This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Reprint of the original, first published in 1858. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The story of Charles Dickens's life is a truly remarkable rags-to-riches tale. His father's bankruptcy and imprisonment led to Dickens working in a blacking factory at an early age. These humble beginnings were to become a major influence upon his life and his writings. Dickens became a sensation in his own time and his legacy lives on. His books sold in tens of thousands. Audiences flocked to see him when he performed public readings of his works, inciting "Bozmania." Venues became sold out, touts sold tickets at inflated prices, and women fainted at his thrilling recitals. He went on to conquer America and commanded great fees for his performances. This long overdue republication, from 1902, chronologically records the events in the life of the "Inimitable Boz." We discover that he was not just an author but also an actor, publisher, journalist, editor, public reader, art critic, political economist and social reformer. We learn about the characters in his books; who inspired them and uncover something of the personality of Dickens himself. He was a meticulous workaholic with a desire not to be poor again and it was this desire that ultimately killed him. About the author Frederic George Kitton (1856-1904) was born in Norwich, England. At the age of seventeen he moved to London and joined the staff of The Graphic as an apprentice. He became a skilled etcher and contributed to artistic journals before becoming an author. Kitton was one of the founders of the Dickens Fellowship and most of his publications relate to the life and works of Charles Dickens including "Dickensiana: A Bibliography of the Literature Relating to Charles Dickens and His Writings" as well as annotating the "Rochester" edition of "Dickens's Works.
One of the Truly Great Pieces of Historical Literature of all Time" --Norman F. Cantor, Inventing the Middle Ages 66. Originally published: Cambridge: Cambridge University Press, 1898. 2 vols. xxxviii, 688; xiv, 691 pp. Reprint of the second and best edition. The History of English Law was the first systematic history based on modern historical methods. It addresses the period before the Norman Conquest in 1066, but deals primarily with the creation and establishment of the common law, a process initiated in the reign of Henry II (1154-1189) and concluded in the reign of Edward I (1272-1307). The first volume traces this history. The second volume treats the doctrines of the common law, including tenure, the law of personal condition, status and estate, and the jurisdiction and communities of the land. Gracefully written and enriched with countless references this is an essential book. First published in 1895, it remains a primary text for students of legal history and the social history of medieval England.
A vivid account of the first four months of the Mutiny, detailing the fate met by many mutinous regiments including the annihilation of the disarmed 26th Bengal NI by the author's command: "ten by ten the sepoys were called forth. Their names having been taken down in succession, they were pinnioned, linked together, & marched to execution; a firing party being in readiness..." The sepoys behaved with honour & deportment, but when the executions had reached 237, "the remainder refused to come out of the bastion" where they were housed: "The doors were opened and behold! They were nearly all dead! Unconsciously, the tragedy of Holwell's Black Hole had been re-enacted...Forty-five bodies, dead from fright, exhaustion, fatigue, heat & partial suffocation, were dragged into light, & consigned, in common with all the other bodies, into one common pit, by the hands of the village sweepers." One much wounded survivor was "reprieved for Queen’s evidence" & forwarded to Lahore. Here his luck ran out, however, as he was blown away from a cannon. Cooper’s strong and decisive action was controversial & this account was to explain the need for his actions. Contains tables of the dispositon of troops prior & subsequent to the Mutiny outbreak & various other matter.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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