Life and Death are at war in the newest dark fantasy novel by USA Today Bestselling Author Frost Kay. Pirates. Sirens. Revenge. Vengeance is Lilja's middle name. That wasn't always the case, but battling evil has a funny way of changing people. Her instructions were clear: protect her people's secret at all costs and destroy anyone in her path. It was simple, really. You cross her, you die. div Life was black and white for the pirate captain until an innocent ruins everything by blundering into her life. She should've let the handsome stranger drown, he'd seen too much. But something stays her hand and she reluctantly saves the human, risking the one thing she's protected all her life. A secret that could destroy an entire race.div MERMAID lovers are ADDICTED to this pulse-pounding tale that fans of Sarah J. Maas are losing sleep over. One click now to dive into your next book obsession!
She will not be broken. No one could have prepared Sage and Tehl for the ruin the Warlord would wreak on the world to get to Aermia. Sage thought she knew how to play his deadly games, but his warped crimes prove she's out of her depth. To dethrone the demon, she enlists the help of her former enemies. A spy with ulterior motives. A monarch known for wicked crimes. A traitor with ties to a dark, twisted past. A Sirenidae intent on gaining her freedom. A dragon thirsty for vengeance. Five unlikely allies. One impossible battle. Uniting the kingdoms against the monster that plagues them might be the only thing that stands between the world and complete destruction. If you can't get enough of books from Leigh Bardugo, Jennifer L. Arementrout, Laura Thalassa, Sarah J. Maas, Elise Kova, Holly Black, Tamara Pierce, then dive into the thrilling finally of the Aermian Feuds; Reign of Blood and Poison. The Aermian Feuds series: - YA Epic Fantasy - Enemies to Lovers - Rags to Riches - Slow Burn Romance - Grey Characters - Dragons - Royalty - Dark Fantasy
Monsters are not always the villains. Abducted by an ancient creature of darkness and thrust into an inhuman court obsessed with perfection, Sage must hide her flaws to survive. Determined to beat them at their own game, she becomes the warlord’s consort and bides her time until she can escape. But the longer she plays queen in the enemy’s throne, the more difficult it is to resist her captor’s seductive charms. Caught between his duties to his kingdom and his duties to his heart, every choice Tehl makes seems to be the wrong one. When deadly secrets are revealed, he finds himself negotiating peace with the very monsters that threaten his kingdom and captured his bride, but Sage isn’t the woman he knew before. As war looms on the horizon, Sage must decide who to trust and what sacrifices she's willing to make for her land. One mistake may mean destruction not only for herself, but for those she loves.. If you can't get enough of books from Leigh Bardugo, Jennifer L. Arementrout, Laura Thalassa, Sarah J. Maas, Elise Kova, Holly Black, Tamara Pierce, then dive Queen of Monsters and Madness The Aermian Feuds series: - YA Epic Fantasy - Enemies to Lovers - Rags to Riches - Slow Burn Romance - Morally Grey Characters - Dragons - Royalty - Dark Fantasy
McGill came to Canada from Scotland in 1766 at the age of twenty-two. After ten years as a fur trader, he moved to Montreal and cofounded Todd, McGill & Co. He continued in the fur trade but also encouraged general trade and in later years pioneered the export of goods to Britain. Active in politics, McGill was a magistrate of Montreal and a member of the first parliament of Lower Canada. He also served for many years as a member of the Governor's Executive Council. During the War of 1812 he commanded the militia that defended Montreal, helping to foil the United States's attempts to annex Canada. Educated at Glasgow University, McGill never lost his love of learning, and his bequest of land and an endowment to found a college bearing his name was a gesture fully consistent with his generous character and strong commitment to the city he had made his own.
In this book, Catherine Frost uses evidence and case studies to offer a re-examination of declarations of independence and the language that comprises such documents. Considered as a quintessential form of founding speech in the modern era, declarations of independence are however poorly understood as a form of expression, and no one can completely account for how they work. Beginning with the founding speech in the American Declaration, Frost uses insights drawn from unexpected or unlikely forms of founding in cases like Ireland and Canada to reconsider the role of time and loss in how such speech is framed. She brings the discussion up to date by looking at recent debates in Scotland, where an undeclared declaration of independence overshadows contemporary politics. Drawing on the work of Hannah Arendt and using a contextualist, comparative theory method, Frost demonstrates that the capacity for renewal through speech arises in aspects of language that operate beyond conventional performativity. Language, Democracy, and the Paradox of Constituent Power is an excellent resource for researchers and students of political theory, democratic theory, law, constitutionalism, and political history.
