The great German novelist Thomas Mann implored readers to resist the persistent and growing militarism of the mid-twentieth century. To whom should we turn for guidance during this current era of global violence, political corruption, economic inequality, and environmental degradation? For more than two millennia, the world’s great thinkers have held that the ethically “good life” is the highest purpose of human existence. Renowned political philosopher Fred Dallmayr traces the development of this notion, finding surprising connections among Aristotelian ethics, Abrahamic and Eastern religious traditions, German idealism, and postindustrial social criticism. In Search of the Good Life does not offer a blueprint but rather invites readers on a cross-cultural quest. Along the way, the author discusses the teachings of Aristotle, Confucius, Nicolaus of Cusa, Leibniz, and Schiller, in addition invoking more recent writings of Gadamer and Ricoeur, as guideposts and sources of hope during our troubled times. Among contemporary themes Dallmayr discusses are the role of the classics in education, proper and improper ways of spreading democracy globally, the possibility of transnational citizenship, the problem of politicized evil, and the role of religion in our predominantly secular culture. Dallmayr restores the notion of the good life as a hallmark of personal conduct, civic virtue, and political engagement, and as the road map to enduring peace. In Search of the Good Life seeks to arouse complacent and dispirited citizens, guiding them out of the distractions of shallow amusements and perilous resentments in the direction of mutual learning and civic pedagogy—a direction that will enable them to impose accountability on political leaders who stray from fundamental ethical standards.
Irony and Idealism investigates the historical and conceptual structure of the development of a philosophically distinctive conception of irony in early- to mid-nineteenth century European philosophy. The principal figures treated are the romantic thinkers Friedrich Schlegel and Novalis, Hegel, and Kierkegaard. Fred Rush argues that the development of philosophical irony in this historical period is best understood as providing a way forward in philosophy in the wake of Kant and Jacobi that is discrete from, and many times opposed to, German idealism. Irony and Idealism argues, against the grain of received opinion, that among the German romantics Schlegel's conception of irony is superior to similar ideas found in Novalis. It also presents a sustained argument showing that historical reconsideration of Schlegel has been hampered by contestable Hegelian assumptions concerning the conceptual viability of romantic irony and by the misinterpretation of what the romantics mean by 'the absolute.' Rush argues that this is primarily a social-ontological term and not, as is often supposed, a metaphysical concept. Kierkegaard, although critical of the romantic conception, deploys his own adaptation of it in his criticism of Hegel, continuing, and in a way completing, the arc of irony through nineteenth-century philosophy. The book concludes by offering suggestions meant to guide contemporary reconsideration of Schlegel's and Kierkegaard's views on the philosophical significance of irony.
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
This is an account of the Second Coming as witnessed by a homeless alcoholic. While loosely modeled on the initial books of the New Testament (Matthew, Mark, Luke, and John), it interjects humor into the classic story (as is needed to hold the attention of modern readers) and presents it in a more readily understood contemporary format. Thus, Mary becomes Marya, a poor 16 year-old girl from Central Los Angeles, an evil televangelist takes the place of the money changers at the temple, and our bureaucracy is substituted for that of Rome's.
For centuries two meg-powers from the future have been waging war for control of timelines of history. Alan Norlund, a WWII airman vet, is promised a life saving cure for his granddaughter, if he will undertake a mission fifty years back in time to the 1933 Chicago World's Fair. Hitler with his 'angels' from the opposing power would like to take over our timeline and 1933 Chicago may be just the place to start. Continuing the time-line wars of Fred Saberhagen's MASK OF THE SUN. More Saberhagen time travel adventures: PYRAMIDS and AFTER THE FACT
This study on the contemporary relevance of Rousseau's ethical and social thought, the "ethic of authenticity," responds to the tensions of modern morality and rivals the answers generated by the more mainstream tradition of the "ethic of autonomy.
