A photographic memoir of photographer and FotoFest photo festival founder Fred Baldwin’s extraordinary life: how he followed his dream, used his imagination, overcame fear, and acted to accomplish anything. This account takes the reader to high adventure worldwide, but also to disaster and failure. This illustrated love affair with freedom shows how a camera became a passport to the world. The son of an American diplomat, who died when Baldwin was five, the book describes a string of disasters associated with six elite boarding schools and one university led to his exile to work in a factory where he joined low-paid black and white workers in his uncle’s factory in Savannah, Georgia. Baldwin escaped by joining the Marines and was immediately shipped to North Korea in 1950. Wounded and decorated twice, Baldwin also learned from the brutal, 35 below zero weather at the Chosin Reservoir where his unit was surrounded and outnumbered by the Chinese. After Korea, Baldwin moved to Paris, then returned to a junior college in Georgia, won a scholarship to Harvard and transferred to Columbia. Baldwin taught himself photography by visiting MoMa and every photo gallery in New York. Baldwin wanted to be a photojournalist. “I discovered the Civil Rights Movement by chance as I was walking the streets of Savannah planning a book on the city’s architecture. I met change marching toward me in the form of Benjamin Van Clark, a seventeen-year-old student leading his troops chanting into battle. The deep rumblings of the Civil Rights Movement in Georgia and elsewhere somehow had never reached me in Europe. As I wrote, ‘the polar bears I was photographing in the Arctic didn’t tell me about what was happening with Black folks in the South. They were just too white.’” The stories in this book are often laced with self-deprecating humour, a mechanism that Baldwin had developed early as a survival tool.
Definitive, crisply written study tells the full story of the brothers' lives and work — from their early childhood and initial fascination with flight, the historic first flight at Kitty Hawk, more.
Here is the definitive history of the Watergate scandal—based on the most recently released tapes, in-depth interviews with many of the participants, and hundreds of official and unofficial documents, including notes Haldeman omitted from his own published diaries. Emery's comprehensive coverage and penetrating insights clear up many uncertainties that may still remain about the scandal and the extent of Nixon's involvement. Authoritative and compelling, Watergate is essential reading for anyone who wants to understand fully this traumatizing episode in America's history that challenged the integrity of its political system.
Fred Greenstein has been a paragon of scholarship and practical advice in his many years of work on the presidency. Here, some of the leading scholars of the presidency and leadership studies come together to pay tribute to Greenstein and his work. Original essays reflect the broad sweep of Greenstein's scholarship from the systematic study of personality and politics to the analysis of chief executives from Woodrow Wilson on. The essayists pay special attention to the political styles, advisory systems, and decision-making processes of presidents from the 1920s to today. In his studies of the American presidency, Greenstein pioneered the use of archival documents to test hypotheses and illuminate issues that bear on the performance of the modern executive office. The distinguished list of contributors to this volume include John Burke, Robert A. Dahl, Alexander and Juliette George, Betty Glad, Alonzo Hamby, Erwin Hargrove, John Kessel, Anthony King, Kenneth Kitts, J. Donald Moon, and Fred Greenstein's first and last graduate students at Princeton--Larry Berman and Meena Bose. Greenstein himself generously writes a new essay on 'Plumbing the Presidential Psyche, ' adding to his substantial contributions to political psychology.
One of Oklahoma’s most famous native sons, Fred Harris faced life’s challenges with the same resolve as a favorite uncle: “Does people do it? If people does it, I can do it.” In this engaging memoir, he describes how he met those challenges head-on. A child of the Great Depression, Harris grew up in the small town of Walters, Oklahoma, where he was born in a two-room house. He describes that upbringing and his initiation into state politics, and tells how he was elected to the U.S. Senate at the age of thirty-three. As he recounts his experiences in national politics, he yields an insightful look at the turbulent 1960s and 1970s. Earning a reputation as a “new populist,” Harris chaired the national Democratic Party and was a serious presidential candidate. Along the way, he encountered such giants as Lyndon B. Johnson, Hubert Humphrey, and Robert F. Kennedy. Enlivening his account with firsthand conversations, Harris contributes to our understanding of the motivations and personalities of these figures—including the infamous tensions between Johnson and Kennedy. Despite rubbing elbows with such power brokers, Harris maintained his own reputation as a down-to-earth man of the people whose advocacy included American Indian causes. Harris accomplished much in his distinguished career, championing human rights at home and around the world. His masterfully written memoir attests to a philosophical consistency and humane liberalism that today are all too rare.
