Takes a different approach to mystery as a ghost tries to find out who murdered her in a witty, sophisticated, yet suspenseful look at the upper crust of Hollywood. The curtain rises to find Jane, Oscar winning screen writer, dead at the bottom of the stairs in a Vermont ski lodge. Her four friends and husband are saying she fell. 'I was pushed!' she says as her ghost rises. Aided by Kitty, a rather wanton adviser from 'up there, ' Jane is brought ahead to the present, three years after the murder, where the same group is gathered. They are all famous film makers with an intense hate love relationship; Janes husband who has married an ambitious ingenue, a heading for middle age leading lady, an arrogant director, and Hollywoods reigning gossip columnist. The five suspects join together to keep the possible murder quiet for reasons of their own but their relationship busts apart with their mutual distrust. Woven through the suspense in humorous, acidic, and revealing comedy is an extraordinary whodunit with a surprise denouement when the murderer is revealed. All the roles are lengthy with well defined characters. For the unusual and audience pleasing combination of comedy, intrigue, and suspense, this is a must
The earliest Japanese history, like that of all other nations, is a mass of myths and legends. But out of this one solid fact has been evolved: the Japanese were a race who invaded the island kingdom by way of Korea, much as the Saxons and other Teutonic tribes invaded Britain. They therefore used the sea at a very early period of their history. They found aboriginal tribes when they came, and of these the Ainu still exist in the north, a race as distinct as our Celts in the north of Scotland. The immigrant race are always spoken of and accepted as Mongolians, though in Japanese legend the invaders had, as in similar Western myths, a divine origin. Incidentally, it is interesting to note that a Japanese, with kindred tastes to those Western savants who have found the cradle of the human race in Lapland or in Central Africa, has built a theory by which ancient Egypt was the early home of the Japanese. To support this theory numerous small similarities were brought forward; but it does not seem to have made headway in Japan, or to be known in the Western world. It is, as regards plausibility, about on a par with the Anglo-Israelite theory that had once quite a vogue in this country, and is by no means without disciples to-day. Whence they came, however, is a matter of no moment here. Japanese national history begins with the expedition led by the Emperor Jimmu, at a date which a loose chronology fixes at 660 b.c. This is the earliest over-sea operation unconnected with deities and myths. Jimmu, who, according to the legends, was the grandson of the Sea Deity’s daughter, led an expedition eastward from Mount Takachiho, and eventually found himself on the shores of the Inland Sea, and here built a fleet, by means of which he reached Naniwa (Osaka), and consolidated the empire. For the next seven or eight centuries the nation was forming; but beyond a legend, suggestive of the story of Jonah, nothing is heard of ships or boats till 202 a.d., when the Empress Jingo equipped a great fleet for the invasion of Korea. As an early instance of the use of “sea-power,” this expedition has laid great hold on Japanese imagination; but since the transportation of the flagship by legions of fishes, with which the Empress has made an alliance, is the central point of the story, its nautical details can hardly be seriously considered. What is of more moment is the undoubted fact that the expedition took place, that it was a complete success for Japan, and laid the foundations of that Japanese interest in Korea which is to-day so potent a factor in the Far Eastern problem.
Jane Fonda has been in the public eye since birth; just being Henry’s daughter qualified her for celebrity status. However, her intelligence and talent compelled her to reach beyond this birthright to become an individual of extraordinary and diverse accomplishments. It would take a restless camera to document Jane Fonda’s life for she is a woman of formidable energy, but Fred Lawrence Guiles’ expert commentary captures her in motion. We pursue her in a tireless route of study, self-discovery, and social awareness that causes her to ultimately reject the “Beautiful People” life-style of her first husband, Roger Vadim, for the role of political activist with her present husband, Tom Hayden. We witness how the shift in political climate transforms her from history’s scourge to history’s darling. Yet despite governmental harassment and public scorn for her radical beliefs, she, nonetheless, achieves international acclaim for her acting and twice received the Academy Award for Best Actress. Candid interviews with friends, relatives, and colleagues enrich this admiring but honest portrait; fifty-three black and white photographs complement an impeccable text vivifying an exceptional woman of many identities. An unmistakable impression remains that Jane Fonda will continue to grow, and the world will continue to watch.
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