The Ghost of Cleopatra", a work of historical fiction told through the eyes of African-American/Native American sculptor Edmonia Lewis, her statue The Death of Cleopatra, and Cleopatra herself, is a story about the artist as well as her marble masterpiece, which languished in obscurity for over 70 years in Forest Park, Illinois.
While feminist interpretations of the Book of Revelation often focus on the book’s use of feminine archetypes—mother, bride, and prostitute, this commentary explores how gender, sexuality, and other feminist concerns permeate the book in its entirety. By calling audience members to become victors, Revelation’s author, John, commends to them an identity that flows between masculine and feminine and challenges ancient gender norms. This identity befits an audience who follow the Lamb, a genderqueer savior, wherever he goes. In this commentary, Lynn R. Huber situates Revelation and its earliest audiences in the overlapping worlds of ancient Asia Minor (modern Turkey) and first-century Judaism. She also examines how interpreters from different generations living within other worlds have found meaning in this image-rich and meaning-full book.
This book shows how popular advice often interferes with the kind of mothering babies need for optimum growth and development. Information and support for pregnant women.
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