I have often heard people express their wish that someone who has died would return to us and relate what the life-death-rebirth experience is really like. Well, someone has! This is exactly what Beethoven does in my third novel, Beethoven, Then and Now. Like Beethoven, each one of us is the proud possessor of a "human soul." This clearly defined object is none other than our very own spiritual subelectron. Our physical hulk is only a pile of ashes; but our "soul" (spiritual subelectron) is unique, eternal, indestructible. Because of its high vibrations, Beethoven's "soul" is immediately attracted to the third subelectronic ring of our First-Second-Order universe. Here it awaits rebirth via fusion with the spiritual subelectron of a Major-Order being within our Second-Order-Major universe. Paul Rezler (age seventeen) is the fortunate recipient of this unbelievable prize. He had awakened to the day at hand with his usual zero interest in music. Now (1827 Earth-time) he is the greatest Earth- musician yet to live. Try as Beethoven does, he cannot adjust to the Second-Order reality of corporate composers, not even to being the absolute leader of the Beethoven Corporation. He must be entirely on his own-- a single man vs. the world! Counselor Robinson does his best in selecting a Subsidiary culture which contains a "Vienna" as close as possible to the one which Beethoven had left behind upon his Earthly death. Within a month, our hero makes his translation and enjoys living where there's not the trace of anything resembling a "musical corporation." Sketches for new "third-period" works begin to flow: a piano sonata, a string quartet, a piano trio, a violin concerto, even some encouraging vibrations of Symphony 10. A handful of piano and violin students emerges, including an exceptional young lady named Anna Rosecranz, who is already a master of these instruments. Her musicianship is so strong that they soon fall in love and are married. How they enjoy performing concerts together! In time, as Beethoven works at his composer's desk, she starts peering over his shoulder. She begs him for lessons in composition. He replies, "I compose, and AM NOT a teacher of composition!" This declaration does not frighten her away. As Beethoven fumbles and bumbles his way from sketchbook to finished score, Anna carefully watches each step of the process. Her comments are invaluable: Use a pedal-point here. Not so dissonant a chord.. Pure melody would fit here. Please, not so sustained. Too many notes in the melody. Avoid more of this rhythm. Two-voice counterpoint would do. Too much for the brass here. This use of strings is perfect. Thanks to Anna, Beethoven accomplishes the impossible. He realizes that he works far better with her help than without it. He now loves to share the very process which only yesterday had demanded his total aloofness. As if by magic, he is now prepared to return to Major-Order life as managing partner in charge of the Beethoven Corporation. But considering all that Anna has done for him, he cannot now simply go his own way. As a Subsidiary being, her lifespan is a mere 100 years, compared to his Second-Order-Major span of 1000 years. Being happily married, he plans to share life for the balance of her days. But Fate has his own plan for their lives--. After all their years of loving and sharing, Anna is "killed" in an automobile accident. When Beethoven returns to the Major Order, a super surprise awaits him. There stands Anna Rosecranz, a full Major-Second-Order being, with whom he can share the rest of their 1000 years in joyful creative activity. His first question: "On Earth, who were you, my dear?" Her reply causes our hero to faint for the second time in his entire Second-Order life!
An Introduction to Intercultural Communication equips students with the knowledge and skills to be competent and confident intercultural communicators. Best-selling author Fred E. Jandt guides readers through key concepts and helps them connect intercultural competence to their own life experiences in order to enhance understanding. Employing his signature accessible writing style, Jandt presents balanced, up-to-date content in a way that readers find interesting and thought-provoking. The Tenth Edition gives increased attention to contemporary social issues in today’s global community such as gender identifications, social class identity, and immigration and refugees. Included with this title: The password-protected Instructor Resource Site (formally known as SAGE Edge) offers access to all text-specific resources, including a test bank and editable, chapter-specific PowerPoint® slides.
This enduringly popular book has become a classic in the expanding and increasingly popular field of Gothic Studies. This long awaited new edition contains a new chapter on ‘Contemporary Gothic’, an expanded section on American Gothic and more discussion of the gothic in women’s film and writing throughout the book. It is also updated in relation to media and technology with further discussion of stage sensations and photography as well as engaging with all major texts and criticism since initial publication in 1995. With the added benefit of series features such as a glossary and annotated further reading section, this remains the ideal guide to the Gothic.
