Despite being highly active, Mike Berland struggled with his weight for nearly 30 years - gaining one to two pounds each year, steadily growing from 192 to 236 pounds. He was losing hope until he met nutrition specialist Dr Laura Lefkowitz. She taught him about his condition: metabolic syndrome, an energy utilisation and storage disorder that is affecting Westerners at an alarming rate. Berland also worked with Gale Bernhardt, an elite Olympic triathlon coach. Together, they have unlocked the secrets to handling metabolic syndrome and burning fat.
As the Introduction in this book clearly states, this book could be fiction or non-fiction. If it comes close to being non-fiction, then the story contained herein, following the prophetic Scriptures cited, depicts a future history unfolding very close to what actually will happen. That aside, whether fiction or non-fiction, the person reading this book now will be challenged to evaluate our current history to determine if it could lead to a future history as described in this book. The goal of the author in writing this novel is clear! It is for the reader to ask the same question posed by the Apostle Peter "What kind of person should I be?" (2 Peter 3:11). The answer found in the same passage..."Holy and godly as you look forward to the day of God and speed its coming." GALE NEWMAN was born and raised in Turlock, California. He attended U.C. Berkeley on an athletic scholarship. After graduation, he attended Trinity Evangelical Divinity School. From there he received a Masters of Divinity degree and a few years later, a Doctor of Ministry degree. He has served churches in Oregon, Indiana and California. While serving those churches he instituted Home Bible Studies, believing them to be essential for Christian growth. His first book, The Truth About The Lie, was formatted to be used by Christians for personal Bible study or for groups within churches to be used in home Bible-study settings. This book could be used for the same purposes since each chapter ends with Bible verses to be read. The references are to be used to understand the background of the chapter just read.
It is July 24, 1895. Sigmund Freud and his family are staying for the summer at the Belle Vue resort in the Alpine foothills overlooking Vienna. His marriage to his wife Martha is swiftly deteriorating; he is in the midst of a love affair with his brilliant but unpredictable sister-in-law, Minna; his mother-in-law, Mrs. Bernays, despises him; and he has just that morning completed his first full interpretation of a dream, marking a revolution in our understanding of the human mind. Yet Freud has a dilemma. He is caught between two powerful desires – his love for Minna and his quest for fame – and he does not know if he can have both. Belle Vue: Sigmund Freud, Minna Bernays, and the Meaning of Dreams is a novel of that day. It is the story of four people desperately pursuing their own special dreams. The strident and sometimes humorous interactions among the four, as they seek greater meaning in their lives, provide the dynamic tension that propels the novel forward to an unusual but very “psychoanalytic” conclusion. It is also the story of a brilliant man being torn apart at the most critical moment of his young career. For decades controversy has surrounded the exact nature of Freud’s relationship with his sister-in-law. The idea that they had a 20-years affair was first mentioned by Carl Gustav Jung, an early supporter of Freud’s and later a critic. He said Minna had revealed the affair in private conversations with him. Freudians denied the allegations, but recently a German scholar found evidence to support the contention. In a Swiss hotel registration book from the late 19th Century he found the notation, Dr Sigm. Freud u Frau, written in Freud’s handwriting. This was a holiday that Freud and Minna took alone
SHAW 21 offers readers an eclectic perspective on Shaw, his works, and his contemporaries. Basil Langton, actor and director, reminisces about his early development as an actor, his meeting with Shaw, and his career as director of many of Shaw's plays. He focuses upon Shaw's stagecraft, augmenting his views with those of Sybil Thorndike and Sir Lewis Casson, whom he interviewed in 1960. Galen Goodwin Longstreth analyzes the correspondence between Shaw and Ellen Terry and argues that the exchange is itself a literary genre, a dramatic performance that reveals their personal identities. The next two contributors, Stanley Weintraub and Andrea Adolph, examine the Shaw/Virginia Woolf relationship. Weintraub focuses on those occasions when their respective lives touched each other, what their feelings for each other were, and how those occasions were obliquely woven into Shaw's plays, most notably Heartbreak House. Professor Adoph argues that in Woolf's only dramatic text, Freshwater: A Comedy, she was conforming to the traditional theatrical