King Vidor (1894-1982) had the longest career of any Hollywood director, and his works include some of the most dramatic, sublime moments in the history of American cinema. Regarded by many film historians as one of the greatest of silent era filmmakers--especially for masterworks The Big Parade, The Crowd, and Show People--Vidor is nonetheless one of the most underrated of Hollywood's "old masters" in terms of his overall career. His sound era films include Hallelujah, Street Scene, The Champ, The Stranger's Return, Our Daily Bread, Stella Dallas, The Citadel, Northwest Passage, Duel in the Sun, Beyond the Forest, The Fountainhead, Ruby Gentry and War and Peace. He also helped to establish the Screen Directors Guild and served as its first president. This book charts the ways in which Vidor's vast, complex body of work ranges over diverse genres and styles while also expressing his recurring personal interests in spirituality (especially Christian Science), aesthetics, metaphysics, social realism, and the myth of America. The first book since 1988 to give a comprehensive view of Vidor's career, it discusses his artistic evolution in a way that appeals to the general reader as well as to the film scholar.
NEW EDITION OUT OCTOBER 28TH, 2022 Heavy Radicals: The FBI's Secret War on America's Maoists is a history of the Revolutionary Union/Revolutionary Communist Party — the largest Maoist organization to arise in the US — from its origins in the explosive year of 1968, its expansion into a national organization in the early seventies, its extension into major industry throughout early part of that decade, the devastating schism in the aftermath of the death of Mao Tse-tung, and its ultimate decline as the 1970s turned into the 1980s. From its beginnings the grouping was the focus of J. Edgar Hoover and other top FBI officials for an unrelenting array of operations: Informant penetration, setting organizations against each other, setting up phony communist collectives for infiltration and disruption, planting of phone taps and microphones in apartments, break-ins to steal membership lists, the use of FBI ‘friendly journalists’ such as Victor Riesel and Ed Montgomery to undermine the group, and much more. It is the story of a sizable section of the radicalized youth of whose radicalism did not disappear at the end of the sixties, and of the FBI’s largest — and up to now, untold — campaign against it.
Julie A. Gallagher documents six decades of politically active black women in New York City who waged struggles for justice, rights, and equality not through grassroots activism but through formal politics. In tracing the paths of black women activists from women's clubs and civic organizations to national politics--including appointments to presidential commissions, congressional offices, and even a presidential candidacy--Gallagher also articulates the vision of politics the women developed and its influence on the Democratic party and its policies. Deftly examining how race, gender, and the structure of the state itself shape outcomes, she exposes the layers of power and discrimination at work in all sectors of U.S. society.
Independent director and screenwriter John Andrew Gallagher, interviews 21 filmmakers on the craft of motion picture directing. Francois Truffaut, the late great French director, as well as Michael Cimino, Ulu Grosbard, Dennis Hopper, Alan Parker, Susan Seidelman, Joan Micklin Silver and many others reveal behind-the-scenes anecdotes about well known films and stars. The big gamblers who spend millions per film as well as the colorful low-budget kings provide an intriguing look at the mechanics of filmmaking. Choosing and preparing the screenplay, working with actors and crew, dealing with the distributor, and advice to young filmmakers--all are covered in this book's illuminating interviews. Serious students of cinema, filmmakers, movie buffs, and people fascinated by film will find Film Directors on in this book's illuminating interviews.
Now updated and expanded! Built upon the structure and content of the successful first edition (currently in its eighth printing), this second edition of The True Cost of Low Prices: The Violence of Globalization examines the effects of globalization on the earth's poorest and most vulnerable people within the context of scripture and church teaching. The text engages the reader with stories of the women, men, and children living in poverty who have experienced both the promise of the global economy and its troubling outcomes. The nine thematic chapters begin with a story of a person affected by a particular dimension of the violence of globalization. That is followed by a description of the "signs of the times," including the topic's relationship to low prices, and then by "what the church teaches," utilizing the Catechism, the Compendium of the Social Doctrine of the Church, papal encyclicals, the documents of Vatican II, and the statements of the U.S. Catholic bishops. Each chapter concludes with "signs of hope," descriptions of groups and strategies that make a difference. Each chapter also includes discussion questions and suggestions for making a difference.
