Samuel Beckett, whose play Waiting for Godot was one of the most influential works for the post-World War II generation, has long been identified with the debilitated and impotent characters he created. In this provocative book, Lois Gordon offers a new perspective on Beckett, challenging the prevalent image of him as reclusive, self-absorbed, and disturbed. Gordon investigates the first forty years of Beckett's life and finds that he was, on the contrary, a kind and generous man who responded sensitively and even heroically to the world around him. Gordon describes the various places and events that affected Beckett during this formative period: war-torn Dublin during the Easter Uprising and World War I, where he spent his childhood and student days; Belfast and Paris in the 1920s and London during the Depression, where he lived and worked; Germany in 1937, where he traveled and witnessed Hitler's brutal domestic policies; prewar and occupied France, where he was active in the Resistance (for which he was later decorated); and the war-ravaged town of Saint-L� in Normandy, which he helped to restore following the liberation. Gordon also portrays the individuals who were important to Beckett, including Jack B. Yeats, Alfred P�ron, Thomas McGreevy, and, most significantly, James Joyce, who was a model for Beckett personally, artistically, and politically. Gordon argues convincingly that Beckett was very much aware of the political and cultural turmoil of this period and that the enormously creative works he wrote after World War II can, in fact, be viewed as a product of and testament to those tumultuous times.
In contrast to the many critics who consider W. B. Yeats a dominant influence on Beckett's drama, this study demonstrates that the two are almost diametrically opposed in their theater and that the real bridge to Beckett's art is to be found in the narrative and pictorial creations of the younger Yeats brother, Jack.
divdivWaiting for Godot has been acclaimed as the greatest play of the twentieth century. It is also the most elusive: two lifelong friends sing, dance, laugh, weep, and question their fate on a road that descends from and goes nowhere. Throughout, they repeat their intention “Let’s go,” but this is inevitably followed by the direction “(They do not move.).” This is Beckett’s poetic construct of the human condition. Lois Gordon, author of The World of Samuel Beckett, has written a fascinating and illuminating introduction to Beckett’s great work for general readers, students, and specialists. Critically sophisticated and historically informed, it approaches the play scene by scene, exploring the text linguistically, philosophically, critically, and biographically. Gordon argues that the play portrays more than the rational mind’s search for self and worldly definition. It also dramatizes Beckett’s insights into human nature, into the emotional life that frequently invades rationality and liberates, victimizes, or paralyzes the individual. Gordon shows that Beckett portrays humanity in conflict with mysterious forces both within and outside the self, that he is an artist of the psychic distress born of relativism. /DIV/DIV
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Using a series of twelve historical case-studies that are based on extensive archival research, this book explains why firms succeed or fail in communicating or transferring knowledge and discovering new expertise. By analysing how workable trade-offs between opposing forces have been achieved in the past, this study provides a set of guidelines for executives who embark upon inter-firm projects.
Nancy Cunard (1896-1965) led a life that surpasses Hollywood fantasy. She abandoned the world of a celebrated socialite and Jazz Age icon to pursue a lifelong battle against social injustice as a wartime journalist, humanitarian aid worker, and civil rights champion. This biography tells the story of this woman.
From the beginning to the end of his career, the philosopher Theodor W. Adorno sustained an uneasy but enduring bond with existentialism. His attitude overall was that of unsparing criticism, verging on polemic. In Kierkegaard he saw an early paragon for the late flowering of bourgeois solipsism; in Heidegger, an impresario for a “jargon of authenticity” cloaking its idealism in an aura of pseudo-concreteness and neo-romantic kitsch. Even in the straitened rationalism of Husserl’s phenomenology Adorno saw a vain attempt to break free from the prison-house of consciousness. “Gordon, in a detailed, sensitive, fair-minded way, leads the reader through Adorno’s various, usually quite vigorous, rhetorically pointed attacks on both transcendental and existential phenomenology from 1930 on...[A] singularly illuminating study.” —Robert Pippin, Critical Inquiry “Gordon’s book offers a significant contribution to our understanding of Adorno’s thought. He writes with expertise, authority, and compendious scholarship, moving with confidence across the thinkers he examines...After this book, it will not be possible to explain Adorno’s philosophical development without serious consideration of [Gordon’s] reactions to them.” —Richard Westerman, Symposium
Readers of Theodor Adorno often have understood him as a "totalizing negativist." If it truly is the case that Adorno saw modern society as a realm of complete falsehood, however, his own social theory is unintelligible. In A Precarious Happiness, Peter E. Gordon aims to redeem Adorno from this negativist interpretation by showing that it arises from a basic misunderstanding of his work. Pushing against entrenched interpretations, Gordon argues that Adorno's philosophy is animated by a deep attachment to a concept of happiness or human flourishing, and it is only by virtue of that normative standard that Adorno judges the world a catastrophic failure. Through a comprehensive reading of Adorno's work, A Precarious Happiness shows that in an imperfect world, the available standards of our flourishing are also imperfect. Looking beyond Adorno, Gordon suggests that the practice of social criticism, even if it is directed toward exposing what is "false," cannot succeed without appealing to an unrealized notion of what would be right"--
