A collection of Frederic Remington’s writings, complemented by more than one hundred of his famous drawings, provides an exciting record of the Old West as it once was, with tales of cowboys, Indians, and soldiers.
The Museum of Fine Arts, Houston, houses one of the most distinguished collections of works by Frederic Remington (1861-1909) in the country. Featuring Fight for the Water Hole, one of the icons of American art, and many other highlights, the Hogg Brothers Collection is remarkably comprehensive, representing an unparalleled survey of Remington's career." "This generously illustrated book showcases the most important works from this collection - including paintings, works on paper, and a bronze sculpture - establishing each within its appropriate historical, cultural, and political contexts. Drawing on unpublished archival information, the book discusses Remington's spectacular rise to fame as a popular illustrator who mythologized the experience of westward expansion and whose works created the enduring American cowboy archetype, while chronicling the rapidly disappearing Native American cultures." "Frederic Remington will be of great appeal to those who have long loved and admired this unique American artist. And, with its new technical data and information, the book will also be a valuable addition to libraries of students and scholars alike."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
It is impossible to reflect upon Frederic Remington’s art without thinking of the merely human elements. Remington became interested in the American Indian, probably because he became interested in the active, exciting life of the American Great Plains. The Indian appealed to him not in any histrionic way, not as a figure stepped out from the pages of Hiawatha, but just as a human subject. Remington hit upon this truth when he travelled west. What he found there was majesty that he did not make, solely, an affair of Indians in war paint and feathers. Remington knew how the light of the moon or of the stars is diffused, how softly and magically it envelops the landscape. There is a sort of artistic honesty in his nocturnal studies. He never set out to be romantic or melodramatic, just to develop his affinity and closeness to nature. The beauty of the painter’s motive, too, has communicated itself in his technique. His grey-green tones fading into velvety depths take on transparency, and in his handling of form he uses a touch as firm as need be. The determining influence in his career was that of the creative impulse, urging him to deal in the translation of visible things into pictorial terms.
Introduction/ Nancy K. Anderson -- What's out there? Frederic Remington's art of darkness/ William C. Sharpe -- Dark, disquiet: Remington's late nocturnes/ Nancy Anderson -- Burning daylight: Remington, electricity, and flash photography/ Alexander Nemerov -- Nocturnes: a catalogue -- Appendix: Notes on conservation/ Ross Merrill, Thomas J. Branchick, Perry Huston, Norman E. Muller, Robert G. Proctor, Jr., Jill Whitten.
A collection of Frederic Remington’s writings, complemented by more than one hundred of his famous drawings, provides an exciting record of the Old West as it once was, with tales of cowboys, Indians, and soldiers.
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