Long live the rebellion. Tasked with infiltrating the palace was supposed to be an easy job. When Sage's plans go south and one of her own betrays her, she finds herself captured by the crown. The cruel prince of Aermia thinks he has won, but the devastatingly handsome rogue has no idea who he is dealing with. By the time Sage is finished with him, the arrogant prince will be on his knees begging for mercy. Tehl Ramses does not have time to play games with pretty liars. Immortal monsters lurk at the borders of their land waiting for a chance to invade. His only key to figuring out how to stop the incoming war is the most infuriating, and alluring prisoner he has ever set eyes upon. Therein lies the trap. She's no saint, and he's no prince charming. If you can't get enough of books from Leigh Bardugo, Jennifer L. Arementrout, Laura Thalassa, Sarah J. Maas, Elise Kova, Holly Black, Tamara Pierce, then dive into a Kingdom of Rebels and Thorns The Aermian Feuds series: - YA Epic Fantasy - Enemies to Lovers - Rags to Riches - Slow Burn Romance - Morally Grey Characters - Dragons - Royalty - Dark Fantasy
The Adventures of Sally Bang charts an unruly anti-heroine’s coming of age, and a ghost writer’s need to possess her. At sixteen there’s insight and beauty that never come again, and within every adult is a wish to get it back. What is gained and lost with growing up, and whose story is it anyway? Commitment ensnares a standoffish narrator in relationship dilemmas, in a psychologic navel-gaze in cliffhanger style on the elusive as romance, the tango of intimacy and distance, conformism and the irrational. In Search of Francesca Mars exposes an artist’s vision of a self-immolating media star who tilts at strange liberation, who toys with all who need to put her on a pedestal or drag her down. A close-skinned portrayal of ambition and use, the politics of giving, glamour and ugliness, the artifice of art, the problem of value. Innocence asks, who doesn’t want innocence, no matter how obtuse the path? Dancer Libby Castro submits to demanding and needy people: husband, employer, spiritual mentor, analyst. Yet beyond insouciant roles and lazy vacancies she’ll be no-one’s shadow: a straw, a girl unmarked, woman alone…
In The Spirit, Indigenous Peoples and Social Change Michael Frost explores a pentecostal theology of social engagement in relation to Māori in New Zealand. Pentecostalism has had an ambiguous relationship with Māori and, in particular, lacks a robust and coherent theological framework for engaging in issues of social concern. Drawing on a number of interviews with Māori pentecostal leaders and ministers, Frost explores the transformative role of pentecostal experience for Māori cultural identity, a holistic theology of mission, an indigenous prophetic emphasis, and consequent connections between pentecostalism and liberation. He thus contributes a way forward for pentecostal theologies of social change in relation to Māori, with implications for pentecostalism and indigenous peoples in the West.
There is continuing emphasis on delivering services for children through 'joined up' thinking and integrated working. This fully updated new edition is an important practical resource for all professionals charged with planning, implementing and evaluating multi-professional teamwork and practice in children's services. The book investigates the reality for professionals behind the rhetoric of 'joined up' thinking and explores the perspectives of professionals about the impact of multi-agency teamwork on their professional knowledge and their ways of working. In addition it identifies dilemmas and challenges and presents exemplars of good practice. It skillfully combines theoretical perspectives, research evidence from the 'real world' of children's services and reflections on policy and practice in inter-agency services in England. Retaining its popular approach and reflecting the numerous changes to policy, practice and research the book: Exemplifies what multi-professional work looks like in practice Examines real dilemmas faced by professionals trying to make it work, and shows how these dilemmas can be resolved Considers lessons to be learnt, implications for practice and recommendations for making multi-professional practice effective As well as supportive guidance, useful theoretical frameworks and helpful evidence-based insights into practice, this new edition has been expanded to include a whole new section covering emerging themes in working together such as 'sexploitation' and children's 'front door' approaches to integrated working. Written by a multi-disciplinary writing team and without the use of unnecessary jargon, this book is a key resource for students on courses studying early childhood and families, as well as social workers, teachers, family support workers, health workers, and managers of a range of children and youth services.
