Hölderlin's essays and letters constitute essential documents for an understanding of the transitional period from neo-classical poetics to what can only be characterized as a unique and, in its frequently experimental structure, essentially modernist poetics. This book contains virtually all of Hölderlin's theoretical writings translated for the first time. In spite of the great significance of Hölderlin''s ideas for contemporary critical thought, most of his highly important theoretical oeuvre has been unavailable to English readers until now. Here also are a number of letters which chart the development of Hölderlin's thought on issues that today remain fundamental to poetics and philosophy. The work's critical introduction discusses both the historical genesis of Hölderlin's theoretical writings out of the enlightenment as well as their systematic interaction with post-Kantian Idealism. Through interpretations of three short fragments, Pfau indicates that it would be insufficient to consider Hölderlin as the mere precursor of the great systematic philosophers of German Idealism--Fichte, Schelling, and Hegel. Instead, Hölderlin's earliest theoretical fragments already mark a turn away from the rigorous systematicity that underlies the philosophical discourse of his contemporaries. Hölderlin's theoretical writings may be the most seminal texts in the widely discussed interimplication of Idealistic philosophy and Romantic poetry and poetics.
Hyperion is a novel of stirring lyricism, philosophical sublimity, and enduring influence. It stands among Hölderlin’s most extraordinary achievements. A Greek hermit recounts the pivotal phases of his life, from his discovery of the vanished glory of antiquity, through his encounter with his beloved Diotima, who embodies his goal of merging with "the All of nature," to his participation in a Greek uprising against Ottoman Turkish tyranny. Hölderlin’s sole novel has been celebrated for its musicality, the power of its cadences and tones to express a constant oscillation between extremes of grief and joy. Though Hölderlin’s genius was not widely recognized during his lifetime, he has come to be regarded as one of the most significant and unique poets in the German language.
Hölderlin's essays and letters constitute essential documents for an understanding of the transitional period from neo-classical poetics to what can only be characterized as a unique and, in its frequently experimental structure, essentially modernist poetics. This book contains virtually all of Hölderlin's theoretical writings translated for the first time. In spite of the great significance of Hölderlin''s ideas for contemporary critical thought, most of his highly important theoretical oeuvre has been unavailable to English readers until now. Here also are a number of letters which chart the development of Hölderlin's thought on issues that today remain fundamental to poetics and philosophy. The work's critical introduction discusses both the historical genesis of Hölderlin's theoretical writings out of the enlightenment as well as their systematic interaction with post-Kantian Idealism. Through interpretations of three short fragments, Pfau indicates that it would be insufficient to consider Hölderlin as the mere precursor of the great systematic philosophers of German Idealism--Fichte, Schelling, and Hegel. Instead, Hölderlin's earliest theoretical fragments already mark a turn away from the rigorous systematicity that underlies the philosophical discourse of his contemporaries. Hölderlin's theoretical writings may be the most seminal texts in the widely discussed interimplication of Idealistic philosophy and Romantic poetry and poetics.
Johann Christian Friedrich Hölderlin (1770 — 1843) was a German philosopher, lyric poet, and novelist who managed to synthesize the spirit of ancient Greece in his poetic works. The novel "Hyperion, or The Hermit in Greece" can be considered an autobiography in letters sent by the character Hyperion primarily to his friend Bellarmin and to Diotima. The text is set in ancient Greece, but even 200 years after it was written, the words describing invisible forces, conflicts, beauty, and hope remain relevant. Who has not felt Hyperion's utopian longing for harmony with nature and God, free from alienation? "Hyperion" is part of the collection "1001 Books You Must Read Before You Die," edited by Peter Boxall.
Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily ambitious sequence of hymns exploring cosmology and history, from mythological times to the discovery of America and his own era. The ’Canticles of Night’, by contrast, include enigmatic fragments in an unprecedented style, which anticipates the Symbolists and Surrealists. Together the works collected here show Hölderlin’s use of Classical and Christian imagery and his exploration of cosmology and history in an attempt to find meaning in an uncertain world.
Published in the 150th anniversary of the great German Romantic's death, this edition includes over thirty new translations and revised supplementary material. It will be the standard bilingual edition of Holderlin's poetry for many years to come.
One of Germany's greatest poets, Johann Christian Friedrich Hölderlin (1770-1843) was also a prose writer of intense feeling, intelligence and perception. This new translation of selected letters and essays traces the life and thoughts of this extraordinary writer. Hölderlin's letters to friends and fellow writers such as Hegel, Schiller and Goethe describe his development as a poet, while those written to his family speak with great passion of his beliefs and aspirations, as well as revealing money worries and, finally, the tragic unravelling of his sanity. These works examine Hölderlin's great preoccupations - the unity of existence, the relationship between art and nature and, above all, the spirit of the writer.
An annotated bilingual edition of Hölderlin’s radical and influential late poetry Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin’s late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity. Sieburth’s critical introduction discusses the poet’s career, assesses his role as the link between classicism and romanticism, and explores Hölderlin’s ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.
The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.
An annotated bilingual edition of Hölderlin’s radical and influential late poetry Despite his influence on such figures as Nietzsche, Rilke, Heidegger, and Celan, Friedrich Hölderlin (1770–1843) is only now being fully appreciated as perhaps the first great modern of European poetry. Drawing on the most recent scholarship, this annotated translation conveys the radical idiom and vision that continue to make him a contemporary. Richard Sieburth includes almost all Hölderlin’s late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity. Sieburth’s critical introduction discusses the poet’s career, assesses his role as the link between classicism and romanticism, and explores Hölderlin’s ongoing importance to modern poetics and philosophy. Annotations explicate the individual poems, a number of which are translated into English for the first time.
Johann Christian Friedrich Hölderlin (1770 — 1843) was a German philosopher, lyric poet, and novelist who managed to synthesize the spirit of ancient Greece in his poetic works. The novel "Hyperion, or The Hermit in Greece" can be considered an autobiography in letters sent by the character Hyperion primarily to his friend Bellarmin and to Diotima. The text is set in ancient Greece, but even 200 years after it was written, the words describing invisible forces, conflicts, beauty, and hope remain relevant. Who has not felt Hyperion's utopian longing for harmony with nature and God, free from alienation? "Hyperion" is part of the collection "1001 Books You Must Read Before You Die," edited by Peter Boxall.
The definitive scholarly edition and new translation of all three versions of Hölderlin’s poem, The Death of Empedocles, and his related theoretical essays.
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