On Valentine's Day week, Cassie got an anonymous romantic message through her college's radio program. The message gave her a few hurdles she needed to go through so she could get her admirer's number and get in touch with him. So she could have a date on Valentine's Day -- a chance that, according to her admirer, Cassie couldn't waste. Any other girl in Cassie's situation -- single and with no romantic prospects - would have been excited with the possibility of having a date to the most dramatic day of the year, just this weekend. But Cassie is not one of those girls. She has a history, and that history includes a stalker that was after her for a long time, and that anonymous message left her frightened with the possibility that, maybe, he's back in her life. Tthis time, to stay. So, Cassie goes after the one person that can help her find out who her secret admirer really is, before she has to go through the steps and face him, something that may end up being fatal for her.
Roslin and Jimmy live in Whitepeak: a gray island far from everything that's good in the world, and where fights between citizens are part of the local culture. Hearts broken because of the place they live, both dream of leaving it behind one day and make a life in Mainland. When Jimmy gets a scholarship to study in a Mainland college, the two find in it the opportunity they need to leave Whitepeak, no looking back, and together they plan their escape, bound to the good life that had dreamed about in Mainland.
How far would you go to win back your love? Niels Janowski is in pain because his girlfriend broke up with him in the week before the most special date for couples: Valentine's. His friends, being good friends, decided to take him to a party for people who hate Valentine's so Niels can find someone to comfort him. But, unlike that, Niels met Harvard, a red haired and intelligent girl, apparently kinda crazy, who commits herself in making Niels a perfect romantic guy and help him win back his ex-girlfriend. "Love Madness" is an eleven chapters short story that happens on Valentine's Day night, and shows that, sometimes, some crazy things are necessary to win over the person you love.
The Puffer Fish by Gabriella Gumina A free-range yellow in the cages of a suburban kennel, an amateur detective with features like the Lady in yellow and a killer inspired by a puffer fish. The puffer fish A free-range yellow in the cages of a suburban kennel, an amateur detective with features like the Lady in yellow and a killer inspired by a puffer fish.
Communal Feminisms explores identity and exile from three different perspectives: theory, interviews, and imaginative literature. The first part of this book describes and defines exile within identity; the second part delivers ten interviews and examines the socio-historical construction of exile through feminine Chicano literature and Chilean literature created and circulated during the Pinochet regime; and the third part contains a collection of unpublished, original works from each author interviewed. Including the interviews and creative works in both English and Spanish, Dr. Gabriella Gutierrez y Muhs emphasizes the need to publish bilingual works, without alienating English readers. This uniquely crafted collection will appeal to scholars across disciplines.
How far would you go to win back your love? Niels Janowski is in pain because his girlfriend broke up with him in the week before the most special date for couples: Valentine's. His friends, being good friends, decided to take him to a party for people who hate Valentine's so Niels can find someone to comfort him. But, unlike that, Niels met Harvard, a red haired and intelligent girl, apparently kinda crazy, who commits herself in making Niels a perfect romantic guy and help him win back his ex-girlfriend. "Love Madness" is an eleven chapters short story that happens on Valentine's Day night, and shows that, sometimes, some crazy things are necessary to win over the person you love.
Recording Russia examines scenes of listening to "the people" across a variety of texts by Russian writers and European travelers to Russia. Gabriella Safran challenges readings of these works that essentialize Russia as a singular place where communication between the classes is consistently fraught, arguing instead that, as in the West, the sense of separation or connection between intellectuals and those they interviewed or observed is as much about technology and performance as politics and emotions. Nineteenth-century writers belonged to a distinctive media generation using new communication technologies—not bells, but mechanically produced paper, cataloguing systems, telegraphy, and stenography. Russian writers and European observers of Russia in this era described themselves and their characters as trying hard to listen to and record the laboring and emerging middle classes. They depicted scenes of listening as contests where one listener bests another; at times the contest is between two sides of the same person. They sometimes described Russia as an ideal testing ground for listening because of its extreme cold and silence. As the mid-century generation witnessed the social changes of the 1860s and 1870s, their listening scenes revealed increasing skepticism about the idea that anyone could accurately identify or record the unadulterated "voice of the people." Bringing together intellectual history and literary analysis and drawing on ideas from linguistic anthropology and sound and media studies, Recording Russia looks at how writers, folklorists, and linguists such as Turgenev, Dostoevsky, and Vladimir Dahl, as well as foreign visitors, thought about the possibilities and meanings of listening to and repeating other people's words.
