In recent years there has been an attempt by activists, service providers, and feminists to think about violence against women in more inclusive ways. In Knowing What We Know, activist and sociologist Gail Garfield argues that this effort has not gone far enough and that in order to understand violence, we must take the lived experiences of African American women seriously. Doing so, she cautions, goes far beyond simply adding voices of black women to existing academic and activist discourses, but rather, requires a radical shift in our knowledge of these women’s lives and the rhetoric used to describe them. Bringing together a series of life-history interviews with nine women, this unique study urges a departure from established approaches that position women as victims of exclusively male violence. Instead, Garfield explores what happens when women’s ability to make decisions and act upon those choices comes into conflict with cultural and social constraints. Chapters explore how women experience racialized or class-based violence, how these forms of violence are related to gendered violence, and what these violations mean to a woman’s sense of identity. By showing how women maintain, sustain, and in some instances regain their sense of human worth as a result of their experiences of violation, Garfield complicates the existing dialogue on violence against women in new and important ways.
Tightrope: A Racial Journey to the Age of Obama explores race and politics in the United States, addressing racial inequalities and injustices that have led to a point in history where, seemingly improbably, Americans have elected (and re-elected) a black man as president. We, as a nation, have taken precarious steps to arrive at the age of Obama, while remaining steeped in contradictions. Our steps on this racial tightrope are a work in progress—a history in the making—that will largely influence who we are and who we hope to become as Americans. Gail Garfield retraces our steps along this wavering racial tightrope, weaving in her own experiences, including her childhood in the Jim Crow south, with the nation’s broader racial history to trace the remarkable shift in America’s racial landscape. The divergent steps we have taken, teetering between regressive and progressive racial politics, between stifling continuity and meaningful change, have led us to where we now tread as a nation, in this new Age of Obama. The halting, swaying missteps created by racial fears, hatred, and anger reveal the important imprints of separation and difference, and the bold, assured steps open up possibilities for inclusion, acceptance, and belonging. Tightrope challenges readers to reflect on their own steps on the racial tightrope and to ask basic questions about racial identity and progress in the United States.
How have African American men interpreted and what meaning have they given to social conditions that position them as the primary perpetrators of violence? How has this shaped the ways they see themselves and engaged the world? Through Our Eyes provides a view of black men’s experiences that challenges scholars, policy makers, practitioners, advocates, and students to grapple with the reality of race, gender, and violence in America.This multi-level analysis explores the chronological life histories of eight black men from the aftermath of World War II through the Cold War and into today. Gail Garfield identifies the locations, impact, and implications of the physical, personal, and social violence that enters the lives of African American men. She addresses questions critical to understanding how race, gender, and violence are insinuated into black men’s everyday lives and how experiences are constructed, reconstructed, and interpreted. By appreciating the significance of how African American men live through what it means to be black and male in America, this book envisions the complicated dynamics that devalue their lives, those of their family, and society.
Winner of the 2022 YALSA Excellence in Nonfiction for Young Adults Award This thrilling title for young readers blends science, history, and medical mysteries to tell the story of the assassination and ultimately horrible death of President James Garfield. James Abram Garfield, the 20th President of the United States, was assassinated when he was shot by Charles Guiteau in July 1881, less than four months after he was elected president. But Garfield didn't actually die until 80 days later. In this page-turner, award-winning author Gail Jarrow delves into the fascinating story of the relationship between Garfield and Guiteau, and relates the gruesome details of Garfield's slow and agonizing death. She reveals medical mistakes made in the aftermath of Garfield's assassination, including the faulty diagnoses and outdated treatments that led to the president's demise. This gripping blend of science, history, and mystery—the latest title in the Medical Fiascoes series—is nonfiction for kids at its best: exciting and relevant and packed with plenty of villains and horrifying facts.
Winner of the 2022 YALSA Excellence in Nonfiction for Young Adults Award This thrilling title for young readers blends science, history, and medical mysteries to tell the story of the assassination and ultimately horrible death of President James Garfield. James Abram Garfield, the 20th President of the United States, was assassinated when he was shot by Charles Guiteau in July 1881, less than four months after he was elected president. But Garfield didn't actually die until 80 days later. In this page-turner, award-winning author Gail Jarrow delves into the fascinating story of the relationship between Garfield and Guiteau, and relates the gruesome details of Garfield's slow and agonizing death. She reveals medical mistakes made in the aftermath of Garfield's assassination, including the faulty diagnoses and outdated treatments that led to the president's demise. This gripping blend of science, history, and mystery—the latest title in the Medical Fiascoes series—is nonfiction for kids at its best: exciting and relevant and packed with plenty of villains and horrifying facts.
