Until Plato, poetry and oration were conceived as oral activities; writing, if considered at all, was conceived as a kind of “tape-recorder”. Aristotle was the first thinker who examined the products of the literate culture in which he lived as such: he conceived the works of poetry and oration not only as oral events, but also as written texts. Bodies of Speech reads Aristotle’s Poetics and Rhetoric through this assumption, and shows how both are underlain by a systematic text theory, which contains semantic as well as communicational aspects. Aristotle’s conception of the literary text, thus, is not a mere archaeological remnant; it is a complex and profound theory, able to hold a lively and fruitful dialogue with modern thinking.
Surveys the nine medical licenses as well as fifty nondegree healing modalities--including history, philosophy, basic techniques, and methods--and provides information on career and training opportunities.
This dissertation analyzes whether or not the principle of systemic integration - as expounded in Article 31(3)(c) of the Vienna Convention on the Law of Treaties - contributes to attainment of a coherent international legal system. For this purpose, the book considers three general ideas: the "unity" of the international legal system and fragmentation; the general rule on treaty interpretation and the principle of systemic integration; and the role of systemic integration in the achievement of coherence. Each one involves specific issues and considerations which ultimately assist in addressing the main question as to the usefulness of the principle in the curtailment of fragmentation in the international legal system. Dissertation. (Series: Cologne Studies in International and European Law / Kolner Schriften zum internationalen und europaischen Recht - Vol. 24)
Not since On the Road has a book been more thoroughly of the road. Unlike Kerouac's novel, however, this book was literally written on the road in Gudding's own car, on pad and paper while driving. Rhode Island Notebook is the handwritten account of one driver's journey to happiness in the face of grief. This book-length poem chronicles the break-up of a family and the separation of a father and daughter, while at the same time recording the rise of jingoism in the United States in the moments before and during the invasion of Iraq.
Exploring architecture as a form of concealment and obfuscation in engendering new ways of understanding, conceptualizing, and reshaping the world. Architecture is the perfect form of camouflage. As buildings recede into the background of everyday life, the myriad forces that shape our natural, social, and political landscapes hide in plain sight. Embedded within the spatial and material organizations of the built environment are ideas of value, hierarchy, and control that tilt the ground and influence perception in the name of endless competing interests. Operating across multiple scales and mediums, architectural camouflage gives familiar form to obscure objectives. Design transforms and encodes our shared environments, from domestic domains to digital territories, through its material practices, aesthetics, and discourses. Immanent in the periphery, architecture’s images are internalized as forms for understanding and reshaping the world. Camouflage, in turn, dwells in the architecture of our collective subconscious. Latent within architecture’s deceptions is a profound capacity to reflect the elusive intentions and surreal ambiguities of our ecological entanglements. In masking hierarchies and shifting sensitivities to what escapes perception, architecture can engender vital questions around the agency and significance of its world-making practices. Mediating with and within the background, architecture can awaken new modes of attention to material and social layers previously unimagined or hidden and engage directly with the mirrored frameworks that define reality. This issue of Perspecta considers the complexities and potentialities of architectural concealment, obfuscation, and mimicry; of the power inherent in architecture’s expanding capacity as media. In the veiled extents of our physical and digital worlds, what is still not found? Contributors APRDELESP and Xavier Nueno Guitart, Ashley Bigham and Erik Herrmann, Esther M. Choi, feminist architecture collaborative, Marianela D’Aprile and Douglas Spencer, Theo Deutinger and Christopher Clarkson, DESIGN EARTH, David Freeland and Brennan Buck, Linda Gordon, Noah Kalina, Dana Karwas, Andrew Economos Miller, M.C. Overholt and Alex Whee Kim, Trevor Paglen, Lukas Pauer, Nina Rappaport, David Sadighian, Matthew Soules, Jerome Tryon, Michael Young
Until Plato, poetry and oration were conceived as oral activities; writing, if considered at all, was conceived as a kind of “tape-recorder”. Aristotle was the first thinker who examined the products of the literate culture in which he lived as such: he conceived the works of poetry and oration not only as oral events, but also as written texts. Bodies of Speech reads Aristotle’s Poetics and Rhetoric through this assumption, and shows how both are underlain by a systematic text theory, which contains semantic as well as communicational aspects. Aristotle’s conception of the literary text, thus, is not a mere archaeological remnant; it is a complex and profound theory, able to hold a lively and fruitful dialogue with modern thinking.
