Slime, goo, gunge, gloop, gels, sols, globules, jellies, emulsions, greases, soaps, syrups, glues, lubricants, liquid crystals, moulds, plasmas, and protoplasms - the viscous is not one thing, but rather a quality of resistance and flow, of stickiness and slipperiness. It is a state of matter that oozes into the gaps of our everyday existence, across age groups, between cultures and disciplines.Since the large-scale extraction of petroleum in the 19th century, the viscous has witnessed a proliferation in the variety of its forms. Mechanized industry required lubricants and oil distillation produced waste products that were refined to form Vaseline. From this age, new viscous forms and technologies emerged: products from plastic (and plastic explosives) to cosmetics, glycerine, asphalt, sexual lubrication, hydro- and aero-gels, and even anti-climb paint.Based on unique and wide-ranging research, The Viscous is the first major investigation of encounters with and possibilities of the viscous over the course of the last century, not simply as a material state, but also as an imaginative event. We enter into a story of matter at its most wayward, deviant, hesitant, and resistant.From asphalt lakes to industrial molasses tanks, from liquid crystals squirming in our screens to milk fetishes, The Viscous discloses gooeyness as a peculiarly modern phase of matter. "Everything oozes," as Beckett's Estragon famously proclaims in Waiting for Godot. Viscous dynamics are exposed as not only hugely various in a post-industrial age, but particularly useful ways of thinking, feeling, writing, and making in a time of ecological anxiety. Freddie Mason is a writer, researcher, and filmmaker living in London. He received his doctorate from the Royal College of art in 2019, on the history and futures of semi-states. Before The Viscous, he published Ada Kaleh (Little Island Press, 2016).
Denmark Wheeler had it all: a gorgeous wife, Sierra, whom he passionately loved, and a respectable job that allowed him to keep her living in the style to which she was accustomed. The good life wasn’t handed to him on a silver platter, though. Growing up in the Cleveland ghetto, his father was shot by a drug addict, he worked the streets to help his sister through college, and he made his fair share of enemies along the way. Yet not even his tough upbringing prepared him for the mysterious DVD that showed up on his doorstep, its contents revealing an explicit sexual encounter between his wife and another man, whose face was purposely blurred. Sierra’s betrayal is heart wrenching, and Denmark’s on the warpath to find out the identity of the man behind it. One thing’s sure: It’s someone close to him. Suddenly everyone is suspect, especially his two best buddies, and he’ll stop at nothing to exact his revenge–even if it means sleeping with their wives to get it. But when Denmark takes justice into his own hands, he discovers a truth even more shocking than his wife’s infidelity. . . . In this gritty revenge tale, Freddie Lee Johnson III takes us into the mind of a man consumed with grief and rage. Full of jump-off-the-page characters and fast-paced drama, Other Men’s Wives is an explosive ride fueled by love, lust, and deceit.
In Breaking Barriers, Judge Freddie Pitcher Jr. describes how he made history in Baton Rouge by becoming the first African American to be elected to judgeships at three different levels of the court system. Pitcher recounts his early years in Valley Park—a segregated and semi-rural neighborhood—where one of his cousins, a civil rights attorney, served as his role model and inspired him to become both a lawyer and an agent of change. Pitcher depicts what it was like to grow up in the segregated South and how racial discrimination fueled his drive to challenge the norms of the Baton Rouge judiciary later in life. Pitcher discusses how he forged together Black political organizations, the Black church community, and a group of white attorneys into a campaign coalition that ultimately helped him overcome the racial barriers that prevented Black people from ascending to the judiciary in Baton Rouge. He details the strategy used to win seats on both the Baton Rouge City Court and the 19th Judicial District Court at a time when many said a Black candidate could not win a city- or parish-wide election. He describes many of the challenges he faced as the first and only Black judge in Baton Rouge while highlighting some of the notable cases he tried and sharing his beliefs about judging and the judicial process. Pitcher’s story of rising from “the bench to the bar to the bench”—from the bench outside the local grocery store that he and his friends frequented as young boys, to the Louisiana bar, to the judicial bench—is informative and inspiring, shedding light on the perseverance and determination required of early African American candidates to overcome the many roadblocks to full participation in the political process related to the judiciary.
