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Language, the Singer and the Song

The Sociolinguistics of Folk Performance

By: Richard J. Watts,Franz Andres Morrissey

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Language, the Singer and the Song

The Sociolinguistics of Folk Performance

By: Richard J. Watts,Franz Andres Morrissey

The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.

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Page Count

391

Publisher

Cambridge University Press

Published Date

ISBN 10

1316999335

ISBN 13

9781316999332

Language, the Singer and the Song

The Sociolinguistics of Folk Performance

By: Richard J. Watts,Franz Andres Morrissey

Write a review Read reviews Take a Quiz Solve Book Puzzle

Language, the Singer and the Song

The Sociolinguistics of Folk Performance

By: Richard J. Watts,Franz Andres Morrissey

The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.

Average ratings

N/A

5

0%

4

0%

3

0%

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Solve jigsaw puzzle

Age

Page Count

391

Publisher

Cambridge University Press

Published Date

ISBN 10

1107112710

ISBN 13

9781107112711