Gustav Klimt's work brilliantly negotiates the borders between the traditional and the modern, the figurative and non-figurative. His subtly erotic portraits, richly patterned landscapes and enigmatic allegorical compositions are at once sensuous and refined, while his extravagant, ornamental style verges on abstraction. Obliged to go his own way when he was denied public commissions, Klimt became the leader of the modernists in Vienna, perhaps the greatest portraitist of his age, a landscape painter of dazzling originality and, above all, the creator of extraordinary decorative schemes. Frank Whitford examines the artist's work against the background of his time - the tragic final years of the Austro-Hungarian Empire. In the light shed by political and cultural history, Klimt's paintings and personality emerge with new clarity.
J. Aubrey Whitford, a confidence man in New York, is running a scam selling bogus events beyond his control, he finds himself a victim of his own con game.
Egon Schiele lived in Vienna during the last years of the declining Habsburg Empire. Rejected by his family, hounded by society for his interest in young girls, he expressed through his art a deep and bewildering loneliness and an obsession with sexuality, death and decay. He was only twenty-eight when he died, yet he left behind him a body of work that sustains a huge public reputation--and a myth. This book sets out to examine both. 151 illus., 20 in color.
Including 150 work on paper as well as several of the artist's key theoretical essays and letters, this text is the catalogue for a 1997 Royal Academy exhibition of the drawings, watercolours and prints of George Grosz.
This story is about J. Aubrey Whiteford and his adventures along the way to San Francisco in search of Miss Grave, who so skillfully swindled him back in Texas that she won his heart in the process. J. Aubrey is a master con man who finds himself in the clutches of three murderous brothers and captured by Indians but using his wits and limitless nerve, he arrives in Cowpen's Lick, Kansas, as Earl of Whitford.
A new source of funding for astronomy stemmed from the creation of the National Science Foundation (NSF) in 1950. Astronomers were quick to take advantage of the opportunity to found new observatories. The science and politics of the establishment ,funding, construction and operation of the Kitt Peak National Observatory (KPNO) and the Cerro Tololo Inter-American Observatory (CTIO) by the Association of Universities for research in Astronomy, (AURA), are here, seen from the unique perspective of Frank K. Edmondson, a former member of the AURA board of directors.
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