This collection provides readers with a perpetually exciting, compact edition of the revolutionary poet's most powerful work. Frederick Seidel has been hailed as 'the poet of a new contemporary form' (New York Review of Books), and 'the most frightening American poet ever' (Boston Review). His ambitious, disturbing and tender work has mystified and captured critics, poets and readers for decades. Select Seidel allows readers to appreciate the scope of Seidel's work over the past half-century and his uncanny ability to say the unsayable. Seidel is, in the words of the critic Adam Kirsch, 'the best American poet writing today'.
A stunning new collection from a “beguiling and magisterial” poet (The New York Times Book Review) This is the End of Days. This is what we’ve been waiting for always. I walked over to the Hudson River, heading for Mars. Each poem of mine is a suicide belt. I say that to my girlfriend Life. Peaches Goes It Alone, Frederick Seidel’s newest collection of poems, begins with global warming and ends with Aphrodite. In between is everything. Peaches Goes It Alone presents the sexual and political themes that have long preoccupied Seidel—and thrilled and offended his readers. Lyrical, grotesque, and elegiac, Peaches Goes It Alone adds new music and menace to Seidel’s masterful body of work.
An overview of Frederick Seidel's best and most famous poetry from the past five decades, showing the evolution of a master poet’s craft This collection provides readers with a perpetually exciting, compact edition of the revolutionary poet’s most powerful work. Seidel has been hailed as “the poet of a new contemporary form” (The New York Review of Books), and “the most frightening American poet ever” (Boston Review). His ambitious, disturbing, and tender work has mystified and captured critics, poets, and readers for decades. Frederick Seidel's Selected Poems allows readers to appreciate the scope of Seidel’s work over the past half-century and his uncanny ability to say the unsayable. Seidel is, in the words of the critic Adam Kirsch, "the best American poet writing today.
“One of the world’s most inspired and unusual poets . . . [Seidel’s] poems are a triumph of cosmic awe in the face of earthly terror.” —Hillel Italie, USA Today Frederick Seidel has been called many things. A “transgressive adventurer,” “a demonic gentleman,” a “triumphant outsider,” “a great poet of innocence,” and “an example of the dangerous Male of the Species,” just to name a few. Whatever you choose to call him, one thing is certain: “he radiates heat” (The New Yorker). Now add to that: the poet of aging and decrepitude. Widening Income Inequality, Seidel’s new poetry collection, is a rhymed magnificence of sexual, historical, and cultural exuberance, a sweet and bitter fever of Robespierre and Obamacare and Apollinaire, of John F. Kennedy and jihadi terror and New York City and Italian motorcycles. Rarely has poetry been this true, this dapper, or this dire. Seidel is “the most poetic of the poets and their leader into hell.”
A bristling, beautiful new collection from “the Dark Prince of American Poetry” (Dwight Garner, The New York Times). In So What, Frederick Seidel writes of speeding his racetrack-only Superbike across the island of Manhattan, “illegal river to river, wap wap wap WOW!” The poet hurtles toward the tenth decade of his life and into the sixth decade of his lightning-rod career, but the path from youth to old age is not a straight one. Throughout this book, Seidel smashes the boundaries of youth and age against each other and stirs up a surge of shotguns and wristwatches, late-blooming love and sex, and flashes of the naked face of American life. At its crest stands the poet, looking over the wreckage and creation, and he proclaims: so what.
‘A playwright of world stature’—Mario Relich, Wasafiri Final Solutions is one of Mahesh Dattani's most renowned and widely performed plays. Moving between the Partition of India and the present day, it explores issues of religious bigotry and communal violence. One night, after being chased by a murderous mob, two Muslim boys seek shelter in the home of a Hindu Gujarati family. The boys' arrival unleashes a flood of bitter memories and deep-seated prejudices. And as the tension builds towards a powerful climax, the play becomes a timely reminder of the need for tolerance. ‘At last we have a playwright who gives sixty million English-speaking Indians an identity’—Alyque Padamsee ‘Powerful and disturbing’—The New York Times
Presents a complete collection of the poems written to date by the National Book Critics Circle Award and Griffin Poetry Prize finalist, in a volume that encompasses his nine anthologies as well as new and previously uncollected works.
You Can't Like Seidel's Poems--They're Deliberately Virulent; You Can Only Gasp At Their Skill And Daring, Their Sickening Warp, Their Mercilessness."* Frederick Seidel's highly acclaimed Cosmos Trilogy is a triple thunderclap of darkness from the poet whom Richard Poirier has recently called "the true heir of Walt Whitman" and of whose first book Robert Lowell wrote "[I] suspect the possibilities of modern poetry have been changed. Here is power that strikes." Reversing the course of Dante's Divine Comedy, Seidel's trilogy begins in the heavens, with The Cosmos Poems, and descends, passing through the Purgatorio of Life on Earth to arrive in Manhattan in Area Code 212.
