It could be said that the career of Canadian-born film director Allan Dwan (1885-1981) began at the dawn of the American motion picture industry. Originally a scriptwriter, Dwan became a director purely by accident. Even so, his creativity and problem-solving skills propelled him to the top of his profession. He achieved success with numerous silent film performers, most spectacularly with Douglas Fairbanks Sr. and Gloria Swanson, and later with such legendary stars as Shirley Temple and John Wayne. Though his star waned in the sound era, Dwan managed to survive through pluck and ingenuity. Considering himself better off without the fame he enjoyed during the silent era, he went on to do some of his best work for second-echelon studios (notably Republic Pictures' Sands of Iwo Jima) and such independent producers as Edward Small. Along the way, Dwan also found personal happiness in an unconventional manner. Rich in detail with two columns of text in each of its nearly 400 pages, and with more than 150 photographs, this book presents a thorough examination of Allan Dwan and separates myth from truth in his life and films.
It could be said that the career of Canadian-born film director Allan Dwan (1885-1981) began at the dawn of the American motion picture industry. Originally a scriptwriter, Dwan became a director purely by accident. Even so, his creativity and problem-solving skills propelled him to the top of his profession. He achieved success with numerous silent film performers, most spectacularly with Douglas Fairbanks Sr. and Gloria Swanson, and later with such legendary stars as Shirley Temple and John Wayne. Though his star waned in the sound era, Dwan managed to survive through pluck and ingenuity. Considering himself better off without the fame he enjoyed during the silent era, he went on to do some of his best work for second-echelon studios (notably Republic Pictures' Sands of Iwo Jima) and such independent producers as Edward Small. Along the way, Dwan also found personal happiness in an unconventional manner. Rich in detail with two columns of text in each of its nearly 400 pages, and with more than 150 photographs, this book presents a thorough examination of Allan Dwan and separates myth from truth in his life and films.
The New York Times Bestseller - Revised and Expanded "[An] earth-shaking exposé of clerical corruption" - National Catholic Reporter The arrival of Frédéric Martel's In the Closet of the Vatican, published worldwide in eight languages, sent shockwaves through the religious and secular world. The book's revelations of clericalism, hypocrisy, cover-ups and widespread homosexuality in the highest echelons of the Vatican provoked questions that the most senior Vatican officials--and the Pope himself--were forced to act upon; it would go on to become a New York Times bestseller. Now, almost a year after the book's first publication, Frédéric Martel reflects in a new foreword on the effect the book has had and the events that have come to light since it was first released. In the Closet of the Vatican describes the double lives of priests--including the cardinals living with their young "assistants" in luxurious apartments whilst professing humility and chastity--the cover-up of numerous cases of sexual abuse; sinister scheming in the Vatican; political conspiracy overseas in Argentina and Chile, and the resignation of Benedict XVI. From his unique position as a respected journalist with uninhibited access to some of the Vatican's most influential people and private spaces, Martel presents a shattering account of a system rotten to its very core.
One of the fabled Channel Islands of Southern California, Santa Cruz was once the largest privately owned island off the coast of the continental United States. This multifaceted account traces the island’s history from its aboriginal Chumash population to its acquisition by The Nature Conservancy at the end of the twentieth century. The heart of the book, however, is a family saga: the story of French émigré Justinian Caire and his descendants, who owned and occupied the island for more than fifty years. The author, descended from Caire, uses family archives unavailable to earlier historians to recount the full, previously untold story. Justinian Caire and Santa Cruz Island opens with Caire’s early life as a San Francisco businessman and his acquisition of Santa Cruz Island, where he created a ranching kingdom based on sheep, cattle, and wine. Frederic Caire Chiles examines the business practices of the Justinian Caire and Santa Cruz Island companies, documenting the island’s economic ups and downs and the environmental impact of ranching in those days. Above all, he looks at the family’s daily life on the island from the mid-nineteenth into the twentieth century. This epic contains tragic elements, as well. What began as a profitable ranch and an idyllic retreat ended in the family divided by bitter litigation and the forced sale of the island. Family diaries and letters enable Chiles to tell the story of an intensely private clan and its struggle to hold an island dynasty together. The history of Santa Cruz Island has never been told so thoroughly or so well. Replete with intimate portraits and high drama, this California story will move readers as it informs them.
The proceedings featured in this book grew out of a conference attended by 40 applied mathematicians and physicists which was held at the International Center for Research in Mathematics in Luminy, France, in May 1995. This volume reviews recent developments in the mathematical theory of water waves. The following aspects are considered: modeling of various wave systems, mathematical and numerical analysis of the full water wave problem (the Euler equations with a free surface) and of asymptotic models (Korteweg-de Vries, Boussinesq, Benjamin-Ono, Davey-Stewartson, Kadomtsev-Petviashvili, etc.), and existence and stability of solitary waves.
Examines the diversity of composers' economic aspirations, the strategies through which they pursued success, the burgeoning music publishing industry, and the emergence of copyright protection. It concludes by drawing some parallels to the economic state of music composition in 2003.
