Copiously researched and documented, Hit Men is the highly controversial portrait of the pop music industry in all its wild, ruthless glory: the insatiable greed and ambition; the enormous egos; the fierce struggles for profits and power; the vendettas, rivalries, shakedowns, and payoffs. Chronicling the evolution of America's largest music labels from the Tin Pan Alley days to the present day, Fredric Dannen examines in depth the often venal, sometimes illegal dealings among the assorted hustlers and kingpins who rule over this multi-billion-dollar business. Updated with a new last chapter by the author.
Fredric Jameson, in The Political Unconscious, opposes the view that literary creation can take place in isolation from its political context. He asserts the priority of the political interpretation of literary texts, claiming it to be at the center of all reading and understanding, not just a supplement or auxiliary to other methods current today. Jameson supports his thesis by looking closely at the nature of interpretation. Our understanding, he says, is colored by the concepts and categories that we inherit from our culture's interpretive tradition and that we use to comprehend what we read. How then can the literature of other ages be understood by readers from a present that is culturally so different from the past? Marxism lies at the foundation of Jameson's answer, because it conceives of history as a single collective narrative that links past and present; Marxist literary criticism reveals the unity of that uninterrupted narrative. Jameson applies his interpretive theory to nineteenth- and twentieth-century texts, including the works of Balzac, Gissing, and Conrad. Throughout, he considers other interpretive approaches to the works he discusses, assessing the importance and limitations of methods as different as Lacanian psychoanalysis, semiotics, dialectical analysis, and allegorical readings. The book as a whole raises directly issues that have been only implicit in Jameson's earlier work, namely the relationship between dialectics and structuralism, and the tension between the German and the French aesthetic traditions. The Political Unconscious is a masterly introduction to both the method and the practice of Marxist criticism. Defining a mode of criticism and applying it successfully to individual works, it bridges the gap between theoretical speculation and textual analysis.
The aim of this monograph, which has rich and evaluative annotations, is to contribute to a more comprehensive understanding of the issues in a major developing area of pedagogical lexicography. With this monograph researchers and students can have access to a set of 521 articles from a diverse array of publications, many in hard-to-find sources, that will prove valuable in reviewing the literature of the area. Because articles on language users and dictionary users are published in journals devoted to reading research, language acquisition, second language teaching, linguistics, and lexicography, most of the past research in the area has not shown critical awareness of this diffuse collection of research. The annotated bibliography found in this monograph supplies scholars in all the different fields of enquiry a critical guide to past and current work in pedagogical lexicography. Because this subfield of lexicography has developed in a variety of disciplines, it is difficult for researchers in any single discipline or sub-discipline to find relevant and important articles; this annotated bibliography not only provides a highly defined topical index based on a key-word analysis of the literature, but also annotations and commentary that provide the reader with a critical understanding of the important issues and debates in the development of the study of learners' dictionaries and dictionary users. The authors of this monograph have written the critical annotations in a manner that foregrounds the points of debate within the area which helps to define the concerns of the area.
Master philosopher and cultural theorist tackles the founder of modern dialectics In this major new study, the philosopher and cultural theorist Fredric Jameson offers a new reading of Hegel’s foundational text Phenomenology of Spirit. In contrast to those who see the Phenomenology as a closed system ending with Absolute Spirit, Jameson’s reading presents an open work in which Hegel has not yet reconstituted himself in terms of a systematic philosophy (Hegelianism) and in which the moments of the dialectic and its levels have not yet been formalized. Hegel’s text executes a dazzling variety of changes on conceptual relationships, in terms with are never allowed to freeze over and become reified in purely philosophical named concepts. The ending, on the aftermath of the French Revolution, is interpreted by Jameson, contra Fukuyama’s “end of history,” as a provisional stalemate between the political and the social, which is here extrapolated to our own time.