The second edition of this popular text provides undergraduates with a quantitative yet accessible introduction to the physical principles underlying the collection and analysis of observational data in contemporary optical and infrared astronomy. The text clearly links recent developments in ground- and space-based telescopes, observatory and instrument design, adaptive optics, and detector technologies to the more modest telescopes and detectors that students may use themselves. Beginning with reviews of the most relevant physical concepts and an introduction to elementary statistics, students are given the firm theoretical foundation they need. New topics, including an expanded treatment of spectroscopy, Gaia, the Large Synoptic Survey Telescope, and photometry at large redshifts bring the text up to date. Historical development of topics and quotations emphasize that astronomy is both a scientific and a human endeavour, while extensive end-of-chapter exercises facilitate the students' practical learning experience.
Interest in penal matters in Germany and in Austria-Hungary centres rather in the nature and number of persons who commit crimes than the methods pursued in bringing them to justice or the places in which penalties have been imposed. The character and extent of crimes committed from time to time, attracts us more generally than the prisons designed and established for their punishment. This is the more marked because such prisons have not achieved any remarkable prominence or notoriety. They have been for the most part the ordinary institutions used for detention, repression and correction, more noted for the offenders they have held than their own imposing appearance, architectural pretensions, or the changes they have introduced in the administration of justice. Only in more recent years, since so-called penitentiary science has come to the front and the comparative value of prison systems has been much discussed, have certain institutions risen into prominence in Germany and become known as model prisons. These have been erected in various capitals of the empire, to give effect to new principles in force in the administration of justice. Among such places we may specify a few, such as Bruchsal in Baden; the Moabit prison in Berlin; the prison at Zwickau in Saxony; the prisons of Munich and Nürnberg in Bavaria and of Heilbronn in Württemberg. To these may be added the prisons of Stein on the Danube, of Marburg on the Drave, and of Pankraz Nusle near Prague in Austria-Hungary. Many others might be mentioned which have played an important part in the development of penitentiary institutions. The conflict of opinions as to prison treatment has raged continuously and as yet no uniform plan has been adopted for the whole German Empire. Each of the constituent states of the great aggregate body has maintained its independence in penal matters and the right to determine for itself the best method of punishing crime. At one time, after 1846, the theory of complete isolation was accepted in all German states, although the means to carry it into effect were not universally adopted. Reports from the United States had deeply impressed the authorities with the merits of solitary confinement, among others the well known Professor Mittermaier, one of the most notable judicial authorities of his time. But reaction came with another no less eminent expert, Von Holtzendorff, whose works on prison administration are still held in great esteem. After visiting Ireland, he was won over to the seeming advantages of the progressive system, the gradual change from complete isolation to comparative freedom, and he strongly favoured the policy of cellular imprisonment. His proposals laid hold of the practical German mind, and to-day the scheme of continuous isolation finds little support; it left its mark, however, in several prisons which will be referred to in the following pages.
From the winner of the PEN/Voelker Award, poems of love, terror, rage, and desire. Here I am, not a practical man, But clear-eyed in my contact lenses, Following no doubt a slightly different line than the others, Seeking sexual pleasure above all else, Despairing of art and of life, Seeking protection from death by seeking it On a racebike, finding release and belief on two wheels . . . --from "The Death of the Shah" The poems in Ooga-Booga are about a youthful slave owner and his aging slave, and both are the same man. This is the tenderest, most savage collection yet from Frederick Seidel, "the most frightening American poet ever" (Calvin Bedient, Boston Review).
Master Techniques in Ophthalmic Surgery covers all topics related to ophthalmic surgery in 149 chapters. This comprehensive book includes significant sections on various structures of the visual system, covering anterior chamber, choroid, conjunctiva, cornea, globe, iris and ciliary body, lacrimal system, lens, optical nerve, orbit, sclera and vitreous. The most extensive sections of this book concern the extraocular muscles, eyelids and retina, providing detailed information on multidisciplinary aspects. Master Techniques in Opthalmic Surgery is an essential reference for all practitioners, providing diagnoses and indications for surgery, surgical techniques, outcomes and references for a variety of ophthalmic conditions. Key Features Extensive coverage of every ophthalmic surgery technique over 1000 pages Each section covers part of the anatomical structure of the eye in detail 1116 full colour images Authored by renowned US ophthalmologist Frederick Hampton Roy
This book is designed to be concise with a consistent format so that the clinician can focus on a specific area. This edition has had major modifications and embraces evidence-based medicine. The format includes the CPT codes for billing purposes, short description of the condition, etiology/incidence, course/prognosis, laboratory findings, differential diagnosis; prophylaxis, treatment (local and systemic, surgical or other), miscellaneous (names and addresses of support groups) and key references. Incorporates evidence-based medicine so you feel confident that you're formulating the best treatment plans for your patients. Color photos allow you to read about and actually see a picture of select disease entities. Clear, concise format can be photocopied and distributed to patients in some cases, reducing your time spent explaining problems to patients and caregivers.