If you want to learn how to shoot a basketball, you begin by carefully observing someone who knows how to shoot a basketball. If you want to be a writer, you begin by carefully observing the work of accomplished writers. Recognizing the importance that modeling plays in the learning process, high school English teacher Kelly Gallagher shares how he gets his students to stand next to and pay close attention to model writers, and how doing so elevates his students' writing abilities. Write Like This is built around a central premise: if students are to grow as writers, they need to read good writing, they need to study good writing, and, most important, they need to emulate good writers. In Write Like This, Kelly emphasizes real-world writing purposes, the kind of writing he wants his students to be doing twenty years from now. Each chapter focuses on a specific discourse: express and reflect, inform and explain, evaluate and judge, inquire and explore, analyze and interpret, and take a stand/propose a solution. In teaching these lessons, Kelly provides mentor texts (professional samples as well as models he has written in front of his students), student writing samples, and numerous assignments and strategies proven to elevate student writing. By helping teachers bring effective modeling practices into their classrooms, Write Like This enables students to become better adolescent writers. More important, the practices found in this book will help our students develop the writing skills they will need to become adult writers in the real world.
Community service is increasingly recognized as an important vehicle for promoting positive development among adolescents. This book provides teenagers, parents, teachers, professionals, and concerned adults with current and useful information. Included are resources for middle school, high school, and college students. Those organizing and running programs will find a wealth of material for development and improvement, including: • An examination of the characteristics of effective programs, the young people who engage in service, and those who benefit • Practical strategies for those looking to start programs • A look at current controversies, such as mandatory service A chronology provides the historical context for understanding the current status of community service, completing this practical and accessible guide to understanding and implementing good community service programs.
Discover the inner workings of FBI counterintelligence in this untold story of the FBI informants who infiltrated the Communist Party, the Black Panther Party, and other threats to US security. A Threat of the First Magnitude tells the story of the FBI’s fake Maoist organization and the informants they used to penetrate the highest levels of the Communist Party USA, the Black Panther Party, the Revolutionary Union and other groups labelled threats to the internal security of the United States in the 1960s and 1970s. As once again the FBI is thrust into the spotlight of US politics, A Threat of a First Magnitude offers a view of the historic inner-workings of the Bureau’s counterintelligence operations—from generating “fake news” and the utilization of “sensitive intelligence methods” to the handling of “reliable sources”—that matches or exceeds the sophistication of any contenders.
The origins of the vampire can be traced through oral traditions, ancient texts and archaeological discoveries, its nature varying from one culture to the next up until the 20th century. Three 19th century Irish writers--Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker--used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture. Maturin, Le Fanu and Stoker did not set out to transform the vampire of regional folk tales into a global phenomenon. Their personal lives, national concerns and extensive reading were reflected in their writing, striking a chord with readers and recasting the vampire as distinctly Irish. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s.
Ireland in the mid-1800s was primarily a population of peasants, forced to live on a single, moderately nutritious crop: potatoes. Suddenly, in 1846, an unknown and uncontrollable disease turned the potato crop to inedible slime, and all Ireland was threatened. Index.
In this Civil War Short, Gary W. Gallagher surveys Confederate sentiment in the summer of 1863 and argues that many southerners did not view the battle of Gettysburg as a resounding defeat. Gallagher makes the compelling case that, although southern casualties were tremendous, Confederates across the South, along with the vast majority of Lee's soldiers, persisted in viewing Robert E. Lee as an invincible commander whose army increasingly sustained the hopes of the nation. The work was originally published in The Third Day at Gettysburg and Beyond, edited by Gary W. Gallagher, which combines fresh evidence with the reinterpretation of standard sources to testify to the enduring impact of the Civil War on our national consciousness and refocus our view of the third day at Gettysburg. UNC Press Civil War Shorts excerpt rousing narratives from distinguished books published by the University of North Carolina Press on the military, political, social, and cultural history of the Civil War era. Produced exclusively in ebook format, they focus on pivotal moments and figures and are intended to provide a concise introduction, stir the imagination, and encourage further exploration of the topic. For in-depth analysis, contextualization, and perspective, we invite readers to consider the original publications from which these works are drawn.