“A history cum memoir by Lena Horne’s daughter tells the story of her forebears . . . eloquently conveys . . . how politics and prejudice can shape a family.” —The New Yorker In The Black Calhouns, Gail Lumet Buckley—daughter of actress Lena Horne—delves deep into her family history, detailing the experiences of an extraordinary African American family from Civil War to Civil Rights. Beginning with her great-great grandfather Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in post-war Atlanta, Buckley follows her family’s two branches: one that stayed in the South, and the other that settled in Brooklyn. Through the lens of her relatives’ momentous lives, Buckley examines major events throughout American history. From Atlanta during Reconstruction and the rise of Jim Crow, to New York City during the Harlem Renaissance, and then from World War II to the Civil Rights Movement, this ambitious, brilliant family witnessed and participated in the most crucial events of the nineteenth and twentieth centuries. Combining personal and national history, The Black Calhouns is a unique and vibrant portrait of six generations during dynamic times of struggle and triumph. “The challenge of reviewing extraordinary books is that they leave one grasping for words . . . The book’s ultimate magic derives from the way the history of black America can be viewed through their story.” —The Boston Globe
It was helf past midnight when Harry, Amelia and Natasha stood in the midst of an empty circus arena. Vorelis began going through his famous light show routine. On ordinary occasions, midway through such a routine, people would have been brought to their feet with cheers and applause. Now there was no audience. Vorelis stepped beyond what he ordinarily did during a show. The light performance quickly became something else. Suddenly the arena disappeared. Harry, Amelia and Natasha found themselves standing in a field. It was daylight and in the distance cows were grazing.
00 This work examines the morphological and syntactic dimensions of ergativity (i.e., an intransitive subject is treated in the same manner as a transitive object and differently from the transitive subject) in Coast Tsimshian (Sm'algyax). This language is very highly morphologically ergative and the distribution of ergativity is conditioned by several different factors that are related through their coding of transitivity. Syntactically, the language is not highly ergative, but none of the cross-linguistic definitions of subject can account for the ergativity that does exist. This work examines the morphological and syntactic dimensions of ergativity (i.e., an intransitive subject is treated in the same manner as a transitive object and differently from the transitive subject) in Coast Tsimshian (Sm'algyax). This language is very highly morphologically ergative and the distribution of ergativity is conditioned by several different factors that are related through their coding of transitivity. Syntactically, the language is not highly ergative, but none of the cross-linguistic definitions of subject can account for the ergativity that does exist.
This book is about growing up knowing my father was not perfect. About my parents and siblings working hard on a share crop farm, and I cant leave out my dads other women and his drinking. About my mom helping other with food, whenever she could plus I was right there with her; every step of the way and a whole lot more.
The camera's capacity to organize space within a “frame” produces the fundamental unit of movie making: the shot. Dramatic Effects with a Movie Camera is a practical guide to the visual storytelling potential of different camera techniques, demonstrating how they can produce compelling shots and sequences. By exploring how a close-up shot of a character's face can help the viewer share their fear or joy, or how a moving camera can reveal plot points, connect objects and characters in space or give clues to their state of mind, Gail Segal and Sheril Antonio show how choice of shot can dramatically affect your narrative. With detailed analysis of clips from 45 films, from 30 countries, this is a unique window into how movie-making masters have made the most of their cameras – and how you can too.
Included on NPR's 2022 "Books We Love" List Finalist, 2023 YALSA Award for Excellence in Nonfiction ALSC Notable Children's Book What made workers in the American South so tired and feeble during the 19th and early 20th centuries? This exciting medical mystery uncovers the secrets of the parasite hookworm, commonly known as the “American Murderer,” and is the latest title in Gail Jarrow’s (YALSA Excellence in Nonfiction for Young Adults award-winning author) Medical Fiascoes series. Imagine microscopic worms living in the soil. They enter your body through your bare feet, travel to your intestines, and stay there for years sucking your blood like vampires. You feel exhausted. You get sick easily. It sounds like a nightmare, but that’s what happened in the American South during the 1800s and early 1900s. Doctors never guessed that hookworms were making patients ill, but zoologist Charles Stiles knew better. Working with one of the first public health organizations, he and his colleagues treated the sick and showed Southerners how to protect themselves by wearing shoes and using outhouses so that the worms didn’t spread. Although hookworm was eventually controlled in the US, the parasite remains a serious health problem throughout the world. The topic of this STEM book remains relevant and will fascinate readers interested in medicine, science, history—and gross stories about bloodsucking creatures.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.