In this Element, the authors develop an account of the role of behaviour change that is more political and social by bringing questions of power and social justice to the heart of their enquiry in order to appreciate how questions of responsibility and agency are unevenly distributed within and between societies. The result is a more holistic understanding of behaviour, as just one node within an ecosystem of transformation that bridges the individual and systemic. Their account is more attentive to questions of governance and the processes of collective steering necessary to facilitate large scale change across a diversity of actors, sectors and regions than the dominant emphasis on individuals and households. It is also more historical in its approach, looking critically at the relevance of historical parallels regarding large-scale behaviour change and what might be learned and applied to the contemporary context action.
For over fifty years, Freddie Foreman's name has commanded respect, and occasionally fear, from those who work to uphold the law - and those who operate just outside of it. With almost all of his compatriots - like the notorious Kray twins - now gone, Freddie is truly The Last Real Gangster. A true entrepreneur and businessman, Freddie was one of the great personalities of the criminal underworld. A man of principle, protective of his family and unfailingly loyal to his friends, Freddie was someone who could be relied upon with complete confidence in all circumstances. Together with co-authors Frank and Noelle Kurylo - who have themselves been intimately involved in the underworld for a number of decades - as well as dozens of previously unpublished photographs, The Last Real Gangster contains the musings and reminiscences of someone who truly was there and really did see it all. Including a detailed look at the life of the Kray twins, alongside dozens of other recognisable 'Faces', this book is the no-holds-barred story of Freddie's life and the exciting and glamorous world in which they lived.
Back Cover Summary This story covers the use of cloned people for experimentation projects because they are a part of us and should be treated as equals.
For over fifty years, Freddie Foreman's name has commanded respect, and occasionally fear, from those who work to uphold the law - and those who operate just outside of it. With almost all of his compatriots - like the notorious Kray twins - now gone, Freddie is the last real gangster. A true entrepreneur and businessman, Freddie was one of the great personalities of the criminal underworld. A man of principle, protective of his family and unfailingly loyal to his friends, Freddie was someone who could be relied upon with complete confidence in all circumstances. Running with the Krays is the no-holds-barred account of life alongside the Kray twins - as well as dozens of other recognisable 'Faces' - and the exciting and glamorous world they lived
Freddie Francis was regarded as one of the great cinematographers of the last half of the 20th century. He won Academy awards for Sons and Lovers and Glory. This is Francis’ memoir in which he recalls working on such films as Room at the Top, Sons and Lovers, Saturday Night and Sunday Morning, The Elephant Man, Glory, Cape Fear, and The Straight Story.
Serving to Lead charts the career of one of the most senior officers in modern British Army history. It is a must-read for anyone interested in gaining a considered but accessible ‘insider view’ of the military and our Parliamentary traditions. Lt Gen Sir Freddie Viggers KCB CMG MBE DL completed 36 years’ military service before joining Parliament as Black Rod in 2009. Exploring themes of ‘lessons learned’ through Service and leadership, this memoir covers important moments in our country’s defence history and in which Sir Freddie played key roles, including the Northern Ireland Troubles, the civil war and rebuild of Bosnia, and the aftermath of the collapse of Saddam Hussein’s Iraq, where he was the most senior British Army officer on the ground. The book also explores the Army’s 21st century ‘people’ challenges encountered in the role of Adjutant General, fighting to improve the lot of soldiers and their families. It includes his evidence to the Iraq Inquiry. The author’s experiences in Westminster give fascinating insight to the House of Lords and the role of Black Rod, a job from which he was forced to retire in 2010 following a devastating stroke. As with all anecdotes in this book, Sir Freddie’s long road back to recovery is recounted with humour and candour, alongside his approach to living a fulfilling retirement - despite his significant health limitations - through enduring regimental connections and recent charitable work.
Master Techniques in Orthopaedic Surgery: Sports Medicine is aimed at orthopaedic surgery sports medicine specialists. About half of the book is based on sports-related chapters from the Shoulder, Elbow, Knee, and Foot and Ankle volumes of Master Techniques in Orthopaedic Surgery. Other chapters are new to this volume and cover the shoulder, the elbow, the knee, the ankle, and the use of arthroscopy to correct hip problems caused by sports injuries. All chapters assume that the diagnosis is known and focus on selecting the correct technique. The contributors describe their preferred techniques in step-by-step detail, point out pertinent anatomy, and offer pearls and tips for improving results. The book is thoroughly illustrated with full-color, sequential, surgeon's-eye view intraoperative photographs, as well as drawings by noted medical illustrators.
