ANowadays Kendra Schmitt puts most of her time into the new clinic in Cedar Tree. Always the responsible one in her family, she has avoided any kind of entanglement. In particular with a persistent young investigator. With her schedule a bit more predictable, she is ready to explore a personal life and concedes to what turns out to be a disastrous blind date. Junior member of the GFI team, Neil James, has seen and experienced more than most at his age. When his team becomes part of a task force investigating a series of murders in the area, his protective instincts kick into high gear. The victims' profiles closely match that of a certain physical therapist. Neil has been trying unsuccessfully for over a year to get closer to Kendra. Now that she might be in danger, he’s determined to break through her resistance and goes all out to win her trust. Especially now that the killer’s focus appears to have zeroed in on Kendra.
More often than not, Clint Mason has his foot firmly wedged in his mouth, which tends to get him in plenty of hot water with the ladies. Although his laid back good ole’ Southern charm does not fly far with the female population of Cedar Tree, the big burly contractor hides his dark side well. The only one Beth Franklin allows herself to rely on is Beth, and so far that has served her well. Just when her son disappears after dropping his little guy off on her doorstep, her life seems to spiral out of control. For the first time ever, fearing for his safety, the fiercely independent waitress is forced to be on the receiving end of a helping hand. That’s not easy for her, especially since the shovel-sized hand belongs to a man whose approach has run hot and cold the last year, leaving her feeling off balance. With a steady and commanding force, he exposes her softer side, while doing everything he can to keep her and those close to her safe.
When her surly teenage son moves back to live with ER physician Naomi Waters unexpectedly, her motherly instincts go on high alert. Nothing could’ve prepared her for the wave of trouble that follows him back into her life. Sheriff Joe Morris blew his chance with Naomi a few years back when he’d moved faster than his own past allowed. At the first opportunity to get his foot back in the door, he takes it and risks everything to keep her and her son safe. But working for a future isn’t easy when you’re fighting to survive your past.
An assignment has just turned interesting for GFI investigator Malachi Whitetail. When a shy, mousy woman walks into his local diner, it takes him a minute to recognize her as an employee of the real estate office he’s been monitoring. Not a believer in coincidence, Mal decides a closer look at the short brunette might be warranted. It will be the first, but certainly not the last time, he finds himself coming to her rescue. Kimeo Lowe leads a pretty quiet existence, which is why, when she ends up a witness to a crime, her curiosity into her boss’s suspected shady dealings gets kicked into high gear. She may not be the most sociable of people, but she’s always been independent and industrious, so when an opportunity to dig a little deeper arises, she doesn’t think twice. It would seem that this time she’s bitten off a bit more than she can chew, and when a freakishly tall Native American Adonis intervenes not just once, she decides sleuthing may be best left to professionals. But it’s a bit too late. Just when life has settled into a comfortable routine, Kim finds herself dealing with not just one, but two threats on her life. With every turn there are new challenges to face, and Mal is not about to let her face them alone. Not even when he turns out to be no match for her most dangerous enemy.
Arlene Bowers is as tough as nails. She has survived a less than perfect marriage, managing to move past it to run her own diner. Her abrasive exterior has always been a way for her to hide behind the darkness and pain that she has endured, but a recent, violent attack and several disturbing phone calls have that tight hold on her emotions wavering. Seb Griffin showed up in Cedar Tree eight months ago and was hired on at Arlene's Diner as a cook. An ex-con with secrets of his own, Seb walks a fine line. Since he began working at the diner, he's developed feelings for his fierce, stubborn boss, and the need to keep his distance from her, to protect her, is a daily struggle. When it appears that Arlene's past has come back, rearing its ugly head while her defenses are low, Seb steps up and claims responsibility for Arlene, praying that he can keep her safe from whatever is coming her way.