Cyrus K. Holliday envisioned a railroad that would run from Kansas to the Pacific, increasing the commerce and prosperity of the nation. With farsighted investors and shrewd management, the Atchison, Topeka and Santa Fe Railway grew from Holliday’s idea into a model of the modern, rapid, and efficient railroad. There were many growing pains early on, including rustlers, thieves, and desperadoes as well as the nineteenth century’s economic and climatic hardships. The railroad eventually extended from Chicago to San Francisco, with substantial holdings in oil fields, timber land, uranium mines, pipelines, and real estate. This is the first comprehensive history of the iconic Atchison, Topeka and Santa Fe Railway, from its birth in 1859 to its termination in 1996. This volume discusses the construction and operation of the railway, the strategies of its leaders, the evolution of its locomotive fleet, and its famed passenger service with partner Fred Harvey. The vast changes within the nation’s railway system led to a merger with the Burlington Northern and the creation of the BNSF Railway. An iconic railroad, the Santa Fe at its peak operated thirteen thousand miles of routes and served the southwestern region of the nation with the corporate slogan “Santa Fe All the Way.” This new edition covers almost twenty-five more years of history, including the merger of the Santa Fe and Burlington Northern railroads and new material on labor, minorities, and women on the carrier along with new and updated maps and photographs.
Investigates the connections between jazz, sexual identity, and radical black politics In his controversial essay on white jazz musician Burton Greene, Amiri Baraka asserted that jazz was exclusively an African American art form and explicitly fused the idea of a black aesthetic with radical political traditions of the African diaspora. In the Break is an extended riff on “The Burton Greene Affair,” exploring the tangled relationship between black avant-garde in music and literature in the 1950s and 1960s, the emergence of a distinct form of black cultural nationalism, and the complex engagement with and disavowal of homoeroticism that bridges the two. Fred Moten focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance—culture, politics, sexuality, identity, and blackness itself—is improvisation. For Moten, improvisation provides a unique epistemological standpoint from which to investigate the provocative connections between black aesthetics and Western philosophy. He engages in a strenuous critical analysis of Western philosophy (Heidegger, Kant, Husserl, Wittgenstein, and Derrida) through the prism of radical black thought and culture. As the critical, lyrical, and disruptive performance of the human, Moten’s concept of blackness also brings such figures as Frederick Douglass and Karl Marx, Cecil Taylor and Samuel R. Delany, Billie Holiday and William Shakespeare into conversation with each other. Stylistically brilliant and challenging, much like the music he writes about, Moten’s wide-ranging discussion embraces a variety of disciplines—semiotics, deconstruction, genre theory, social history, and psychoanalysis—to understand the politicized sexuality, particularly homoeroticism, underpinning black radicalism. In the Break is the inaugural volume in Moten’s ambitious intellectual project-to establish an aesthetic genealogy of the black radical tradition
In Wonder Shows, Fred Nadis offers a colorful history of these traveling magicians, inventors, popular science lecturers, and other presenters of “miracle science” who revealed science and technology to the public in awe-inspiring fashion. The book provides an innovative synthesis of the history of performance with a wider study of culture, science, and religion from the antebellum period to the present.
Despite their role in founding and defining the discipline of sociology, the field's classical theorists typically receive only cursory attention in standard introductory texts. Written specifically for undergraduate students, the supplemental text, Fred Pampel's Sociological Lives and Ideas brings to life the fundamental ideas of Karl Marx, Emile Durkheim, Max Weber, Georg Simmel, and George H. Mead by placing them in the context of each theorists' biography. By exploring the lives and times of these key figures, students will gain a richer understanding of their intellectual legacies, as well as of ways in which their work can be applied to current issues
This work makes extensive use of seven well-developed historical case studies describing the evolution of public old-age security in industrial nations (Germany, United Kingdom, Sweden, and the United States) and developing nations (Brazil, Nigeria, and India). The authors focus on specifying contexts in which general theoretical perspectives can be used to account for these developments. One of the few studies which integrates historical and quantitative data, this accessible work will prove helpful to students and researchers of the welfare state, aging policy, and comparative sociology.
Cyrus K. Holliday envisioned a railroad that would run from Kansas to the Pacific, increasing the commerce and prosperity of the nation. With farsighted investors and shrewd management, the Atchison, Topeka and Santa Fe Railway grew from Holliday’s idea into a model of the modern, rapid, and efficient railroad. There were many growing pains early on, including rustlers, thieves, and desperadoes as well as the nineteenth century’s economic and climatic hardships. The railroad eventually extended from Chicago to San Francisco, with substantial holdings in oil fields, timber land, uranium mines, pipelines, and real estate. This is the first comprehensive history of the iconic Atchison, Topeka and Santa Fe Railway, from its birth in 1859 to its termination in 1996. This volume discusses the construction and operation of the railway, the strategies of its leaders, the evolution of its locomotive fleet, and its famed passenger service with partner Fred Harvey. The vast changes within the nation’s railway system led to a merger with the Burlington Northern and the creation of the BNSF Railway. An iconic railroad, the Santa Fe at its peak operated thirteen thousand miles of routes and served the southwestern region of the nation with the corporate slogan “Santa Fe All the Way.” This new edition covers almost twenty-five more years of history, including the merger of the Santa Fe and Burlington Northern railroads and new material on labor, minorities, and women on the carrier along with new and updated maps and photographs.
Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."—Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination In The Universal Machine—the concluding volume to his landmark trilogy consent not to be a single being—Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine—and the trilogy as a whole—Moten's theorizations of blackness will have a lasting and profound impact.
