Henry Schogt met his wife, Corrie, in 1954 in Amsterdam. Each knew the other had grown up in the Netherlands during World War II, but for years they barely spoke of their experiences. This was true for many people — the memories were just too painful. Years later, Henry and Corrie began to piece their memories together, to untangle reality from dreams. Their intent was to help others understand what had happened then, and how it influenced and affected not only their lives but those of all who survived. The seven stories in The Curtain reveal how two families — one Jewish, one non-Jewish — fared in the Netherlands during the German occupation in World War II. Each vignette highlights a specific aspect of life; all show how life changed for everyone, and forever. Four stories are based on the author’s memories of his own non-Jewish family: Henry’s friendship with a Jewish teenager; the conflict of personal antipathy with the realization that help must be provided; the Schogt parents’ determination to do the right thing; the difficulties of coping with an aunt with Nazi sympathies. These are stories about the randomness of survival and the elusive nature of memory. For the Jewish family, three stories drawn from the memories of the author’s wife and family demonstrate the bewildering situation of trying to make impossible life-determining decisions when faced with confusing and deceitful decrees. The family must struggle with the luck — or absence thereof — of finding refuge when forced from their homes, and with the perplexing inconsistencies of the collaboration of Dutch authorities and police with the Nazis. The Curtain emphasizes the difference between the options that were open to non-Jews and Jews in the Netherlands. Non-Jews could freely choose whether to actively resist the Germans, collaborate with the Nazis, or just to do nothing, and try to live a normal life in spite of wartime restrictions. Dutch Jews, on the other hand, did not have a choice — whatever they did, whatever decisions they made, they were doomed, and it often seemed, when someone survived, just simple luck. A short introduction about the war years and an appendix with a chronology of decrees, events, and statistics, provide background information for this haunting memoir of those disturbing years during the German Occupation in the Netherlands.
ScaLAPACK is an acronym for Scalable Linear Algebra Package or Scalable LAPACK. It is a library of high-performance linear algebra routines for distributed memory message-passing MIMD computers and networks of workstations supporting parallel virtual machine (PVM) and/or message passing interface (MPI). It is a continuation of the LAPACK project, which designed and produced analogous software for workstations, vector supercomputers, and shared memory parallel computers. Both libraries contain routines for solving systems of linear equations, least squares problems, and eigenvalue problems. The goals of both projects are efficiency, scalability, reliability, portability, flexibility, and ease of use. ScaLAPACK includes routines for the solution of dense, band, and tridiagonal linear systems of equations, condition estimation and iterative refinement, for LU and Cholesky factorization, matrix inversion, full-rank linear least squares problems, orthogonal and generalized orthogonal factorizations, orthogonal transformation routines, reductions to upper Hessenberg, bidiagonal and tridiagonal form, reduction of a symmetric-definite/ Hermitian-definite generalized eigenproblem to standard form, the symmetric/Hermitian, generalized symmetric/Hermitian, and nonsymmetric eigenproblem, and the singular value decomposition. Prototype codes are provided for out-of-core linear solvers for LU, Cholesky, and QR, the matrix sign function for eigenproblems, an HPF interface to a subset of ScaLAPACK routines, and SuperLU. Software is available in single-precision real, double-precision real, single-precision complex, and double-precision complex. The software has been written to be portable across a wide range of distributed-memory environments such as the Cray T3, IBM SP, Intel series, TM CM-5, networks of workstations, and any system for which PVM or MPI is available. Each Users' Guide includes a CD-ROM containing the HTML version of the ScaLAPACK Users' Guide, the source code for ScaLAPACK and LAPACK, testing and timing programs, prebuilt versions of the library for a number of computers, example programs, and the full set of LAPACK Working Notes.
In this panoramic study, Freeman Henry chronicles the rise to prominence of French language and culture. He meticulously analyzes the protracted government-sponsored efforts to foster and maintain that status and--ultimately--the latter-day challenges to France's national linguistic identity posed by Anglocentric globalization and a multicentric European Union. The internal history of the language is closely intertwined with its external history: phonology, morphology, lexicography, and orthography come alive against a backdrop of political, cultural, and institutional manifestations. A felicitous blend of documentary evidence and critical analysis serves to elucidate crucial stages, events, and concepts: 16th-century exuberance, 17th-century foundations, 18th-century expansionism, Revolutionary ideology. Restoration restructuring and commercialization, the advent of linguistic science, the coming of the media age, encroaching technocracy, and clamors for linguistic parity. Individual chapter focus on the plight of minority linguistic communities such as the blind and the deaf, language monitoring policies and legislation such as the Loi Toubon, as well as the feminization project legitimizing Madame la ministre. --Publisher description.
