Dark Rooms. Räume der Un/Sichtbarkeit versucht über verschiedene Zugänge das viel beschworene Primat der Sichtbarkeit und Transparenz zu hinterfragen. In der Vergangenheit ist bereits deutlich geworden, dass es keinen einfachen Zusammenhang zwischen visueller Repräsentation und politischer Macht gibt. Sichtbarkeit ist eine ambivalente Kategorie, die sich keineswegs geradlinig in gesellschaftliche Einflussnahme übersetzen lässt. Betitelt nach dem Darkroom, jenem Raum, der als Gegenbild zum White Cube des Kunstmuseums und der Galerie die alte analoge Dunkelkammer der Fotografie, aber auch die Cruising Zone in Gay Clubs bezeichnet, diskutiert der vorliegende Band vordergründig politisch-ästhetische Praktiken, deren Akteure dieses Konzept hinterfragen oder negieren. Die Bandbreite des Umgangs mit Un/Sichtbarkeit kann von der kompletten Verweigerung von Sichtbarkeit in Form einer bewussten Bildvermeidung bis hin zur Subversion einer auf Sichtbarkeit setzenden Herrschaftsform reichen – etwa mit Strategien der Camouflage. Die Beiträge fragen explizit nach den Funktionen dieser Doppelbewegung und ihren Entstehungsbedingungen sowie den Möglichkeiten zur Unterwanderung normativer Kategorien von Sichtbar-Machung und Zu-Sehen-Gegebenem.
Recent debate about the ethical and regulatory dimensions of developments in genetics has sidelined societal and cultural aspects, which arguably are indispensable for a nuanced understanding of the complexities of the topic. Regulatory and ethical debates benefit from taking seriously this ’third dimension’ of culture, which often determines the configurations and limits of the space within which scientific, ethical and legal debate can take place. To fill this gap, this volume brings together contributions exploring the mutual relationships between genetics, markets, societies and identities in genetics and genomics. It draws upon the recent transdisciplinary debate on how socio-cultural factors influence understandings of ’genetics2.0' and shows how individual and collective identities are challenged or reinforced by cultural meanings and practices of genetics. This book will become a standard reference for everyone seeking to make sense of the controversies and shifts in the field of genetics in the second decade of the twenty-first century.
Technological innovations accompanying advances in medicine have given rise to the possibility of obtaining better-defined fetal images that assist in medical diagnosis and contribute toward genetic counseling offered to parents during the prenatal care. 3D printing is an emerging technique with a variety of medical applications such as surgical planning, biomedical research and medical education. Clinical Relevance: 3D physical and virtual models from ultrasound and magnetic resonance imaging have been used for educational, multidisciplinary discussion and plan therapeutic approaches. The authors describe techniques that can be applied at different stages of pregnancy and constitute an innovative contribution to research on fetal abnormalities. We will show that physical models in fetal medicine can help in the tactile and interactive study of complex abnormalities in multiple disciplines. They may also be useful for prospective parents because a 3D physical model with the characteristics of the fetus should allow a more direct emotional connection to their unborn child.
Written by internationally acclaimed authors, this textbook contains everything you need to know about this versatile class of compounds. Starting with a historical overview, definitions and other fundamentals, it goes on to look at characterization, analysis and properties of dendrimers. While the focus is on synthesis and applications, it also contains chapters on analytics and other applications. Essential reading for organic and polymer chemists, undergraduate and graduate students, students and lecturers in chemistry.
Queimada Grande die verbotene Insel verbirgt ein Geheimnis. Zwei Naturwissenschaftler werden durch den Fund eines Buches, in der Mandalay-Region von Myanmar, vor eine herausfordernde Entscheidung gestellt. Unvorhersehbare Ereignisse durchkreuzen ihren Plan dieses Geheimnis der Welt vorzuenthalten. Ein narzisstischer Senator instrumentalisiert einen labilen und korrupten Police Lieutenant, um dem Geheimnis auf die Spur zu kommen. Gier ruft weitere durchtriebene Kontrahenten auf den Plan. Ein integrer Archäologe wird auf der Suche nach seinem vermissten Partner unwillkürlich in die mysteriöse ereignisreiche Geschichte verwickelt und trifft dabei auf arglistige und gefährliche Personen. Feind und Freund sind näher, als man denkt. Gut vs. Böse begleitet dieses spannende Abenteuer, im vielfältigen Brasilien im Kampf gegen die Zeit. Queimada Grande, the forbidden island, hides a secret. Two scientists are faced with a challenging decision after the discovery of a book in the Mandalay region of Myanmar. Unforeseen events thwart their plan to keep this secret from the world. A narcissistic senator instrumentalizes an unstable and corrupt police lieutenant to get to the bottom of the secret. Greed attracts other cunning opponents to the scene. An archaeologist of integrity, searching for his missing partner, involuntarily gets involved in the mysterious eventful story and encounters malicious and dangerous people. Enemy and friend are closer than one thinks. Good vs. Evil accompanies this exciting adventure, in diverse Brazil in the fight against time.
First published in East Germany in 1982 and in West Germany four years later, this collection of short prose firmly established Gabriele Eckart in German literary circles (her poetry had earlier won the critics' praise). Eckart's stories offer a panorama of East German life: sharply drawn vignettes in which "the familiar, the all-too-familiar, takes place alongside the surprising and the bizarre. . . . Authentic sketches with delicate strokes, concise, to the point."—(Aschaffenburg) Main-Echo. Although East Germany disappeared from the map in 1990, the experiences of the people who endured, evaded, challenged, and thwarted the socialist regime will long affect a reunified Germany. These stories are powerful and moving reminders of what conditions were like not so long ago.
