THE TOMB OF BEOWULF Fred C. Robinson is known throughout the world for some of the most original and stimulating work on Old English literature and language published in recent times. This book collects twenty three of his essays, including three substantial new articles on the literary interpretation of Beowulf, the background and value of Ezra Pound’s translation of The Seafarer, and an account of the use of Old English in twentieth-century literary compositions. The essays vary widely in terms of subject and approach. They include literary interpretation and criticism of the best-known Old English poems (The Battle of Maldon and Exodus for example), an account of the historical, religious, and cultural background to the writing of Beowulf, articles on women in Old English literature and on the significance of names and naming. The book as a whole is informed by the author’s preoccupation with meaning, context, and language, and their subtle interactions. Its contents are equally characterized by readability and scholarship, and by learning and wit.
Greenfield and Robinson state in their preface that they have sought to include every book, monograph, article, note, and review published on Old English literature since the invention of printing. They have come as close to doing so as two descendants of Adam possibly can, undeterred by the trouble at Babel. (By my count, thirty different languages are represented in the bibliography, sixteen of them frequently.) Rarely has any bibliography in any other discipline equalled the thoroughness and accuracy of this one. It is a contribution for which Greenfield and Robinson will long receive from their colleagues that measure of gratitude reserved for Old English scholarship's most bounteous treasure-givers."--Carl T. Berkhout"What astonishes is how well [Greenfield and Robinson] have succeeded in what they set out to do, how uniformly excellent their volume is in all its profusion of information and detail. . . . The Bibliography will bring scholars that peculiar joy in complex intellectual work done well that only they know; it will be immensely useful, virtually indispensable--if not a vade mecum because of its size . . . then at least an enchiridion with which they will fight their battles on behalf of Beowulf and Brunanburb and the Blickling Homilies."--The Old English Newsletter"[A] volume long needed, [the Bibliography] will now become an indispensable reference work for every student of Old English literature from the beginner to the acknowledged authority."--British Book News
A comprehensive introduction to Old English, combining simple, clear philology with the best literary works to provide a compelling and accessible beginners’ guide. Provides a comprehensive introduction to Old English Uses a practical approach suited to the needs of the beginning student Features selections from the greatest works of Old English literature, organized from simple to more challenging texts to keep pace with the reader Includes a discussion of Anglo-Saxon literature, history, and culture, and a bibliography directing readers to useful publications on the subject Updated throughout with new material including the first 25 lines from Beowulf with detailed annotation and an explanation of Grimm’s and Verner’s laws
English in Print from Caxton to Shakespeare to Milton examines the history of early English books, exploring the concept of putting the English language into print with close study of the texts, the formats, the audiences, and the functions of English books. Lavishly illustrated with more than 130 full-color images of stunning rare books, this volume investigates a full range of issues regarding the dissemination of English language and culture through printed works, including the standardization of typography, grammar, and spelling; the appearance of popular literature; and the development of school grammars and dictionaries. Valerie Hotchkiss and Fred C. Robinson provide engaging descriptions of more than a hundred early English books drawn from the Rare Book and Manuscript Library at the University of Illinois, Urbana-Champaign, and the Elizabethan Club of Yale University. The study nearly mirrors the chronological coverage of Pollard and Redgrave's famous Short-Title Catalogue (1475-1640), beginning with William Caxton, England's first printer, and ending with John Milton, the English language's most eloquent defender of the freedom of the press in his Areopagitica of 1644. William Shakespeare, neither a printer nor a writer much concerned with publishing his own plays, nonetheless deserves his central place in this study because Shakespeare imprints, and Renaissance drama in general, provide a fascinating window on the world of English printing in the period between Caxton and Milton.
Volume 1 of Clifton William Scott...is the rich heritage of a New England family. Fond remembrances of the author's parents are provided by family and friends. Brief family histories of eight branches of the family tree--Scott, Bradford, Taylor, Robinson, Williams, Porter, Shaw, and Ranney--are followed from the immigration of each patron ancestor during the great migration of 1620-1643 from England to either the Pilgrim's Plymouth Colony or the Puritan's Massachusetts Bay Colony, then to the Connecticut Valley towns, and finally to the Berkshire Hills towns of Buckland and Ashfield. Scott and Bradford descendants to the present time are documented, as are the numerous Pilgrim connections to the 1620 Mayflower passengers.
They that go down to the sea . . . these see the works of the Lord, and his wonders in the deep. . . . Oh that men would praise the Lord for his goodness, and for his wonderful works to the children of men!" —Psalm 107:23–24, 31 Many pioneers' journey began long before the trail across the plains. Brigham Young University professor Fred Woods' quest to learn more of these unheralded "sail before the trail" travels unearthed the little-known story of the Julia Ann, which shipwrecked in 1855. A group of Australian saints en route to the Salt Lake Valley was on board the Julia Ann that fateful night, ending with the survivors stranded on a desert island with little food and water. In Divine Providence, Woods unveils the story of these forgotten immigrants, who were involved in the only documented seafaring crash involving Mormon immigrants that resulted in the loss of human life. Their story will reveal the power of God in the preservation of these saints' lives and will instill a sense of admiration for their perseverance along the unheralded pathways to Zion.
THE TOMB OF BEOWULF Fred C. Robinson is known throughout the world for some of the most original and stimulating work on Old English literature and language published in recent times. This book collects twenty three of his essays, including three substantial new articles on the literary interpretation of Beowulf, the background and value of Ezra Pound’s translation of The Seafarer, and an account of the use of Old English in twentieth-century literary compositions. The essays vary widely in terms of subject and approach. They include literary interpretation and criticism of the best-known Old English poems (The Battle of Maldon and Exodus for example), an account of the historical, religious, and cultural background to the writing of Beowulf, articles on women in Old English literature and on the significance of names and naming. The book as a whole is informed by the author’s preoccupation with meaning, context, and language, and their subtle interactions. Its contents are equally characterized by readability and scholarship, and by learning and wit.
With contributions by some of the leading scholars in the field, this book is a distinguished collection of essays on Old and Middle English literature and textual analysis.
Greenfield and Robinson state in their preface that they have sought to include every book, monograph, article, note, and review published on Old English literature since the invention of printing. They have come as close to doing so as two descendants of Adam possibly can, undeterred by the trouble at Babel. (By my count, thirty different languages are represented in the bibliography, sixteen of them frequently.) Rarely has any bibliography in any other discipline equalled the thoroughness and accuracy of this one. It is a contribution for which Greenfield and Robinson will long receive from their colleagues that measure of gratitude reserved for Old English scholarship's most bounteous treasure-givers."--Carl T. Berkhout"What astonishes is how well [Greenfield and Robinson] have succeeded in what they set out to do, how uniformly excellent their volume is in all its profusion of information and detail. . . . The Bibliography will bring scholars that peculiar joy in complex intellectual work done well that only they know; it will be immensely useful, virtually indispensable--if not a vade mecum because of its size . . . then at least an enchiridion with which they will fight their battles on behalf of Beowulf and Brunanburb and the Blickling Homilies."--The Old English Newsletter"[A] volume long needed, [the Bibliography] will now become an indispensable reference work for every student of Old English literature from the beginner to the acknowledged authority."--British Book News
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