Most people claim to belong to some religion or another, but very few know much about the substance of their beliefs, and as adults still believe what they learned about their religion as children. Scientific advancement, especially in geology, astronomy, biology and archaeologist has revealed an understanding of the structure of the Earth and the Universe, which is very different from the belief scientists had only a few decades ago. Recent archaeological finds, has changed the way we think of the early history of Israel, and this indicates that many of the stories in the Bible are fables.
Prehistoric foragers, conquistadors, missionaries, adventurers, hunters, and rugged agriculturalists parade across the histories of these little known islands on the horizon of twenty-first century Southern California. This chain of eight islands is home to a biodiversity unrivaled anywhere on Earth. For visitors and armchair travelers alike, this book weaves the strands of natural history, island ecology, and human endeavor to tell the Channel Islands’ full story.
In today's society, where life and death are increasingly becoming matters of choice, life is on the line. Kilner explores topics such as "active" and "passive" euthanasia, suicide, quality of life, living wills, and the criteria for deciding who will receive access to vital treatments that cannot be provided to all. Contrasts a Biblically-grounded ethics with other ethical approaches commonly employed today.
As the topic of political Islam gains increased visibility in international politics and current affairs, it has become more difficult to navigate the vast literature that is devoted to explaining this phenomenon. This reader provides the student with an accessible and comprehensive introduction to the study of political Islam. Offering a clear route to the most influential literature in the field, the diverse range of viewpoints presented allows students to obtain a detailed, authoritative and critical perspective on the most pressing questions of the post-9/11 era. With detailed introductory chapters and clear presentation of existing literature, thematically-arranged sections cover: modern understandings and explanations of Islamism the emergence and development of Islamist groups political responses to the phenomenon democracy and democratization multiculturalism political violence and terrorism globalization the future of political Islam. This overview of political Islam will help students at all levels to appreciate its many manifestations and dimensions. A relevant text to introductory courses on history, international affairs, government and sociology, this reader is an essential tool for students of the Middle East, Muslim politics, religion in politics and Islamism.
Berek, a young penniless Jew of eighteen is struggling to make a home of Turk Place, a desolate street that, in 1873 Vienna, was little more than a Gypsy encampment. But Berek believes fiercely in his own power to forge miracles. Taking the caretaker's daughter as his bride, Berek is confident he can thrive on faith. When a mysterious piece of stone comes into his possession, he and his wife believe their prayers have been answered; the stone may be a holy fragment of Jerusalem's Wailing Wall. This relic, no larger than a brick, proves to transfigure the couple's lives. They make Turk Place their home and three generations of Turk Place residents share the legacy of the Brick. For six decades, the family perseveres in the face of tumultuous events -- World War I, the shattering of the Austro-Hungarian Empire, and the Great Depression. But Hitler's "final solution" forces them to make an impossible choice: flee the Nazis or remain and perish.
“Stay in the Fight … Finish the Fight … Fight Finished.” These are the slogans the 2019 Washington Nationals used to rally from a 19-31 start to become baseball champions, earning DC’s first World Series title in ninety-five years. This reflective book captures that historic season, and a dramatic postseason that saw the team rally to win five come-from-behind elimination games – led by the arms of Max Scherzer, Stephen Strasburg, and Patrick Corbin, and the bats of Juan Soto, Trea Turner and Anthony Rendon. It also covers the colorful history of DC baseball, including the pioneering Washington Nationals of 1859, the 1924 World Series champion Washington Senators, when the entire nation rooted for DC, and the Homestead Grays, a perennial Negro League pennant winner from the late 1930s to the mid-1940s.
How artists in twentieth-century Germany adapted the idea of the medical or legal case as an artistic strategy to push to the fore sexualities, scandals, and crimes that were otherwise concealed. In early twentieth-century Germany, the artistic avant-garde borrowed procedures from the medical and juridical realms to expose and debate matters that society preferred remain hidden and unspoken. Frederic J. Schwartz explores how the evocation or creation of a “case” provided artists with a means to engage themes that ranged from blasphemy to Lustmord, or sexual murder. Shedding light on the case as a cultural form, Schwartz shows its profound effect on artists and the ways it dovetailed with methods used by these figures to exploit fundamental changes taking place across the mass media of their time. As Schwartz shows, the case was a common denominator that connected seemingly disparate works. George Grosz and Rudolf Schlichter drew on it for their violent visual art, as did architect Adolf Loos when he equated ornament with crime. Expressionists, meanwhile, approached the question of whether the so-called “mad” shared a right of public expression with those deemed sane, and examined medical and legal approaches to what society labeled as insanity. The case also took on a personal dimension when artists found themselves confronted with, or chose to engage with, the legal system. German courts prosecuted John Heartfield and others for their provocative works, while Bertolt Brecht created publicity for himself by suing the firm to whom he sold the film rights to The Threepenny Opera. Provocative and insightful, The Culture of the Case offers a privileged view of the spaces of representation in which images—in some instances, as cases—functioned at a key moment of modernity.
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