Collected here for the first time: a selection of the great writer's journalism, which he considered more important to his legacy than his acclaimed novels. Late in his life, Gabriel García Márquez declared: “I don’t want to be remembered for One Hundred Years of Solitude, nor for the Nobel Prize, but rather for the newspaper. I was born a journalist. . . . It’s in my blood.” Now available for the first time in English, this selection offers a glimpse into the great novelist’s career as a reporter. Ranging from the early pieces he wrote while starting out in Colombia to his longer reportage from Paris and Rome and, later on, from Venezuela and Mexico, these fifty journalistic writings amply display the narrative gifts that made his reputation. The Scandal of the Century is a tribute to García Márquez’s dedication to the profession he believed to be “the best in the world.”
These interviews start with the years of Marquez's early phenomenal success and continue through his most recent, turn-of-the-century exchanges, including some conversations translated into English for the first time.
AVAILABLE FOR THE FIRST TIME IN eBOOK! No writer of his time exerted the magical appeal of Gabriel García Márquez. In this long-awaited autobiography, the great Nobel laureate tells the story of his life from his birth in1927 to the moment in the 1950s when he proposed to his wife. The result is as spectacular as his finest fiction. Here is García Márquez’s shimmering evocation of his childhood home of Aracataca, the basis of the fictional Macondo. Here are the members of his ebulliently eccentric family. Here are the forces that turned him into a writer. Warm, revealing, abounding in images so vivid that we seem to be remembering them ourselves, Living to Tell the Tale is a work of enchantment.
This is a comprehensive reference guide for professional and student structural engineers containing key information required on a day-to-day basis. By bringing together data from many sources, this book should help engineers to apply classroom theories into practical projects on the ground. With quick and clear access to charts, tables and data it speeds up scheme design in the office, in transit, or on the site.
Available in English for the first time in the U.S., a collection of the speeches of Nobel Prize-winning author Gabriel García Márquez. Throughout his life, Gabriel García Márquez spoke publicly with the same passion and energy that marked his writing. Now the wisdom and compassion of these performances are available in English for the first time. I'm Not Here to Give a Speech records key events throughout the author's life, from a farewell to his classmates delivered when he was only seventeen to his Nobel Prize acceptance speech. Written across a lifetime, these speeches chart the growth of a genius: each is a snapshot offering insights into the beliefs and ideas of a world- renowned storyteller. Preserving García Márquez's unmistakeable voice for future generations, I'm Not Here to Give a Speech is a must-have for anyone who ever fell in love with Macondo or cherished a battered copy of Love in the Time of Cholera.
This is a comprehensive reference guide for professional and student structural engineers containing key information required on a day-to-day basis. By bringing together data from many sources, this book should help engineers to apply classroom theories into practical projects on the ground. With quick and clear access to charts, tables and data it speeds up scheme design in the office, in transit, or on the site.
An intimate and lively collection of interviews with a giant of twentieth century literature—the only collection of interviews with Marquez available Hailed by the New York Times as a "conjurer of literary magic," Nobel Prize-winning author Gabriel Garcia Marquez is known to millions of readers worldwide as the author of One Hundred Years of Solitude. Beloved by readers of nearly all ages, he is surely the most popular literary novelist in translation—and he remains so today, a decade after the publication of his final novel. In addition to the first-ever English translation of Marquez’s last interview, this unprecedented volume includes his first interview, conducted while he was in the throes of writing One Hundred Years of Solitude, which reveals the young writer years before the extraordinary onslaught of success that would make him a household name around the world. Also featured is a series of unusually wide-ranging conversations with Marquez's friend Plinio Apuleyo Mendoza—surely the only interview with Marquez that includes the writer's insights into both the meaning of true love and the validity of superstitions. Gabriel Garcia Marquez: The Last Interview also contains two interviews with Pulitzer Prize-winning New York Times reporter David Streitfeld. A wide-ranging and revealing book, Gabriel Garcia Marquez: The Last Interview is an essential book for lifelong fans of Marquez—and readers who are just getting encountering the master's work for the first time.
In these conversations with a friend and contemporary the Nobel prize-winning Colombian novelist speaks movingly, revealingly and unaffectedly about his family background, his early travels and struggles as a writer, his literary antecedents and his personal artistic concerns. Guided by Mendoza, Maacute;rquez reveals - as transfigured in his work by the power of language - the heat and colour of the Spanish Caribbean, the mythological world of its inhabitants, the exotic mentality of its leaders.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.