Fredric Jameson introduces here the major themes of French theory: existentialism, structuralism, poststructuralism, semiotics, feminism, psychoanalysis, and Marxism. In a series of accessible lectures, Jameson places this effervescent period of thought in the context of its most significant political conjunctures, including the Liberation of Paris, the Algerian War, the uprisings of May '68, and the creation of the EU. The philosophical debates of the period come to life through anecdotes and extended readings of work by the likes of Sartre, Beauvoir, Fanon, Barthes, Foucault, Althusser, Derrida, Deleuze, groups like Tel Quel and Cahiers du Cinma, and contemporary thinkers such as Rancire and Badiou. Eclectic, insightful, and inspired, Jameson's seminars provide an essential account of an intellectual moment comparable in significance to the Golden Age of Athens, historically fascinating and of persistent relevance.
The Illustrated Handbook of Cardiac Surgery is adapted from the Second Edition of the color illustrated Manual of Cardiac Surgery (Springer-Verlag, 1995). The Illustrated Handbook of Cardiac Surgery communicates all the important informa tion, but eliminates the detailed explanation of judgment and technique that is relevant only to cardiac surgeons or other individuals intensely interested in these details. The chapters covering operations explain the basic concepts and fundamentals of the operations. A selection of the most important biblio graphic sources follows each chapter, but are not cited in the text. Individuals interested in more exhaustive coverage of information sources should consult the Second Edition of the Manual of Cardiac Surgery. The Illustrated Handbook of Cardiac Surgery should appeal to all individuals caring for cardiac surgical patients: cardiologists, anesthesiologists, radiolo gists, general surgery residents rotating on cardiac surgery, medical students, physician assistants, nurses, perfusionists, and all other members of the car diac surgery team. It should even appeal to laypeople who want to read about cardiac surgery in more depth than is available in lay publications. Our attempt has been to produce a book that is clearly written, clearly illustrated, and affordable. The techniques chosen are those developed over three decades of clinical practice and resident training at the Oregon Health Sciences University and St. Vincent Hospital, Portland, Oregon, and Sutter Memorial Hospital, Sacra mento, California. These techniques have served us well.
Originally published in 1980-1981 as a two-volume set, the Manual of Cardiac Surgery has been completely revised and now includes new full-color illustrations in a single convenient volume. This new edition maintains the high standards established in the first edition: insightful descriptions of various cardiac surgical procedures illuminated by clear, brilliant illustrations.
Karakozov in 1866, Russian political life became trapped within a vicious circle of political reaction, growing disillusionment with the government and intensifying political dissent that increasingly manifested itself in acts of terrorism against Tsarist officials.
This versatile volume combines examples of poetry from historical and contemporary masters with high school writing. Each chapter contains poems for reading aloud, poems for discussion, models for writing exercises, samples of student poems, and a bibliography for extended reading. Many teachers use Reading and Writing Poetry with Teenagers across disciplines. Writing exercises include: Animals as Symbols Family Portraits in Words Of War and Peace Writing Song Lyrics as an Expression of Social Protest
The novels of Wyndham Lewis have generally been associated with the work of the great modernists-Joyce, Pound, Eliot, Yeats-who were his sometime friends and collaborators. Lewis's originality, however, can only be fully grasped when it is understood that, unlike those writers, he was essentially a political novelist. In this now classic study, Fredric Jameson proposes a framework in which Lewis's explosive language practice-utterly unlike any other English or American modernism-can be grasped as a political and symbolic act. He does not, however, ask us to admire the energy of Lewis's style without confronting the inescapable and often scandalous ideological content of Lewis's works: the aggressivity and sexism, the predilection for racial and national categories, the brief flirtation with fascism, and the inveterate and cranky oppositionalism that informs his powerful polemics against virtually all the political and countercultural tendencies of his time. Fables of Aggression draws on the methods of narrative analysis and semiotics, psychoanalysis, and ideological analysis to construct a dynamic model of the contradictions from which Lewis's incomparable narrative corpus is generated, and of which it offers so many varying symbolic resolutions.