mode of the day, dominated, of course, by Shaw, but that she subverted his traditional literary depiction of paternity as, for example, the paternity dramatized in Major Barbara. Sidney Albert and Bernard Dukore provide unique perspectives on reading Major Barbara. Albert shows how John Bunyan's The Pilgrim's Progress serves as Shaw's source for Barbara's progress toward enlightened understanding. Dukore, focusing on the perspective of the familial relationship within the play, concludes that Shaw's dialectic gives the kids the future and not the dad. It will be the next generation, not Father Undershaft, who will determine where society will go next. Julie Sparks and Martin Bucco approach Shaw from a comparative basis, juxtaposing him with two American writers, contemporaries of Shaw, Mark Twain and Sinclair Lewis, respectively. Sparks explores the commonality that exists in Shaw's and Twain's thinking about evolution, namely, their heretical visions of a post-Darwinian Eden. Both viewed conventional Christianity iconoclastically, but both arrived at different conclusions about human origin and destiny, a view Sparks describes as emanating from the deist-pessimist-evolutionary-determinist perspective versus the mystic-optimistic-creative-evolutionist perspective, or the Personal Godhead versus the Impersonal Force. Professor Bucco enumerates the many references Sinclair Lewis makes to Bernard Shaw throughout his writings, both prose and fiction, to underscore the American novelist's admiration for the Irish playwright, both recipients of the Nobel Prize for Literature. The final two contributors to SHAW 21, Rodelle Weintraub and William Doan, provide the readers with distinctive perspectives on John Bull's Other Island and The Doctor's Dilemma, respectively. Weintraub recasts the play into a dream sequence whereby Doyle's dream becomes an artifice for problem solving. Implied within Father Keegan's lines in the play, "Every dream is a prophecy: every jest is an earnest in the womb of Time," is the resolution of Doyle's problem with Nora, the girl he had left behind, and of the dream of modernizing Roscullen. Doan suggests that in The Doctor's Dilemma Shaw uses the idea of unconsummated adultery to argue for the efficacy of art over science. In the conflict between the artist and the scientist, the latter plans to have the artist's muse. In the end, not only is he deprived of the wife but also of the works of art themselves and the spirit that animates them. SHAW 21 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana.
Offers multisport athletes advice on how to understand the science of training and effectively self-train, providing sample training plans for different levels of multisport events, specific workouts for each type of plan, ratings for exertion levels, and generic training plans that can be used for all ability levels.
Offers multisport athletes advice on how to understand the science of training and effectively self-train, providing sample training plans for different levels of multisport events, specific workouts for each type of plan, ratings for exertion levels, and generic training plans that can be used for all ability levels.
A Study Guide for James Joyce's "A Portrait of the Artist as a Young Man," excerpted from Gale's acclaimed Novels for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
This book provides a new social history of British performance cultures in the early decades of the twentieth century, where performance across stage and screen was generated by dynamic and transformational industries. Exploring an era book-ended by wars and troubled by social unrest and political uncertainty, A Social History of British Performance Cultures 1900–1939 makes use of the popular material cultures produced by and for the industries – autobiographies, fan magazines and trade journals, as well as archival holdings, popular sketches, plays and performances. Maggie B. Gale looks at how the performance industries operated, circulated their products and self-regulated their professional activities, in a period where enfranchisement, democratization, technological development and legislation shaped the experience of citizenship. Through close examination of material evidence and a theoretical underpinning, this book shows how performance industries reflected and challenged this experience, and explored the ways in which we construct our ‘performance’ as participants in the public realm. Suited not only to scholars and students of British theatre and theatre history, but to general readers as well, A Social History of British Performance Cultures 1900–1939 offers an original intervention into the construction of British theatre and performance histories, offering new readings of the relationship between the material cultures of performance, the social, professional and civic contexts from which they arise, and on which they reflect.