Instead of trying to make a game fit the story you're yearning to tell, why not use a game system specifically designed to tell your story? What We Were brings character creation, motivation, and destiny to the forefront of role-playing. Players are guided through the construction of their characters, moulding them into entities driven by real wants and desires - and set in worlds with real consequences. Whether it's a tale about a classical, Arthurian knight; a murder mystery in the Scottish Highlands, or rugged cowboys in the Wild West, What We Were gifts players the ability to craft whatever they can imagine in intuitive ways that'll appeal both to seasoned role-players, whilst also being easily-accessible to newcomers.
WISDEN BOOK OF THE YEAR 2020 Winner of The Telegraph Sports Book Awards 2020 Heartaches Cricket Book of the Year 'Fascinating . . . essential reading' – Scyld Berry 'A fascinating book, essential for anyone who wishes to understand cricket's new age' – Alex Massie, Wisden Cricketers' Almanack 'An invaluable guide' – Mike Atherton, The Times 'excellent . . . both breezily engaging, and full of the format's latest, best and nerdiest thinking' – Gideon Haigh, The Australian 'The century's most original cricket book . . . An absorbing ride . . . some of their revelations come with the startling force of unexpected thunder on a still night' – Suresh Menon, editor Wisden India Almanack Cricket 2.0 is the multi award-winning story of how an old, traditional game was revolutionised by a new format: Twenty20 cricket. The winner of the Wisden Almanack Book of the Year award, the Telegraph Sports Book Awards' Cricket Book of the Year and selected as one of The Cricketer's greatest cricket books of all time, Cricket 2.0 is an essential read both for Test and T20 cricket lovers alike, and all those interested in modern sport. Using exclusive interviews with over 80 leading players and coaches – including Jos Buttler, Ricky Ponting, Kieron Pollard, Eoin Morgan, Brendon McCullum and Rashid Khan – Tim Wigmore and Freddie Wilde chronicle this revolution with insight, forensic analysis and story-telling verve. In the process, they reveal how cricket has been transformed, both on and off the field. Told with vivid clarity and insight, this is the extraordinary and previously misunderstood story of Twenty20, how it is reshaping the sport – and what the future of cricket will look like. Readers will never watch a T20 game in quite the same way again. "For people that love cricket it's really important to read it," said Miles Jupp. "I found it extraordinary.
This volume contains twenty-one speeches on the long and enduring struggle for equal rights, from one of Americas finest scholars and orators on race relations in American history. Dr. Benjamin E. Mays. He witnessed race relations (1920s 1980s), and the transformation of America from a rigidly segregated society to a desegregated social structure. Mays is often referred to as the Godfather of the Civil Rights Movement of the 1960s, since he mentored many of the leaders of the movement. And he is acknowledged as the spiritual and intellectual mentor of Martin Luther King, Jr. the selfless leader of the most important social movement of the twentieth century, and the Nobel laureates birthday is a national holiday celebrated on the third Monday in January annually. Outside of Kings immediate family, Dr. Mays influenced his spiritual and intellectual maturation more than anyone else.
In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together.
There are some parts of life in the United States that are very important for what they are mandated and supposed to do, and this book is written to describe how the life and career of an individual from an agricultural background that goes back to childhood and who was somewhat guided and highly self-motivated to serve within this area interacts with the bureaucracy at all levels of state educational institutions and the richly financially invested programs of the federal government through the US Department of Agriculture. He did not write this as a negative endeavor but as a viewable summary of worthwhile accomplishments that may or may not have been institutionalized by anyone except the author. There are family ancestral lineages that are listed that may include the name of any person in the lifetime of the author that will never be told, and maybe if that person hears of or reads this book, he will be motivated to tell the story of his family and his career, and it too will become a part of told USA history. Additionally, the writer believes this text at personal and professional levels may be of interest to the vast organizations listed above whose staff interact daily with people such as the author but only know their single area of responsibility. There are also incidents in the author’s life that are listed and implied that would have caused major problems if there had not been the support of people who acted as if they owed my ancestors some type of debt. However, the author acted in his career like he worked at the “number 1” institution in the USA and performed projects and sent students on global journeys to increase their family and career success. There were times when the author’s opportunities seemed to be conflicted with general institutional and agency leadership, and most of these times, they were no different from what was being done at other similar locations, but with which way would the recognition start and flow.