This title features a wonderfully evocative collection of portraits of some of the greatest stars of 20th century British theatre. The photography of Angus McBean encompasses more than three decades of the history of British theatre. His work includes some of the most memorable theatre productions of the Old Vic Company and what is now the Royal Shakespeare Company; opera productions at Glyndebourne and the Royal Opera House, Covent Garden; ballet from Sadler's Wells; and West End productions of plays and musicals. He was a favourite photographer of Vivien Leigh, Lourence Olivier, and Edith Evans. He photographed countless plays starring the likes of John Gielgud, Ralph Richardson, and Alec Guinness, not to mention young stars such as Audrey Hepburn, Richard Burton, and Elizabeth Taylor. This sumptuously illustrated volume features 120 evocative images - reproduced from McBean's original negatives - of some the greatest stars of Twentieth-century British theatre.
A number of previous approaches to linguistic borrowing and contact phenomena in general have concluded that there are no formal boundaries whatsoever to the kinds of material that can pass from one language into another. At the same time, various hierarchies illustrate that some things are indeed more likely to be borrowed than others. Linguistic Borrowing in Bilingual Contexts addresses both, by examining claims of no absolute limits and synthesizing various hierarchies. It observes that all contact phenomena are systematic, and borrowing is no exception. Regarding forms, the determining factors lie in the nature of the morphological systems in contact and how they relate to one another. Two principles are proposed to determine the nature of the systematicity and interaction: the Principle of System Compatibility (PSC), and its corollary, the Principle of System Incompatibility (PSI). Together, these principles provide a consistent account of the possibilities and limits to borrowing.
In the aftermath of 9/11, the potential terror of weapons of mass destruction--from nuclear, biological, and chemical to dirty bombs--preoccupies national security experts. In Chemical Warfare, Frederic J. Brown, presents a cogent, innovative framework for understanding the historical forces that have restrained the use of WMD and how they continue to have relevance today. Analyzing both world wars, he argues that the restraints on use were complex and often unpredictable and ranged from the political to the technological. The author offers a detailed examination of American chemical warfare policy as it was shaped by industry and public sentiment, as well as national and military leaders. The organization of the book into three parts reflects the importance of battlefield experiences during the First World War and of international political restraints as they evolved during the interwar years and culminated in ""no first use"" policies by major powers in World War II. Part I examines the use of chemical weapons in World War I as it influenced subsequent national policy decisions. Part II focuses on the evolution of political, military, economic, and psychological restraints from 1919 to 1939. Part III discusses World War II during two critical periods: 1939 to early 1942, when the environment of the war was being established largely without American influence; and during 1945, when the United States faced no credible threat of retaliation to deter its strategic and battlefield use of chemical weapons. Written at the height of controversy about the U.S. use of chemicals in Vietnam, Chemical Warfare offers a valuable historical perspective, as relevant now in its analysis of chemical and also nuclear policy as it was when first published.
Over the past two decades, the use of medication combined with psychotherapy or psychoanalysis has shifted from an infrequent occurrence to common practice. Concurrently, attitudes toward medication have changed from viewing this intervention as disruptive or as a last resort to a welcome aid in the psychotherapeutic or psychoanalytic process. However, this relatively rapid change has created difficulty in the integration of medication use into the psychotherapeutic setting. Psychotherapy and Medication is an exceptionally valuable and timely volume that provides psychoanalysts, psychotherapists, and other mental health professionals with information on how to work with medication theoretically, clinically, and technically in the context of a psychotherapeutic or psychoanalytic treatment. Important areas of discussion include evidence that a change in the use of medication has taken place, an examination of the factors that have led to this shift, as well as a review of the issues and questions about combining treatments. Psychotherapy and Medication also serves as a framework in how to best answer the many questions that have arisen as the willingness of analysts to use medication increases. Such significant questions include: How should analysts introduce patients to medication? What are the clinical advantages of combined treatment? What is the impact of medication discussions and prescribing on the analyst’s role and how is this best handled?
