There simply is no other book like this. No other family history presents such a range of insights into the ways in which individuals, women as well as men, have had to cope with changes wrought by the social modernization of Japanese family culture."--James L. McClain, author of Japan: A Modern History "Isami's House is the chronicle of a remarkable family, neither aristocratic nor famous, whose rise and decline seem to parallel Japan's. It makes absorbing reading, affording a panoramic view of a rural family's rise to local prominence at the dawn of the modern Japanese nation state, the expansion of its presence to Tokyo and then the empire, its experience in war and defeat, and finally its postwar reconfiguration as a dispersed urban family."--Norma Field, author of In the Realm of a Dying Emperor: A Portrait of Japan at Century's End
It is the merit of Gail Lee Bernstein’s portrait of Kawakami Hajime that he emerges as a recognizable human being, a truly modern figure reflecting in his own life a personal and hard-won balance between traditional Japanese values and the demands of modernization. The heir of a samurai family, an acknowledged authority on economics, a professor at one of Japan’s leading universities, an early popularizer of Marxism in Japan, a Japanese Communist on his own unique terms, and, finally, the author of an autobiography that is a classic of modern Japanese literature, Kawakami Hajime is an important figure in the history of modern Japan. At each stage of Kawakami’s winding path to Marxism—from patriotic nationalist to academic Marxist to revolutionary Communist—his concern for the ethical and economic problems that emerged in the course of Japan’s astonishingly rapid industrialization dominated his consciousness. Bernstein provides a portrait of Kawakami’s complex personality as well as an elegantly shaped narrative of the context and content of Japanese left-wing politics in the 1920s, and she makes plain the kinds of cultural conflict that modernization, in its several varieties, bequeathed to Japanese intellectuals.
“There simply is no other book like this. No other family history presents such a range of insights into the ways in which individuals, women as well as men, have had to cope with changes wrought by the social modernization of Japanese family culture.”—James L. McClain, author of Japan: A Modern History “Isami's House is the chronicle of a remarkable family, neither aristocratic nor famous, whose rise and decline seem to parallel Japan's. It makes absorbing reading, affording a panoramic view of a rural family's rise to local prominence at the dawn of the modern Japanese nation state, the expansion of its presence to Tokyo and then the empire, its experience in war and defeat, and finally its postwar reconfiguration as a dispersed urban family.”—Norma Field, author of In the Realm of a Dying Emperor: A Portrait of Japan at Century's End
THE definitive guide to the Academy Awards, from the very first ceremony to this year's 80th anniversary spectacular, includes EVERY nominee and winner in EVERY category?and has been fully updated to include the most recent winners and losers, unforgettable photographs, and highlights. Written by film experts who are sought out every year for their insider knowledge of movies and Hollywood, this book is both a comprehensive reference and a detailed history of the Academy Awards, complete with each year's facts, highlights, and controversies?all told with authority and attitude. Packed with more than 500 photographs from the Oscar ceremonies and red carpet as well as the movies themselves, it outdoes any other book on the market in both information and illustrations. And compared to boring "official" books with less reportage and much less color, this "unauthorized" book delivers what fans want most: ALL the facts, enhanced by juicy commentary and pictures galore. Now in its fourth edition, it?s the most popular, comprehensive, lavishly illustrated, and enjoyable Oscar book out there.
It is the merit of Bernstein's portrait of Kawakami Hajime that he emerges as a recognizable human being, a truly modern figure reflecting in his own life a personal and hard-won balance between traditional Japanese values and the demands of modernization. The heir of a samurai family, an acknowledged authority on economics, a professor at one of Japan's leading universities, an early popularizer of Marxism in Japan, a Japanese Communist on his own unique terms, and, finally, the author of an autobiography that is a classic of modern Japanese literature, Kawakami Hajime is an important figure in the history of modern Japan. At each stage of Kawakami's winding path to Marxism--from patriotic nationalist to academic Marxist to revolutionary Communist--his concern for the ethical and economic problems that emerged in the course of Japan's astonishingly rapid industrialization dominated his consciousness. Bernstein provides a portrait of Kawakami's complex personality as well as an elegantly shaped narrative of the context and content of Japanese left-wing politics in the 1920s, and she makesplain the kinds of cultural conflict that modernization, in its several varieties, bequeathed to Japanese intellectuals.
It is the merit of Gail Lee Bernstein’s portrait of Kawakami Hajime that he emerges as a recognizable human being, a truly modern figure reflecting in his own life a personal and hard-won balance between traditional Japanese values and the demands of modernization. The heir of a samurai family, an acknowledged authority on economics, a professor at one of Japan’s leading universities, an early popularizer of Marxism in Japan, a Japanese Communist on his own unique terms, and, finally, the author of an autobiography that is a classic of modern Japanese literature, Kawakami Hajime is an important figure in the history of modern Japan. At each stage of Kawakami’s winding path to Marxism—from patriotic nationalist to academic Marxist to revolutionary Communist—his concern for the ethical and economic problems that emerged in the course of Japan’s astonishingly rapid industrialization dominated his consciousness. Bernstein provides a portrait of Kawakami’s complex personality as well as an elegantly shaped narrative of the context and content of Japanese left-wing politics in the 1920s, and she makes plain the kinds of cultural conflict that modernization, in its several varieties, bequeathed to Japanese intellectuals.
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