While best known as one of the most important playwrights of the twentieth century, Harold Pinter (1930–2008) had an equally successful career writing screenplays. His collaborations with director Joseph Losey garnered great attention and esteem, and two of his screenplays earned Academy Award nominations: The French Lieutenant's Woman (1981) and Betrayal (1983). He is also credited for writing an unproduced script to remake Stanley Kubrick's 1962 adaptation of Lolita. Much scholarship has been dedicated to the subject of Pinter as playwright, but the rich landscape of his work in film has been left largely undisturbed. In Sharp Cut: Harold Pinter's Screenplays and the Artistic Process, Steven H. Gale, the world's foremost Pinter scholar, analyzes Pinter's creative process from initial conception to finished film. Gale makes careful, point-by-point comparisons of each stage in the screenplay's creation—the source material, the adaptations themselves, and the films made from the scripts—in order to reveal the meaning behind each film script and to explain the cinematic techniques used to express that meaning. Unlike most Pinter scholars, who focus almost solely on the written word, Gale devotes discussion to the cinematic interpretation of the scripts through camera angles and movement, cutting, and other techniques. Pinter does not merely convert his stage scripts to screenplays; he adapts the works to succeed in the other medium, avoiding elements of the live play that do not work onscreen and using the camera's focusing operations in ways that are not possible on the stage. As Pinter's career progressed and his writing evolved, screenplays became for him an increasingly vital means of creative expression. Sharp Cut is the first study to fully explore this important component of the Pinter canon.
Why do different countries have such different financial systems? Is one system better than the other? This text argues that the view that market-based systems are best is simplistic, and suggests that a more nuanced approach is necessary.
On the outside, I remained poised and collected. Within, I searched for answers . . . The signs were there. Her husband was distant. Angry. He withdrew if she so much as lightly brushed his shoulder. Still, nothing prepared Margherita Gale Harris for the day when Mark -- a physician and Episcopal priest -- confessed to having sexual encounters with hundreds of strangers. They both sought counseling, to no avail. Faced with his shocking betrayal, Gale wondered if their entire marriage was a lie. Could she forgive Mark for lying? Could she forgive herself for staying so long? More secrets were revealed. Divorce ended thirty-five years of marriage. Her lawyer said, see your bishop. The road to recovery was treacherous and filled with surprises. Support came from numerous individuals: new friends and former classmates . . . and the daughter she’d placed for adoption many years ago.
A Study Guide for Gaston Leroux's "The Phantom of the Opera," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.
A Study Guide for Beth Henley's "Crimes of the Heart," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
We all conceal some secrets that we dare not share with anyone. But for Captain Henry Kendall—who has borne a particularly heavy burden of secrecy for decades—the thought of carrying them with him into the afterlife, still unspoken, is just too much. And so, on his deathbed, he confides his untold story to the kind young nurse taking care of him, hoping to, perhaps, find some redemption at last. For the rest of that nurse’s life, the captain’s story remains a mystery never forgotten nor confirmed. Or at least, not until forty-two years later, when she happens upon an article about a 97-year-old English murder—committed by the infamous “London Cellar Murderer”— confirming at least a part of the captain’s story, as well as the murderer’s connection to the tragic sinking of the Empress of Ireland, the curse believed to have caused it, and most intriguingly, to Captain Henry Kendall himself! Inspired by actual historical events and challenged by scientific evidence gathered in the interim, The Fateful Voyage of the Empress of Ireland - A Tale of Betrayal, Redemption, and the Wrath of a Curse will grab readers right from the start with its story of love, betrayal, and tragic consequences, on land and at sea. As readers dive into this fascinating account, they are welcome to form (or rethink) their own beliefs about what really happened on that “fateful voyage,” as well as the events that (perhaps) birthed the very curse that sank the mighty ocean liner to the bottom of the St.Lawrence River on May 28, 1914.