Arthur St. Clair, Governor of the Northwest Territory, warned friends in Congress that the frontier settlers of Ohio were too indigent and ignorant to form a constitution and government for themselves. This is the story of the men who proved him wrong. The author describes the beginning of Ohio through the lives of its founding fathers. Founding fathers include the thirty-five delegates to the convention held in Chillicothe in November, 1802, which decided that Ohio should become a state and then drafted its first constitution, as well as twenty additional men whose activities before and after the convention round out the story of the state's beginning. Revolutionary War veterans, Indian fighters, eastern aristocrats, Appalachian mountain men, and immigrants from Scotland, Ireland, and England combined their talents to lay the foundation for one of the greatest states in the nation.
Minnesota Rag takes the reader on a tour of the underside of a dark period in Minnesota's past, one filled with crooked public officials, vengeful gangsters, and yellow journalists. Featuring notorious characters such as Jay M. Near, racist and antilabor publisher of Minneapolis's Saturday Press, pioneering newsman Fred W. Friendly weaves the tale of a court case that molded our understanding of freedom of the press and set a precedent for the publication of the Pentagon Papers.
Public space is political space. When a work of public art is put up or taken down, it is an inherently political statement, and the work’s aesthetics are inextricably entwined with its political valences. Democracy’s openness allows public art to explore its values critically and to suggest new ones. However, it also facilitates artworks that can surreptitiously or fortuitously undermine democratic values. Today, as bigotry and authoritarianism are on the rise and democratic movements seek to combat them, as Confederate monuments fall and sculptures celebrating diversity rise, the struggle over the values enshrined in the public arena has taken on a new urgency. In this book, Fred Evans develops philosophical and political criteria for assessing how public art can respond to the fragility of democracy. He calls for considering such artworks as acts of citizenship, pointing to their capacity to resist autocratic tendencies and reveal new dimensions of democratic society. Through close considerations of Chicago’s Millennium Park and New York’s National September 11 Memorial, Evans shows how a wide range of artworks participate in democratic dialogues. A nuanced consideration of contemporary art, aesthetics, and political theory, this book is a timely and rigorous elucidation of how thoughtful public art can contribute to the flourishing of a democratic way of life.
Conflict and Communication introduces students to important theories, key concepts, and essential research in the study of conflict, along with practical skills for managing conflict in their daily lives. Author Fred E. Jandt illustrates how effective communication can be used to manage conflict in relationships and within organizational and group contexts. Along with foundational coverage of conflict styles, mediation, and negotiation skills, the text also features new and emerging models of conflict management, including chapters examining the challenges of conflict between cultures, a chapter on family and organizations, information on both face-to-face and online bullying, a detailed step-by-step guide for mediation, and more emphasis on online dispute resolution.
DIVA stunning biography of the magisterial author behind The Portrait of a Lady and The Ambassadors/divDIV Henry James is an absorbing portrait of one of the most complex and influential nineteenth-century American writers. Fred Kaplan examines James’s brilliant and troubled family—from his brother, a famous psychologist, to his sister, who fought with mental illness—and charts its influence on the development of the artist and his work. The biography includes a fascinating account of James’s life as an American expatriate in Europe, and his friendships with Edith Wharton and Joseph Conrad. Compressing a wealth of research into one engrossing and richly detailed volume, Henry James is a compelling exploration of its subject./div
Celebrating the centenary of the birth of the trailblazing African American author, Encounters with James Baldwin is a wide-ranging volume of short essays, reflections, interviews and poetry. This moving collection demonstrates the significant legacy of the writer and activist who spoke truth to power during the era of the fight for Black civil liberties in the US, and after. In this literary anthology, over 30 contributors reveal the influence of Baldwin’s thought, speech and writing to their personal journeys and their awareness of the need for social justice. Stella Dadzie was born in 1952 in London, United Kingdom. She co-founded the Organisation of Women of African and Asian Descent (OWAAD), which worked relentlessly between 1978 and 1982 to challenge the predominantly white domination of the feminist and women’s liberation movements of that era. Additionally, her work extended beyond the written word into practical action, contributing to the enrichment of curriculums and development of anti-racist strategies in educational and youth services. “... the words of this remarkable collection are breath blown back to our beloved ancestor James Baldwin, and he to them, to us: air we breathe, air we need, for these troubled times.” — Kevin Powell – GRAMMY-nominated poet and activist “From reflective pieces, interviews, essays, and poetic interventions, Encounters with James Baldwin confirms the enduring resonance of the life and work of James Baldwin across the globe. This is an important text for readers eager to consider the expansive legacy of arguably the most piercing and committed author and critic of the last century.” — Rich Blint, writer and critic
From the comforting glow of Baker Street gas-lamps to the gloom of the ocean's depths, Sherlock Holmes lays bare the secrets of men, monsters and evil in twelve new tales of the bizarre, the uncanny and the arcane.
Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology anthologises some of Fred Orton’s important contributions to rethinking the social history of art and art practice. More than that, it offers a vivid demonstration of how theory can generate new interpretations and unsettle old ones.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.