This classic introduction to electromagnetic fields, thoroughly revised in 1964 and available here in a one-volume edition, includes a self-contained section on quantum theory. Problems with solutions. 148 illustrations.
A fresh alternative to traditional state-centred analyses of the process of European integration is presented in this book. World-renowned scholars analyze the state in terms of its component parts and clearly show the interaction of subnational, national and supranational actors in the emerging European polity. This `multi-level politics′ approach offers a powerful lens through which to view the future course of European integration. The contributors′ empirical exploration of areas such as regional governance, social policy and social movements underpins their broad conceptual and theoretical framework providing significant new insight into European politics.
Widely-discussed in the theory of classical point charges are the difficulties of divergent self-energy, self-accelerating solutions, and pre-acceleration. This book explains the theory in the context of quantum electrodynamics, the neutral particle limit, and coherence with neighboring theories.
Originally written in 1964, this famous text is a study of the classical theory of charged particles. Many applications treat electrons as point particles. At the same time, there is a widespread belief that the theory of point particles is beset with various difficulties such as an infinite electrostatic self-energy, a rather doubtful equation of motion which admits physically meaningless solutions, violation of causality and others. The classical theory of charged particles has been largely ignored and has been left in an incomplete state since the discovery of quantum mechanics. Despite the great efforts of men such as Lorentz, Abraham, Poincaré, and Dirac, it is usually regarded as a “lost cause”. But thanks to progress made just a few years ago, the author is able to resolve the various problems and to complete this unfinished theory successfully.
From the Classicism of Jacques-Louis David to the Realism of Courbet and the Early Impressionism of Renoir, this book outlines the course taken by painting and sculpture in Europe during the 19th century. Faced with the untidy sprawl of individualism which followed the French Revolution and threw up isolated geniuses like Goya, the author nevertheless charts the currents in what was predominantly a century of Naturalism and also - whilst artists were increasingly preoccupied with the inner man - of great landscape-painting when Friedrich, Corot and the Impressionists proper added light and atmosphere to the former achievements of the great Dutch masters.
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