From Pulitzer Prize-winning author and former Christian Scientist Caroline Fraser comes the first unvarnished account of one of America's most controversial and little-understood religious movements. Millions of Americans – from Lady Astor to Ginger Rogers to Watergate conspirator H. R. Haldeman – have been touched by the Church of Christ, Scientist. Founded by Mary Baker Eddy in 1879, Christian Science was based on a belief that intense contemplation of the perfection of God can heal all ills – an extreme expression of the American faith in self-reliance. In this unflinching investigation, Caroline Fraser, herself raised in a Scientist household, shows how the Church transformed itself from a small, eccentric sect into a politically powerful and socially respectable religion, and explores the human cost of Christian Science's remarkable rise. Fraser examines the strange life and psychology of Mary Baker Eddy, who lived in dread of a kind of witchcraft she called Malicious Animal Magnetism. She takes us into the closed world of Eddy's followers, who refuse to acknowledge the existence of illness and death and reject modern medicine, even at the cost of their children's lives. She reveals just how Christian Science managed to gain extraordinary legal and Congressional sanction for its dubious practices and tracks its enormous influence on new-age beliefs and other modern healing cults. A passionate exposé of zealotry, God's Perfect Child tells one of the most dramatic and little-known stories in American religious history.
This book brings together theoretical perspectives and practical advice to improve playwork practice. There are chapters on the role of adventure playgrounds; the challenge of starting a playwork section in a local authority; and the value of networking.
In 1994, representatives from all over the world met in Costa Rica to discuss the impact of ecological economics on developing countries. That groundbreaking conference laid the foundation for this new collection of research on environmental sustainability. While most discussions on sustainable development focus on the industrialized nations, Environmental Sustainability: Practical Global Applications takes a different angle: it presents the views of the developing countries themselves on issues such as wildlife resources in Nambia, timber production in Costa Rica, property rights and land reform in South Africa, and other steps being taken to implement environmentally sustainable economies around the world. This is an ideal text for students of natural and social sciences, development professionals and entrepreneurs seeking opportunities for ecologically sustainable businesses. Academics will find it useful as a source of current research and for making new contacts in the field. For anyone interested in exploring the link between man and his environment-specifically, the relationship between economics and ecology- Environmental Sustainability, is a must.
In England, November 5 is Guy Fawkes Day, when fireworks displays commemorate the shocking moment in 1605 when government authorities uncovered a secret plan to blow up the House of Parliament--and King James I along with it. A group of English Catholics, seeking to unseat the king and reintroduce Catholicism as the state religion, daringly placed thirty-six barrels of gunpowder in a cellar under the Palace of Westminster. Their aim was to ignite the gunpowder at the opening of the Parliamentary session. Though the charismatic Catholic, Robert Catesby, was the group's leader, it was the devout Guy Fawkes who emerged as its most famous member, as he was the one who was captured and who revealed under torture the names of his fellow plotters. In the aftermath of their arrests, conditions grew worse for English Catholics, as legal penalties against them were stiffened and public sentiment became rabidly intolerant. In a narrative that reads like a gripping detective story, Antonia Fraser has untangled the web of religion, politics, and personalities that surrounded that fateful night of November 5. And, in examining the lengths to which individuals will go for their faith, she finds in this long-ago event a reflection of the religion-inspired terrorism that has produced gunpowder plots of our own time.
Aliens: They have taken the form of immigrants, invaders, lovers, heroes, cute creatures that want our candy or monsters that want our flesh. For more than a century, movies and television shows have speculated about the form and motives of alien life forms. Movies first dipped their toe into the genre in the 1940s with Superman cartoons and the big screen's first story of alien invasion (1945's The Purple Monster Strikes). More aliens landed in the 1950s science fiction movie boom, followed by more television appearances (The Invaders, My Favorite Martian) in the 1960s. Extraterrestrials have been on-screen mainstays ever since. This book examines various types of the on-screen alien visitor story, featuring a liberal array of alien types, designs and motives. Each chapter spotlights a specific film or TV series, offering comparative analyses and detailing the tropes, themes and cliches and how they have evolved over time. Highlighted subjects include Eternals, War of the Worlds, The X-Files, John Carpenter's The Thing and Attack of the 50-Foot Woman.
