For a starter, let's face it; I made it to 94 years and frankly, that is an achievement that dwarf s anything else I can say about my long life so far, (and I ain't through yet.) If I were to point to the most significant event of my life I would have to say that I was a witness to a critical event in American history and perhaps in world history, the devastating attack on our Navy at Pearl Harbor on December 7, 1941. The rest of my life was somewhat nondescript in the overall scheme of things in this world. I was born (just like everyone else) in Holland Michigan, way back, a good 200 years ago.' I was a musician from the start, playing the harmonica at 10 years old. (Also, later the ukulele, mandolin, Hawaiian guitar, orchestral guitar, and marimba.) My first performance was with the harmonica before my 8th grade class! Later on as a teenager I played in an orchestra and performed at dances, night clubs and church events. Currently, I duo on the classical guitar with my flute player playing occasional concerts. Now that I think of it, I was pretty good. Being a small 109 pound guy I joined the Navy in 1940 so as to not get drafted. WW2 was already raging in Europe. I had to enlist for 6 years. That put me in WW2 from the beginning to the end and then some. Hey, I also performed on the guitar in the Navy aboard ship (between naval battles!) Upon discharge in 1946 I joined with my high school buddy to get the first printed circuit patent. I am really proud of that because printed circuits are in everything that's electronic. And we started it! It was particularly smart of me because 40 years later I needed the printed circuit in my pacemaker! Such foresight! At the same time I entered college at MIT. Our patent royalties helped pay for tuition. As long as I am being proud, I may as well include graduating from that top technical school in the country, which is pretty good for a son of an immigrant from Italy. From thereon my engineering career included teaching at Cal Poly in San Luis Obispo lecturing at USC and work in computers and programming. But of course, most of my work was in the Defense industry. Now in retirement I am doing things I like to do: play music and write. Looking back I think that getting an engineering degree was a big mistake. I should have been a gigolo. Look at what I missed! Alas, it is too late!
Bilingual Reading Comprehension is designed for bilingual, two-way immersion, and dual-language classrooms. This valuable resource provides practice in reading for students who read in English, Spanish, or both languages. Identical reading activities are featured in both English and Spanish, allowing the teacher to tailor lessons to suit a multi-level classroom. Fiction and non-fiction activities reinforce essential reading skills, such as finding the main idea, identifying supporting details, recognizing story elements, learning new vocabulary, and much more.
Bilingual Reading Comprehension is designed for bilingual, two-way immersion, and dual-language classrooms. This valuable resource provides practice in reading for students who read in English, Spanish, or both languages. Identical reading activities are featured in both English and Spanish, allowing the teacher to tailor lessons to suit a multi-level classroom. Fiction and non-fiction activities reinforce essential reading skills, such as finding the main idea, identifying supporting details, recognizing story elements, learning new vocabulary, and much more.
Cueva Blanca lies in a volcanic tuff cliff some 4 km northwest of Mitla, Oaxaca, Mexico. It is one of a series of Archaic sites excavated by Kent Flannery and Frank Hole as part of a project on the prehistory and human ecology of the Valley of Oaxaca. The oldest stratigraphic level in Cueva Blanca yielded Late Pleistocene fauna, including some species no longer present in southern Mexico. The second oldest level, Zone E, produced Early Archaic material with calibrated dates as old as 11,000–10,000 BC . Zones D and C provided a rich Late Archaic assemblage whose closest ties are with the Abejas phase of Puebla’s Tehuacán Valley (fourth millennium BC). Spatial analyses undertaken on the Archaic living floors include (1) the drawing of density contours for tools and animal bones; (2) a search for Archaic tool kits using rank-order and cluster analysis; and (3) an attempt to define Binfordian “drop zones” using an approach drawn from computer vision.
Commerce by a Frozen Sea is a cross-cultural study of a century of contact between North American native peoples and Europeans. During the eighteenth century, the natives of the Hudson Bay lowlands and their European trading partners were brought together by an increasingly popular trade in furs, destined for the hat and fur markets of Europe. Native Americans were the sole trappers of furs, which they traded to English and French merchants. The trade gave Native Americans access to new European technologies that were integrated into Indian lifeways. What emerges from this detailed exploration is a story of two equal partners involved in a mutually beneficial trade. Drawing on more than seventy years of trade records from the archives of the Hudson's Bay Company, economic historians Ann M. Carlos and Frank D. Lewis critique and confront many of the myths commonly held about the nature and impact of commercial trade. Extensively documented are the ways in which natives transformed the trading environment and determined the range of goods offered to them. Natives were effective bargainers who demanded practical items such as firearms, kettles, and blankets as well as luxuries like cloth, jewelry, and tobacco—goods similar to those purchased by Europeans. Surprisingly little alcohol was traded. Indeed, Commerce by a Frozen Sea shows that natives were industrious people who achieved a standard of living above that of most workers in Europe. Although they later fell behind, the eighteenth century was, for Native Americans, a golden age.