Queimada Grande die verbotene Insel verbirgt ein Geheimnis. Zwei Naturwissenschaftler werden durch den Fund eines Buches, in der Mandalay-Region von Myanmar, vor eine herausfordernde Entscheidung gestellt. Unvorhersehbare Ereignisse durchkreuzen ihren Plan dieses Geheimnis der Welt vorzuenthalten. Ein narzisstischer Senator instrumentalisiert einen labilen und korrupten Police Lieutenant, um dem Geheimnis auf die Spur zu kommen. Gier ruft weitere durchtriebene Kontrahenten auf den Plan. Ein integrer Archäologe wird auf der Suche nach seinem vermissten Partner unwillkürlich in die mysteriöse ereignisreiche Geschichte verwickelt und trifft dabei auf arglistige und gefährliche Personen. Feind und Freund sind näher, als man denkt. Gut vs. Böse begleitet dieses spannende Abenteuer, im vielfältigen Brasilien im Kampf gegen die Zeit. Queimada Grande, the forbidden island, hides a secret. Two scientists are faced with a challenging decision after the discovery of a book in the Mandalay region of Myanmar. Unforeseen events thwart their plan to keep this secret from the world. A narcissistic senator instrumentalizes an unstable and corrupt police lieutenant to get to the bottom of the secret. Greed attracts other cunning opponents to the scene. An archaeologist of integrity, searching for his missing partner, involuntarily gets involved in the mysterious eventful story and encounters malicious and dangerous people. Enemy and friend are closer than one thinks. Good vs. Evil accompanies this exciting adventure, in diverse Brazil in the fight against time.
While tracing her family history through wars, revolution and terror in Europe, and murder in America, Gabriele Miniter also extensively researched the lives of her Prussian ancestors in search of a connection to her own life of turmoil and heartache. In a fascinating memoir inspired by a curiosity fueled by a personal tragedy, Gabriele relies on information gathered from her own research and letters exchanged between relatives to chronicle the story of her ancestors who lived in a country that no longer exists. After disclosing her paternal family origins as wars began and ended, Gabriele details the tumultuous maternal side of her family as her grandfather transformed into a leading Communist who participated in bloody uprisings in Germany. As she leads others into their experiences that eventually contain a return to happier times, Gabriele shines a light onto how the contributions, sacrifices, and values of her ancestors continue to live in the genes of their descendants. An Accidental Prussian reveals the compelling family history of a German immigrant’s Prussian ancestors as they attempted to navigate through personal obstacles and global challenges.
The dictionary is based on a new concept which takes into account recent developments and findings in lexicographical research. It combines the best features of monolingual and bilingual dictionaries as well as learner dictionaries. Every sense of a word is first fully explained and then provided with translation equivalents. The grammatical behaviour of the words, their construction patterns are described in a language that is clear and easy to understand. Every sense of a word, every construction pattern is illustrated with an example. These example sentences are given in English and German so that the word looked up is shown in actual use and the translation guarantees its understanding and promotes retention. Special care is taken to explain differences between English and German in language use and culture. A new reader-friendly layout ensures that users will easily and speedily find the answer to what they want to know.
First published in East Germany in 1982 and in West Germany four years later, this collection of short prose firmly established Gabriele Eckart in German literary circles (her poetry had earlier won the critics' praise). Eckart's stories offer a panorama of East German life: sharply drawn vignettes in which "the familiar, the all-too-familiar, takes place alongside the surprising and the bizarre. . . . Authentic sketches with delicate strokes, concise, to the point."—(Aschaffenburg) Main-Echo. Although East Germany disappeared from the map in 1990, the experiences of the people who endured, evaded, challenged, and thwarted the socialist regime will long affect a reunified Germany. These stories are powerful and moving reminders of what conditions were like not so long ago.
The book investigates the dispersed emergence of the new visual regime associated with nineteenth-century pre-cinematic spectacles in the literary imagination of the previous centuries. Its comparative angle ranges from the Medieval and Baroque period to the visual and stylistic experimentations of the Romantic age, in the prose of Anne Radcliffe, the experiments of Friedrich Schlegel, and in Wordsworth’s Prelude. The book examines the cultural traces of the transformation of perception and representation in art, architecture, literature, and print culture, providing an indispensable background to any discussion of nineteenth-century culture at large and its striving for a figurative model of realism. Understanding the origins of nineteenth-century mimesis through an unacknowledged genealogy of visual practices helps also to redefine novel theory and points to the centrality of the new definition of ‘historicism’ irradiating from Jena Romanticism for the structuring of modern cultural studies.
The volume discusses the breadth of applications for an extended notion of paradigm. Paradigms in this sense are not only tools of morphological description but constitute the inherent structure of grammar. Grammatical paradigms are structural sets forming holistic, semiotic structures with an informational value of their own. We argue that as such, paradigms are a part of speaker knowledge and provide necessary structuring for grammaticalization processes. The papers discuss theoretical as well as conceptual questions and explore different domains of grammatical phenomena, ranging from grammaticalization, morphology, and cognitive semantics to modality, aiming to illustrate what the concept of grammatical paradigms can and cannot (yet) explain.
A rich and fascinating account of one of music history's most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti's book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
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