This special issue of Shaw offers ten articles that focus on the theme of "Shaw and History." That focus illuminates Shaw's concept of history as art and its uses for dramatic purposes. It is a focus that is broadly applied to the historical perspective. Views range from Shaw's uses of historical sources in the Shavianizing of history, his uses of historical, geographical, and political places and events in his work, to views that place selected Shavian works within a historical context. Stanley Weintraub discusses Shaw's references to Cetewayo, Zulu chieftain, in Cashel Byron's Profession as the first incorporation of a contemporary historical figure into his work. John Allett explores the liberal, socialist, and radical feminist views of prostitution in nineteenth-century England and demonstrates how those political views are developed within the unfolding action ofMrs Warren's Profession. Sidney P. Albert studies the Utopian movement, "The Garden City," to determine the extent to which that movement influenced Shaw's conception of Perivale St. Andres inMajor Barbara. He also narrates his personal attempt to identify the Ballycorus smelting works and its surroundings as well as the campanile, or Folly, at Faringdon as sites that provided the scenic sources for Perivale St. Andres inMajor Barbara. Gale K. Larson has edited a partially unpublished Shavian manuscript that addresses Shaw's relationship with Frank Harris and, among other matters, sets the historical record right as to who deserves the credit for attributing the identity of the Dark Lady of the Sonnets to Mary Fitton. He also examines the historical sources that influenced Shaw's views on Charles II, the "Merry Monarch," in"In Good King Charles's Golden Days" and demonstrates Shaw's reclamation of yet another historical figure from the traditional historians. David Gunby examines the first-night performance of O'Flaherty, V.C. for purposes of setting the historical record straight as to the facts of that production. Wendi Chen presents the stage history of the production of Mrs Warren's Professionin China during the early 1920s and argues its central role in shaping modern Chinese drama. Rodelle Weintraub assesses Too True to Be Good as a dream play within the context of the nightmarish times of World War I. Michael M. O'Hara surveys the Federal Theatre's productions of Androcles and the Lionin the 1930s to reveal the political and religious repressions that those productions underscore. Shaw 19 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana.
Main entries in Passenger and Immigration Lists Index provide information including name and age of immigrant; year and place of arrival, naturalization, or other records which indicates person indexed is an immigrant; code indicating the source indexed and the page number in the source which contains the record; and the names of all listed family members together with their age and relationship to the main entry.
Book Review Index provides quick access to reviews of books, periodicals, books on tape and electronic media representing a wide range of popular, academic and professional interests. Book Review Index is available in a three-issue subscription covering the current year or as an annual cumulation covering the past year.
Law and Legal Information Directory provides descriptions and contact information for institutions, services and facilities in the law and legal information industry.
The staff of the Business Library of the Brooklyn Public Library answers more than 175,000 reference questions each year, many of them requests for rankings information. To provide quick answers to questions in the highest interest subject areas, we have compiled Business Rankings Annual. Working from a bibliographic file we have built up over the years, we have culled thousands of items from periodicals, newspapers, financial services, directories, statistical annuals and other printed material. The "top ten" from each of these rankings appears in this volume, grouped under standard subject headings for easy browsing. Typical entries provide: sequential entry number; rankings title: A descriptive phrase, identifying the contents of the list cited; ranked by: Indicates the criteria that establish the hierarchy; remarks: Provides additional details relating to the list from the source material; number listed: Notes the number of listees in the ranking source; top 10 items on the list; and source. Readers can quickly locate all rankings in which a given company; person or product appears by consulting the reference's comprehensive index. In addition, a complete listing of more than 300 sources used to compile Business Rankings Annual is provided in the bibliography.
Biographical reference providing information on individuals active in the theatre, film, and television industries. Covers not only performers, directors, writers, and producers, but also behind-the-scenes specialists such as designers, managers, choreographers, technicians, composers, executives, dancers, and critics from the United States and Great Britain.
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