The British created a system wherein the social identity of civil servants clearly influenced their position on official matters. This privileged class set the tone for major policy decisions affecting all members of society. Savage addresses this social construction of power by analyzing the social origins and career patterns of higher-level civil servants as a backdrop for investigating the way four different social service ministries formulated policies between the two World Wars: the Board of Education, the Ministry of Agriculture, the Ministry of Labour, and the Ministry of Health.
Book two in The Earth Angels Feel nothing. Sara Savitch's personal mantra has been hard to live by ever since her torrid one-night stand with army doctor Gideon Mandeville. Descended from the Seraphim, angels known as heaven's soldiers, Sara may be an expert fighter, but she's an amateur when it comes to relationships. Physically unharmed, but still battle-scarred, Gideon has returned to Dallas in the hopes of regaining his faith in humanity—and in himself. Instead he's walked into a nightmare. His father is on a serial killer's hit list, and has hired a personal bodyguard—the very woman who has haunted Gideon's dreams for a year. As Sara works to build an impenetrable fortress around her client, she yearns to tear down the one around Gideon's heart. With his bitter rejection of warriors, will he ever be able to accept her true nature? Sara must find a way to trust Gideon with her secret as the killer closes in… Find out how it all began in Nobody's Angel, available now! 55,000 words
On an annual safari in the African veldt, Wolverine encounters a killer that will take him halfway across the world. Wolverine returns to Madripoor to deal with some family business. Collecting Savage Wolverine #12-17.
In this highly exciting re-reading of the classic works of Haggard and Kipling, Gail Ching-Liang Low explores how the colonialised Other is a mirror reflecting the images of the coloniser - 'a cultural cross-dressing.
A powerful and inspiring examination of the connection between the potential for great talent and conditions commonly thought to be disabilities, revealing how the source of our struggles can be the origin of our greatest strengths. In The Power of Different, psychiatrist and bestselling author Gail Saltz examines the latest scientific discoveries, profiles famous geniuses who have been diagnosed with all manner of brain “problems”—including learning disabilities, ADD, anxiety, depression, bipolar disorder, schizophrenia, and autism. Saltz shows how the very conditions that cause people to experience difficulty at school, in social situations, at home, or at work, are inextricably bound to creative, disciplinary, artistic, empathetic, and cognitive abilities. Interweaving robust scientific research and captivating anecdotes from notable geniuses, you will see how brain differences have been instrumental in shaping some of the world's most creative minds. Discover how everyone can not only cope with these conditions, but thrive because of them. The Power of Different is a life-affirming read that illuminates the transformative power of cognitive diversity, representing a milestone in the intersecting frontiers of cognitive neuroscience, neuropsychology, and self-help psychology.
This second Gail Bowen omnibus contains her next three masterful mysteries featuring Canada’s favourite amateur sleuth, Joanne Kilbourn. In A Colder Kind of Death, a prisoner is shot to death in the exercise yard of a Saskatchewan penitentiary, and Joanne becomes a suspect when his wife is found strangled; in A Killing Spring, the School of Journalism where Joanne teaches becomes a world of deceit and fear when one of its teachers is found dead in a seedy rooming house; and in Verdict in Blood, Joanne is asked to help solve the case of a tough judge who is found battered to death in a park.
Gail Bowen, winner of the 1995 Arthur Ellis Award for best crime novel for her last Joanne Kilbourn mystery, A Colder Kind of Death, is back – with her most daring mystery to date. In the horrifying opening paragraph of A Killing Spring, Reed Gallagher, the head of the School of Journalism at the university where Joanne Kilbourn teaches, is found dead in a seedy rooming house. He is dressed in women’s lingerie, with an electric cord around his neck. Suicide, the police say. A clear case of accidental suicide. But for Joanne, who takes on the thankless task of breaking the news to Gallagher’s wife, this death is just the first in a series of misfortunes that rock her life, both professional and personal. A few days after Gallagher’s death, the School of Journalism is vandalized – its offices and computers are trashed, and homophobic graffiti are sprayed everywhere. Then an unattractive and unpopular journalism student in Joanne’s politics class stops coming to school after complaining to an unbelieving Joanne that she’s being sexually harassed. Clearly, all is not as well at the university as Joanne had thought. Nor is all well in her love life after the casual racism of a stranger drives a wedge between Joanne and her lover, Inspector Alex Kequahtooway. To make matters worse, Joanne is unceremoniously fired by her best friend from the weekly political panel on Nationtv, which she’s being doing for years. Badly shaken by these calamities, Joanne struggles to carry cheerfully on. Action, she knows, is better for her than moping. She decides to find out why her student has stopped coming to class, and in doing so, Joanne steps unknowingly into an on-campus world of fear and deceit and murder.