A revealing new biography—the first in more than fifty years—of one of the twentieth-century's towering literary figures James Joyce is one of the greatest writers of the twentieth century, his novels and stories foundational in the history of literary modernism. Yet Joyce's genius was by no means immediately recognized, nor was his success easily won. At twenty-two he chose a life of exile; he battled poverty and financial dependency for much of his adult life; his out-of-wedlock relationship with Nora Barnacle was scandalous for the time; and the attitudes he held towards the Irish and Ireland, England, sexuality, politics, Catholicism, popular culture—to name a few—were complex, contradictory, and controversial. Gordon Bowker draws on material recently come to light and reconsiders the two signal works produced about Joyce's life—Herbert Gorman's authorized biography of 1939 and Richard Ellman's magisterial tome of 1959—and, most importantly by binding together more intimately than has ever before been attempted the life and work of this singular artist, Gordon Bowker here gives us a masterful, fresh, eminently readable contribution to our understanding, both of Joyce's personality and of the monumental opus he created. Bowker goes further than his predecessors in exploring Joyce's inner depths—his ambivalent relationships to England, to his native Ireland, and to Judaism—uncovering revealing evidence. He draws convincing correspondences between the iconic fictional characters Joyce created and their real-life models and inspirations. And he paints a nuanced portrait of a man of enormous complexity, the clearest picture yet of an extraordinary writer who continues to influence and fascinate over a century after his birth. Widely acclaimed on publication in Britain last year, perhaps the highest compliment paid was by Chris Proctor, of London's Tribune: "Bowker's success is to lead you back to the texts, perhaps understanding them better for this rich account of the maddening insane genius who wrote them.
Analysing three cases of British colonial violence that occurred in the latter half of the 19th century, this book argues that all three share commonalities, including the role of racial prejudices in justifying the perpetration of extreme colonial violence. Exploring the connections and comparisons between the Perak War (1875–76), the 'Hut Tax' Revolt in Sierra Leone (1898–99) and the Anglo-Egyptian War of Reconquest in the Sudan (1896–99), Gordon highlights the significance of decision-making processes, communication between London and the periphery and the influence of individual colonial administrators in outbreaks of violence. This study reveals the ways in which racial prejudices, the advocacy of a British 'civilising mission' and British racial 'superiority' informed colonial administrators' decisions on the ground, as well as the rationalisation of extreme violence. Responding to a neglect of British colonial atrocities within the historiography of colonial violence, this work demonstrates the ways in which Britain was just as willing and able as other European Empires to resort to extreme measures in the face of indigenous resistance or threats to the British imperial project.
Gordon is back again for his biggest challenge yet in the third book of the hilarious Gordon's Game series! __________ Gordon D'Arcy has achieved a lot in his short life. He has won the Six Nations with Ireland and the European Cup with Leinster. Not bad for a boy who's still at school! Now, he has a brand-new opportunity - the chance to play for the famous British and Irish Lions as they tour South Africa. But before he can get on the plane, he must overcome the injury that threatens to end his career, and make the difficult choice between rugby and friendship. Gordon has to help Clive Woodward pull off a series win against South Africa and their fearsome forwards - the notorious Bomb Squad. And he certainly has to keep his wits about him when he finds himself in a wildlife reserve, surrounded by animals that want to eat him for dinner! Is another dream about to come true for Gordon D'Arcy? Or has this young Lion finally bitten off more than he can chew?
Supporting Actors in Motion Pictures Volume II By: Dr. Roger L. Gordon Supporting Actors in Motion Pictures: Volume II continues author Dr. Roger L. Gordon’s Supporting Actors series by expanding his database of talented supporting actors and actresses. A compilation of biographies of supporting actors and actresses that spans from the advent of sound through present day, learn the history and accomplishments of many of your favorite stars!
Combines essays, bibliographical descriptions, and 295 illustrations to chronicle a golden era in the art of the illustrated book. Artists range from Blake, Turner, Rowlandson, and Morris to Caldecott, Greenaway, Beardsley, and Rackham.
Jump-Start Your Creative Journey Get out of your artistic rut and learn how to make art that feels true to you. Whether you’re established in the art world or just breaking in, this guide helps you push past imposter syndrome and negative self-talk so you can create with confidence and find joy in the process once more. Kristy Gordon, prominent painter and adjunct professor at New York Academy of Art, will teach you how to quiet criticisms, dream big and make art that feels genuine to your style. You’ll start with pressure-free exercises to build the habit of creating daily, then you’ll learn how to research the art world and build up an arsenal of ideas for your artwork. Finally, you’ll learn to pitch yourself to galleries and other consumers. Along the way, Kristy provides a wealth of insight into recovering a sense of play in your art and keeping your mind open to epiphanies and breakthroughs. Filled with invaluable advice and encouraging exercises, this impactful guidebook will help you feel invigorated in your practice and propel you into a career you’ve always dreamed of.
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