitter disputes between neoconservatives and the “paleo-con” right, Ganz immerses us in a time when what Philip Roth called the “indigenous American berserk” took new and ever-wilder forms. In the 1992 campaign, Pat Buchanan's and Ross Perot’s insurgent populist bids upended the political establishment, all while Americans struggled through recession, alarm about racial and social change, the specter of a new power in Asia, and the end of Cold War–era political norms. Conspiracy theories surged, and intellectuals and activists strove to understand the “Middle American Radicals” whose alienation fueled new causes. Meanwhile, Bill Clinton appeared to forge a new, vital center, though it would not hold for long. In a rollicking, eye-opening book, Ganz narrates the fall of the Reagan order and the rise of a new and more turbulent America.
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