Medical Ethics and Humanities is a survey of medical ethics and humanities geared toward physician assistants, analyzing important ethics, humanities, and law topics. The book explains the various approaches to ethical analysis and illustrates their application through the use of cases.
Research demonstrates that faculty of color in historically white institutions experience higher levels of discrimination, cultural taxation, and emotional labor than their white colleagues. Despite efforts to recruit minority faculty, all of these factors undermine their scholarship, pedagogy, social experiences, promotion and retention. This edited volume builds upon the existing research on faculty of color, however, it also departs from the existing literature and unravels the socio-emotional experiences of being in front of the classroom, in labs, and in the Ivory Tower for faculty who are in multiple racialized social locations. In an effort to circulate the experiences of faculty of color more widely to academic and non-academic audiences, this edited volume replaces conventional scholarly technical papers with unconventionally accessible letters. Stories from the Front of the Room focuses on the boundaries which faculty of color encounter in everyday experiences on campus and presents a more complete picture of life in the academy - one that documents how faculty of color are tested, but also how they can not only overcome, but thrive in their respective educational institutions.
HE ASKED NO QUARTER OF THE UNDERWORLD AND GAVE NONE, AS FOR FOUR DECADES HE RUTHLESSLY TRACKED DOWN ENGLAND’S GREATEST CRIMINALS. IF MURDER IS A FINE ART, TO WENSLEY MUST GO THE CREDIT FOR MAKING SCIENTIFIC DETECTION A HIGHER ART. From 1888 until he retired a few years ago, the name Frederick Porter Wensley brought terror to all England’s criminals. Yet this great detective had the respect of every crook for his courage, his ability, and his absolute fairness, which raised him from the lowest post on London’s Metropolitan police force to the highest position possible, Chief Constable of the Criminal Investigation Department of New Scotland Yard. No career could be more colorful or fascinating that this of the man who reorganized Scotland Yard, created the London criminals’ most formidable enemy, “The Flying Squad,” and appointed the “Big Four,” whose cooperation and efficiency gives Scotland Yard its enviable reputation. To follow the life of this real Sherlock Holmes is to be behind the scenes in England’s greatest criminal cases, to participate in the thrilling adventures that only a member of the C.I.D. could experience, and to see a master detective at work. This is a breathless, continually interesting book, through the pages of which pass an array of murderers, blackmailers, forgers and criminals, from Mahon, the butcherer of girls, to Mr. Jones, the unfortunate gentlemen who forgot and turned off the gas.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
This study examines the relationship between élite and popular beliefs in witchcraft, magic and superstition in England, analyzing such beliefs against the background of political, religious and social upheaval characteristic of the Civil War, Interregnum and Restoration periods. Belief in witchcraft received new impulses because of the general ferment of religious ideas and the tendency of participants in the Civil Wars to resort to imagery drawn from beliefs about the devil and witches; or to use portents to argue for the wrongs of their opponents. Throughout the work, the author stresses that deeply held superstitions were fundamental to belief in witches, the devil, ghosts, apparitions and supernatural healing. Despite the fact that popular superstitions were often condemned, it was recognized that their propaganda value was too useful to ignore. A host of pamphlets and treatises were published during this period which unashamedly incorporated such beliefs. Valletta here explores the manner in which political and religious authorities somewhat cynically used demonic imagery and language to discredit their opponents and to manipulate popular opinion.
Talking about race does not have to be incredibly awkward. In this book, Gooding offers twelve clear, cogent, and concise racial rubrics to help users of mainstream media more readily discern patterns hidden in plain sight. The text primarily leverages popular movies as the medium of analysis—since they are unparalleled in their cultural significance—but the rubrics apply to other forms of media, such as television, print, and social media. “Why does the Black guy die first?” is a well-known rhetorical question that challenges disparate treatment of nonwhite characters onscreen. This subtle statement about the representation of persons of color within mainstream movies has remained largely unexplored until now. Race and Media Literacy, Explained provides concrete concepts and a uniform vocabulary with which to recognize and further analyze these formulaic images. After participating in this dynamically interactive experience, readers will never see media the same way again! Book Features: Employs an interdisciplinary approach to teaching race, drawing on cinema and forms of popular media that most students know. Guidance for honing media literacy skills with middle, high school, and undergraduate college students. A HARM Theory Rubric that identifies 6 consistent patterns for depictions of non-White characters and 6 consistent patterns for White characters within mainstream movies. Questions for Questing sections provide critical questions for further exploration. Concrete vocabulary/glossary terms to engage with the subject matter more precisely. Innovative analysis of depictions of race and ethnicity in the top ten grossing films of all time.
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