In Ammianus Marcellinus: An Annotated Bibliography, 1474 to the Present, Fred W. Jenkins surveys scholarship on Ammianus from the editio princeps to the present. Included are bibliographies, editions, translations, commentaries, concordances and indexes, Web sites, and secondary scholarship in many languages.
Original and provocative . . . engagingly written. (C Fred Alford) counters Levinas's notorious obscurity with a goodly dose of transparency' - John Lechte, Macquarrie University Abstract and evocative, writing in what can only be described as the language of prophecy, Emmanuel Levinas has become everything to everyone. We pretend we get it, writing in much the same style, so as to say whatever we wanted to say in the first place. The 'Levinas Effect' it has been called, the ability of Levinas's texts to say anything the reader wants to hear, so that Levinas becomes a deconstructionist, theologian, proto-feminist, or even a reconciler of postmodern ethics and rabbinical Judaism.
A fascinating challenge and great training tool, these two- three- and four-move checkmates are great for beginning, intermediate, and expert players. Mates are in order of difficulty, from simple to very complex positions. Learn the standard patterns for cornering the king, corridor and support mates, attraction and deflection sacrifices, pins and annihilation, the quiet move, and the dreaded zugzwang. Mate challenges are presented from both Blacks and Whites perspective so players learn to see both sides of the board. Examples from old classics to the new millenium illustrate a wide range of ideas. This book is lots of fun and an easy way for a player to improve skills! 192 pages
Mindfulness and Letting Be: On Engaged Thinking and Acting is a protest against the extreme mindlessness or thoughtlessness of our age, a malaise covered by manipulative cleverness and by minds filled to the brim with opinions, doctrines, marching orders, and ideologies. Rather than concentrating on a self-contained "mind," Fred Dallmayr pleads for an act of "minding" about oneself, one’s fellow beings, society, and the world. What is required for such mindfulness is not a predatory reason, but a kind of reticence or "mind-fasting" as preparation for a genuine attentiveness able to "let be" without aloofness or indifference. Dallmayr explores the benefits of such mindfulness in the fields of philosophy or theory, practical conduct, language use, art works, historical understanding, and cosmopolitanism, and the insights that arise will be of benefit to students and scholars of continental, social, and political philosophy.
Pulitzer Prize finalist: “The definitive biography”of the Victorian-era writer and historian (The Times Literary Supplement). A Pulitzer finalist that draws upon years of research and unpublished letters, Thomas Carlyle examines the life of the Victorian genius. Carlyle was the author of Sartor Resartus and The French Revolution: A History, and he possessed one of literature’s most flamboyant prose styles. Despite a childhood beset by anxiety and illness, Carlyle was indefatigable in his literary production. Fred Kaplan delves into the author’s intense personal life, which includes his turbulent marriage to author Jane Baillie Welsh and his disillusionment with religion. Kaplan is a devoted and sensitive explicator, vividly resurrecting both Carlyle and his Victorian setting.
[The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension.] ′Dipping into this short collection reveals an eminently useful resource aimed at providing not just a use-friendly lexicon but also an example of a degree of criticality for those new to the area of education....the authors manage to tackle some serious issues with conviction, clarity and concision, all the while maintaining a sense of humour where comparable examples merely seem pedantic′ - ESCalate ′This is an essential resource for anyone serious about using the English Language to talk about teaching and learning....Inglis and Aers provide a resource for [a common professional language] in their compact and highly accessible book. It has a sound philosophical rationale in which 102 key concepts in education are presented alphabetically and cross-referenced (the book reads like a high quality hyperlinked web-page)′ - www.thinkingclassroom.co.uk ′This is an engaging and accessible resource which explains various sociological, philosophical and psychological concepts relevant to contemporary educational practice. The concepts are succinctly and sometimes provocatively defined and related to today′s pressing issues. It will be a particularly useful reference tool for students and practitioners of education alike, with each entry including references for further reading′ - Geoff Whitty, Director, Institute of Education, University of London ′If you are seeking a clear guide to principles which should guide public life in general and education in particular, look no further. Inglis and Aers write with enviable and compelling clarity. Something for all in education especially practitioners and policy makers to read and return to′ - Tim Brighouse, recently Chief Adviser for London Schools and formerly Chief Education Officer for Birmingham This text provides students with over 100 essential themes, topics and expressions that Education students are likely to encounter, both during their courses and beyond in professional practice. Co-authored to draw on experiences of working within academia, local authorities and the classroom, the entries provide: - a definition of the concept - a description of the historical and practical context - an explanation of how the concept is applied - an evaluation of the concept - helpful references and suggested further reading This book will be essential reading for students of Education, and an invaluable reference tool for their professional careers. Fred Inglis is Emeritus Professor of Cultural Studies, University of Sheffield. Lesley Aers is a senior member of a local authority school improvement service and an Ofsted inspector. Both authors are former schoolteachers.
