This eBook features the unabridged text of ‘Autobiography’ from the bestselling edition of ‘The Complete Works of G. K. Chesterton’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Chesterton includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Autobiography’ * Beautifully illustrated with images related to Chesterton’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Orthodoxy G. K. Chesterton - Orthodoxy (1908) is a book by G. K. Chesterton that has become a classic of Christian apologetics. Chesterton considered this book a companion to his other work, Heretics. In the book's preface Chesterton states the purpose is to "attempt an explanation, not of whether the Christian faith can be believed, but of how he personally has come to believe it." In it, Chesterton presents an original view of Christian religion. He sees it as the answer to natural human needs, the "answer to a riddle" in his own words, and not simply as an arbitrary truth received from somewhere outside the boundaries of human experience.
The Everlasting Man is a history of mankind, Christ and Christianity written by G. K. Chesterton. It is to some extent a deliberate rebuttal of H. G. Wells' "Outline of History," disputing Wells' portrayals of human life and civilization as a seamless development from animal life and of Jesus Christ as merely another charismatic figure. Whereas "Orthodoxy" detailed Chesterton's own spiritual journey, in this book he tries to illustrate the spiritual journey of mankind, or at least of Western civilization.
A police officer infiltrates an underground anarchist group and earns the name Thursday, becoming a vital part of an assassination plot that has drastic consequences. Unbeknownst to him, the officer is being pulled into a much bigger scheme. Gabriel Syme is a part of Scotland Yard’s secret police task force. He attends a party where he meets Lucian Gregory, a poet who’s sympathetic to the anarchist cause. Gregory takes Syme to the meeting of an anarchy council where he’s introduced to men with similar beliefs. To protect their identities, they’re each given code names inspired by a day of the week. Syme becomes Thursday and works as an active participant in an assassination plot. The group’s plan takes a surprising turn when a secret is uncovered, exposing not only Syme, but a greater deception. The Man Who Was Thursday is a clever thriller full of twists and shocking turns. Chesterton’s storytelling keeps the reader of their toes, making for an engaged and exciting experience. The story provides commentary of revolutionary politics, identity and the innate desire for community. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Man Who Was Thursday is both modern and readable.
Gilbert Keith Chesterton (1874 - 1936) was an English social and literary critic, author of verses, essays, novels, and short stories. His most emblematic work was The Man Who Was Thursday. The narrative is set at the end of the 19th century in a context filled with anarchist conspiracies and mysteries involving theological enigmas, free will, and the existence of evil in the form of the irrational. The protagonist is Detective Gabriel Syme, a poet committed to the fight against chaos, who was recruited by the anti-anarchist section of Scotland Yard. The Man Who Was Thursday was published to great success in 1908. It is a philosophical novel filled with action, adventure, and suspense that continues to captivate readers today, presenting them with paradoxes and moral and theological reflections that make them question themselves with every chapter.
The Everlasting Man G. K. Chesterton - "The best popular apologetic I know." C.S. LewisIn 1925, just three years after his reception into the Catholic Church, G.K. Chesterton published a work that proclaimed anew to the doubters of the age that the key to history had arrived nearly two thousand years before. Contra the evolutionists, he first points to the singular nature of man from his very beginnings; and, later, contra the comparative religionists, points to the uniqueness of Christianity in relation to all other paths. Two of those paths, the way of myth and the way of philosophy, were at war until Christ restored the worlds sanity in the union of Story and Truth. In Chestertons telling, the groaning and travail of the ancient world was answered, precisely and definitively, in the still night of Bethlehem and the Birth of our Lord. Chesterton insists the event be seen with fresh eyes: God as Childa claim no other religion dares to make.As Chesterton writes, when we do make this imaginative effort to see the whole thing from the outside, we find that it really looks like what is traditionally said about it inside. Looking at Christianity with such new-found sight, one can only be astonished at the strangest story in the world. The Everlasting Man is the tale of a unique creature, man, made in the image of God, and of the God-Made-Man who fully reveals this fact to him. There is a spiritual path, and mankind has wandered over it with myriad gaits through the centuries. Nevertheless, the path that leads to mans true home begins with the Nativity and ends with the Resurrection, and in between is contained all life and all holiness.