The naturalist offers a portrait of his life on a farm in the tropical rain forests of Costa Rica and provides a look at flora, fauna, and the forest ecosystem
THE OXYMORON FACTOR 3, Italian Interlude #2, is the 3-rd part of a 4-Part Holocaust memoir. In it, the Author and the Reader enter the tunnel of gloomy darkness, an Underground Railroad from Poland to the West used by the surviving Jews after Hitlers final debacle in his anti-Jewish WANNSEE CRUSADE. Along with Frank you will be inching your way toward the glimmering light at the end of that tunnel. Once out, you will follow Franks search for the Spirit of Redemption, the mystical Girl of the Ring, a vibrant young woman, whom eventually he finds in the flesh.
This book is a tale about a Polish Jew who, after having survived Hitlers Wannsee Crusade, comes to America in search of a new life. A husband and a father of a baby-daughter, Franco, as his Tuscan wife calls him, is faced with an exceptionally hard chore. He must break the wall of his Holocaust nightmares: gas chambers of Treblinka and Auschwitz and dangerous encounters with Gestapo, SS and Schupo, before the precious rug leading to his dreamed of House of Margie finally stops unfolding. The pages you are about to read are warp and woof of that tapestry.This book is a tale about a Polish Jew who, after having survived Hitlers Wannsee Crusade, comes to America in search of a new life. A husband and a father of a baby-daughter, Franco, as his Tuscan wife calls him, is faced with an exceptionally hard chore. He must break the wall of his Holocaust nightmares: gas chambers of Treblinka and Auschwitz and dangerous encounters with Gestapo, SS and Schupo, before the precious rug leading to his dreamed of House of Margie finally stops unfolding. The pages you are about to read are warp and woof of that tapestry.
Latinos have been part of the Hollywood film industry for more than 100 years, yet beyond the remarkable success of a few, their visibility and clout have generally not reflected their significance in American society. Worse, the Latino image has suffered from widespread stereotyping in film, and performers face unjustified constraints in the kinds of roles available to them. Decade by decade from 1960 onward, this book analyzes important films made by or about Latinos, details the careers of Latino performers and filmmakers of the time, and analyzes how film portrayals of Latino characters and subjects connect with political and social trends of each decade. It discusses the role of gender, social class, and ethnicity in film portrayals and provides an overview of the diverse and dynamic Latino community in the United States, while celebrating a substantial and enduring contribution to Hollywood film history.
This warm anecdotal guide gives legends and traditions of both the popular sites of Rome as well as little-known places of historical significance. Written by an internationally known expert and veteran of fifty visits to the Eternal City. Color illustrations, photos and maps are included.
Collects Daredevil (1964) #173-181 - plus material from What If? (1977) #28 and #35, Bizarre Adventures #28 and Marvel Fanfare (1982) #1. In issue after issue, Frank Miller redefined the Man Without Fear with work that stands atop the peak of comic book storytelling. When Miller introduced Elektra, readers could not get enough of the assassin from Matt Murdock's past. In this volume, her saga ratchets up as she and Daredevil fight the unstoppable ninjas of The Hand. Miller also introduces Stick, the gruff mentor who trained a young Murdock and who now must help him regain his radar sense before the Kingpin closes in. Also featuring a deadly reckoning for Ben Urich and a double-sized battle with Bullseye that ends in one of the most scintillating moments in comics history. Plus: A pair of essential WHAT IF? rarities and an Elektra solo mission!
The text provides a broad explanation of the physiology for plants (their functions) from seed germination to vegetative growth, maturation, and flowering. It presents principles and results of previous and ongoing research throughout the world.