The appearance of a hastily-constructed barbed wire entanglement through the heart of Berlin during the night of 12-13 August 1961 was both dramatic and unexpected. Within days, it had started to metamorphose into a structure that would come to symbolise the brutal insanity of the Cold War: the Berlin Wall. A city of almost four million was cut ruthlessly in two, unleashing a potentially catastrophic East-West crisis and plunging the entire world for the first time into the fear of imminent missile-borne apocalypse. This threat would vanish only when the very people the Wall had been built to imprison, breached it on the historic night of 9 November 1989. Frederick Taylor's eagerly awaited new book reveals the strange and chilling story of how the initial barrier system was conceived, then systematically extended, adapted and strengthened over almost thirty years. Patrolled by vicious dogs and by guards on shoot-to-kill orders, the Wall, with its more than 300 towers, became a wired and lethally booby-trapped monument to a world torn apart by fiercely antagonistic ideologies. The Wall had tragic consequences in personal and political terms, affecting the lives of Germans and non-Germans alike in a myriad of cruel, inhuman and occasionally absurd ways. The Berlin Wall is the definitive account of a divided city and its people.
Early in Thoreau's career, he became obsessed with the problem of getting to be at home in the world. This ambitious book relates that obsession to his way of fostering at-homeness: "inscribing" himself not only through words but through such occupations as the making of books, houses, and tracks in the woods. Frederick Garber reveals that a complex fable endemic in Thoreau and perceptible from his earliest major writings puts inscribing and the quest for at-homeness in terms of a search for a home of homes, a quest that Thoreau realized must be ultimately unsuccessful. Focusing on Thoreau's major works, particularly on A Week on the Concord and Merrimack Rivers, Garber explores the rich intertextual dialogue arising from this fable and Thoreau's concerns about at-homeness and inscribing. Garber discloses Thoreau's conviction that human lives are radically open-ended, at least in terms of what we can know in the present. All our modes of inscribing are inadequate, even though we can glimpse the possibility of ultimate words and sentences saying all that ever needed to be said. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Self Possessed is a multifaceted, diachronic study reconsidering the very nature of religion in South Asia, the culmination of years of intensive research. Frederick M. Smith proposes that positive oracular or ecstatic possession is the most common form of spiritual expression in India, and that it has been linguistically distinguished from negative, disease-producing possession for thousands of years. In South Asia possession has always been broader and more diverse than in the West, where it has been almost entirely characterized as "demonic." At best, spirit possession has been regarded as a medically treatable psychological ailment and at worst, as a condition that requires exorcism or punishment. In South (and East) Asia, ecstatic or oracular possession has been widely practiced throughout history, occupying a position of respect in early and recent Hinduism and in certain forms of Buddhism. Smith analyzes Indic literature from all ages-the earliest Vedic texts; the Mahabharata; Buddhist, Jain, Yogic, Ayurvedic, and Tantric texts; Hindu devotional literature; Sanskrit drama and narrative literature; and more than a hundred ethnographies. He identifies several forms of possession, including festival, initiatory, oracular, and devotional, and demonstrates their multivocality within a wide range of sects and religious identities. Possession is common among both men and women and is practiced by members of all social and caste strata. Smith theorizes on notions of embodiment, disembodiment, selfhood, personal identity, and other key issues through the prism of possession, redefining the relationship between Sanskritic and vernacular culture and between elite and popular religion. Smith's study is also comparative, introducing considerable material from Tibet, classical China, modern America, and elsewhere. Brilliant and persuasive, The Self Possessed provides careful new translations of rare material and is the most comprehensive study in any language on this subject.
For over a century, Altoona, Pennsylvania, was a bustling industrial hotbed. The town thrived as a gem of the Pennsylvania Railroad, which constructed some 6,000 steam locomotives. However, like so many communities in the wake of World War II, Altoona struggled amidst deindustrialization and cultural shifts. The 1968 end of the Pennsylvania Railroad, a decreasing population, and a dying downtown slowly made the city a shadow of its former self. However, recent developments reveal potential--as is seen in the corporate presence of Norfolk Southern and Sheetz. Additionally, the growth of Penn State Altoona, regional health care systems, and the Altoona Curve baseball club continue to make the city and its environs a unique place within the heart of the Allegheny Mountains.
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