Environmental disasters, from wildfires and vanishing species to flooding and drought, have increased dramatically in recent years and debates about the environment are rarely far from the headlines. There is growing awareness that these disasters are connected – indeed, that in the fabric of nature everything is interconnected. However, until the publication of Freya Mathews' The Ecological Self, there had been remarkably few attempts to provide a conceptual foundation for such interconnectedness that brought together philosophy and science. In this acclaimed book, Mathews skilfully weaves together a thought-provoking metaphysics of the environment. She connects the ideas of the seventeenth-century philosopher Spinoza with twentieth-century systems theory and Einstein’s physics to argue that the atomistic cosmology inherited from Newton gave credence to a picture of the universe as fragmented, rather than as whole. Furthermore, it is such faulty thinking that presents human beings as similarly disconnected and individualistic, with the dire consequence that they regard nature as of purely instrumental rather than intrinsic value. She concludes by arguing for an ethics of ecological interdependence and for a basic egalitarianism among living species. A compelling and fascinating account of how we must change our thinking about the environment, The Ecological Self is a classic of ecological and environmental thinking. This Routledge Classics edition includes a substantial new Introduction by the author.
Bringing together scholars from literature and the history of ideas, Passions and Subjectivity in Early Modern Culture explores new ways of negotiating the boundaries between cognitive and bodily models of emotion, and between different versions of the will as active or passive. In the process, it juxtaposes the historical formation of such ideas with contemporary philosophical debates. It frames a dialogue between rhetoric and medicine, politics and religion, in order to examine the relationship between mind and body and between experience and the senses. Some chapters discuss literature, in studies of Shakespeare, Donne, and Milton; other essays concentrate on philosophical arguments, both Aristotelian and Galenic models from antiquity, and new mechanistic formations in Descartes, Hobbes and Spinoza. A powerful sense of paradox emerges in treatments of the passions in the early modern period, also reflected in new literary and philosophical forms in which inwardness was displayed, analysed and studied”the autobiography, the essay, the soliloquy”genres which rewrite the formation of subjectivity. At the same time, the frame of reference moves outwards, from the world of interior states to encounter the passions on a public stage, thus reconnecting literary study with the history of political thought. In between the abstract theory of political ideas and the inward selves of literary history, lies a field of intersections waiting to be explored. The passions, like human nature itself, are infinitely variable, and provoke both literary experimentation and philosophical imagination. Passions and Subjectivity in Early Modern Culture thus makes new connections between embodiment, selfhood and the emotions in order to suggest both new models of the self and new models for interdisciplinary history.
Brimming with hope, heart and intrigue' JESSICA RYN 'What a beautiful, compelling book! . . . I loved it' HEMA SUKUMAR 'A real hug of a book' HAZEL PRIOR You can choose your home, but you can't choose who lives next door . . . Twenty-five-year-old Kat Bennett has never felt at home anywhere, especially not in crumbling Shelley House. The other residents think she's prickly and unapproachable, but beneath her tough exterior, Kat is plagued by guilt from her past and looking for somewhere to belong. Seventy-seven-year-old Dorothy Darling has lived in Shelley House for longer than anyone else, and if you believe the other tenants, she's as cantankerous and vindictive as they come. Dorothy may spend her days spying on the neighbours, but she has a closely guarded secret herself - and a good reason for barely leaving her home. When their building faces demolition, sworn enemies Kat and Dorothy become unlikely allies in their quest to save their historic home; and even less likely detectives when they suspect that foul play is coming from within Shelley House . . . 'The inhabitants of Shelley House will stay with me for a long time' EMILY CRITCHLEY
Nothing brings neighbors together like someone else’s secrets… At Shelley House, the walls have ears, and they’re attached to a ragtag duo of busybodies ready to pry, snoop, and generally annoy their neighbors into solving a crime. Seventy-seven-year-old Dorothy Darling has lived in Shelley House longer than any of the other residents, and if you take their word for it, she’s as cantankerous as they come. But Dorothy has her reasons for spying. And none of them require justifying herself to Kat Bennett. Twenty-five-year-old Kat has never known a place where she felt truly at home, and crumbling Shelley House is no different. Her neighbors find her prickly and unapproachable, but beneath her tough exterior, Kat’s plagued by a guilty secret from her past. When their apartments face demolition, sworn enemies Kat and Dorothy agree on just one thing: they must save their historic building. But when someone plays dirty—and one of the residents is viciously taken down—Dorothy and Kat seek justice. The police close the investigation too soon, leaving it up to the unlikely amateur sleuths—with a playful Jack Russell terrier at their side—to restore peace in their community.
