In today's fast-paced world, creative people are as eager as ever to pursue their artistic passions, but many of them simply don't have enough time. Catering to this modern dilemma, we've concocted the perfect remedy for over-burdened artists. The Daily Book of Art includes a year's worth of brief daily readings and lessons about the visual arts that entertain as they inform. Ten exciting categories of discussion rotate throughout the course of a year, giving readers a well-rounded experience in the art world. From color psychology and aesthetic philosophy to the proverbial argument over whether elephants really can paint, art-starved readers will encounter a broad range of inspiring subjects. The ten categories of discussion include Art 101, Philosophy of Art, Art Through the Ages, Profiles in Art, A Picture’s Worth 200 Words, Art from the Inside Out, Art Around the World, Artistic Oddities, Unexpected Art Forms, and Step-by-Step Exercises.
In today's fast-paced world, creative people are as eager as ever to pursue their artistic passions; many simply don't have the time. Catering to this modern dilemma is the Inspirational Art Journal, which invites users to learn about art as they write their inspirations within the journal. Filled with fun tidbits, thought-provoking quotes, and stimulating prompts, Inspirational Art Journal encourages you to take time out of your busy day to contemplate art and the world around you.
When a reporter unearths the secret history of the recently deposed dictator of a remote colonized moon, he discovers exposing secrets can deadly. Collects INVISIBLE REPUBLIC #1-5.
Nora Summers was responsible for some of the iconic images of Wales' most famous bard Dylan Thomas, but the details of her life, bucolic and populated by bohemians, eccentrics and mavericks, have remained largely unknown until now. Part biography, part photobook, this book seeks to present an intimate and revealing portrait of both Summers and the creative company she kept, in particular her relationship with Dylan Thomas and his wife Caitlin.
Kayla, 22 tahun, jatuh cinta kepada Aidan. Setiap kali Aidan yang punya bokong seksi itu lewat di depannya, Kayla langsung belingsatan. Namun, Kayla tidak tahu bagaimana caranya menunjukkan perasaannya karena Aidan adalah bos di kantornya—usianya lebih tua 11 tahun. Ia hanya bisa mengamati dari jauh secara diam-diam sambil mencatat semua hal tentang Aidan di sebuah buku rahasia. Dengan bantuan Saphira, sahabat baiknya, Kayla mulai berusaha mendapatkan cinta Aidan. Kayla pun mengubah dirinya menjadi seperti perempuan impian Aidan—mengubah potongan rambutnya, menato tubuhnya, sampai mengubah selera musiknya. Ketika Kayla sedang berusaha merebut hati bosnya itu, Dylan, cinta pertama Kayla, tiba-tiba muncul. Kayla sebenarnya sudah lupa siapa Dylan karena dia pernah bersumpah untuk tidak mengingatnya lagi semenjak Dylan dan keluarganya pindah dari Jakarta, 10 tahun lalu. Keinginannya terkabul. Ia tidak ingat sama sekali tentang Dylan atau cinta mereka. Dylan pun memutuskan untuk mendapatkan kembali cinta Kayla yang ia yakini masih bersemayam di hati gadis itu kalau saja ia bisa mengingatnya.