G. Henry Steges dedication to sailing was a natural development. Raised on the Connecticut shore of Long Island Sound, he followed a career in international marketing while sailing a series of boats from dinghies to several larger craft:a family cruiser named Starduster, then a successful one-ton ocean racing yacht named Stegosaurus, and finally a fifty-foot cutter named Stegosaurus II. After earning his Coast Guard Captains license and PADI Divemaster certification, he and his wife teamed up to operate Stegosaurus II as a charter yacht. Over a twelve year period they sailed more than 22,000 ocean miles commuting between Connecticut and the Virgin Islands, and approximately 4,000 miles running charters through the Virgins and various Windward Islands of the Caribbean.. His experiences formed the basis for two volumes of verse: Whistling in the Dark and Singing in the Sun, each of about 145 poems. They earned him the selfappointed title of Underwater Poet. Ashore following the sale of Stegosaurus II, he extrapolated his sailing life into two novels: Wings of Morning and Hurry Sunrise, following an earlier work, unrelated to the ocean, titled Season of the Fireflies. Sadly, Stegosaurus II was sunk by her new owner 200 miles south of Haiti during a singlehanded winter passage from Florida to Aruba. He survived. The boat did not.
G. Henry Steges dedication to sailing was a natural development. Raised on the Connecticut shore of Long Island Sound, he followed a career in international marketing while sailing a series of boats from dinghies to several larger craft:a family cruiser named Starduster, then a successful one-ton ocean racing yacht named Stegosaurus, and finally a fifty-foot cutter named Stegosaurus II. After earning his Coast Guard Captains license and PADI Divemaster certification, he and his wife teamed up to operate Stegosaurus II as a charter yacht. Over a twelve year period they sailed more than 22,000 ocean miles commuting between Connecticut and the Virgin Islands, and approximately 4,000 miles running charters through the Virgins and various Windward Islands of the Caribbean.. His experiences formed the basis for two volumes of verse: Whistling in the Dark and Singing in the Sun, each of about 145 poems. They earned him the selfappointed title of Underwater Poet. Ashore following the sale of Stegosaurus II, he extrapolated his sailing life into two novels: Wings of Morning and Hurry Sunrise, following an earlier work, unrelated to the ocean, titled Season of the Fireflies. Sadly, Stegosaurus II was sunk by her new owner 200 miles south of Haiti during a singlehanded winter passage from Florida to Aruba. He survived. The boat did not.
This publication provides the GAEZ v4 model documentation for (1) Agro-climatic analysis, (2) Crop biomass and yield calculations, (3) Land Utilization Types, (4) Observed phenology and crop calendars, (5) Temperature sum and temperature profile constraint-factors, (6) Crop-specific water requirements, (7) Soil-water balance, (8) Agro-climatic constraints, (9) Agro-edaphic constraints more crops, (10) Agro-ecological crop potentials, (11) Actual crop production and yields, (12) Yield and production gaps. This GAEZ v4 model documentation summarizes information on the structure of GAEZ methodology and provides information on updates of input data and model procedures from GAEZ v3.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
A practitioner of Vodou must test the boundaries of her powers to solve a ritual murder in New Orleans and protect everything she holds sacred. Haitian-American Vodou priestess Mambo Reina Dumond runs a healing practice from her New Orleans home. Gifted with water magic since she was a child, Reina is devoted to the benevolent traditions of her ancestors. After a ritual slaying in the French Quarter, police arrest a fellow vodouisant. Detective Roman Frost, Reina's ex-boyfriend--a fierce nonbeliever--is eager to tie the crime, and half a dozen others, to the Vodou practitioners of New Orleans. Reina resolves to find the real killer and defend the Vodou practice and customs, but the motives behind the murder are deeper and darker than she imagines. As Reina delves into the city's shadows, she untangles more than just the truth behind a devious crime. It's a conspiracy. As a killer wields dangerous magic to thwart Reina's investigation, she must tap into the strength of her own power and faith to solve a mystery that threatens to destroy her entire way of life.
Evil lives in a traveling carnival roaming the Depression-era South. But the carnival's newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come. Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It's a gift for communicating with animals. To some, she's a magical tender. To others, a she-devil. To a talent prospector, she's a crowd-drawing oddity. And the Bacchanal Carnival is Eliza's ticket out of the swamp trap of Baton Rouge. Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she's met her match in Eliza, who's only beginning to understand the purpose of her own burgeoning powers. Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.
The 14th Canadian Army Tank Regiment was one of the first Canadian armoured regiments to be formed and was also the first to be committed to battle. The action of every one of the regiment's tanks that landed at Dieppe is described in detail by Hugh G. Henry Jr who has spent several years on his research and interviewed all the regiment's survivors. Every Churchill tank and armoured car left behind on the beach is pictured, selected from photographic coverage of the time.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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