Mahlet, a young Ethiopian girl with a gift for storytelling, has a special bond with Yacob, the oldest in her household. When Yacob tells her stories of how he and the other warriors fought in the resistance against the Italian occupation of Ethiopia, Mahlet vows to become the keeper and teller of her family's stories. From the time of Menelik to the present, Mahlet's long voyage through time and space links thousands of stories between Africa and Europe. Intensely personal, this powerful and beautifully narrated novel tells the story of the Italian occupation of Ethiopia as well as of others around the globe who have suffered under colonialism or have been forcibly exiled from their homelands.
The man who would become S. An-sky—ethnographer, war correspondent, author of the best-known Yiddish play, The Dybbuk—was born Shloyme-Zanvl Rapoport in 1863, in Russia’s Pale of Settlement. His journey from the streets of Vitebsk to the center of modern Yiddish and Hebrew theater, by way of St. Petersburg, Paris, and war-torn Austria-Hungry, was both extraordinary and in some ways typical: Marc Chagall, another child of Vitebsk, would make a similar transit a generation later. Like Chagall, An-sky was loyal to multiple, conflicting Jewish, Russian, and European identities. And like Chagall, An-sky made his physical and cultural transience manifest as he drew on Jewish folk culture to create art that defied nationality. Leaving Vitebsk at seventeen, An-sky forged a number of apparently contradictory paths. A witness to peasant poverty, pogroms, and war, he tried to rescue the vestiges of disappearing communities even while fighting for reform. A loner addicted to reinventing himself—at times a Russian laborer, a radical orator, a Jewish activist, an ethnographer of Hasidism, a wartime relief worker—An-sky saw himself as a savior of the people’s culture and its artifacts. What united the disparate strands of his life was his eagerness to speak to and for as many people as possible, regardless of their language or national origin. In this first full-length biography in English, Gabriella Safran, using Russian, Yiddish, Hebrew, and French sources, recreates this neglected protean figure who, with his passions, struggles, and art, anticipated the complicated identities of the European Jews who would follow him.
Pathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.
The nationalization of the postal service in Italy transformed post-unification letter writing as a cultural medium. Both a harbinger of progress and an expanded, more efficient means of circulating information, the national postal service served as a bridge between the private world of personal communication and the public arena of information exchange and production of public opinion. As a growing number of people read and wrote letters, they became part of a larger community that regarded the letter not only as an important channel in the process of information exchange, but also as a necessary instrument in the education and modernization of the nation. In Postal Culture, Gabriella Romani examines the role of the letter in Italian literature, cultural production, communication, and politics. She argues that the reading and writing of letters, along with epistolary fiction, epistolary manuals, and correspondence published in newspapers, fostered a sense of community and national identity and thus became a force for social change.
This new collection of twelve interviews with award-winning film editorsfiction and documentarydiscusses the art and craft of editing and explores the transition from the age of celluloid to the digital age.
This is the story of a mature love relationship between a man and a woman in their mid 40s. Each of them has been a bit unlucky in love in the past and have almost given up hope of ever finding a real love. Becca Connelly is approximately 45 years old, gorgeous, and an elementary school teacher living in Williamsburg,Virginia. Tall, brown shoulder length hair, green eyes and feminine figure. She was deeply heartbroken when her marriage ended and has not seen or heard from her ex-husband Tripp in fifteen years. She has struggles to make it but has rebuilt her life to some degree. She has not been with any man since her husband deserted her. She does not trust men. She does not let anyone but close girlfriends and family into her life. She thinks it was her fault that she was abandoned by someone she loved and trusted. She had expected to live her entire life with him. Divorce was not an option, but forced on her unwillingly. Michael Stevens has just recently moved to Williamsburg. He is tall, muscular, brown haired, gray eyes and gorgeous of course too. He has just retired from a career in the Marines. He was a Colonel when he left active duty, having served all over the country and tours in Iraq and Afghanistan. He settles in Williamsburg since the only family he has left is a sister and her family living in Richmond an hour away. He buys an expensive colonial brick home for a life he doesn't have as of yet. He has never been married, only passing relationships that really mean nothing to him at all. Michael sees Becca one night in June when she comes into a restaurant while he is having a drink alone at the bar. He watches her and wonders about her. He sees her ex-husband come in and after while figures out that she is meeting her ex to give him back a bracelet she still has. Even though Tripp is now on his third wife, he makes a move to start things up with Becca. Michael sees she is distressed and impulsively goes to rescue her by pretending to be her boyfriend. It takes a while but Tripp finally leaves. And so it begins...