Plucked out of thin air like golden silk spun from the mind of a worm marinated in the cheap tequila unearthed from a pirate ship on the banks of the Mississippi from a flash flood of Cajun Creativity, TELL IT TO MY LOCKER PARTNER reminds us all that death, like Word 95, has no spell-check, and that poetry only performs miracles for those who love chocolate. Three years in the making, thirty-six years in production, and one sunny afternoon away from being drenched in salt water, TELL IT TO MY LOCKER PARTNER is a "fine collection of stories and poetry" (New York Book Quotes), from "a true American original working comfortably within his genre." (St. Louis Dispatch) "Bellman has done it again" (Internet Book Reviews). ""With this thirteenth book, Gabriel Leif Bellman has proven that even his B-Sides are tough enough for the A-Team." (Ann Arbor Radio News)
The heart that forgives embraces all things and overflows with unconditional love. Childhood sweethearts Mia and Jean-Paul have been married for twenty-seven years when Jean-Paul admits to Mia that he has been having an affair with another woman. While Mia resolves to do whatever it takes to save her marriage, Jean-Paul decides to end his affair. But the unexpected and lasting effects of his betrayal threaten to permanently corrupt their once-solid union. In "The Heart to Forgive," a self-help book written as a fictionalized memoir, author Mimi Gabriel describes her real-life experience with infidelity. Her hope is to help others cope and recover from similar situations. With the perspective of Mimi's husband, Les Gabriel, you will come to understand why a partner might stray and, most importantly, how a couple can restore their relationship through honesty and forgiveness. "The Heart to Forgive" is captivating, raw, and inspiring. The realities of infidelity are painful and confusing. What if you could step into the hearts and minds of each person involved? "The Heart to Forgive" allows us to witness a personal journey of healing, forgiveness and love in he face of every couple's nightmare. A "must read" for anyone struggling to reclaim happiness after infidelity. This story is a shining example of what's possible. -Mary Allen, CPCC, MCC, Author of "The Power of Inner Choice
Longlisted for the Booker Prize Named a Most Anticipated Book of Summer 2021 by Entertainment Weekly, Time, and CrimeReads Named a Best Book of 2021 by Time An astonishing, visceral autobiographical novel about a young man straddling two cultures: the university where he is studying English Literature and the disregarded world of London gang warfare. The unforgettable narrator of this compelling, thought-provoking debut goes by two names in his two worlds. At the university he attends, he’s Gabriel, a seemingly ordinary, partying student learning about morality at a distance. But in his life outside the classroom, he’s Snoopz, a hard living member of London’s gangs, well-acquainted with drugs, guns, stabbings, and robbery. Navigating these sides of himself, dealing with loving parents at the same time as treacherous, endangering friends and the looming threat of prison, he is forced to come to terms with who he really is and the life he's chosen for himself. In a distinct, lyrical urban slang all his own, author Gabriel Krauze brings to vivid life the underworld of his city and the destructive impact of toxic masculinity. Who They Was is a disturbing yet tender and perspective-altering account of the thrill of violence and the trauma it leaves behind. It is the story of inner cities everywhere, and of the lost boys who must find themselves in their tower blocks.
Longlisted for the Booker Prize Named a Most Anticipated Book of Summer 2021 by Entertainment Weekly, Time, and CrimeReads Named a Best Book of 2021 by Time An astonishing, visceral autobiographical novel about a young man straddling two cultures: the university where he is studying English Literature and the disregarded world of London gang warfare. The unforgettable narrator of this compelling, thought-provoking debut goes by two names in his two worlds. At the university he attends, he's Gabriel, a seemingly ordinary, partying student learning about morality at a distance. But in his life outside the classroom, he's Snoopz, a hard living member of London's gangs, well-acquainted with drugs, guns, stabbings, and robbery. Navigating these sides of himself, dealing with loving parents at the same time as treacherous, endangering friends and the looming threat of prison, he is forced to come to terms with who he really is and the life he's chosen for himself. In a distinct, lyrical urban slang all his own, author Gabriel Krauze brings to vivid life the underworld of his city and the destructive impact of toxic masculinity. Who They Was is a disturbing yet tender and perspective-altering account of the thrill of violence and the trauma it leaves behind. It is the story of inner cities everywhere, and of the lost boys who must find themselves in their tower blocks.