For the many Americans who have never set foot on a real farm, this book is required reading. . . . An engaging blend of agricultural history, geography, travel, and interviews with farmers [that] provides an unsentimental, realistic look at American farm life." --Library Journal
Nestled in the Northwest is a quaint little town that its quirky residents are proud to call home. With charming shops lining its one main thoroughfare, Lumby is home to the oldest apple tree in the county and the smallest bank in the state. And though it's hours from the nearest big city, readers will always find Lumby close to their hearts. When Mark and Pam Walker, a vacationing couple from the East Coast, decide to restore Lumby's ramshackle Montis Abbey and turn it into an inn, it takes a while for the locals to warm up to them. Especially the irascible William Beezer, owner of The Lumby Lines-the newspaper "worth the paper it's printed on." At every turn, he tries to hinder the Walkers' efforts. But the couple soon learns that for every citizen like William, there are many more willing to lend a hand-and that Lumby isn't just a place, it's a way of life.
Award-winning historian Antonia Fraser brilliantly portrays a courageous and compassionate woman who refused to be curbed by the personal and political constraints of her time. Caroline Norton dazzled nineteenth-century society with her vivacity, her intelligence, her poetry, and in her role as an artist's muse. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his 'Criminal Conversation' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result—acquittal—Norton was still able to legally deny Caroline access to her three children, all under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband. Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channeled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.
Fraser M. Ottanelli examines the history of the Communist Party of the United States (CPUSA) from the stock market crash to the reconstitution of the Party in 1945. He explains the appeal of the CPUSA and its emergence as the foremost vehicle of left-wing radicalism during these years. Most studies of the CPUSA have focused on either the grass-roots activities of the Party's members or the Party's relations with the Communist International in Moscow. For the first time, Ottanelli explores in depth the subtle and intricate interaction between these two levels. During the '30s and '40s, the policies of the CPUSA were influenced as much by the Party's involvement in national social and labor struggles as they were by Moscow. Party leaders attempted to set policy that would be relevant to American society. Ottanelli looks at the Party's domestic policies and activities concerning labor, race, youth, the unemployed, as well as the Party's changing attitude toward FDR and the New Deal, its policies in foreign affairs, and war-time activities. For most of the period under study, Communists increased in strength, influence, relative acceptance, and their ability to make significant contributions to labor and social struggles. Ottanelli attributes these accomplishments to the Party's search for policies, language, and organizational forms that would adapt radicalism to the unique political, social, and cultural environment of the United States.
In the three decades since the first SF film produced for television--1968's Shadow on the Land--nearly 600 films initially released to television have had science fiction, fantasy, or horror themes. Featuring superheroes, monsters, time travel, and magic, these films range from the phenomenal to the forgettable, from low-budget to blockbuster. Information on all such American releases from 1968 through 1998 is collected here. Each entry includes cast and credits, a plot synopsis, qualitative commentary, and notes of interest on aspects of the film. Appendices provide a list of other films that include some science fiction, horror, or fantasy elements; a film chronology; and a guide to alternate titles.
“Flashman strikes again… Wonderful… hilarious.”—USA Today Lusting after a clergyman’s wife, smuggling opium to Hong Kong, coupling with an Amazonian woman river pirate, groveling before a ruthless warlord, and becoming the sexual plaything of the most beautiful and evil woman in the world, Harry Flashman, the supreme antihero of the Victorian era, is ready to rise to the occasion to matter what depths of dishonor he must plumb. In this uninhibited and uproarious adventure, Flashman is once again at his irascible best.
Times were tough for unemployed men in Scotland in 1895. William Fraser travels to Dundee to find work and, he hopes, love. Independent working women dominate Dundee’s factories, and jute spinner Mary Coyle is one of them. The attraction is immediate and mutual. But William’s Protestant background makes Mary’s beloved Irish Catholic father unwilling to consent to their marriage. To complicate matters further, William’s estranged father has funded his journey to America to join him in a mining venture. Once apart, Mary and William must each contend with their own challenges of unrealistic expectations, promise-breaking temptations, and living with extended family. What follows is an engaging, deeply moving tale of immigrant struggle, from their arduous life in Scotland, to the adversities and dangers of mining work in America. Song for the Widowmaker alternates between Mary and William’s perspectives, revealing the obstacles of religious differences, prejudices, and separation. Song for the Widowmaker vividly brings the time and places of a world gone by to life, demonstrating the eternal power of love and commitment in overcoming monumental challenges.
American films, like America itself, have long been fascinated by the threat of outsiders posing as citizens to destroy the American way of life. This book tracks real-world fears appearing in the movies--Nazi agents, Japanese-American spies, Communist Party subversives, Islamic sleeper cells--as well as the science-fiction threats that play to the same fears, such as alien body-snatchers and android doppelgangers. The work also examines fears inspired by World War I German spies, the Japanese-American internment and the McCarthyite witch-hunts and shows how these issues, and others, played out on screen.
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