Offering both the first major revision of satiric rhetoric in decades and a critical account of the modern history of satire criticism, Fredric V. Bogel maintains that the central structure of the satiric mode has been misunderstood. Devoting attention to Augustan satiric texts and other examples of satire—from writings by Ben Jonson and Lord Byron to recent performance art—Bogel finds a complicated interaction between identification and distance, intimacy and repudiation.Drawing on anthropological insights and the writings of Kenneth Burke, Bogel articulates a rigorous, richly developed theory of satire. While accepting the view that the mode is built on the tension between satirist and satiric object, he asserts that an equally crucial relationship between the two is that of intimacy and identification; satire does not merely register a difference and proceed to attack in light of that difference. Rather, it must establish or produce difference.The book provides fresh analyses of eighteenth-century texts by Jonathan Swift, John Gay, Alexander Pope, Henry Fielding, and others. Bogel believes that the obsessive play between identification and distance and the fascination with imitation, parody, and mimicry which mark eighteenth-century satire are part of a larger cultural phenomenon in the Augustan era—a questioning of the very status of the category and of categorical distinctness and opposition.
How did a boy who grew up in remote areas of Montana and North Dakota go on to become the National Basketball Association's all-time winningest coach? Phil Jackson's life story that took him from small town U.S.A. to the pinnacle of NBA coaching success is anything but conventional. Known as the Zen Master for imbuing his coaching style with the tenets of Eastern philosophy, Jackson's always employed a unique approach to basketball both on and off the court. Popularizing a system of play called the triangle offense, Jackson won multiple championships including an unprecedented three "three-peats" while coaching Michael Jordan's Chicago Bulls and Kobe Bryant's Los Angeles Lakers, resulting in 11 championships over 20 seasons. That's more than any coach in any of North America's major professional sports. This biography explores Jackson's one-of-a-kind keys to Hall of Fame success that enabled him achieve uncommon triumph in an unparalleled two-decade coaching career.
As surgical critical care continues to evolve, this handbook provides the framework for the surgical intensivist, and focuses specifically on the surgical considerations encountered in the care of the critically ill patient. Drawing from decades of experience at one of the world's busiest and most innovative trauma/ surgical intensive care units, the handbook systematically addresses all aspects of surgical critical care. Chapters are presented in an easy-to-access, bullet point format, with each chapter ending in a practical algorithm and review of recent literature. This text will serve as a guide, learning tool, and reference manual for all levels of practitioners, from aspiring student to seasoned attending.
Arranged alphabetically, this accessible glossary provides a quick source of reference for a range of readers, from students of linguistics to educators who need help navigating the vocabulary of Bilingualism. Cross-referenced throughout, this guide considers a range of concepts that relate to the interdisciplinary nature of the field.
This book is the new edition of this comprehensive guide to the medical and surgical management of kidney stones. Divided into three main sections, the text begins with discussion on the basic formation of kidney stones, followed by mineral metabolism and diseases that lead to the formation of stones, with the final section describing surgical management techniques. The second edition has been thoroughly revised and expanded with new topics including imaging methods, non invasive surgical techniques, and management in special cases such as pregnancy. This new edition also includes discussion on stones in children. With an internationally recognised author team led by US-based specialists, this 900-page text is highly illustrated with clinical photographs and diagrams. Previous edition published in 1995. Key Points Comprehensive guide to medical and surgical management of kidney stones Fully revised second edition, with many new topics Highly illustrated with clinical photographs and diagrams over 900 pages Internationally recognised, US-based author team