This classic novel by the brilliant G. K. Chesterton tells the rollicking tale of Innocent Smith, a man who may be crazy-or possibly the most sane man of all. Arriving at a dreary London boarding house accompanied by a windstorm, Smith is an exuberant, eccentric and sweet-natured man. Smith has a positive effect on the house-he creates his own court, brings a few couples together, and falls in love with a paid companion next door. All seems to be well with the world. Then the unexpected happens: Smith shoots at one of the tenants, and two doctors arrive to arrest him, claiming that he's a bigamist, an attempted murderer, and a thief. But cynical writer Moon insists that the case be tried there-and they explore Smith's past history, revealing startling truths about what he does. Is he the wickedest man in Britain, or is he "blameless as a buttercup"? Beautifully written, mixing the ridiculous with the profound, full of hilarious dialogue and lushly detailed writing, Chesterton's main character Innocent Smith somehow manages to restore joy to all the dull and cynical lives around him. In this delightfully strange mystery, Chesterton demonstrates why life is worth living, and that sometimes we need a little madness just to know we are alive.
The Collected Works of G.K. Chesterton is an ongoing project, edited by many of the most prominent Chesterton scholars in the world, including Dale Ahlquist, Denis Conlon, George Marlin, Lawrence Clipper, and many others. These handsome editions include explanatory footnotes, introductory essays, and much more.
G. K. Chesterton's The Man Who Was Thursday is a wacky, nightmarish, deliriously well-written adventure story for grownups in which nothing is what it seems and everyone wears a mask, whether figurative or literal. It's hard to think of a more thrilling book." -Kate Christensen, TIME Magazine's Summer Reading List 2009. First published in 1908, G. K. Chesterton's "The Man Who Was Thursday" has been described as a metaphysical thriller. It is the story of Gabriel Syme, who is recruited by Scotland Yard as part of an anti-anarchist task force. When he meets Lucian Gregory, a poet and member of a secret society of anarchists, he gains access to the underground movement. The group is lead by a central council of seven men, each named for a day of the week. Gabriel convinces the local chapter to elect him to the vacant position of "Thursday" and he soon discovers that he is not the only one pretending to be something that he is not. What follows is one of the most absurd and clever plots to ever have been written, one in which Chesterton's wonderfully high-spirited prose carries the reader along in a boisterous rush. Arguably the author's finest work, certainly his most popular, "The Man Who Was Thursday" is a wild, mad, hilarious and profoundly moving tale that ultimately defies classification. This edition is printed on premium acid-free paper.About the AuthorGilbert Keith Chesterton (29 May 1874 - 14 June 1936) better known as G. K. Chesterton, was an English writer, lay theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist.
G. K. Chesterton's The Man Who Was Thursday is a wacky, nightmarish, deliriously well-written adventure story for grownups in which nothing is what it seems and everyone wears a mask, whether figurative or literal. It's hard to think of a more thrilling book." -Kate Christensen, TIME Magazine's Summer Reading List 2009. Visit www.ChestertonBooks.com to see other books in this G. K. Chesterton series.
The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book is sometimes referred to as a metaphysical thriller.In Edwardian era London, Gabriel Syme is recruited at Scotland Yard to a secret anti-anarchist police corps. Lucian Gregory, an anarchistic poet, lives in the suburb of Saffron Park. Syme meets him at a party and they debate the meaning of poetry. Gregory argues that revolt is the basis of poetry. Syme demurs, insisting the essence of poetry is not revolution but law. He antagonises Gregory by asserting that the most poetical of human creations is the timetable for the London Underground. He suggests Gregory isn't really serious about anarchism, which so irritates Gregory that he takes Syme to an underground anarchist meeting place, revealing his public endorsement of anarchy is a ruse to make him seem harmless, when in fact he is an influential member of the local chapter of the European anarchist council.