With films ranging from High Noon to Guess Who’s Coming to Dinner, Stanley Kramer (1913–2001) was one of the most successful and prolific director-producers of his day. But even as critics praised his courage in taking on such issues as nuclear war, racism, fascism, and the battle between science and religion, others condemned his work as “emptily pretentious“ and “hollow, falsely sentimental, overproduced.” Whether Kramer was “one of the great filmmakers of all time” (Kevin Spacey at the Golden Globe Awards) or “one of Hollywood’s worst directors” (preeminent film critic Andrew Sarris in The Village Voice), he had a strong and undeniable influence on American culture during the Cold War. Producer of Controversy is the first book to take a close-up look at Kramer’s career, films, and liberal politics in an effort to explain his contributions and historical significance. Kramer learned filmmaking within the old studio system, but over a career spanning forty years he did much to shape the independent moviemaking that emerged after World War II. Jennifer Frost pays particular attention to four of his key “message movies”—The Defiant Ones, On the Beach, Inherit the Wind, and Judgment at Nuremberg—to show how Kramer’s controversial films opened up public debate about the most important issues of his time—among average filmgoers as well as professional critics, political commentators, and public figures. In this context, she for the first time fully documents the Hollywood Right’s attacks on Kramer in the 1950s; details his resistance to the anticommunist Red Scare and the Hollywood blacklist; exposes his role as a cultural diplomat with the Soviet Union; and reveals his important contribution to the liberal and radical politics of the 1960s. Her book is at once an absorbing work of cultural history and a thoroughgoing reassessment of Stanley Kramer’s place in the pantheon of American filmmakers.
When Holly White’s fiancé cancels their Christmas Eve wedding with less than two weeks to go, Holly heads home with a broken heart. Lucky for her, home in historic Mistletoe, Maine is magical during Christmastime—exactly what the doctor prescribed. Except her plan to drown her troubles in peppermints and snickerdoodles is upended when local grouch and president of the Mistletoe Historical Society Margaret Fenwick is bludgeoned and left in the sleigh display at Reindeer Games, Holly’s family tree farm. When the murder weapon is revealed as one of the wooden stakes used to identify trees on the farm, Sheriff Evan Grey turns to Holly’s father, Bud, and the Reindeer Games staff. And it doesn’t help that Bud and the reindeer keeper were each seen arguing with Margaret just before her death. But Holly knows her father, and is determined to exonerate him.The jingle bells are ringing, the clock is ticking, and if Holly doesn't watch out, she'll end up on Santa's naughty list in Twelve Slays of Christmas, Jacqueline Frost’s jolly series debut.
This is a ′must-have′ book. It is a primer to publishing for all Ph.D. students and junior faculty members. --Anne Tsui, Graduate School of Management, University of California, Irvine "The most difficult transitions faced by entering doctoral students are those associated with (1) becoming a scholar rather than a student and (2) moving from the business world to the academy. What is research? What is quality research? What skills are required to produce a quality manuscript? What role does the journal system serve and how does it work? How are manuscripts refereed? What do professors at research universities do? How are they evaluated and rewarded? What does it take to be successful as a scholar at a research-oriented academic institution? These and other issues are effectively addressed through the 28 thought-provoking yet entertaining essays of unusually consistent quality contained in Publishing in the Organizational Sciences. The essays are timeless, promoting journeys and treks through a landscape that is otherwise unlikely to be encountered. Students love the book and the conversations it promotes. I cannot think of a more appropriate vehicle for introducing these critically important issues to the next generation of scholars in the organizational sciences." --Robert W. Zmud, Department of Information and Management Sciences, Florida State University Presenting a range of analytical and emotional issues, Publishing in the Organizational Sciences is a comprehensive overview of all aspects of the publishing process. Unique in its content, this volume is written especially for the prospective author/scholar who wants to learn more about the field to advance their career and publishing success. Some of the topics covered in this provocative volume are the manuscript review process, publication system, newcomers′ perspectives, values, reviewing manuscripts, rejection, becoming a reviewer, and editorial process. More than just a "how-to" book, Cummings and Frost examine the process from the perspective of the writers, reviewers, editors, and readers, ranging from the newcomer to the established scholar. The authors explain the entire context of scholarly publishing and how it should work toward advancing knowledge and successful management practice. This comprehensive, detailed volume is a must for students and professionals in organization and management studies.
Born Ruby Rebecca Blevins in a log cabin nestled among the Arkansas Ozarks in 1908, Patsy Montana began her musical career performing in the 1920s with the California-based Montana Cowgirls trio. She went solo and in 1936 became the first female country and western singer to sell one million records with her self-penned "I Want to Be a Cowboy's Sweetheart." Her career spanned eight decades, and in 1996 (also the year of her death) she was inducted into the Country Music Hall of Fame. Here is the story of a tiny, blue-eyed woman who had a pioneering spirit and a big voice. Patsy Montana describes in her own words and in vivid detail her life, career, and success at a time in music history when women did not cut gold records, gold records were not even given, and Billboard did not even have a chart for western music.