William Herbert (1580-1630), third earl of Pembroke, and Lady Mary Wroth (1587?-1653?) were first cousins, the nephew and niece of Sir Philip Sidney, whose family was one of remarkable literary and political importance. Herbert was a poet, a voluminous letter writer, and one of the Jacobean court's richest and most powerful courtiers and politicians. Wroth was arguably the most important woman writer of the period; she authored the first Petrarchan poetic sequence, the first prose romance, and one of the first plays in English by a woman. In addition to their connections as cousins and as writers, they were lovers and the parents of two illegitimate children." "The Sidney Family Romance is both a "cultural biography" and a symptomatic reading of the sexual and textual relationships of Herbert and Wroth. Waller's analysis of their letters and literary works relies on a variety of critical apparatuses - social history, current political and social theories of the Jacobean period, and most notably (feminist) psychoanalytic theory. In both his biographical information and interpretive comments, Waller focuses on subject construction and gender construction of the early modern period, to find that Herbert's poems proceed from his life at court to engage in the gender politics of Petrarchan poetry, while Wroth's work proceeds from her disempowered position to project a desire for an autonomy which would lead to mutuality between the sexes." "Waller tries to find ways of analyzing the "inner lives" of his subjects, in the absence of direct evidence, and with a paucity of documentation. He examines historical documents, including the writings of the two cousins, and recent historical research, along with contemporary studies of family interactions and gender construction and detailed case histories drawn from nearly a century of clinical and therapeutic studies. The author concludes with a discussion of the crisis of gender in the seventeenth century as a contemporary crisis as well." "Family history has long been central to Renaissance studies. The Sidney Family Romance proceeds far beyond any previous works in bringing to bear the very rich and complicated network of ideas, observations, and literary images in the works of Herbert and Wroth."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
After half a century exploring dialectical thought, renowned cultural critic Fredric Jameson presents a comprehensive study of a misunderstood yet vital strain in Western philosophy. The dialectic, the concept of the evolution of an idea through conflicts arising from its inherent contradictions, transformed two centuries of Western philosophy. To Hegel, who dominated nineteenth-century thought, it was a metaphysical system. In the works of Marx, the dialectic became a tool for materialist historical analysis. Jameson brings a theoretical scrutiny to bear on the questions that have arisen in the history of this philosophical tradition, contextualizing the debate in terms of commodification and globalization, and with reference to thinkers such as Rousseau, Lukcs, Heidegger, Sartre, Derrida, and Althusser. Through rigorous, erudite examination, Valences of the Dialectic charts a movement toward the innovation of a "spatial" dialectic. Jameson presents a new synthesis of thought that revitalizes dialectical thinking for the twenty-first century.
The Jewish community of Rome is the oldest Jewish community in Europe. It is also the Jewish community with the longest continuous history, having avoided interruptions, expulsions, and annihilations since 139 BCE. For most of that time, Jewish Romans have lived in close contact with the largest continuously functioning international organization: the Roman Catholic Church. Given the church’s origins in Judaism, Jews and Catholics have spent two thousand years negotiating a necessary and paradoxical relationship. With engaging stories that illuminate the history of Jews and Jewish-Catholic relations in Rome, Intimate Strangers investigates the unusual relationship between Jews and Catholics as it has developed from the first century CE to the present in the Eternal City. Fredric Brandfon innovatively frames these relations through an anthropological lens: how the idea and language of family have shaped the self-understanding of both Roman Jews and Catholics. The familial relations are lopsided, the powerful family member often persecuting the weaker one; the church ghettoized the Jews of Rome longer than any other community in Europe. Yet respect and support are also part of the family dynamic—for instance, church members and institutions protected Rome’s Jews during the Nazi occupation—and so the relationship continues. Brandfon begins by examining the Arch of Titus and the Jewish catacombs as touchstones, painting a picture of a Jewish community remaining Jewish over centuries. Papal processions and the humiliating races at Carnival time exemplify Jewish interactions with the predominant Catholic powers in medieval and Renaissance Rome. The Roman Ghetto, the forcible conversion of Jews, emancipation from the Ghetto in light of Italian nationalism, the horrors of fascism and the Nazi occupation in Rome, the Second Vatican Council proclamation absolving Jews of murdering Christ, and the celebration of Israel’s birth at the Arch of Titus are interwoven with Jewish stories of daily life through the centuries. Intimate Strangers takes us on a compelling sweep of two thousand years of history through the present successes and dilemmas of Roman Jews in postwar Europe.
