Since their origins, human beings have used tools to improve their life and to defend themselves from animals or enemies. Throughout history countless weapons have been invented but only one has remained unchanged for centuries and remains present in our daily life: the knife. Theoretical / practical manual to get to know and approach a sport/defence that has deep roots in the Italian martial tradition.
Since their origins, human beings have used tools to improve their life and to defend themselves from animals or enemies. Throughout history countless weapons have been invented but only one has remained unchanged for centuries and remains present in our daily life: the knife. Theoretical / practical manual to get to know and approach a sport/defence that has deep roots in the Italian martial tradition.
A rich and fascinating account of one of music history's most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti's book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
RiMembra is a reportage collecting limbs scattered in places and years, connecting them to physical or mental spaces, among which there is no pertinence. Each image comes into being by itself, indipendently, but with a mutilated value which, through its lines of force, even years later, merges into another image. Diptychs and triptychs take shape through chromatic correspondences: the triptych composed of the light seeping into a temple of Taipa (2015) which seems to cross the woman's face in the sauna of Lucrino (2010) and to crash in a lake of San Francisco (2012); or conceptual ones, like the desert land in Palestine (2011), perfectly corresponding to the Wailing Wall in Jerusalem (2014). Different moments reunited over the years that lead to reflection, to the call of mind, generating happy or unhappy memories. Not surprisingly, the theme "Ri" is linked to the noun "membra" (limbs). In this way, the image is able to generate a new one and links develope along the way, creating a paradoxical collage in motion throughout time, which transcends the single still image.
The most comprehensive English translation of the poetry of Gabriele D'Annunzio. Gabriele D'Annunzio, Prince of Montenevoso, Duke of Gallese (12 March 1863 – 1 March 1938), was an Italian poet, journalist, playwright and soldier during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and later political life from 1914 to 1924. He was often referred to under the epithets Il Vate ("the Poet") or Il Profeta ("the Prophet").
This book focuses on the design and analysis of collective decision-making strategies for the best-of-n problem. After providing a formalization of the structure of the best-of-n problem supported by a comprehensive survey of the swarm robotics literature, it introduces the functioning of a collective decision-making strategy and identifies a set of mechanisms that are essential for a strategy to solve the best-of-n problem. The best-of-n problem is an abstraction that captures the frequent requirement of a robot swarm to choose one option from of a finite set when optimizing benefits and costs. The book leverages the identification of these mechanisms to develop a modular and model-driven methodology to design collective decision-making strategies and to analyze their performance at different level of abstractions. Lastly, the author provides a series of case studies in which the proposed methodology is used to design different strategies, using robot experiments to show how the designed strategies can be ported to different application scenarios.
Over the last decade, images have become a key feature of digital culture; at the same time, they have made a mark on a wide range of research practices. Visual Methods for Digital Research is the first textbook to bring the fields of visual methods and digital research together. Presenting visual methods for digital and participatory research, the book covers both the application of existing digital methods for image research and new visual methodologies developed specifically for digital research. It encompasses various approaches to studying digital images, including the distant reading of image collections, the close reading of visual vernaculars of social media platforms, and participatory research with visual materials. Offering a theoretical framework illustrated with hands-on techniques, Sabine Niederer and Gabriele Colombo provide compelling examples for studying online images through visual and digital means, and discuss critical data practices such as data feminism and digital methods for social and cultural research. This textbook is an accessible and invaluable guide for students and researchers of digital humanities, social sciences, information and communication design, critical data visualization and digital visual culture.
The Social Republic had its own Public Security structure, the Republican Police Corps, formed by a kind of dual soul: one territorial, engaged in the institutional tasks of the Police, and one more distinctly a child of the tremendous period that was being experienced, devoted mainly to the persecution of the political opponents of fascism, the partisans, and the hunting of jews. At times these two souls interpenetrated, although the division remained very sharp. Until now very little has been written about the events of the Republican Police, research has focused, for different and sometimes opposing reasons, mainly on those para-police units, often known as "gangs," devoted to the most violent and cruel activities, which operated mostly in close dependence with the Germanic commands. What has been left out, however, is the more institutional aspect of the Republican police, in whose ranks militated a great many honest and probable men, who, in many cases, also worked to save Jews or secretly militated in the Resistance. Far from having made a systematic and exhaustive study, an attempt has been made in these pages to summarize all aspects characterizing the structure of the police during the period of the Italian Social Republic.
This volume represents the third edition of a work cycle that started in 2006 for my PhD thesis. The thesis was presented in 2010 (first edition, Gattiglia 2010), partially published as a summary monograph in 2011 (second edition, Gattiglia 2011) or in articles (Gattiglia 2012, Gattiglia 2012a, Gattiglia 2011a), and now (third edition) takes the form of a more comprehensive publication in the light of new data. Over the past two years, the work study on Pisa, not only relating to the Middle Ages, continued within the MAPPA (Metodologie Applicate alla Predittività del Potenziale – Methodologies Applied to Archaeological Potential Predictivity) project, allowing a widespread collection of data thanks to which it was possible to explain more fully the hydro-geological, geomorphological and topographic context and to check (and in many cases change) part of the assumptions made.
The British in Italy is a fascinating exploration of the enduring relationship between the English and Italians, dating back to the times of Shakespeare, Leghorn, The Grand Tour, Florence, and Venice, up to the cataclysmic events of World War II. The author draws parallels between Victorian England’s progress and the Italian Renaissance, particularly the British presence in Italy during the 19th century. In a unique approach, the author embarks on a journey through Italy, beginning in the Alps and continuing on foot and by bicycle from Monviso to Trieste, then down to Sicily. Along the way, he rediscovers the forgotten Anglo-Saxon characters who played a significant role in shaping Italy’s cultural, artistic, and scientific landscape, such as the true Count of Montecristo, textile industrialists, inventors, painters, archaeologists, botanists, and travelers. Their stories are intertwined with the author’s encounters, memories, lost friends, legends, and conversations, providing a rich tapestry of Italy’s diverse history and culture. The book is a veritable treasure trove of knowledge and insight, revealing Italy's layers of history and culture from a unique Anglo-Saxon perspective. As Doctor Johnson aptly said, “A man who has not been in Italy, is always conscious of an inferiority, from his not having seen what it is expected a man should see.” This book is a must-read for anyone seeking to discover the true heart of Italy and the enduring bond between the English and Italians.
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