This fascinating book uncovers the history behind urban legends and explains how the contemporary iterations of familiar fictional tales provide a window into the modern concerns—and digital advancements—of our society. What do ghost hunting, legend tripping, and legendary monsters have in common with email hoaxes, chain letters, and horror movies? In this follow-up to Libraries Unlimited's Tales, Rumors, and Gossip: Exploring Contemporary Folk Literature in Grades 7–12, author Gail de Vos revisits popular urban legends, and examines the impact of media—online, social, and broadcast—on their current iterations. What Happens Next? Contemporary Urban Legends and Popular Culture traces the evolution of contemporary legends from the tradition of oral storytelling to the sharing of stories on the Internet and TV. The author examines if the popularity of contemporary legends in the media has changed the form, role, and integrity of familiar legends. In addition to revisiting some of the legends highlighted in her first book, de Vos shares new tales in circulation which she sees as a direct result of technological advancements.
With traditions, records, and Bruins lore, this lively, detailed book explores the personalities, events, and facts every UCLA fan should know--from the hardwood to the hard courts, the gridiron, the diamond, and beyond. It contains crucial information such as important dates, behind-the-scenes tales, memorable moments, and outstanding achievements by legends like Kareem Abdul-Jabbar, Troy Aikman, Jackie Robinson, Bill Walton, Russell Westbrook, and more. Whether you were there for the glory days of John Wooden or are a more recent fan of Josh Rosen, this is the ultimate resource guide for all Bruins faithful.
When former heavyweight champion Jim Jeffries came out of retirement on the fourth of July, 1910 to fight current black heavywight champion Jack Johnson in Reno, Nevada, he boasted that he was doing it "for the sole purpose of proving that a white man is better than a negro." Jeffries, though, was trounced. Whites everywhere rioted. The furor, Gail Bederman demonstrates, was part of two fundamental and volatile national obsessions: manhood and racial dominance. In turn-of-the-century America, cultural ideals of manhood changed profoundly, as Victorian notions of self-restrained, moral manliness were challenged by ideals of an aggressive, overtly sexualized masculinity. Bederman traces this shift in values and shows how it brought together two seemingly contradictory ideals: the unfettered virility of racially "primitive" men and the refined superiority of "civilized" white men. Focusing on the lives and works of four very different Americans—Theodore Roosevelt, educator G. Stanley Hall, Ida B. Wells, and Charlotte Perkins Gilman—she illuminates the ideological, cultural, and social interests these ideals came to serve.
Seven Doors for Charlotte is a work of fiction, and the subject matter surrounding this book becomes entirely apparent to those who read it. The events, which occur throughout the book, takes place in a self-willed town just outside Lake Charles, Louisiana. The name of this little town is Twin Rivers, Louisiana. These events are of catastrophic magnitudes. Remember, this isnt a real story. Please dont perceive this story and its contents to be true. Charlotte must, however, overcome numerous obstacles within the house, which will eventually start changing the unique characteristics about her. Charlottes grandma, Irene, raised Charlotte from a very early age. Charlotte was six months old when her parents died. Irene cherished Charlotte up until the day of her mortality. Charlotte is now eighteen years old. Shes bright, brilliant, and beautiful, but shes also turning into something else. By reading this book, youll have to make those assumptions on your own. After her grandma, Irene, passes away, Charlotte now feels all alone and has no one else to call family. She has to remember every aspect of her life growing up while under the supervision of her grandma. There is a sufficient volume of memories that are blurry to her, but Charlotte is determined to remember regardless of how foggy they are. She has to use every available resource to her to discover the meaning of them. Shes now forced to deal with the loneliness, which is going to be arduous for her. Charlotte has never been in this type of disarray before. She has numerous friends that she attends school with at Herbert High School, and they adore her and trust her with their whole hearts. They each begin noticing to some degree that Charlotte is evolving into a monster unlike anything they have ever seen. They one by one start to abandon her. Her heart becomes broken into tiny little bits, and possibly beyond repair. They, at first, will attempt to do everything humanly and spiritually possible to eradicate the evilness coursing throughout her veins. Theyll soon encounter these beings living in the house and upon the land. The girl they all love finds loneliness isnt an option anymore. Charlotte has instructed her new family never to bring about any harm to her friends, or they would be sorry. At some point, shell have to make the ultimate decision to prohibit them from departing from her land. Charlotte loves them genuinely and only hopes theyll join with her and her new family and become a small army to wipe out the wicked, but Charlotte can make that determination for herself. She gives them money, gifts, sexual mates, drugs, and above all, her loyalty to them as well as their devotion to her, and her new family. Its going to be very challenging for Charlotte. Her friends stand firm and are stronger than she ever thought, and when they come together as one, she realizes their bond to one another is powerful, and they begin fighting for their freedom. While reading this book, youll discover Charlotte starts to unleash her new friends who are loyal to her and her alone. She will also uncover a dark secret about her mother, and she is devastated by it. I promise to be brief regarding the introduction of this book so you can start taking your own personal journey to the place we call hell.