This Brief concerns the chemical risk in food products from the viewpoint of microbiology. The “Hazard Analysis and Critical Control Point” (HACCP) approach, which is applied for this purpose, is dedicated to the study and the analysis of all possible dangers by food consumptions and the related countermeasures with the aim of protecting the health of consumers. This difficult objective is highly multidisciplinary and requires a plethora of different competencies. This book thus addresses chemists, microbiologists, food technologists, medical professionals and veterinarians. The chemical risks described in this book are related to food additives, contaminants by food packaging materials, chemicals from cleaning systems and microbial toxins. The present book gives an introduction and overview of these various topics.
Vacationing seaside with her parents in Rimini, Italy, young Nicole Steiner falls in love with the charming Italian nobleman, Dario Ventura. Soon after, Ventura frequently visits with the Steiners, now home in Turin. Though he returns her affection, Nicole begins to suspect that he has become her mother’s lover. The relationship is complicated by the strong tie between mother and daughter, and Nicole’s rejection of her stern father. Woven through the tale is the rich atmosphere of pre-war Italy.
Presumed Incompetent is a pathbreaking account of the intersecting roles of race, gender, and class in the working lives of women faculty of color. Through personal narratives and qualitative empirical studies, more than 40 authors expose the daunting challenges faced by academic women of color as they navigate the often hostile terrain of higher education, including hiring, promotion, tenure, and relations with students, colleagues, and administrators. The narratives are filled with wit, wisdom, and concrete recommendations, and provide a window into the struggles of professional women in a racially stratified but increasingly multicultural America.
This open access book investigates the pathologisation of homosexuality during the fascist regime in Italy through an analysis of the case of G., a man with "homosexual tendencies" interned in the Collegno mental health hospital in 1928. No systematic study exists on the possibility that Fascism used internment in an asylum as a tool of repression for LGBT people, as an alternative to confinement on an island, prison or home arrests. This research offers evidence that in some cases it did. The book highlights how the dictatorship operated in a low-key, shadowy and undetectable manner, bending pre-existing legislation. Its brutality was - and still is - difficult to prove. It also emphasises the ways in which existing stereotypes on homosexuality were reinforced by the regime propaganda in support of its so-called moralising campaign and how families, the police and the medical professionals joined forces in implementing this form of repression.
Takes place over the course of a year in Säao Paulo, Brazil, [where] which two women's lives intersect: Linda, an anxious and restless American ... and [her] skilled maid Marta, [who] has more claim to Linda's home than she can fathom. [This is a] debut novel by young Brazilian American author Gabriella Burnham ... about women whose romantic and subversive entanglements reflect on class and colorism, sexuality, and complex, divisive histories."--
In London on her tour, Boston-born Eden Grant was determined to make the most of her freedom before she married. She became the toast of society, but the only gentleman interested was Trevor St. John, Earl of Ryeburn. He's decided he must find a proper wife -- but when scandal threatens Eden's reputation, Trevor hastily marries her. Now a marriage of convenience becomes the melding of two hearts.
Roslin and Jimmy live in Whitepeak: a gray island far from everything that's good in the world, and where fights between citizens are part of the local culture. Hearts broken because of the place they live, both dream of leaving it behind one day and make a life in Mainland. When Jimmy gets a scholarship to study in a Mainland college, the two find in it the opportunity they need to leave Whitepeak, no looking back, and together they plan their escape, bound to the good life that had dreamed about in Mainland.
On Valentine's Day week, Cassie got an anonymous romantic message through her college's radio program. The message gave her a few hurdles she needed to go through so she could get her admirer's number and get in touch with him. So she could have a date on Valentine's Day -- a chance that, according to her admirer, Cassie couldn't waste. Any other girl in Cassie's situation -- single and with no romantic prospects - would have been excited with the possibility of having a date to the most dramatic day of the year, just this weekend. But Cassie is not one of those girls. She has a history, and that history includes a stalker that was after her for a long time, and that anonymous message left her frightened with the possibility that, maybe, he's back in her life. Tthis time, to stay. So, Cassie goes after the one person that can help her find out who her secret admirer really is, before she has to go through the steps and face him, something that may end up being fatal for her.
The Puffer Fish by Gabriella Gumina A free-range yellow in the cages of a suburban kennel, an amateur detective with features like the Lady in yellow and a killer inspired by a puffer fish. The puffer fish A free-range yellow in the cages of a suburban kennel, an amateur detective with features like the Lady in yellow and a killer inspired by a puffer fish.
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