The fascinating tale of how a bipartisan coalition worked successfully to lower the voting age “Let Us Vote!” tells the story of the multifaceted endeavor to achieve youth voting rights in the United States. Over a thirty-year period starting during World War II, Americans, old and young, Democrat and Republican, in politics and culture, built a movement for the 26th Amendment to the US Constitution, which lowered the voting age from twenty-one to eighteen in 1971. This was the last time that the United States significantly expanded voting rights. Jennifer Frost deftly illustrates how the political and social movements of the time brought together bipartisan groups to work tirelessly in pursuit of a lower voting age. In turn, she illuminates the process of achieving political change, with the convergence of “top-down” initiatives and “bottom-up” mobilization, coalition-building, and strategic flexibility. As she traces the progress toward achieving youth suffrage throughout the ’60s, Frost reveals how this movement built upon the social justice initiatives of the decade and was deeply indebted to the fight for African American civil and voting rights. 2021 marks the fiftieth anniversary of this important constitutional amendment and comes at a time when scrutiny of both voting age and voting rights has been renewed. As the national conversation around climate crisis, gun violence, and police brutality creates a new call for a lower voting age, “Let Us Vote!” provides an essential investigation of how this massive political change occurred, and how it could be brought about again.
She will not be broken. No one could have prepared Sage and Tehl for the ruin the Warlord would wreak on the world to get to Aermia. Sage thought she knew how to play his deadly games, but his warped crimes prove she's out of her depth. To dethrone the demon, she enlists the help of her former enemies. A spy with ulterior motives. A monarch known for wicked crimes. A traitor with ties to a dark, twisted past. A Sirenidae intent on gaining her freedom. A dragon thirsty for vengeance. Five unlikely allies. One impossible battle. Uniting the kingdoms against the monster that plagues them might be the only thing that stands between the world and complete destruction. If you can't get enough of books from Leigh Bardugo, Jennifer L. Arementrout, Laura Thalassa, Sarah J. Maas, Elise Kova, Holly Black, Tamara Pierce, then dive into the thrilling finally of the Aermian Feuds; Reign of Blood and Poison. The Aermian Feuds series: - YA Epic Fantasy - Enemies to Lovers - Rags to Riches - Slow Burn Romance - Grey Characters - Dragons - Royalty - Dark Fantasy
The Feminist Avant-Garde in American Poetry offers a historical and theoretical account of avant-garde women poets in America from the 1910s through the 1990s and asserts an alternative tradition to the predominantly male-dominated avant-garde movements. Elisabeth Frost argues that this alternative lineage distinguishes itself by its feminism and its ambivalence toward existing avant-garde projects; she also thoroughly explores feminist avant-garde poets' debts and contributions to their male counterparts.
The story of Jack the Ripper has had continual interest since he stalked the streets of Whitechapel during the Autumn of Terror in 1888. During this time, the murders of the Canonical Five made headlines all over the world while in the modern day, the Ripper story continues to permeate all forms of media on the page, screen, in podcasts, and in fiction. We continue to search for something we will likely never, and perhaps do not even wish to discover: Jack's true name. This book looks at the lasting intrigue of Jack the Ripper and how his story, and the stories of the Canonical Five victims, are brought back to life through modern lenses. As psychological approaches and scientific techniques advance, the Ripper's narrative evolves, opening a more diverse means of storytelling and storytellers. How these storytellers attempt to construct a full tale around the facts, including the burning questions of motive and identity, says more about us than the Ripper.
Combining historical study, theorization, and experimental fiction, this book takes commodity culture and book retail around 1900 as the prime example of a market of symbolic goods. With the port of Southampton, England, as his case study, Simon R. Frost reveals how the city's bookshops, with their combinations of libraries, haberdashery, stationery, and books, sustained and were sustained by the dreams of ordinary readers, and how together they created the values powering this market. The goods in this market were symbolic and were not "consumed" but read. Their readings were created between other readers and texts, in happy disobedience to the neoliberal laws of the free market. Today such reader-created social markets comprise much of the world's branded economies, which is why Frost calls for a new understanding of both literary and market values.