This study describes and analyses the new social movements that have arisen in India over the past two decades, in particular the anti-caste movement (of both the untouchables and the lower-middle castes), the women's liberation movement, the farmers' movement (centred on struggles arising out of their integration into a state-controlled capitalist market), and the environmental movements (opposition to destructive development, including resistance to big dam projects and the search for alternatives). Rooted in participant observation, it focuses on the ideologies and self-understanding of the movements themselves. The central themes of this book are the origin of movements in the socio-economic contradictions of post-independence India; their effect on political developments, in particular the disintegration of Congress hegemony; their relation to "traditional Marxist" theory and Communist practice; and their groping toward a synthesis of theory and practice that constitutes a new social vision distinct from traditional Marxism.
This book is for those inhabited by the same desires that drove the early naturalists afield, who yearn to know wilder territory. We read it voraciously, as if in the understanding of how they loved we might also begin to do so, as if in the reliving of their lives we might recapture some vanishing part of the human psyche that must know wilderness."-- Janisse Ray, author of Ecology of a Cracker Childhood "Like the naturalists she profiles, Gail Fishman takes us on an odyssey through a time when the extraordinary diversity of the southeastern United States was first being explored and described. . . . Entertaining."-- Steve Gatewood, executive director, Society for Ecological Restoration, Tucson "Fishman modernizes the men and their explorations by retracing the terrain that they explored, wrote about, drew and painted. The result is an intriguing and appealing lesson in biographical and scientific history and a literary reading experience that will appeal to a wide audience."-- William W. Rogers, professor of history emeritus, Florida State University Following the original steps of pioneering naturalists, Gail Fishman profiles thirteen men who explored North America’s southeastern wilderness between 1715 and the 1940s, including John James Audubon, Mark Catesby, John and William Bartram, John Muir, and Alvan Wentworth Chapman. The book is also Fishman’s personal travelogue as she experiences the landscape through their eyes and describes the changes that have occurred along the region’s trails and streams. Traveling by horseback, boat, and foot, these naturalists--dedicated to their task and blessed with passion and insatiable curiosity--explored gentle mountains, regal forests, and shadowy swamps. Their interests ran deeper than merely cataloging plants and animals. They identified the continent’s foundations and the habits and histories of the flora and fauna of the landscape. Fishman tells us who they were and what compelled them to pursue their work. She evaluates what they accomplished and measures their importance, also pointing out their strengths and failings. And she paints an engaging picture of what America was like at the time. Fishman combines natural history and American history into a series of portraits that recapture the American Southeast as it was seen by those who first tramped through the wilderness and whose voices from the beginning urged the preservation of wild places. Gail Fishman, a freelance writer who lives in Tallahassee, has worked for the Florida Defenders of the Environment, The Nature Conservancy, and the National Audubon Society. She is a volunteer for the St. Marks National Wildlife Refuge and helped form the St. Marks Refuge Association.