THE only possible excuse for this book is that it is an answer to a challenge. Even a bad shot is dignified when he accepts a duel. When some time ago I published a series of hasty but sincere papers, under the name of "Heretics," several critics for whose intellect I have a warm respect (I may mention specially Mr. G.S.Street) said that it was all very well for me to tell everybody to affirm his cosmic theory, but that I had carefully avoided supporting my precepts with example. "I will begin to worry about my philosophy," said Mr. Street, "when Mr. Chesterton has given us his." It was perhaps an incautious suggestion to make to a person only too ready to write books upon the feeblest provocation. But after all, though Mr. Street has inspired and created this book, he need not read it. If he does read it, he will find that in its pages I have attempted in a vague and personal way, in a set of mental pictures rather than in a series of deductions, to state the philosophy in which I have come to believe. I will not call it my philosophy; for I did not make it. God and humanity made it; and it made me.
G.K. Chesterton was one of the most prolific writers of the 20th century, writing across numerous genres. His many newspaper columns, his detective stories, his philosophical analysis, and his theological exposition once made him a household name. Chesterton's 1908 classic, "The Man Who Was Thursday," is as good of an introduction into him as any.
One of the top 10 Christian books of the twentieth century." --Christianity Today Gilbert Keith Chesterton (1874-1936) has been called "the ablest and most exuberant proponent of orthodox Christianity of his time." One of the twentieth century's most thoughtful authors, he greatly influenced countless Christian writers including C.S. Lewis and others. Described as one of 10 "indispensable spiritual classics" of the past 1500 years byPublishers Weekly, Chesterton's Orthodoxy offers a unique explanation of the essentials of the Christian faith, and of his own journey from skepticism to belief. "It is constantly assumed, especially in our Tolstoian tendencies, that when the lion lies down with the lamb the lion becomes lamb-like. . . . That is simply the lamb absorbing the lion instead of the lion eating the lamb. The real problem is--can the lion lie down with the lamb and still retain his royal ferocity? That is the problem the Church attempted; that is the miracle she achieved." --from Orthodoxy Every Christian library needs the classics--the timeless books that have spoken powerfully to generations of believers. Hendrickson Christian Classics allow readers to build an essential classics library in affordable modern editions. Each volume is freshly retypeset for reading comfort, while thoughtful new introductions place each in historical and spiritual context. Attractive, classically bound covers look great together on the shelf. Best of all, value pricing makes this series easy to own. Planned to span the spectrum of Christian wisdom through the ages, Hendrickson Christian Classics set a new standard for quality and value.
The Man Who Was Thursday: A Nightmare is a novel by G. K. Chesterton, first published in 1908. The book has been referred to as a metaphysical thriller. Although it deals with anarchists, the novel is not an exploration or rebuttal of anarchist thought; Chesterton's ad hoc construction of "Philosophical Anarchism" is distinguished from ordinary anarchism and is referred to several times not so much as a rebellion against government but as a rebellion against God. The novel has been described as "one of the hidden hinges of twentieth-century writing, the place where, before our eyes, the nonsense-fantastical tradition of Lewis Carroll and Edward Lear pivots and becomes the nightmare-fantastical tradition of Kafka and Borges.
“The Chimes” is an 1844 novella by Charles Dickens. First published one year after “A Christmas Carol” in 1844, it represents the second of his famous "Christmas books”, which include “A Christmas Carol”, “The Cricket on the Hearth”, “The Battle of Life”, and “The Haunted Man and the Ghost's Bargain”. After poor working-class man Trotty loses his faith in humanity, he is visited one new year's eve by a band of spirits who attempt to restore his hope and belief in the goodness of mankind. Charles John Huffam Dickens (1812–1870) was an English writer and social critic famous for having created some of the world's most well-known fictional characters. His works became unprecedentedly popular during his life, and today he is commonly regarded as the greatest Victorian-era novelist. Although perhaps better known for such works as “Great Expectations” or “A Christmas Carol”, Dickens first gained success with the 1836 serial publication of “The Pickwick Papers”, which turned him almost overnight into an international literary celebrity thanks to his humour, satire, and astute observations concerning society and character. This classic work is being republished now in a new edition complete with an introductory chapter from “Appreciations and Criticisms of the Works of Charles Dickens” by G. K. Chesterton.
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