The Modernist Papers is a tour de force of analysis and criticism, in which Jameson brings his dynamic and acute thought to bear on the modernist literature of the nineteenth and twentieth centuries. Jameson discusses modernist poetics, including the work of Baudelaire, Rimbaud, Mallarm, Wallace Stevens, Joyce, Proust and Thomas Mann. He explores the peculiarities of the American literary field, taking in William Carlos Williams and the American epic, and examines the language theories of Gertrude Stein. Refusing to see modernism as simply a Western phenomenon, he also pays close attention to its Japanese expression, while the complexities of a late modernist representation of twentieth-century politics are articulated in a concluding section on Peter Weiss's novel The Aesthetics of Resistance. Challenging our previous understandings of the literature of this period, this monumental work will come to be regarded as the classic study of modernism.
Fredric Jameson takes on the allegorical form Works do not have meanings, they soak up meanings: a work is a machine for libidinal investments (including the political kind). It is a process that sorts incommensurabilities and registers contradictions (which is not the same as solving them!) The inevitable and welcome conflict of interpretations - a discursive, ideological struggle - therefore needs to be supplemented by an account of this simultaneous processing of multiple meanings, rather than an abandonment to liberal pluralisms and tolerant (or intolerant) relativisms. This is not a book about "method", but it does propose a dialectic capable of holding together in one breath the heterogeneities that reflect our biological individualities, our submersion in collective history and class struggle, and our alienation to a disembodied new world of information and abstraction. Eschewing the arid secularities of philosophy, Walter Benjamin once recommended the alternative of the rich figurality of an older theology; in that spirit we here return to the antiquated Ptolemaic systems of ancient allegory and its multiple levels (a proposal first sketched out in The Political Unconscious); it is tested against the epic complexities of the overtly allegorical works of Dante, Spenser and the Goethe of Faust II, as well as symphonic form in music, and the structure of the novel, postmodern as well as Third-World: about which a notorious essay on National Allegory is here reprinted with a theoretical commentary; and an allegorical history of emotion is meanwhile rehearsed from its contemporary, geopolitical context.
The Antinomies of Realism is a history ofthe nineteenth-century realist novel and its legacy told without a glimmer of nostalgia for artistic achievements that the movement of history makes it impossible to recreate. The works of Zola, Tolstoy, Pérez Galdós, and George Eliot are in the most profound sense inimitable, yet continue to dominate the novel form to this day. Novels to emerge since struggle to reconcile the social conditions of their own creation with the history of this mode of writing: the so-called modernist novel is one attempted solution to this conflict, as is the ever-more impoverished variety of commercial narratives – what today’s book reviewers dub “serious novels,” which are an attempt at the impossible endeavor to roll back the past. Fredric Jameson examines the most influential theories of artistic and literary realism, approaching the subject himself in terms of the social and historical preconditions for realism’s emergence. The realist novel combined an attention to the body and its states of feeling with a focus on the quest for individual realization within the confines of history. In contemporary writing, other forms of representation – for which the term “postmodern” is too glib – have become visible: for example, in the historical fiction of Hilary Mantel or the stylistic plurality of David Mitchell’s novels. Contemporary fiction is shown to be conducting startling experiments in the representation of new realities of a global social totality, modern technological warfare, and historical developments that, although they saturate every corner of our lives, only become apparent on rare occasions and by way of the strangest formal and artistic devices. In a coda, Jameson explains how “realistic” narratives survived the end of classical realism. In effect, he provides an argument for the serious study of popular fiction and mass culture that transcends lazy journalism and the easy platitudes of recent cultural studies.
In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America‘s most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Histori
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
The Massachusetts General Hospital, known as the MGH, which Harvard medical students said stood for Mans Greatest Hospital, was the most sought-after surgical training program in the United States. It was the first-choice internship for fourth-year Harvard students going into surgery and for students from other U.S. medical schools as well. In To Fruit Street and Beyond: The Massachusetts General Hospital Surgical Residency, author Dr. Fredric Jarrett shares his recollections from when he and his colleaguesinterns and residentstrained at this hospital. It was the end of an era, now long past, when general surgery was predominant and all-inclusive. When he began his internship, general surgery included thoracic, cardiac, vascular, plastic, transplant, head and neck tumor surgery, and gynecology. Eight years later, when he finished his residency, additional specialty training had been established in most of these areas. Engaging, entertaining, and enlightening, this memoir offers insight into the lives of housestaff and medical care at one of the United States most prestigious hospitals for medical and surgical training.
