A reconsideration of Chinese decadent (tuifei) poetry which argues that this poetry is not a marginal trend but rather a vital part of the Chinese literary tradition.
This is the first book-length study of panegyric poetry—yingzhao shi or poetry presented to imperial rulers—in the Chinese tradition. Examining poems presented during the Wei-Jin Nanbeichao, or early medieval period (220–619), Fusheng Wu provides a thorough exploration of the sociopolitical background against which these poems were written and a close analysis of the formal conventions of the poems. By reconstructing the human drama behind the composition of these poems, Wu shows that writing under imperial command could be a matter of grave consequence. The poets' work could determine the rise and fall of careers, or even cost lives. While panegyric poetry has been largely dismissed as perfunctory and insincere, such poems reveal much about the relations between monarchs and the intellectuals they patronized and also compels us to reexamine the canonical Chinese notion of poetic production as personal, spontaneous expression.
Based on an extended period of ethnographic research and observation of migrant workers' educational programmes, this book presents a theoretical exploration of social and educational issues in an industrialised area in south China. It highlights the tensions existing between the traditional ideology stressing collectivism, selfless devotion and teacher-centred teaching, and the new social practices promoting commercialization, personal development and interactive teaching. The author provides first-hand descriptions and analyses of rural-urban migrant workers' lives, work and education. He develops the ethnographic approach by analysing the tensions and contradictions in the implementation processes of educational policies in the region. The book argues that the educational programmes, which focused on elite workers to support the development of industrialization and urbanization projects, assisted migrant workers as students in promoting their aspirations. However, this also stratified migrant workers, thus increasing gaps in socioeconomic status and professional development. Education policy design and implementation are observed as a dynamic process, thus contributing to a nuanced understanding of adult education and migration at a micro level.
High Plasticity Magnesium Alloys focuses on the microstructure, mechanical properties and processing methods of magnesium alloy materials. The title offers theory and methods on high-plasticity magnesium alloys, including phase diagram construction, alloying and deformation. Four typical high-plasticity magnesium alloys are discussed through thermodynamic phase diagram construction and the characterization of their microstructure, mechanical properties and texture at as-cast, extruded, rolled and heat-treated states. Chapters update principle calculations for the effects of alloying elements, Mg-Gd-Zr medium strength and high-plasticity alloys, medium strength and high-plasticity Mg-Mn based alloys, medium strength and high-plasticity Mc-Sn based alloys, and Mg-Gd-Y-Zn-Mn high-strength and high-plasticity magnesium alloys. This book presents the plasticity of magnesium alloys, and guides the design and development of new high-strength and high-plasticity magnesium alloys. It provides detailed solutions for practicing industrial engineers. - Presents in-depth theory and research methods on high-plasticity magnesium alloys - Considers the microstructure, mechanical properties and processing methods of high-performance magnesium alloys - Shows the first principles needed to calculate the effects of various alloying elements - Introduces the development of magnesium alloys with relatively high plasticity - Characterizes the plasticity of polycrystalline metallic materials - Provides detailed solutions for industrial engineers who need to use high-performance magnesium alloys
A reconsideration of Chinese decadent (tuifei) poetry which argues that this poetry is not a marginal trend but rather a vital part of the Chinese literary tradition.
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