Remix is now considered by many to be a form of derivative work, but such generalizations have resulted in numerous non-commercial remixes being wrongfully accused of copyright infringement. Gallagher argues, however, that remix is a fundamentally transformative practice. The assumption that cultural works should be considered a form of private property is called into question in the digital age; thus, he proposes an alternative system to balance the economic interests of cultural producers with the ability of the public to engage with a growing intellectual commons of cultural works. Multimodal analyses of both remixed and non-remixed intertextual work, with a particular focus on examples of critical remix video, fuel the discussion, synthesizing a number of investigative methods including semiotic, rhetorical and ideological analysis.
Many texts review the scientific knowledge, diagnostic procedures, clinical syndromes, and therapeutic methods of importance to modern psychiatry. Barry Nurcombe and Rollin Gallagher offer something further. The Clinical Process in Psychiatry is about how to think in clinical settings. The authors take as their organizing theme the supple, efficient, systematic problem-solving of the experienced practitioner: from the eliciting of diagnostic clues and the intuition of patterns, through the generation of hypotheses and the gathering of evidence, to the formulation of comprehensive diagnoses and the design of goal-directed management plans. Throughout, they present theotetical material in a manner which is readily accessible to both students and clinicians during their daily encounters with patients.
Even one hundred and fifty years later, we are haunted by the Civil War—by its division, its bloodshed, and perhaps, above all, by its origins. Today, many believe that the war was fought over slavery. This answer satisfies our contemporary sense of justice, but as Gary Gallagher shows in this brilliant revisionist history, it is an anachronistic judgment. In a searing analysis of the Civil War North as revealed in contemporary letters, diaries, and documents, Gallagher demonstrates that what motivated the North to go to war and persist in an increasingly bloody effort was primarily preservation of the Union. Devotion to the Union bonded nineteenth-century Americans in the North and West against a slaveholding aristocracy in the South and a Europe that seemed destined for oligarchy. Northerners believed they were fighting to save the republic, and with it the world’s best hope for democracy. Once we understand the centrality of union, we can in turn appreciate the force that made northern victory possible: the citizen-soldier. Gallagher reveals how the massive volunteer army of the North fought to confirm American exceptionalism by salvaging the Union. Contemporary concerns have distorted the reality of nineteenth-century Americans, who embraced emancipation primarily to punish secessionists and remove slavery as a future threat to union—goals that emerged in the process of war. As Gallagher recovers why and how the Civil War was fought, we gain a more honest understanding of why and how it was won.
Sodomscapes presents a fresh approach to the story of Lot’s wife, as it’s been read across cultures and generations. In the process, it reinterprets foundational concepts of ethics, representation, and the body. While the sudden mutation of Lot’s wife in the flight from Sodom is often read to confirm our antiscopic bias, a rival tradition emphasizes the counterintuitive optics required to nurture sustainable habitations for life in view of its unforeseeable contingency. Whether in medieval exegesis, Russian avant-garde art, Renaissance painting, or today’s Dead Sea health care tourism industry, the repeated desire to reclaim Lot’s wife turns the cautionary emblem of the mutating woman into a figural laboratory for testing the ethical bounds of hospitality. Sodomscape—the book’s name for this gesture—revisits touchstone moments in the history of figural thinking and places them in conversation with key thinkers of hospitality. The book’s cumulative perspective identifies Lot’s wife as the resilient figure of vigilant dwelling, whose in-betweenness discloses counterintuitive ways of understanding what counts as a life amid divergent claims of being-with and being-for.
