This volume brings together the results of fresh research into the formative years of the International Telegraph Union (TU), in the period 1849–1875. Its internationalist approach is based on the careful scrutiny of a wealth of primary sources – conference minutes, correspondence, and parliamentary bills, among others – and calls for a fresh appraisal of the mechanics of the TU itself, as well as the moves and manoeuvres caused by constant diplomatic pressure. The methodology used here is multidisciplinary, representative of the contributors, who come from various scientific approaches and possess different skills and competences. The result of over three years’ detailed research, the book is simultaneously a history of media studies, international relations and business.
From the punch card calculating machine to the personal computer to the iPhone and more, this in-depth text offers a comprehensive introduction to digital media history for students and scholars across media and communication studies, providing an overview of the main turning points in digital media and highlighting the interactions between political, business, technical, social, and cultural elements throughout history. With a global scope and an intermedia focus, this book enables students and scholars alike to deepen their critical understanding of digital communication, adding an understudied historical layer to the examination of digital media and societies. Discussion questions, a timeline, and previously unpublished tables and maps are included to guide readers as they learn to contextualize and critically analyze the digital technologies we use every day.
Presents excavation data and pottery finds from the stratigraphy underneath the cathedral of Siena. The surveys were conducted between 2000-2003. The ultimate goal is to trace a view of the settlement types and economic framework that has affected the hill of the Cathedral from the Classical age to the late Middle Ages.
A must-read to anyone interested in the digital world.' - Valérie Schafer, Center for Contemporary and Digital History, University of Luxembourg A concise history of the digital revolution and the lore, rhetoric, and debates that surround it. The Digital Revolution aims to tell a story, one of the most powerful ideologies of recent decades: that digitalization constitutes a revolution, a break with the past, a radical change for the human beings who are living through it. The book aims to investigate the origins of this idea, how it evolved, which other past revolutions consciously or unconsciously inspired it, which great stories it has conveyed over time, which of its key elements have changed and which ones have persisted and have been repeated in different historical periods. All these discussions, large or small, have settled and condensed into a series of media, advertising, corporate, political, and technical sources. Readers will be introduced to new, previously unpublished historical sources. The main aim of the book is to deconstruct what looks like a “natural” and incontestable idea and to help rethink digital societies today.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
A rich and fascinating account of one of music history's most ancient, varied, and distinctive instruments From its origins in animal horn instruments in classical antiquity to the emergence of the modern horn in the seventeenth century, the horn appears wherever and whenever humans have made music. Its haunting, timeless presence endures in jazz and film music, as well as orchestral settings, to this day. In this welcome addition to the Yale Musical Instrument Series, Renato Meucci and Gabriele Rocchetti trace the origins of the modern horn in all its variety. From its emergence in Turin and its development of political and diplomatic functions across European courts, to the revolutionary invention of valves, the horn has presented in innumerable guises and forms. Aided by musical examples and newly discovered sources, Meucci and Rocchetti's book offers a comprehensive account of an instrument whose history is as complex and fascinating as its music.
Gabriele d'Annunzio, born Gaetano Rapagnetta (1863-1938) was an Italian poet, writer, novelist, dramatist, womanizer and daredevil who went on to have a controversial role in politics as figure-head of the Italian Fascist movement and mentor of Benito Mussolini. His literary works included: "The Child of Pleasure," "The Intruder," "The MAidens of the Rocks," and "The Flame of Life" ("Il Fuoco").
This volume represents the third edition of a work cycle that started in 2006 for my PhD thesis. The thesis was presented in 2010 (first edition, Gattiglia 2010), partially published as a summary monograph in 2011 (second edition, Gattiglia 2011) or in articles (Gattiglia 2012, Gattiglia 2012a, Gattiglia 2011a), and now (third edition) takes the form of a more comprehensive publication in the light of new data. Over the past two years, the work study on Pisa, not only relating to the Middle Ages, continued within the MAPPA (Metodologie Applicate alla Predittività del Potenziale – Methodologies Applied to Archaeological Potential Predictivity) project, allowing a widespread collection of data thanks to which it was possible to explain more fully the hydro-geological, geomorphological and topographic context and to check (and in many cases change) part of the assumptions made.
From the punch card calculating machine to the personal computer to the iPhone and more, this in-depth text offers a comprehensive introduction to digital media history for students and scholars across media and communication studies, providing an overview of the main turning points in digital media and highlighting the interactions between political, business, technical, social, and cultural elements throughout history. With a global scope and an intermedia focus, this book enables students and scholars alike to deepen their critical understanding of digital communication, adding an understudied historical layer to the examination of digital media and societies. Discussion questions, a timeline, and previously unpublished tables and maps are included to guide readers as they learn to contextualize and critically analyze the digital technologies we use every day.
This volume brings together the results of fresh research into the formative years of the International Telegraph Union (TU), in the period 1849–1875. Its internationalist approach is based on the careful scrutiny of a wealth of primary sources – conference minutes, correspondence, and parliamentary bills, among others – and calls for a fresh appraisal of the mechanics of the TU itself, as well as the moves and manoeuvres caused by constant diplomatic pressure. The methodology used here is multidisciplinary, representative of the contributors, who come from various scientific approaches and possess different skills and competences. The result of over three years’ detailed research, the book is simultaneously a history of media studies, international relations and business.
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