Meta-Analysis shows concisely, yet comprehensively, how to apply statistical methods to achieve a literature review of a common research domain. It demonstrates the use of combined tests and measures of effect size to synthesize quantitatively the results of independent studies for both group differences and correlations. Strengths and weaknesses of alternative approaches, as well as of meta-analysis in general, are presented.
Fredric Brown (1906-1972), one of science fiction's greatest masters from the Golden Age, is famous for his many classic short stories -- quite a few of which are presented here, including "Arena," "Knock," "Earthmen Bearing Gifts," "The Star Mouse," and many more. The 32 tales of science fiction and fantasy assembled in this massive volume include: ARENA EXPERIMENT KEEP OUT HAPPY ENDING HALL OF MIRRORS EARTHMEN BEARING GIFTS IMAGINE IT DIDN'T HAPPEN RECESSIONAL EINE KLEINE NACHTMUSIK PUPPET SHOW NIGHTMARE IN YELLOW JAYCEE PI IN THE SKY ANSWER THE GEEZENSTACKS KNOCK REBOUND THE STAR MOUSE ABOMINABLE LETTER TO A PHOENIX NOT YET THE END ARMAGEDDON OF TIME AND EUSTACE WEAVER RECONCILIATION NOTHING SIRIUS PATTERN THE YEHUDI PRINCIPLE COME AND GO MAD SENTRY ETAOIN SHRDLU THE END NOW AVAILABLE: The Second Fredric Brown Megapack! (Search this ebook store for the companion volume, with another great set of Fredric Brown tales!) And don't forget to search this ebook store for ʺWildside Press Megapackʺ to see more entries in this great series (including "The Second Fredric Brown Megapack"), covering classic authors and subjects like mysteries, science fiction, westerns, ghost stories -- and much, much more!
The concepts of modernity and modernism are amongst the most controversial and vigorously debated in contemporary philosophy and cultural theory. In this intervention, Fredric Jameson—perhaps the most influential and persuasive theorist of postmodernity—excavates and explores these notions in a fresh and illuminating manner. The extraordinary revival of discussions of modernity, as well as of new theories of artistic modernism, demands attention in its own right. It seems clear that the (provisional) disappearance of alternatives to capitalism plays its part in the universal attempt to revive ‘modernity’ as a social ideal. Yet the paradoxes of the concept illustrate its legitimate history and suggest some rules for avoiding its misuse as well. In this major interpretation of the problematic, Jameson concludes that both concepts are tainted, but nonetheless yield clues as to the nature of the phenomena they purported to theorize. His judicious and vigilant probing of both terms—which can probably not be banished at this late date—helps us clarify our present political and artistic situations.
Jay must find the saboteur before someone else dies... Code Blue! Kirkwood Medical Center electronic technician Jay Barlow knows about Life-and-death emergencies--he just never imagined that he'd be in that situation himself. While checking a defibrillator used to shock human hearts into action, Jay receives a jolt that starts a sinister, dangerous and ultimately fatal series of events. While Jay is recovering and being cared for tenderly by ER nurse, Debbie Farrell, Jay and his boss, Dan Harris, watch as the Biomedical Department is shocked by a series of mysterious and potentially lethal equipment malfunctions. As Jay's romance with the delectable Debbie grows, he and Dan begin to suspect deliberate sabotage. But why would anyone booby-trap machines designed to save lives? Jay himself becomes a suspect and then watches in horror as a fellow Technician dies in an accident caused by a faulty machine. When the breakdowns are used as an excuse to close down the entire department, Jay decides he must track down the killer before more innocent people are sacrificed. He suspects everyone, including his best friend, before uncovering the ruthless killer. Finally he recruits the entire department in a bizarre, fitting and very satisfying plot of revenge.