To Britain's criminal underworld, Freddie Foreman is the Godfather. Held responsible for the gangland killings of Ginger Marks and Frank 'The Mad Axeman' Mitchell, he was the punisher to those who broke the underworld's strict code of conduct.Foreman's dramatic kidnap and arrest for Britain's biggest cash robbery made headlines around the world, yet this daring raid was just the peak of a safe-blowing, bank-robbing career that spanned decades. His story is a fascinating, yet chilling account of life as a freelance enforcer for the Kray twins, and as London's most feared gangster.Bloodshed aside, Freddie's often humorous stories reveal a caring man who believes that violence is a last resort and who always treated people with respect. Revealed in these pages are the amazing details of the heists, the double crossings, the shoot-outs and the betrayals that accompanied life as a career criminal when the streets were controlled by fear. Exposed are the audacious plans behind the century's most famous crimes, the damning evidence of police corruption and the eye-opening events that gave Freddie this most revered reputation.'The most blood-curdling gangster memoir you'll ever read' - The News of the World
Feel is the story of how a small-time boy from humble beginnings in Louisiana rose to the pantheon of greats, to win the 500cc and 250cc GP Championship in the same year – an historic achievement over three decades ago which has never been repeated. Growing up at the time of the assassination of Malcolm X and Martin Luther King, Freddie judged by feel, not by colour. Blind to prejudice and discrimination, he formed dynamic connections with people and events, but only years later during his racing afterlife could Freddie come to understand the true power of the things he learned. Spencer is an articulate and compassionate guide as he describes the thrill and horror of racing in an era when death was a perennial threat. He recalls in pin-sharp detail the frenetic high-octane racing duels with the ‘King’ Kenny Roberts, but also describes a parallel internal journey as he struggled to make sense of it all. Driven by a search for the personal fulfilment that comes through finding your purpose, Freddie’s story is a universal one. In its message of hope, Feel transcends its genre to offer a story for everyone. Part thriller, part philosophical self-exploration, it is a remarkably insightful account of what it is like to have it all, but wonder why. “For the first time I will talk about the traumas of my childhood, the contrast between the leaf fire burns, the mistrust and discomfort and the peace and purpose I felt when riding my bike. I didn’t tell my parents about something that happened to me. Why? I felt ashamed, but when I rode I felt connected to everything and the pain in my hand and heart would go away. It gave me the feeling of hope”.
Classy" Freddie Blassie is universally acknowledged as one of the most hated heels in wrestling history. Freddie really knew how to antagonize the fans -- how to "get heat." Death threats were frequent, enraged fans stabbed him twenty-one times, and he was even doused with acid. Undeterred, Blassie just took the action up a level. He reveled in being the heel. It was almost commonplace to see him biting his opponents and then spitting out their blood. Blassie would routinely "file" his teeth during interviews. His matches in Los Angeles' Olympic Auditorium brought him to the attention of Hollywood. Freddie's style and unpredictability made him a natural for the medium and he became one of the biggest draws in the wrestling business. In the early '60s, this notorious heel was invited to wrestle in Japan. Blassie both horrified and mesmerized sedate Japanese society. It was reported that a number of Japanese television viewers suffered fatal heart attacks after seeing Blassie bloody an opponent in the ring. A child of immigrants, Freddie grew up in a working-class neighborhood in south St. Louis. At seventeen, Freddie made his wrestling debut in a carnival. Unhappy with his choice of occupation, his family persuaded him to keep his "real" job, and for a while he worked as a meatcutter. But after serving in the Navy in World War II, Freddie returned to the world of wrestling, which was at the time still something of a carnival sideshow. Here he picked up his catch phrase: "pencil neck geek." Early in his career, Blassie wrestled on cards promoted by Jess McMahon, and would later work for both his son, Vincent James McMahon, and his grandson, Vincent Kennedy McMahon, the current owner of World Wrestling EntertainmentTM. Even after his active days in the ring came to an end, he showed that he still had the power to generate heat: "Classy" Freddie Blassie became the manager of heels, transferring to a whole new generation of wrestlers the style and knowledge that had made him a legend of wrestling. Blassie is still provoking the public, with his autobiography -- Legends of Wrestling: "Classy" Freddie Blassie -- Listen, You Pencil Neck Geeks -- written with Keith Elliot Greenberg. Freddie weaves vibrant tales of his days in wrestling with the likes of Hollywood Hulk Hogan, The Rock, George "The Animal" Steele, Capt. Lou Albano, John Tolos, The Destroyer, Killer Kowalski, Nikolai Volkoff, and the Iron Sheik. He frankly chronicles his dealings with colorful members of the wrestling fraternity and the promoters, even recounting the controversies -- like the infamous "boxer vs. wrestler" match with Muhammad Ali, who was managed by Blassie. His out-of-the-ring stories are equally compelling. Freddie details his countless sexual exploits and his three marriages. He reflects on the cult status that he gained after his song "Pencil Neck Geek" rocketed to the top of the Dr. Demento Show playlist. He recounts his touching relationship with comedian Andy Kaufman, who cast him in Breakfast with Blassie -- an underground classic in which Blassie uttered: "What the hell ever happened to the human race?
