In a bathtub in a rooming house in Montreal in 1980, a woman tries to imagine a new life for herself: a life after a passionate affair with a man while falling for a woman, a life that makes sense after her deep involvement in far left politics during the turbulent seventies of Quebec, a life whose form she knows can only be grasped as she speaks it. A new, revised edition of a seminal work of edgy, experimental feminism. With a foreword by Eileen Myles.
A welfare cheque floats down the river, a cowboy spreads the Word of the Lord and crotches tick like clocks: the world of Spare Parts is unpredictable, evocative and vividly distorted. Its initial appearance, in 1981, caused a stir; at a time when linear narrative was the m.o. of feminist writing, Gail Scott had the nerve to fracture and dislocate her stories and her language. Spare Parts is as vital as it was twenty years ago. Scott's densely textured tales about the world of growing up female in a small town, where violence lurks just beneath the skin, recreate the uncertainty of life. Their incantatory language and tough imagery are as relevant and crucial now as they were then. This edition adds two new pieces, including 'Bottoms Up', an essay on narrative which first appeared on the 'Narrativity' website Scott co-edits.
Shortlisted for the Grand Prix du livre de Montreal Rosine is surrounded by ghosts. Ghosts of family. Ghosts of past lovers. Ghosts of an old Montreal and its politics. Ghosts of the Montreal quarry workers who, in the 1880s, frequented the Crystal Palace gardens, upon whose ruins her Mile-End triplex sits. Her dead maternal family is there, too, with their restlessness, their stories, their forgotten indigenous ancestry, their little crimes and glories. There’s even the ghost of an ancient Parisian gendarme lurking in the dark stairwell, peering through her keyhole. Rosine herself may be a ghost, her voice splintered – sometimes a prurient fly buzzing over the action, sometimes a politically correct historian, a woman perpetually travelling on a bus or lying in bed – and so too is our understanding of narrative. In offering up a kaleidoscopic view of Rosine and her city, The Obituary fractures our expectations of what a novel should be ‐ allowing the history of assimilation, so violent in the West and so often sidelined by the French–English conflicts of Montreal, to burble up and infect the very language we use. Though a mystery, possibly involving murder, The Obituary is less a whodunnit than an investigation of who speaks when we speak. ‘A beautiful, challenging poetic novel that is absolutely stunning.’ – Vallum ‘Even the understatements are compelling … though [Scott] balks at being called experimental, this ain’t your grandmother’s etcetera.’ – Globe and Mail ‘The Obituary pushes narrative into uncharted territory. The text possesses a brilliant essence of time, place and flight that pulls the reader in, holds them close and urges them to read between the lines, the impressions, the moments.’ – Matrix Magazine
Shortlisted for the Grand Prix du livre de Montreal Rosine is surrounded by ghosts. Ghosts of family. Ghosts of past lovers. Ghosts of an old Montreal and its politics. Ghosts of the Montreal quarry workers who, in the 1880s, frequented the Crystal Palace gardens, upon whose ruins her Mile-End triplex sits. Her dead maternal family isthere, too, with their restlessness, their stories, their forgotten indigenous ancestry, their little crimes and glories. There's even the ghost of an ancient Parisian gendarme lurking in the dark stairwell, peering through her keyhole. Rosine herself may be a ghost, her voice splintered - sometimes a prurient n¼éy buzzing over the action, sometimes a politically correct historian, a woman perpetually travelling on a bus or lying in bed - and so too isour understanding of narrative. In offering up a kaleidoscopic view of Rosine and her city, The Obituary fractures our expectations of what a novel should be - allowing the history of assimilation, so violent in the West and so often sidelined by the French-English conn¼éicts of Montreal, to burble up and infect the very language we use. Though a mystery, possibly involving murder, The Obituary is less a whodunnit than an investigation of who speaks when we speak. 'A beautiful, challenging poetic novel that is absolutely stunning.' - Vallum 'Even the understatements are compelling ... though [Scott] balks at being called experimental, this ain't your grandmother's etcetera.' - Globe and Mail ' The Obituary pushes narrative into uncharted territory. The text possesses a brilliant essence of time, place and flight that pulls the reader in, holds them close and urges them to read between the lines, the impressions, the moments.' - Matrix Magazine
Permanent Revolution traces Gail Scott's seminal investigation of prose experiment to the present, including a recreation of the iconic Spaces Like Stairs, in a collection relating the matter of writing in sentences to ongoing social upheaval. "Where there is no emergency there is likely no real experiment," she writes. In conversation with other writers across the continent identified with current queer/feminist avant-garde trajectories, including l'écriture-au féminin moment in Québec, and queer continental new narrative, Permanent Revolution is an evolutionary snapshot of contemporaneous Fe-male ground-breaking prose fiction. "A writer may do as she pleases with her epoch. Except ignore it," said Scott. With Permanent Revolution, the writer interrogates her era, twice. Belonging in the canon alongside Maggie Nelson, Lydia Davis and Renee Gladman, Gail Scott is an important feminist thinker of our time.