Popular media has become a common means by which students understand both the present and the past. Consequently, more teachers are using various forms of popular culture as pedagogical tools in the history classroom. With their emphasis on issues such as drug and alcohol abuse, sex, race, gender, and violence, social problem films, or “message movies,” offer a compelling look at the eras in which they were made. In order to facilitate the use of social problem films as learning tools, however, teachers of history need a dependable resource. Teaching History with Message Movies is a guide for teaching US history using these films as vivid historical illustrations and tools for student engagement. In addition to covering key themes and concepts, this volume provides an overview of significant issues and related films, a tutorial in using film in historical methodology, user guides for thinking about social problems on screen, and sample exercises and assignments for direct classroom use. Focusing on the issues that plaguing society, the book draws on films such as I Am a Fugitive from a Chain Gang (1932), Gentleman’s Agreement (1947), The Snake Pit (1948), Silkwood (1983) and One Flew Over the Cuckoo’s Nest (1975), among others. This resource enables teachers to effectively use films to examine key social and cultural issues, concepts, and influences in their historical context. Teaching History with Message Movies will be an invaluable asset to any teacher of history in middle- and secondary school settings, as well as at the undergraduate level.
Living in sin is the first book-length study of cohabitation in nineteenth-century England, based on research into the lives of hundreds of couples. ‘Common-law’ marriages did not have any legal basis, so the Victorian courts had to wrestle with unions that resembled marriage in every way, yet did not meet its most basic requirements. The majority of those who lived in irregular unions did so because they could not marry legally. Others chose not to marry, from indifference, from class differences, or because they dissented from marriage for philosophical reasons. This book looks at each motivation in turn, highlighting class, gender and generational differences, as well as the reactions of wider kin and community. Frost shows how these couples slowly widened the definition of legal marriage, preparing the way for the more substantial changes of the twentieth century, making this a valuable resource for all those interested in Gender and Social History.
Frost argues that Hopper has had a profound and lasting influence on popular and political culture and should be viewed as a pivotal popularizer of conservatism. As practiced by Hopper and her readers, Hollywood gossip shaped key developments in American movies and movie culture, newspaper journalism and conservative politics, along with the culture of gossip itself.
Once a successful writer until fantasy turned into reality, Tess Noncoire, after falling ill with a strange virus, is taken to the Sisterhood of the Celestial Blade Warriors where she, trained in martial arts to fight the demons that plague our world, must stop a hound from hell who is attacking Navajo children. Reprint.
This title offers a practical resource to professionals engaged with conceptualizing, planning, implementing and evaluating multi-professional teamwork and practice for delivering children's services.
The appointment of John William Dawson as principal in 1855 brought modern ideas of education to Montreal, and he imparted to the emerging institution his own deeep commitment to science. The Molson Hall in 1862, the first Medical School on campus in 1872, the Redpath Museum in 1882, the Macdonald Physics Building, the Redpath Library, and the Macdonald-Workman Engineering Building, all in 1893 were the major external evidences of the great intellectual advances that had been made. Equally, the admission of women students in 1884 marked the immense social developments in Montreal society. An early contribution to elementary teaching through the work of the McGill Nornal School was followed by the institution of examinations for a far-flung network of affiliated secondary schools and by the encouragement and supervision of local colleges. By the time Dawson retired in 1893 McGill's influence was already reaching across the new Dominion of Canada, and the university was ready to make the transition into the twentieth century.
The West is one of the strongest and most enduring place images in the world and its myth is firmly rooted in popular culture – whether novels, film, television, music, clothing and even video games. The West combines myth and history, rugged natural scenery and wide open spaces, popular culture and promises of transformation. These imagined places draw in tourists, attracted by a cultural heritage that is part fictional and mediatised. In turn, tourism operators and destination marketing organisations refashion what they present to fit these imagined images. This book explores this imagining of a mythic West through three key themes, travel, film and frontiers to offer new insight into how the imagination of the West and popular culture has influenced the construction of tourism. In doing so, it examines the series of paradoxes that underlie the basic appeal of the West: evocative frontier, a boundary zone between civilisation and wilderness and between order and lawlessness. It draws on a range of films and literature as well as varying places from festivals to national parks to showcase different aspects of the nexus between travel, film and frontiers in this fascinating region. Interdisciplinary in character, it includes perspectives from cultural studies, American studies, tourism and film studies. Written by leading academics, this title will be valuable reading for students, researchers and academics in the fields of cultural studies, tourism, film studies and media studies and all those interested in film tourism.
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