This book takes choreographer William Forsythe’s choreographic and scenographic processes as a holistic lens through which to view dance as a fundamentally visuo-sonic art form and choreography as a form of perceptual experimentation. In doing so, it reveals how the made worlds within which postdramatic dance is situated influence how choreography is perceived. Resonating with ecological perspectives but also drawing on an extensive range of cognitive research approaches, the volume’s choreo-scenographic perspective emphasizes the importance of considering the expanded scenography of lighting, sound, space, scenic elements, costume, and performer movement when analyzing the sensory and cognitive perception of dance. The volume provides a first book-length cognitive study of both an individual choreographer and the aesthetics of postdramatic theatre. It also satisfies a need for more dedicated scholarship on Forsythe, whose extensive and varied array of groundbreaking ballets and dance theater works for the Ballett Frankfurt (1984-2004), The Forsythe Company (2005-15), and as an independent choreographer have made him a key figure in 20th/21st century dance.
Between 1750 and 1840, the home took on unprecedented social and emotional significance. Focusing on the design, decoration, and reception of a range of elite and middling class homes from this period, Domestic Space in Britain, 1750-1840 demonstrates that the material culture of domestic life was central to how this function of the home was experienced, expressed, and understood at this time. Examining craft production and collection, gift exchange and written description, inheritance and loss, it carefully unpacks the material processes that made the home a focus for contemporaries' social and emotional lives. The first book on its subject, Domestic Space in Britain, 1750-1840 employs methodologies from both art history and material culture studies to examine previously unpublished interiors, spaces, texts, images, and objects. Utilising extensive archival research; visual, material, and textual analysis; and histories of emotion, sociability, and materiality, it sheds light on the decoration and reception of a broad array of domestic spaces. In so doing, it writes a new history of late eighteenth- and early nineteenth-century domestic space, establishing the materiality of the home as a crucial site for identity formation, social interaction, and emotional expression.
A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between her “early” and “late” work Jane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot. Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all. Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.
Patience has always been Caleb Whitetail's strength. Quiet and unassuming is what you see with the GFI investigator, but the blood boils hot right under the surface. He kept his distance for years only to see the woman who has held his attention almost lose her life not just once, but twice. He is done standing in the shadows. Katie Acker, once a tough and athletic security specialist now struggles daily to walk. The closest to family she has are her colleagues at GFI. Especially the man who saved her life and always has her back. So when she unwittingly becomes the focus of a Mexican cartel, it’s no big surprise she finds him right by her side. With the combustive change in their deepening bond, Katie and Caleb do not see the oncoming danger - until it surrounds them.
Innocence marked her... Violation crippled her... Love left her raw... The life she carefully rebuilt is challenged when she is confronted with the sins from her past. The carefully applied protection is at once ripped away, leaving her exposed and vulnerable. Her single night of indulgence with the silver-eyed stranger is only the beginning. He sees right to the heart of her and she is unable to ward off emotions that have been deeply buried. With the sting of betrayal still fresh in her soul, she’s surprised to find herself opening up to the honest integrity of the sharp-eyed, rough-looking biker. When he lost everyone who mattered, he was left without roots and learned to be content simply living in the moment. Completely unprepared for the feisty blonde bartender with old pain marring her clear-blue eyes, he questions his own rules of detachment, as she unwittingly finds a way under his skin. Appearances deceive and when the masks fall away, revealing deep, dark secrets, there is nothing left but to hang onto each other and survive the storm.
ANowadays Kendra Schmitt puts most of her time into the new clinic in Cedar Tree. Always the responsible one in her family, she has avoided any kind of entanglement. In particular with a persistent young investigator. With her schedule a bit more predictable, she is ready to explore a personal life and concedes to what turns out to be a disastrous blind date. Junior member of the GFI team, Neil James, has seen and experienced more than most at his age. When his team becomes part of a task force investigating a series of murders in the area, his protective instincts kick into high gear. The victims' profiles closely match that of a certain physical therapist. Neil has been trying unsuccessfully for over a year to get closer to Kendra. Now that she might be in danger, he’s determined to break through her resistance and goes all out to win her trust. Especially now that the killer’s focus appears to have zeroed in on Kendra.
A beautifully crafted story of a broken young girl, a father who would move heaven and earth to help her heal, and the therapist who mends them, and herself, on the journey.
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