Writings by the pioneering feminist include the travelogue Summer on the Lakes, contributions to the literary journal The Dial, dispatches from revolutionary Italy, essays, and unpublished journals.
This new edition of this classic and influential book features recently recovered writings about Fuller by her contemporaries and additional selections from Fuller's writings, including previously unpublished excerpts from her journals.
This second volume publishes all of Margaret Fuller's letters written from 1839 to 1841—the years in which she first began to achieve fame as a writer and an editor. Addressed to such eminent figures as Ralph Waldo Emerson, Henry David Thoreau, William H. Channing, Elizabeth Peabody, and Frederic H. hedge as well as to Fuller's family and intimate friends, these letters record the years of her involvement in the Transcendentalist Club—a group of liberal clergymen and writers who gathered to discuss theology, literature, and philosophy. In 1839 the Club decided to found a magazine, The Dial; Fuller became the editor, and at last she had a forum for her innovative views of literature and of literary criticism. These are also the years of her famous "conversations" for women—weekly discussions of mythology which were attended by twenty-five of the most prominent women in the area. The letters chronicle the most emotionally turbulent period in her life. In the course of little more than a year she was rejected by the man she loved, Samuel G. Ward, who then married her close friend Anna Barker; she was rebuffed by Emerson as well; and she underwent a profound religious experience that she felt changed her life.
Among the recipients of the letters in this generous selection are such literary and cultural figures as Bronson Alcott, Elizabeth Barrett Browning, Arthur Hugh Clough, Ralph Waldo Emerson, Giuseppe Mazzini, Giovanni Angelo Ossoli (Fuller's husband), George Ripley, and Henry David Thoreau. Taken together, the letters serve as a chronicle of Fuller's lifetime and provide glimpses into her thoughts and feelings during the years of the "Conversations," and Dial, and the revolution in Rome."--BOOK JACKET.
The third volume of this major series opens with Fuller's decision in early 1842 to resign her post as editor of The Dial, after she realized she would never be paid for her work there. It closes with her in New York, having accepted Horace Greeley's invitation to work as a book reviewer for The Daily Tribune. Her position was nearly without precedent for a woman, and she wrote enthusiastically of her job that it provided "a more various view of life than any I ever before was in." She found herself in a larger world: the new tasks of daily journalism replaced the demands of The Dial, and a mass audience replaced her coterie of intellectual readers. These were prolific years for Fuller, during which she wrote on a wide variety of subjects, and the letters chronicle her progress on a number of projects, among them her travel book, Summer on the Lakes, in 1843, which grew out of a trip to the Midwest; her translation of Bettina von Arnim's Die Günderode; and her essays on contemporary poetry, fiction, and drama. She devoted the fall of 1844 to expanding "The Great Lawsuit," an essay she had written for The Dial; the letters document how the piece grew to become her most important book—Woman in the Nineteenth Century, a provocative study of woman's role in American life.
The fifth volume of the collected letters of Margaret Fuller traces a period of great emotional turbulence, reflecting the personal struggles she faced in motherhood and the external strife of revolutionary Europe in 1848. The book opens as she takes up residence in Rome, where she continued to write essays for the New-York Daily Tribune and kept up a steady flow of commentary on the political situation for her family and friends. Among Fuller's correspondents are Ralph Waldo Emerson, Giovanni Ossoli, William Wetmore Story, Giuseppe Mazzini, Horace Greeley, George William Curtis, and Elizabeth Barrett Browning. Many of the letters were written in Italian and are translated here for the first time. Since Fuller was more centrally involved in the Italian Risorgimento than any other American, they constitute an entirely new documentary source for historians of nineteenth-century Italy.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this book, Catherine C. Mitchell combines a substantial biographical essay with a generous selection of Fuller's columns on topics such as prison and asylum reform, abolitionism, and woman's rights. Mitchell's essay puts special emphasis on the Tribune of the 1840s - its staff, its readership, the nature and impact of its news coverage and editorial viewpoint, its place in the competitive world of New York journalism - and so provides an invaluable context for understanding Fuller's duties at the newspaper. The selections from Fuller's Tribune writings include much material that has not been previously reprinted or that has not appeared in other twentieth-century collections of Fuller's work.
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