Poetry. Waldrep's seventh collection begins where his prior collection, FEAST GENTLY, left off: "This / is how the witness ends: touch, withdraw; touch again," according to the opening poem in THE EARLIEST WITNESSES. If these are poems of witness, then they are also testators to the craft of seeing: eye-proofs of an epiphenomenal world. "Can you see this," the ophthalmologist in "A Mystic's Guide to Arches" asks over and over again. Sight becomes both the facilitator and impediment of desire, in collusion with language itself. "She said, When you say pear, I see p-e-a-r for a second before I see, in my mind's eye, a pear," Waldrep carefully records in "[West Stow Orchard Poem (II)]." The desire-poems in THE EARLIEST WITNESSES want the thing itself, its image of the mind, and the language that transmutes both thing and image into song.
Your Father on the Train of Ghosts is one of the most extensive collaborations in American poetry. Over the course of a year, acclaimed poets G.C. Waldrep and John Gallaher wrote poems back and forth, sometimes once or twice a week, sometimes five or six a day. As the collaboration deepened, a third "voice" emerged that neither poet can claim as solely their own. The poems of Your Father on the Train of Ghosts read as lyric snapshots of a culture we are all too familiar with, even as it slips from us: malls and supermarkets, museums and parades, toxic waste and cheesecakes, ghosts and fire, fathers and sons. Ultimately, these fables and confessions constitute a sort of gentle apocalypse, a user-friendly self-help manual for the end of time. G.C. Waldrep is author of Goldbeater's Skin (2003 Colorado Prize for poetry), Disclamor, and Archicembalo (2008 Dorset Prize). He has won awards from the Poetry Society of America and Academy of American Poets, fellowships at Yaddo and the MacDowell Colony; and an NEA fellowship. He holds an MFA in poetry from the Iowa Writers' Workshop and teaches at Bucknell University. John Gallaher is author of Gentlemen in Turbans, Ladies in Cauls, The Little Book of Guesses (Levis Poetry Prize), and Map of the Folded World. His poetry has been included in The Best American Poetry series and numerous journals and anthologies. He co-edits The Laurel Review, GreenTower Press, and the Akron Series of Contemporary Poetics. He teaches at Northwest Missouri State University.
In this book-length poem, G.C. Waldrep addresses matters as diverse as Mormonism, cymatics, race, Dolly the cloned sheep, and his own life and faith. Drafted over twelve trance-like days while in residence at Hawthornden Castle, Waldrep responds to such poets as Alice Notley, Lisa Robertson, and Carla Harryman, and tackles the question of whether gender can be a lyric form. G.C. Waldrep's books include Disclamor (BOA Editions Ltd., 2007) and Your Father on the Train of Ghosts (BOA Editions, Ltd., 2011). He lives in Lewisburg, Pennsylvania, where he teaches at Bucknell University, edits West Branch, and serves as editor-at-large for the Kenyon Review.
The conclusion of G. C. Waldrep's trilogy exploring chronic illness. In The Opening Ritual, G. C. Waldrep contends with the failure of the body, the irreducible body, in the light of faith. What can or should "healing" mean when it can't ever mean "wholeness" again? And what kind of architecture is "mercy" when we live inside damage? These are poems that take both the material and the spiritual seriously, that cast their unsparing glances toward "All that is not / & could never be a parable." The collection concludes with a sequence of truly grand meditations on spiritual consciousness--in one the poet notes how, in the stillness of contemplation, the world begins to hum and resound with music. The Opening Ritual attends to and fashions its song from that music.
Your Father on the Train of Ghosts is one of the most extensive collaborations in American poetry. Over the course of a year, acclaimed poets G.C. Waldrep and John Gallaher wrote poems back and forth, sometimes once or twice a week, sometimes five or six a day. As the collaboration deepened, a third "voice" emerged that neither poet can claim as solely their own. The poems of Your Father on the Train of Ghosts read as lyric snapshots of a culture we are all too familiar with, even as it slips from us: malls and supermarkets, museums and parades, toxic waste and cheesecakes, ghosts and fire, fathers and sons. Ultimately, these fables and confessions constitute a sort of gentle apocalypse, a user-friendly self-help manual for the end of time. G.C. Waldrep is author of Goldbeater's Skin (2003 Colorado Prize for poetry), Disclamor, and Archicembalo (2008 Dorset Prize). He has won awards from the Poetry Society of America and Academy of American Poets, fellowships at Yaddo and the MacDowell Colony; and an NEA fellowship. He holds an MFA in poetry from the Iowa Writers' Workshop and teaches at Bucknell University. John Gallaher is author of Gentlemen in Turbans, Ladies in Cauls, The Little Book of Guesses (Levis Poetry Prize), and Map of the Folded World. His poetry has been included in The Best American Poetry series and numerous journals and anthologies. He co-edits The Laurel Review, GreenTower Press, and the Akron Series of Contemporary Poetics. He teaches at Northwest Missouri State University.
In this book-length poem, G.C. Waldrep addresses matters as diverse as Mormonism, cymatics, race, Dolly the cloned sheep, and his own life and faith. Drafted over twelve trance-like days while in residence at Hawthornden Castle, Waldrep responds to such poets as Alice Notley, Lisa Robertson, and Carla Harryman, and tackles the question of whether gender can be a lyric form. G.C. Waldrep's books include Disclamor (BOA Editions Ltd., 2007) and Your Father on the Train of Ghosts (BOA Editions, Ltd., 2011). He lives in Lewisburg, Pennsylvania, where he teaches at Bucknell University, edits West Branch, and serves as editor-at-large for the Kenyon Review.
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