Tracing the leading role of emotions in the evolution of the mind, a philosopher and a psychologist pair up to reveal how thought and culture owe less to our faculty for reason than to our capacity to feel. Many accounts of the human mind concentrate on the brain’s computational power. Yet, in evolutionary terms, rational cognition emerged only the day before yesterday. For nearly 200 million years before humans developed a capacity to reason, the emotional centers of the brain were hard at work. If we want to properly understand the evolution of the mind, we must explore this more primal capability that we share with other animals: the power to feel. Emotions saturate every thought and perception with the weight of feelings. The Emotional Mind reveals that many of the distinctive behaviors and social structures of our species are best discerned through the lens of emotions. Even the roots of so much that makes us uniquely human—art, mythology, religion—can be traced to feelings of caring, longing, fear, loneliness, awe, rage, lust, playfulness, and more. From prehistoric cave art to the songs of Hank Williams, Stephen T. Asma and Rami Gabriel explore how the evolution of the emotional mind stimulated our species’ cultural expression in all its rich variety. Bringing together insights and data from philosophy, biology, anthropology, neuroscience, and psychology, The Emotional Mind offers a new paradigm for understanding what it is that makes us so unique.
How social scientists' disagreements about their key words and distinctions have been misconceived, and what to do about it Social scientists do research on a variety of topics—gender, capitalism, populism, and race and ethnicity, among others. They make descriptive and explanatory claims about empathy, intelligence, neoliberalism, and power. They advise policymakers on diversity, digitalization, work, and religion. And yet, as Gabriel Abend points out in this provocative book, they can’t agree on what these things are and how to identify them. How to tell if something is a religion or a cult or a sect? What is empathy? What makes this society a capitalist one? Disputes of this sort arise again and again in the social sciences. Abend argues that these disagreements have been doubly misconceived. First, they conflate two questions: how a social science community should use its most important words, and what distinctions it should accept and work with. Second, there’s no fact of the matter about either. Instead, they’re practical reason questions for a community, which aim at epistemically and morally good outcomes. Abend calls on social science communities to work together on their words, distinctions, and classifications. They must make collective decisions about the uses of words, the acceptability of distinctions, and the criteria for assessing both. These decisions aren’t up to individual scholars; the community gets the last word. According to Abend, the common good, justice, and equality should play a significant role in the logic of scientific research. Gabriel Abend is professor of sociology at University of Lucerne and the author of The Moral Background: An Inquiry into the History of Business Ethics (Princeton).
This research book explores possible causes and effects of violence in schools. The author elucidates different methods teachers, administrators, and government can use to prevent violence and weapons in schools. Chapter one examines the increase of the level of violence in schools globally using the United States as case study. The author explains what school violence is. He suggested numbers of solutions to reduce school violence globally In chapter two, the author defines and investigates students’ aggressive behavior. He stated that aggressive behavior may be physical (hitting, stabbing, shooting) or verbal (insulting, demeaning, shouting) and also active or passive. In Chapter three, the author investigates into weapons found in schools, the pattern of school violence and what influences adolescents violence behavior, such as social media, video games, uncensored television advertisements, and movies. In chapter four, the author demonstrates different cases of teenagers’ violence behavior at schools and elucidates on what leads to student violence behavior. In chapter five, different methods on how to prevent violence behavior and weapons in schools are explored. In In chapter 6, the author recommends nine steps needed to reduce school violence and student’s aggressive behavior. The Author is a professional Educationist, have Serves as a Principal in schools and colleges in charge of Academics - curriculum design and moderator, have lecture Mathematics, Physics, Chemistry, and Statistics in both High School and in the University. He is a professional member of the International Association of Engineers (IAENG), Member of Nigeria Teachers Association, etc. He got married to Mrs. Mercy Rorlins (Nee Maria Mercy Igberaese) in 2007 and they are blessed with two children Greatness Uwaghosa Rorlins and Goodnews Confidence Rorlins who are currently instruments in the hands of God at their tender age. Dr. Gabriel Rorlins is currently the Vice – President of Hill-City University Benin, the President of Hill-City University of Science and Technology, Liberia, CEO of Bedrock Professional Education and Services across States and Cities in Nigeria, and also the CEO of Gabeko Global Ventures (Good Family Products), Lagos Nigeria and the CEO of Societe GGV Sarl, Cotonou, Benin.
Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.
