The knowledge of papermaking spread slowly over Italy from the start of the thirteenth century. Scholarly interest in the history of Italian paper manufacture has concentrated especially on the earliest period. Research into paper from the seventeenth, eighteenth, and nineteenth centuries has lagged somewhat behind. Watermarks are extremely important for investigating the origins of paper. This book offers high quality x-rays and descriptions of ca. three hundred Italian watermarks. A selection of paper produced in different areas of Italy is presented with an identification.
In Watermarks in Paper from the South-West of France, 1560-1860 over 200 watermarks are catalogued and described. Found in notarial documents from the region of Occitanie, these papers provide an insight into the production and distribution of paper in this remote area of France. With small influx from foreign papers and influences, the watermarks and paper show a sometimes remarkably archaic character well into the eighteenth century.
Watermarks 1450–1850 offers a concise history of the production of paper in Western Europe from the Middle Ages to the nineteenth century. The research is based on watermarks collected from various sources in combination with other elements from the trade, such as decorated paper and ream wrappers. This book includes reproductions of ca. seven hundred watermarks. Frans and Theo Laurentius have published two more books on the topic in this same book series: Italian Watermarks 1750–1860 (2016), and Watermarks in Paper from the South-West of France, 1560–1860 (2018). In 2007/2008 they published Watermarks (1600–1650) Found in the Zeeland Archives and Watermarks (1650–1700) Found in the Zeeland Archives.
The Language of the Modes provides a study of modes in early music through eight essays, each dealing with a different aspects of modality. The volume codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. For many music students and listeners, the "language of the modes" is a deep mystery, accustomed as we are to centuries of modern harmony. Wiering demystifies the modal world, showing how composers and performers were able to use this structure to create compelling and beautiful works. This book will be an invaluable source to scholars of early music and music theory. in early music through eight essays, each dealing with a different aspects of modality. It codifies all known theoretical references to mode, all modally ordered musical sources, and all modally cyclic compositions. This book will be an invaluable source to scholars of early music.
In Volume Two/2 catholic theology treats some of the great Western attempts at reflecting on the nature of God; it also takes on modern Western religiosity, both as it professes belief in God and as it has settled for various forms of atheism. But more importantly, the book discovers and rediscovers the God of Abraham, Isaac, and Jacob, of Moses and the prophets the God of Jesus Christ. Frans Jozef van Beeck, born in the Netherlands in1930, a Jesuit since 1948, and a priest since 1963, has lived and learned (and taught) in the United States since 1968. He is a senior professor of theology at Loyola University, Chicago.
The knowledge of papermaking spread slowly over Italy from the start of the thirteenth century. Scholarly interest in the history of Italian paper manufacture has concentrated especially on the earliest period. Research into paper from the seventeenth, eighteenth, and nineteenth centuries has lagged somewhat behind. Watermarks are extremely important for investigating the origins of paper. This book offers high quality x-rays and descriptions of ca. three hundred Italian watermarks. A selection of paper produced in different areas of Italy is presented with an identification.
Watermarks 1450–1850 offers a concise history of the production of paper in Western Europe from the Middle Ages to the nineteenth century. The research is based on watermarks collected from various sources in combination with other elements from the trade, such as decorated paper and ream wrappers. This book includes reproductions of ca. seven hundred watermarks. Frans and Theo Laurentius have published two more books on the topic in this same book series: Italian Watermarks 1750–1860 (2016), and Watermarks in Paper from the South-West of France, 1560–1860 (2018). In 2007/2008 they published Watermarks (1600–1650) Found in the Zeeland Archives and Watermarks (1650–1700) Found in the Zeeland Archives.
In Watermarks in Paper from the South-West of France, 1560-1860 over 200 watermarks are catalogued and described. Found in notarial documents from the region of Occitanie, these papers provide an insight into the production and distribution of paper in this remote area of France. With small influx from foreign papers and influences, the watermarks and paper show a sometimes remarkably archaic character well into the eighteenth century.
With this work the authors are filling a gap which is existing on the research material of watermarks of the seventeenth century. The research for this book is based on the X-ray method developed by Jan van Aken, emeritus professor of dental radiology of the University of Utrecht. This method guarantees a 100% accurate digital image of the watermark. With 675 true size photographs and detailed descriptions.
The seventeenth century is an underrepresented period in the publications on watermarks. A growing demand in the fields of history and art history for exact dating of documents and artworks on seventeenth century paper was one of the main reasons for the authors to conduct research in this area. This book is based on the `Ingekomen Stukken` (`Received Pieces`) of the Staten van Zeeland (States of Zeeland), carefully collected per year and preserved in the Zeeland Archives in Middelburg. In order to reproduce the watermarks in actual size, as was the case in volume 1600-1650, `Soft X-ray` equipment developed by Dr. Jan van Aken (emeritus professor dental radiology of the University of Utrecht) wasused. With 1221 black and white and 7 full colour true size photographs and detailed descriptions Watermarks 1650-1700 found in the Zeeland Archives gives together with the first volume (Watermarks 1600-1650 found in the Zeeland Archives) a long awaited overview of the watermarks and the types of paper that where available in The Netherlands in the 17th century. An indispensable tool for all those who are interested in paper, economy, history and art-history. With 1228 illustrations of which 7 full color.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.