Here is an informative introduction to language: its origins in the past, its growth through history, and its present use for communication between peoples. It is at the same time a history of language, a guide to foreign tongues, and a method for learning them. It shows, through basic vocabularies, family resemblances of languages -- Teutonic, Romance, Greek -- helpful tricks of translation, key combinations of roots and phonetic patterns. It presents by common-sense methods the most helpful approach to the mastery of many languages; it condenses vocabulary to a minimum of essential words; it simplifies grammar in an entirely new way; and it teaches a language as it is actually used in everyday life.
Diotima's Children is a re-examination of the rationalist tradition of aesthetics which prevailed in Germany in the late seventeenth and eighteenth century. It is partly an historical survey of the central figures and themes of this tradition But it is also a philosophical defense of some of its leading ideas, viz., that beauty plays an integral role in life, that aesthetic pleasure is the perception of perfection, that aesthetic rules are inevitable and valuable. It shows that the criticisms of Kant and Nietzsche of this tradition are largely unfounded. The rationalist tradition deserves re-examination because it is of great historical significance, marking the beginning of modern aesthetics, art criticism, and art history.
The Fate of Reason is the first general history devoted to the period between Kant and Fichte, one of the most revolutionary and fertile in modern philosophy. The philosophers of this time broke with the two central tenets of the modem Cartesian tradition: the authority of reason and the primacy of epistemology. They also witnessed the decline of the Aufkldrung, the completion of Kant's philosophy, and the beginnings of post-Kantian idealism. Thanks to Beiser we can newly appreciate the influence of Kant's critics on the development of his philosophy. Beiser brings the controversies, and the personalities who engaged in them, to life and tells a story that has uncanny parallels with the debates of the present.
First published in 1956, Fuseli Studies deals with the many-sided artistic achievements of Zurich-born Fuseli’s baffling personality, who was one of the most erudite and renowned intellectuals of his day in Europe. The author’s intention has been to place his subject in clear historical perspective within his own epoch, and thus traces Fuseli’s contacts back to sixteenth-century mannerism and forward to twentieth-century expressionism. In this book, the social background of that absorbing period covering the artist’s working years at the turn of the nineteenth century is evoked not only in analysing his style, poised between classicism and romanticism of the age, but also accounting for its appeal and relevance to the present day. This book will be of interest to students of art, art history, European history, and literature.
A unique history of Nebraska is presented in these pages, drawing on fifty-eight short topical chapters and a rich gallery of illustrations. Professor Frederick C. Luebke?s lifelong commitment to the study of his state informs the book in every detail, as does his concern for clear and readable narrative. The treasure trove of images, many never published before, cast new light on many aspects of Nebraska?s history. These include the culture of the state?s Native peoples and their lives today, the building of the transcontinental railroad, the hardship endured by European immigrants, and the contributions of women, African Americans, Hispanic Americans, and Asian Americans to the state. This is a book that every Nebraskan will want to own, read, and enjoy. ø This second edition includes updated chapters on the current social, economic, and political climate of Nebraska and some new illustrations.
Here is an informative introduction to language: its origins in the past, its growth through history, and its present use for communication between peoples. It is at the same time a history of language, a guide to foreign tongues, and a method for learning them. It shows, through basic vocabularies, family resemblances of languages -- Teutonic, Romance, Greek -- helpful tricks of translation, key combinations of roots and phonetic patterns. It presents by common-sense methods the most helpful approach to the mastery of many languages; it condenses vocabulary to a minimum of essential words; it simplifies grammar in an entirely new way; and it teaches a language as it is actually used in everyday life.
In Romantic theories of art and literature, the notion of mimesis&—defined as art&’s reflection of the external world&—became introspective and self-reflexive as poets and artists sought to represent the act of creativity itself. Frederick Burwick seeks to elucidate this Romantic aesthetic, first by offering an understanding of key Romantic mimetic concepts and then by analyzing manifestations of the mimetic process in literary works of the period. Burwick explores the mimetic concepts of &"art for art's sake,&" &"Idem et Alter,&" and &"palingenesis of mind as art&" by drawing on the theories of Philo of Alexandria, Aristotle, Immanuel Kant, Friedrich Schiller, Friederich Wilhelm Joseph von Schelling, Thomas De Quincey, and Germaine de Sta&ël. Having established the philosophical bases of these key mimetic concepts, Burwick analyzes manifestations of mimesis in the literature of the period, including ekphrasis in the work of Thomas De Quincey, mirrored images in the poems of Samuel Taylor Coleridge and William Wordsworth, and the twice-told tale in the novels of Charles Brockden Brown, E. T. A. Hoffmann, and James Hogg. Although artists of this period have traditionally been dismissed in discussions of mimesis, Burwick demonstrates that mimetic concepts comprised a major component of the Romantic aesthetic.
Borsch has not answered all the questions, of course. Who can? But his view of the Man tradition makes more sense to me than, for example, Perrin's rather cavalier dismissal of the evidence, and it not only enlightens but also enlivens the discussion. As against the extreme skeptics, Borsch is also convincing to me in arguing the case for a large measure of authenticity in the Son of man tradition in the Gospels. If the proof of the pudding is in the eating, the book constantly calls me back to its pages for insight regarding the problem, both in its historical dimension and in its bearing upon the meaning of Jesus of Nazareth for faith today. --'Theology' "The author is well aware of the difficulties involved in entering a field wherein so much investigation has been done. And of this, with the positive and negative conclusions, he gives an excellent survey, crisp and critical . . . . The lines opened up will engage the attention of a new and more positive chapter in the form-critical argument. --'London Quarterly and Holborn Review
This is the first history in English of German historicism, the intellectual tradition which holds that history is the key to understanding all human values, beliefs and actions. Beiser surveys the key thinkers from the mid-18th to the early 20th century and illuminates the sources and reasons for this revolution in modern thought.
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