A dying emperor has a last request of Sonja. He is throwing the ultimate send-off party, and needs the six greatest artisans from all the known lands: the greatest chef, swordsman, courtesan, and more. If Sonja brings them in time, he will free a thousand slaves...but if she fails, they will be buried alive right next to his coffin! COLLECTION FEATURES: Issues 7-12 and 0 of the critically-acclaimed series by GAIL SIMONE (BATGIRL, BIRDS OF PREY), WALTER GEOVANI and NOAH SALONGA. Gail Simone’s original script to RED SONJA #0. All of the beautiful covers by some of the top artists in the comic book industry including: JENNY FRISON, STEPHANIE BUSCEMA, JOYCE CHIN, NEI RUFFINO, AMY REEDER, STEPHANIE HANS, ALLISON SOHN, EMANUELA LUPACCHINO, and MORE!
This award-winning memoir about "the hippest guy on the planet" recollects novelist/screenwriter Terry Southern's highs and lows, his association with the Beat Generation, and his movie cult classics Dr. Strangelove and Easy Rider. In 1964, Terry Southern met actress Gail Gerber on the set of The Loved One. He was enjoying his success from co-writing the risque novel Candy, a satire of Candide, and the movie Dr. Strangelove; she had just co-starred with Elvis Presley in Girl Happy. Though they were both married, there was an instant connection and they remained a couple until his death 30 years later. In her memoir, Gail recalls what life was like with "the hippest guy on the planet." It documents their life together and contains numerous photographs of Terry and Gail with friends both famous and notorious. The wickedly gifted satirist, who had a stint writing for Saturday Night Live, kept company with the likes of Lenny Bruce, Dennis Hopper, Ringo Starr, William Burroughs, George Segal, Harry Nilsson, George Plimpton, David Amram and Rip Torn. It also reveals what went on behind the scenes of Gail's movies (including The Girls on the Beach and Village of the Giants), and Terry's movies (including The Cincinnati Kid, Casino Royale, Barbarella, The Magic Christian, End of the Road, and Easy Rider).
When Lex Luthor finally regained control of LexCorp, he thought he had everything he wanted. But in BLACKEST NIGHT, he briefly became an Orange Lantern and got a taste of true power. Now he'll do anything - anything - to get that power back. Bucklein for a greatest hits tour of the DCU's most wanted as Lex Luthor begins an epic quest for power, all brought to you by writer Paul Cornell (Dr. Who, Captain Britain and MI-13) and artist Pete Woods (WORLD OF NEW KRYPTON). Collects ACTION COMICS#896-900, SECRET SIX #29 and ACTION COMICS ANNUAL #13.
Since first contact, Natives and newcomers have been involved in an increasingly complex struggle over power and identity. Modern “Indian wars” are fought over land and treaty rights, artistic appropriation, and academic analysis, while Native communities struggle among themselves over membership, money, and cultural meaning. In cultural and political arenas across North America, Natives enact and newcomers protest issues of traditionalism, sovereignty, and self-determination. In these struggles over domination and resistance, over different ideologies and Indian identities, neither Natives nor other North Americans recognize the significance of being rooted together in history and culture, or how representations of “Indianness” set them in opposition to each other. In Indian Country: Essays on Contemporary Native Culture, Gail Guthrie Valaskakis uses a cultural studies approach to offer a unique perspective on Native political struggle and cultural conflict in both Canada and the United States. She reflects on treaty rights and traditionalism, media warriors, Indian princesses, powwow, museums, art, and nationhood. According to Valaskakis, Native and non-Native people construct both who they are and their relations with each other in narratives that circulate through art, anthropological method, cultural appropriation, and Native reappropriation. For Native peoples and Others, untangling the past—personal, political, and cultural—can help to make sense of current struggles over power and identity that define the Native experience today. Grounded in theory and threaded with Native voices and evocative descriptions of “Indian” experience (including the author’s), the essays interweave historical and political process, personal narrative, and cultural critique. This book is an important contribution to Native studies that will appeal to anyone interested in First Nations’ experience and popular culture.
Gail Simone (Batgirl, Birds of Prey) gives the iconic fantasy heroine a fresh new attitude! Red Sonja, the She-Devil with a Sword, intends to pay back a blood debt owed to the one man who has gained her respect... even if it means leading a doomed army to their certain deaths! Who is Dark Annisia, and how has this fearsome warrior accomplished what no god nor demon has been able to do: force Sonja to her knees in surrender? An epic tale of blood, lust, and vengeance, Queen of the Plagues takes Red Sonja from the depths of her own grave to the heights of battlefield glory. Featuring Gail Simone's Red Sonja #1 script!
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