The legacy of Bertolt Brecht is much contested, whether by those who wish to forget or to vilify his politics, but his stature as the outstanding political playwright and poet of the twentieth century is unforgettably established in this major critical work. Fredric Jameson elegantly dissects the intricate connections between Brecht's drama and politics, demonstrating the way these combined to shape a unique and powerful influence on a profoundly troubled epoch. Jameson sees Brecht's method as a multi-layered process of reflection and self-reflection, reference and self-reference, which tears open a gap for individuals to situate themselves historically, to think about themselves in the third person, and to use that self-projection in history as a basis for judgment. Emphasizing the themes of separation, distance, multiplicity, choice and contradiction in Brecht's entire corpus, Jameson's study engages in a dialogue with a cryptic work, unpublished in Brecht's lifetime, entitled Me-ti; Book of Twists and Turns. Jameson sees this text as key to understanding Brecht's critical reflections on dialectics and his orientally informed fascination with flow and flux, change and the non-eternal. For Jameson, Brecht is not prescriptive but performative. His plays do not provide answers but attempt to show people how to perform the act of thinking, how to begin to search for answers themselves. Brecht represents the ceaselessness of transformation while at the same time alienating it, interrupting it, making it comprehensible by making it strange. And thereby, in breaking it up by analysis, the possibility emerges of its reconstitution under a new law.
Ideologies of Theory, updated and available for the first time in a single volume, brings together theoretical essays that span Fredric Jameson’s long career as a critic. They chart a body of work suspended by the twin poles of literary scholarship and political history, occupying a space vibrant with the tension between critical exegesis and the Marxist intellectual tradition. Jameson’s work pushes out the boundaries of the text, making evident the interaction between literature and the disciplines of psychoanalysis, philosophy and cultural theory, all of which are shown to be inseparable from their ideological milieu. The essays in this volume track a shift from ideological analysis to the phenomenology of everyday life, and constitute a rigorous and passionate argument for the necessity of theory as the simultaneous critique of empiricism and idealist philosophy.
Clinical Management of Thyroid Disease is an exciting new book edited by Fredric Wondisford, MD—developer of the revolutionary new drug, Thyrotropin—and Sally Radovick, MD, with contributions from experts in the field. It fulfills the niche of a succinct, clinical resource to help you translate research into practice. This full-color volume offers valuable information on thyroid cancer and non-cancerous lesions, the effect of drugs on thyroid function, genetic disorders, and more in an accessible, easy-to-read consistent format. Presents the expertise of authors and editorial staff comprised of leaders in the field of thyroid research and clinical management for the best-qualified guidance on diagnosis and treatment. Provides a full-color, comprehensive approach that makes valuable information easy to locate and quick to read. Covers relevant topics applicable to all levels of training and expertise to serve as a detailed clinical reference on everything from the basic to the sophisticated. Captures research advances on hot topics such as thyroid cancer and non-cancerous lesions, the effect of drugs on thyroid function, and genetic disorders so that you can incorporate them into the way you treat patients.
Before France became France its territories included Occitania, roughly the present-day province of Languedoc. The city of Narbonne was a center of Occitanian commerce and culture during the eleventh and twelfth centuries. For most of the second half of the twelfth century, that city and its environs were ruled by a remarkable woman, Ermengard, who negotiated her city's way through a maze of everchanging dynastic alliances.Fredric L. Cheyette's masterful and beautifully illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities. She was born into a world of politics and warfare, but from the Mediterranean to the North Sea her name echoed in songs that treated the arts of love.The land between the Rhone and the Pyrenees was a delicately balanced world in which honor, dispute, and the fragile communities of loyalty and family held a "stateless" society together. In Cheyette's prose there rises before us a world we had not imagined, in which women were powerful lords, moving back and forth across what we now call Spain, France, and Italy to play the harsh political games essential to the preservation of their realms. But the region was also fertile ground for religious practices deemed heretical by the Church. The attempt to eradicate them would spawn the Albigensian Crusade, which destroyed the cosmopolitan world of Ermengard and the troubadours—the world that lives again in this book.
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