The wife of Martin Luther King Jr., Coretta Scott King was a civil rights leader in her own right, playing a prominent role in the African American struggle for racial equality in the 1960s. Here's a gripping portrait of a smart, remarkable woman. Growing up in Alabama, Coretta Scott King graduated valedictorian from her high school before becoming one of the first African American students at Antioch College in Ohio. It was there that she became politically active, joining the local chapter of the National Association for the Advancement of Colored People (NAACP). After her marriage to Martin Luther King Jr., Coretta took part in the Civil Rights Movement. Following her husband's assassination in 1968, she assumed leadership of the movement. Later in life she was an advocate for the Women's Rights Movement, LGBT rights, and she worked to end apartheid in South Africa.
Poetry. LGBT Studies. Limited Edition. In this special series of eight perfect-bound books, each book is an anthology and a conversation between the guest curator and the elder(s) she hosts. In ELDERS SERIES #6, Kate Eichhorn hosts M. Nourbese Philip and Gail Scott. Belladonna* has featured over 150 writers of wildly diverse age and origin, writers who work in conversation and collaboration within and between multiple forms, languages, and critical fields. 2009 marked the tenth anniversary of their mission to promote the work of women writers who are adventurous, experimental, politically involved, multi-form, multicultural, multi-gendered, impossible to define, delicious to talk about, unpredictable, and dangerous with language. As performance and as printed text, the work collects, gathers over time and space, and forms a kind of conversation about the feminist avant garde: what it is and how it comes to be. The anniversary ELDERS SERIES is a continuation of this conversation, which highlights the fact of influence and continuity of the ideas, poetics, and concerns we circle through.
One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
Whether one is pursuing the dream of acting, directing, or writing, or is interested in a career as a studio executive, agent, cinematographer, makeup artist, stuntman, or camera operator, Resnik and Trost present realistic assessments of career opportunities, offer savvy insights into how to play the Hollywood game, and explore in detail the legal ins and outs of the business.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
A set of four e-books on engaging social media, marketing strategies and more This is a four-publication set called Social Marketing. The collection includes: UnMarketing, the Science of Marketing, Built-in Social, and Engagement Marketing. UnMarketing takes a fresh look at topics such as immediacy and relevancy, teleseminars, Twitter and networking events. Built-in Social explores how to transform trust into new business and essential content marketing strategies. The Science of Marketing takes you from e-books to blogging.
An invaluable tool for clinicians and students, Becoming an Emotionally Focused Therapist: The Workbook takes the reader on an adventure – the quest to become a competent, confident, and passionate couple and family therapist. In an accessible resource for training and supervision, seven expert therapists lead the reader through the nine essential steps of EFT with explicit intervention strategies. Suitable as a companion volume to The Practice of Emotionally Focused Couple Therapy, 2nd Ed. or as a stand-alone learning tool, the workbook provides an easy road-map to mastering the art of EFT with exercises, review sheets and practice models. Unprecedented in its novel and interactive approach, this is a must-have for all therapists searching for lasting and efficient results in couple therapy.
One Story a Day for Early Readers is a series of 365 little stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Beginners set. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.
Gail Simone, the acclaimed writer of Red Sonja and Birds of Prey, spearheads an epic celebration of iconic female characters with Swords of Sorrow! A genre-spanning, sprawling crossover drawing together Dynamite Entertainment's beloved heroines, Swords of Sorrow features contributions from an all-star line-up of female writers, including Mairghread Scott, Nancy A. Collins, G. Willow Wilson, Erica Schultz, Leah Moore, Marguerite Bennett, Emma Beeby, and Mikki Kendall. A mysterious woman known only as The Traveller journeys across time and space, bestowing ebony blades to female adventurers like Red Sonja, Dejah Thoris, Vampirella, Jungle Girl, Kato, Lady Zorro, Jennifer Blood, Miss Fury, and many more. Her mission? To prepare a last line of defense against the Prince of All Universes, a lovelorn despot with the power to shatter realities. United by the Swords of Sorrow, these spirited women must face not only the Prince's legion of Shard Men, but such agents of chaos as Mistress Hel, Purgatori, and Chastity! Featuring the artistic talent of Sergio Dávila, Dave Acosta, Mirka Andolfo, Noah Salonga, Francesco Manna, Crizam Zamora, Rod Rodolfo, and Ronilson Freire, plus a complete cover gallery and an all-new Gail Simone introduction!
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