The earliest Japanese history, like that of all other nations, is a mass of myths and legends. But out of this one solid fact has been evolved: the Japanese were a race who invaded the island kingdom by way of Korea, much as the Saxons and other Teutonic tribes invaded Britain. They therefore used the sea at a very early period of their history. They found aboriginal tribes when they came, and of these the Ainu still exist in the north, a race as distinct as our Celts in the north of Scotland. The immigrant race are always spoken of and accepted as Mongolians, though in Japanese legend the invaders had, as in similar Western myths, a divine origin. Incidentally, it is interesting to note that a Japanese, with kindred tastes to those Western savants who have found the cradle of the human race in Lapland or in Central Africa, has built a theory by which ancient Egypt was the early home of the Japanese. To support this theory numerous small similarities were brought forward; but it does not seem to have made headway in Japan, or to be known in the Western world. It is, as regards plausibility, about on a par with the Anglo-Israelite theory that had once quite a vogue in this country, and is by no means without disciples to-day. Whence they came, however, is a matter of no moment here. Japanese national history begins with the expedition led by the Emperor Jimmu, at a date which a loose chronology fixes at 660 b.c. This is the earliest over-sea operation unconnected with deities and myths. Jimmu, who, according to the legends, was the grandson of the Sea Deity’s daughter, led an expedition eastward from Mount Takachiho, and eventually found himself on the shores of the Inland Sea, and here built a fleet, by means of which he reached Naniwa (Osaka), and consolidated the empire. For the next seven or eight centuries the nation was forming; but beyond a legend, suggestive of the story of Jonah, nothing is heard of ships or boats till 202 a.d., when the Empress Jingo equipped a great fleet for the invasion of Korea. As an early instance of the use of “sea-power,” this expedition has laid great hold on Japanese imagination; but since the transportation of the flagship by legions of fishes, with which the Empress has made an alliance, is the central point of the story, its nautical details can hardly be seriously considered. What is of more moment is the undoubted fact that the expedition took place, that it was a complete success for Japan, and laid the foundations of that Japanese interest in Korea which is to-day so potent a factor in the Far Eastern problem.
The abstracts are arranged alphabetically under each county by the names of the testators, with the dates of the wills and the names of wives and children.
Volume 1 of Clifton William Scott...is the rich heritage of a New England family. Fond remembrances of the author's parents are provided by family and friends. Brief family histories of eight branches of the family tree--Scott, Bradford, Taylor, Robinson, Williams, Porter, Shaw, and Ranney--are followed from the immigration of each patron ancestor during the great migration of 1620-1643 from England to either the Pilgrim's Plymouth Colony or the Puritan's Massachusetts Bay Colony, then to the Connecticut Valley towns, and finally to the Berkshire Hills towns of Buckland and Ashfield. Scott and Bradford descendants to the present time are documented, as are the numerous Pilgrim connections to the 1620 Mayflower passengers.
Pulitzer Prize finalist: “The definitive biography”of the Victorian-era writer and historian (The Times Literary Supplement). A Pulitzer finalist that draws upon years of research and unpublished letters, Thomas Carlyle examines the life of the Victorian genius. Carlyle was the author of Sartor Resartus and The French Revolution: A History, and he possessed one of literature’s most flamboyant prose styles. Despite a childhood beset by anxiety and illness, Carlyle was indefatigable in his literary production. Fred Kaplan delves into the author’s intense personal life, which includes his turbulent marriage to author Jane Baillie Welsh and his disillusionment with religion. Kaplan is a devoted and sensitive explicator, vividly resurrecting both Carlyle and his Victorian setting.
Jane Fonda has been in the public eye since birth; just being Henry’s daughter qualified her for celebrity status. However, her intelligence and talent compelled her to reach beyond this birthright to become an individual of extraordinary and diverse accomplishments. It would take a restless camera to document Jane Fonda’s life for she is a woman of formidable energy, but Fred Lawrence Guiles’ expert commentary captures her in motion. We pursue her in a tireless route of study, self-discovery, and social awareness that causes her to ultimately reject the “Beautiful People” life-style of her first husband, Roger Vadim, for the role of political activist with her present husband, Tom Hayden. We witness how the shift in political climate transforms her from history’s scourge to history’s darling. Yet despite governmental harassment and public scorn for her radical beliefs, she, nonetheless, achieves international acclaim for her acting and twice received the Academy Award for Best Actress. Candid interviews with friends, relatives, and colleagues enrich this admiring but honest portrait; fifty-three black and white photographs complement an impeccable text vivifying an exceptional woman of many identities. An unmistakable impression remains that Jane Fonda will continue to grow, and the world will continue to watch.
The appearance in 1920 of H. L. Mencken's scathing essay about the intellectual and cultural impoverishment of the South, "The Sahara of the Bozart", set off a firestorm of reaction in the region that continued unabated for much of the next decade. In Serpent in Eden, Mencken scholar Fred Hobson examines Mencken's love-hate relationship with the South. He explores not only Mencken's savage criticism of the region but also his efforts to encourage southern writers and the bold "little magazines", such as the Reviewer and the Double Dealer, that started up in the South during the 1920s. Originally published in 1974. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Takes a different approach to mystery as a ghost tries to find out who murdered her in a witty, sophisticated, yet suspenseful look at the upper crust of Hollywood. The curtain rises to find Jane, Oscar winning screen writer, dead at the bottom of the stairs in a Vermont ski lodge. Her four friends and husband are saying she fell. 'I was pushed!' she says as her ghost rises. Aided by Kitty, a rather wanton adviser from 'up there, ' Jane is brought ahead to the present, three years after the murder, where the same group is gathered. They are all famous film makers with an intense hate love relationship; Janes husband who has married an ambitious ingenue, a heading for middle age leading lady, an arrogant director, and Hollywoods reigning gossip columnist. The five suspects join together to keep the possible murder quiet for reasons of their own but their relationship busts apart with their mutual distrust. Woven through the suspense in humorous, acidic, and revealing comedy is an extraordinary whodunit with a surprise denouement when the murderer is revealed. All the roles are lengthy with well defined characters. For the unusual and audience pleasing combination of comedy, intrigue, and suspense, this is a must
This work forms a directory of all participants in all land sales and mortgage agreements in northeastern New York between 1739 and 1802. The area covered includes all land within the present-day counties of Clinton, Essex, Franklin, Warren, and Washington. The first part identifies original grantees, persons awarded land in the area between 1739 and 1775, and provided is the date of award, name of grant, present town of grant's location, acreage, and grantee's name. The second part, and by far the largest, identifies about 9,000 landholders--grantees, grantors, mortgagees and mortgagors--whose land records were filed between 1772 and 1802 in the deed and mortgage books of Washington, Clinton, or Essex counties. In the various entries will be found the names of all persons engaged in land transactions, the date of the transaction, the place of residence of each of the principals, and the volume and page of the original source book.