New York Times Editors’ Choice, One of NPR’s Best Books of the Year In this “infinitely readable” biography, award-winning author Mary Gabriel chronicles the meteoric rise and enduring influence of the greatest female pop icon of the modern era: Madonna (People Magazine) With her arrival on the music scene in the early 1980s, Madonna generated nothing short of an explosion—as great as that of Elvis or the Beatles—taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called “Madonna-land.” But Madonna was more than just a pop star. Everywhere, fans gravitated to her as an emblem of a new age, one in which feminism could shed the buttoned-down demeanor of the 1970s and feel relevant to a new generation. Amid the scourge of AIDS, she brought queer identities into the mainstream, fiercely defending a person's right to love whomever—and be whoever—they wanted. Despite fierce criticism, she never separated her music from her political activism. And, as an artist, she never stopped experimenting. Madonna existed to push past boundaries by creating provocative, visionary music, videos, films, and live performances that changed culture globally. Deftly tracing Madonna’s story from her Michigan roots to her rise to super-stardom, master biographer Mary Gabriel captures the dramatic life and achievements of one of the greatest artists of our time.
SPOON ME will keep you up like a line of cocaine on the Queens nipple, put you down like a vomiting baby, move your sofa like a friend with a bad back, decline your invitation like it conflicted with a tour of a chocolate factory, offer you advice like your own mother after two shots of tequila, spur your advances like a date with the Pope, and make sense of all your Mustang Ranch marriage licenses like a Nevada judge. Written in gold silk from the melted remains of Egyptian gods by an eighth century mystic on the quills of an extinct peacock species and then recovered on the bottom of the ocean by a shark-bitten surfer, SPOON ME is that rare work of fiction that comes along suddenly and ends up in your bed, curled around your body, keeping you warm, snuggling and nestling against you so you feel that rare sense of perfection in the moment as it is actually happening. It is a book that whispers to you, that you can whisper to spoon me
* National Bestseller and winner of the 2014 International IMPAC Dublin Literary Award * Hailed by Edmund White as "a brilliant new novel" on the cover of the New York Times Book Review * Lauded by Jonathan Franzen, E. L. Doctorow and many others From a global literary star comes a prize-winning tour de force – an intimate portrayal of the drug wars in Colombia. Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia. In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare. Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and will take his literary star—even higher.
Just Ash is a book of poetry written over the course of a year. If you notice the subtle changes in the prominence of your cheekbone, elasticity of your skin, if you feel a general decline in excitability over mass catastrophe, then you are tuned in to the passage of time. Before time passes too quickly, we can capture it in word, in print. This book of poems is the eleventh book by Gabriel Leif Bellman, who still does not get it. Or maybe he does. This book is the equivalent of a look in the mirror by a bottle of whiskey, poured over a fire, on a sinking ship. What does a flame see while it burns? What is left of us when we die?
Four hard-boiled mysteries follow a homicide detective through the grit and grime of Brooklyn’s criminal dark side, from an Edgar Award–nominated author. As a member of the elite Brooklyn South Homicide Task Force, Det. Jack Leightner never shies away from a case, no matter how dangerous or baffling. And Kings County has plenty of work for him . . . Red Hook: In the Edgar Award–nominated series debut, a hardworking family man’s body is found on the banks of the Gowanus Canal. As Leightner searches for the killer in Red Hook, the neighborhood of his youth, he must also face ghosts from his past as well as the man he’s become . . . The Graving Dock: A boy is found floating near the Red Hook pier—inside a handmade coffin. With leads taking him all over New York Harbor, and a shady partner in tow, Leightner fights to keep his head above water . . . Neptune Avenue: Leightner investigates the serial killings of prostitutes in Crown Heights and the murder of a friend who ran afoul of the Russian mob in Brighton Beach. But even more dangerous is the detective’s growing attraction to his friend’s widow . . . The Ninth Step: A visit from a stranger forces Jack to reopen the forty-year-old case of his brother’s murder. Meanwhile, he’s distracted by a death at a deli, but after discovering the killer’s ties to a potential terrorist cell, Jack won’t rest until both cases are closed.
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