Was Robert E. Lee a gifted soldier whose only weaknesses lay in the depth of his loyalty to his troops, affection for his lieutenants, and dedication to the cause of the Confederacy? Or was he an ineffective leader and poor tactician whose reputation was
The riveting true story of serial wife and husband killer Gladys Lincoln, written by the grandson of her lead defense attorney. Includes love letters from the victim to the defendant hidden over seventy years! In August 1945, Gladys Lincoln of Sacramento contacted prosperous Dr. W. D. Broadhurst of Caldwell, Idaho, and rekindled a romance from twenty years earlier. After many passionate letter exchanges and several sexually-charged meetings, they were married in Reno, Nevada on May 20, 1946. After a passion-filled three-day weekend together, the doctor returned to his home in Idaho, and Gladys returned to Sacramento . . . and to her husband, Leslie Lincoln! But Gladys was much more than a bigamist. Gladys needed something even she didn’t understand. She married her first husband when she was twenty, and her second husband only fourteen months later. The second marriage lasted only two years, the third less than sixteen months. Leslie Lincoln was her fifth, and Dr. Broadhurst became her sixth. But what desperate need drove her to go from marriage to marriage? And what dark mindset moved her and her young cowboy chauffeur to commit murder? Find out in ’Til Death Do Us . . . the gripping true crime from WildBlue Press author Patrick Gallagher, whose grandfather was Gladys’ lead defense attorney during her sensational trial.
From an Iowa homestead, ahead of the Great Depression, to the plains and mountains of Colorado, this book is about a priest using his wits and sensibility to affect the lives of everyone he met. In his journey, he plowed forward, but had to turn corners quickly into fields he hadnt imagined. The supposed director of his life found himself being directed. Why are 300 Christmas cards his reminder that this was all good when so many people from every walk of life think of him as friend and family.
An in-depth look at the institutionalization of alternative dispute resolution (ADR) processes in the federal and state regulatory arenas over the past twenty-five years, this volume showcases the value of these processes and highlights the potential for their expanded application and growth. It describes ADR techniques, how to use them, and how to integrate them into existing processes, using examples from the Federal Energy Regulatory Commission and three state utility regulatory commissions. The book recounts ADR successes, recognizing that traditional litigative methods may not always meet the needs of agencies, the parties, or the public. Institutionalizing these processes requires a systematic commitment to different approaches to problem-solving and, ultimately, cultural change. The authors spearheaded initiatives to integrate these processes and skills at the federal level. Drawing from valuable insights gained from their experience, the authors introduce a versatile new ADR system design model, the Voices of Value, which aims to enhance input, creativity, and effectiveness in regulatory and other public arenas as well as the private sector.
A Handful of Mischief: New Essays on Evelyn Waugh is a collection of essays based on presentations at the Evelyn Waugh Centenary Conference at Hertford College, Oxford in 2003. There are twelve different essays by authors from various countries, including Australia, Canada, Russia, the United Kingdom, and the United States.
The new bottom line for 21st century capitalism will measure success based on the company's impact on all stakeholders, including the environment and the global community at large. Throughout his interesting career and challenging business ventures, Knut Utstein Kloster he has proven the axiom that businesses can "do well by doing good." Long before 'green' became more than a color, or capitalism came generally to mean more than just profit-making, Knut Utstein Kloster was investing in socially responsible enterprises that valued all of its stakeholders. The now popular expression, 'triple bottom line, ' was Knut's modus operandi from day one. The story emphasizes the important role of the conscience in navigating a just and equitable course forward. Kloster's "no-man's land" is the distance between the world-that-is and the world-as-it-should be.
In 1578, the Anglo-Italian author, translator, and teacher John Florio wrote that English was 'a language that wyl do you good in England, but passe Dover, it is woorth nothing'. Learning Languages in Early Modern England is the first major study of how English-speakers learnt a variety of continental vernacular languages in the period between 1480 and 1720. English was practically unknown outside of England, which meant that the English who wanted to travel and trade with the wider world in this period had to become language-learners. Using a wide range of printed and manuscript sources, from multilingual conversation manuals to travellers' diaries and letters where languages mix and mingle, Learning Languages explores how early modern English-speakers learned and used foreign languages, and asks what it meant to be competent in another language in the past. Beginning with language lessons in early modern England, it offers a new perspective on England's 'educational revolution'. John Gallagher looks for the first time at the whole corpus of conversation manuals written for English language-learners, and uses these texts to pose groundbreaking arguments about reading, orality, and language in the period. He also reconstructs the practices of language-learning and multilingual communication which underlay early modern travel. Learning Languages offers a new and innovative study of a set of practices and experiences which were crucial to England's encounter with the wider world, and to the fashioning of English linguistic and cultural identities at home. Interdisciplinary in its approaches and broad in its chronological and thematic scope, this volume places language-learning and multilingualism at the heart of early modern British and European history.
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