If you plan to portray a national icon in less than heroic terms, you had better be prepared for a fight, as Richard Aldington learned even before the publication of his 1955 biography, Lawrence of Arabia: A Biographical Enquiry. Fred D. Crawford provides the first examination of all major parties and points of view embroiled in the controversy generated by Aldington's biography of T. E. Lawrence. In two years of research, Aldington made major discoveries, including the extent to which Lawrence had cooperated with Lowell Thomas, Robert Graves, and B. H. Liddell Hart in the creation of the "Lawrence legend". For this and other reasons, Aldington concluded that Lawrence was a charlatan, a poseur, and a fraud. Upon learning of Aldington's antagonism to Lawrence a year before Aldington's book appeared, a powerful group including B. H. Liddell Hart, Robert Graves, A. W. Lawrence, and other Lawrence partisans worked behind the scenes to suppress and denigrate Aldington's biography. These attempts, Crawford notes, reveal a great deal about how private interests can determine what the public is allowed to read.
Few are the regions in the province of Ontario so rich and rewarding to the reader interested in local history as the valley of the Lower Thames. As the author tells us with warmth and enthusiasm of the early settlers, roads, bridges, inns, and mills of his native region, his story takes on a wider significance. Here, indeed, is the story of pioneer Canada, "writ small." The valley of the Lower Thames includes the greater part of what is now the county of Kent, and comprises one of the richest and most populous agricultural areas of modern Ontario. For many years it remained separated from the upper river settlements by miles of primeval forest. The Thames River was the highroad for commerce and travel that bound the people on both its banks into one community, and connected them with other communities far beyond. Professor Hamil has embellished what is commonly known of such striking pioneer figures as Thomas Talbot, the Ainse family, and others, with additional fascinating details, and brings before us many figures less well known to history but whose careers arouse admiration, sympathy, curiosity, and amusement.
Ever in control, H. L. Mencken contrived that future generations would see his life as he desired them to. He even wrote Happy Days, Newspaper Days, and other books to fit the pictures he wanted: first, the carefree Baltimore boy; then, the delighted, exuberant critic of American life. But he only told part of the truth. Over the past twenty-five years, vital collections of the writer's papers have become available, including his literary correspondence, a 2,100-page diary, equally long manuscripts about his literary and journalistic careers, and numerous accumulations of his personal correspondence. The letters and diaries of Mencken's intimates have been uncovered as well. Now Fred Hobson has used this newly accessible material to fashion the first truly comprehensive portrait of this most original of American originals. NOTE: This edition does not include photographs.
In Philip Timms' Vancouver, the city's "golden age" has been captured with spirit and style by one of British Columbia's foremost photographers. Philip Timms was a man of many accomplishments, but one of the most notable was his photographic record of Vancouver and the Lower Mainland, created between 1900 and 1910. As Vancouver evolved from a colonial outpost to a modern centre of industry and tourism, Timms sought to preserve views of the maturing city and its people, from landmark buildings to street scenes to children and families. James B. Stanton, a former curator of history at the Vancouver Museum, wrote: "All of Timms' photographs have a certain recognizable quality about them; much of the kindness and gentleness of the man himself comes through. His shots are candid and uncluttered and capture dramatically the feeling and mood of the time." Fortunately, Vancouver's adolescence coincided with the "golden age of postcards," when billions of them were being sent, exchanged and hoarded all over the world. By 1910, numerous photographers were producing postcards in the Vancouver area, but Philip Timms stood well above the others. This sampling of Timms' best work is full of life: people in action on the streets, in the parks, on the waterfront and on ships.
Shortly after graduating from University of Glasgow in 1934, Elizabeth “Bessie” Williamson began working as a temporary secretary at the Laphroaig Distillery on the Scottish island Islay. Williamson quickly found herself joining the boys in the tasting room, studying the distillation process, and winning them over with her knowledge of Scottish whisky. After the owner of Laphroaig passed away, Williamson took over the prestigious company and became the American spokesperson for the entire Scotch whisky industry. Impressing clients and showing her passion as the Scotch Whisky Association’s trade ambassador, she soon gained fame within the industry, becoming known as the greatest female distiller. Whiskey Women tells the tales of women who have created this industry, from Mesopotamia’s first beer brewers and distillers to America’s rough-and-tough bootleggers during Prohibition. Women have long distilled, marketed, and owned significant shares in spirits companies. Williamson’s story is one of many among the influential women who changed the Scotch whisky industry as well as influenced the American bourbon whiskey and Irish whiskey markets. Until now their stories have remained untold.
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work’s aesthetics are inextricably entwined with its political valences. Democracy’s openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago’s Millennium Park and New York’s National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
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