Through his work as a fiction writer, critic and activist, Fred Pfeil has sought to extend the progressive possibilities within contemporary American culture. Idiosyncratic and provocative, Another Tale to Tell moves from evaluations of politically engaged texts and practices—such as Hans Haacke’s deconstructive artwork, Chester Himes’ Harlem police thrillers, ‘cyberpunk’ and the feminist science fiction of Octavia Butler—to considerations of the history, dynamics and potential of postmodern culture. Pfeil’s work on postmodernity is distinct from the spate of their works on the subject in its insistence on the social base of postmodern practices within today’s professional managerial class, and in his endeavour both to use and to criticize Marxist, feminist, psychoanalytic and poststructuralist thought in order to illuminate our present political impasses and openings. From his audacious reading of the film River’s Edge as the terminus of the vexed history of bourgeois narrative, and his analysis of Reaganite oedipality in Back to the Future, to his unsettling meditation on the ‘poststructuralist paradise’ embodied in contemporary SF, Pfeil sorts through a welter of contemporary cultural texts and practices for the glimmerings of a postmodern narrative and politics that may truly be ‘another tale to tell’.
This book reviews the present state of knowledge of the anomalous magnetic moment a=(g-2)/2 of the muon. The muon anomalous magnetic moment is one of the most precisely measured quantities in elementary particle physics and provides one of the most stringent tests of relativistic quantum field theory as a fundamental theoretical framework. It allows for an extremely precise check of the standard model of elementary particles and of its limitations.
Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology anthologises some of Fred Orton’s important contributions to rethinking the social history of art and art practice. More than that, it offers a vivid demonstration of how theory can generate new interpretations and unsettle old ones.
The only official, behind-the-scenes chronicle of the Jacksons' lives and careers, celebrating 50 years of one of the greatest acts of all time. The Jacksons: Legacy is the first official book on the Royal Family of Pop. Unrivaled access to the family archives as well as the private collections of Jackie, Marlon and Tito Jackson, combined with 12 days of exclusive interviews with the brothers, reveals the untold, unseen, and utterly unforgettable story behind the legend that is the Jacksons. The compelling tale unfolds from their childhood days living at 2300 Jackson Street in Gary, Indiana, through the years signed to Motown as the Jackson 5, their radical move to Epic as The Jacksons, the blossoming of their solo careers, the dizzying successes of the Victory tour, right up to the present day. A multitude of never-before-seen images, rarities and personal possessions help tell the story. Photos include intensely personal family pictures; all-angle shots of the first guitars the boys ever held; top photographer Harrison Funk's exclusive coverage of their professional lives; photos of Michael Jackson on tour with his brothers during the release of Off The Wall (1979) and the 1982 phenomenon that was Thriller-the best-selling album of all time; editions of magazines featuring the family; and official merchandise, right down to Jacksons-branded breakfast cereal boxes with giveaway 7" records attached. Published to coincide with their 50th anniversary, The Jacksons: Legacy is the definitive behind-the-scenes chronicle of the Jacksons' lives and careers, celebrating 50 years of one of the greatest acts of all time.
Encyclopedia of Medicine in the Bible and the Talmud includes many items dealing with the field of Jewish medical ethics and serves as an important tool for those who wish to read about or research medical and related topics as found in traditional biblical and talmudic sources.".
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work’s aesthetics are inextricably entwined with its political valences. Democracy’s openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago’s Millennium Park and New York’s National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
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