This story is about a boy named Little Freddie who ate so many sandwiches. He went into a deep sleep, dreaming about his favorite sandwiches. He woke up in a mystical land called Freddie Funny Sandwiches under a tall tree with one of his favorite sandwiches in his hands. While Little Freddie is trying to find his way home, he was zapped into another land where his adventure will continue for the next episode. Join Little Freddie on his adventure with these amazing characters named Peanut Butter John, Hotdog Matt, Ms. Jelly Jam, Pickle Relish, Oliver Onion, Harry Hamburger, Pumpernickel Bread, Will Wheat bread, Major Pickle, Kelly Ketchup, Samey Tomato, Captain Mayo, Ms. Chili pepper, Sly Wry Bread, Col. Mustard, Ham and Cheese, Mr. Bun, Junior Mustard and Letty let.
This story is about a boy named Little Freddie who ate so many sandwiches. He went into a deep sleep, dreaming about his favorite sandwiches. He woke up in a mystical land called Freddie Funny Sandwiches under a tall tree with one of his favorite sandwiches in his hands. While Little Freddie is trying to find his way home, he was zapped into another land where his adventure will continue for the next episode. Join Little Freddie on his adventure with these amazing characters named Peanut Butter John, Hotdog Matt, Ms. Jelly Jam, Pickle Relish, Oliver Onion, Harry Hamburger, Pumpernickel Bread, Will Wheat bread, Major Pickle, Kelly Ketchup, Samey Tomato, Captain Mayo, Ms. Chili pepper, Sly Wry Bread, Col. Mustard, Ham and Cheese, Mr. Bun, Junior Mustard and Letty let.
Slime, goo, gunge, gloop, gels, sols, globules, jellies, emulsions, greases, soaps, syrups, glues, lubricants, liquid crystals, moulds, plasmas, and protoplasms - the viscous is not one thing, but rather a quality of resistance and flow, of stickiness and slipperiness. It is a state of matter that oozes into the gaps of our everyday existence, across age groups, between cultures and disciplines.Since the large-scale extraction of petroleum in the 19th century, the viscous has witnessed a proliferation in the variety of its forms. Mechanized industry required lubricants and oil distillation produced waste products that were refined to form Vaseline. From this age, new viscous forms and technologies emerged: products from plastic (and plastic explosives) to cosmetics, glycerine, asphalt, sexual lubrication, hydro- and aero-gels, and even anti-climb paint.Based on unique and wide-ranging research, The Viscous is the first major investigation of encounters with and possibilities of the viscous over the course of the last century, not simply as a material state, but also as an imaginative event. We enter into a story of matter at its most wayward, deviant, hesitant, and resistant.From asphalt lakes to industrial molasses tanks, from liquid crystals squirming in our screens to milk fetishes, The Viscous discloses gooeyness as a peculiarly modern phase of matter. "Everything oozes," as Beckett's Estragon famously proclaims in Waiting for Godot. Viscous dynamics are exposed as not only hugely various in a post-industrial age, but particularly useful ways of thinking, feeling, writing, and making in a time of ecological anxiety. Freddie Mason is a writer, researcher, and filmmaker living in London. He received his doctorate from the Royal College of art in 2019, on the history and futures of semi-states. Before The Viscous, he published Ada Kaleh (Little Island Press, 2016).
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