La poesía lírica de Frank Alvarado Madrigal nos revela en todos y cada uno de sus versos lo que en realidad simboliza la palabra arte. El poeta, utilizando una variedad de temas y un lenguaje sencillo y armonioso, te conduce de la mano a través de bellísimas figuras retóricas que con anterioridad ya había trazado para ti. En las últimas páginas del libro se encuentra un estudio crítico literario en donde se presentan sinopsis de sus poesías ilustradas con temas de gran variedad y ejemplos de metáforas, símiles, onomatopeyas, personificaciones, repeticiones, aliteraciones, hipérbatons, hipérboles, simbolismos e imágenes. Dicho estudio crítico literario constituye un instrumento de referencia muy valioso para profesores y estudiantes de literatura así como para todo amante de la palabra poetizada.
In high-Andean Peru, Rapaz village maintains a temple to mountain beings who command water and weather. By examining the ritual practices and belief systems of an Andean community, this book provides students with rich understandings of unfamiliar religious experiences and delivers theories of religion from the realm of abstraction. From core field encounters, each chapter guides readers outward in a different theoretical direction, successively exploring the main paths in the anthropology of religion. As well as addressing classical approaches in the anthropology of religion to rural modernity, Salomon engages with newer currents such as cognitive-evolution models, power-oriented critiques, the ontological reworking of relativism, and the "new materialism" in the context of a deep-rooted Andean ethos. He reflects on central questions such as: Why does sacred ritualism seem almost universal? Is it seated in social power, human psychology, symbolic meanings, or cultural logics? Are varied theories compatible? Is "religion" still a tenable category in the post-colonial world? At the Mountains’ Altar is a valuable resource for students taking courses on the anthropology of religion, Andean cultures, Latin American ethnography, religious studies, and indigenous peoples of the Americas.
Frank es un verdadero líder, en la vida y en los negocios. Su dedicación a su familia, su comunidad y sus negocios ha mejorado y inspirado a miles de vidas en todo el mundo. Su historia sin duda hará lo mismo para usted." Doug DeVos, Presidente, Amway Global Corporation "Frank es la persona más talentosa que conozco. Él es un gran padre, un socio leal y amigo.La historia de su vida de logros es único. Como orador público de sentido común en todo el mundo sobre "el éxito y el fracaso” inspira y puede infl uir en las personas para conquistar y para ganar en la vida... y ahora, como un autor.esta historia de su vida es un deber leer." Dr. Leif Johnson, fundador y Presidente de LBJ internacional "La historia personal de Frank Morales de la pobreza a la prosperidad en cada área de su vida a través del poder de las relaciones sirve como fuente de inspiración a todas las personas. Dentro encontrará pepitas de valentía y perseverancia para ayudarle en su búsqueda de tu sueño." Julio Melara, autor, Publisher y emprendedor "Se toma una visión y un esfuerzo coherente para realizar tanto en lavida como lo hizo Frank Él ha afectado a muchas vidas de una manera positiva y productiva. También sabemos que detrás de cada hombre exitoso, hay una mujer fuerte, y que ella es su esposa Barbara. Sabemos que es la verdad de primera mano,porque son nuestros padres". Dr. Charles A. Macias, hijo y Co-Author, ‘www.Operación Legacy.com’ y Denice Morales Kennedy, hija y socia.
This new series uses a simple approach to help kids master the basics of the Spanish language including sentence structure, vocabulary, pronunciation, and verbs. Common items such as food, time, greetings, and places introduce students tobeginning sentence structure. Each 80-page book is packed with activities that will teach sight reading and translation skills. Activities include picture labeling, writing practice, matching exercises, and fill-in-the-blanks. These books provide different levels to accommodate every elementary student.
Fidel Castro. Che Guevara. Cesar Chavez. Karl Marx. Mao Tse-tung…and others. All Icons of the Progressive Left, and similarly the infallible Icons of the early years of Professor Frank M. Luna as he grew up on a small farm in Central California. After his matriculation at Fresno State, Professor Luna soon discovers that the Iconic foundation has cracks, and he decides to cleave them open for all to see. In this flowing and riveting account, Professor Luna chronicles his decades-long transformation to discard his political upbringing amidst the discovery of the horrors of these Marxist leaders and their states, while also exposing the US academic community’s complicity in their crimes against humanity. At times humorous and always engrossing, along his journey Professor Luna encounters biased instructors, heroic and quirky students, and institutions of higher learning that are not quite what they promote themselves to be. Shattering the Icons is an engaging narrative of a political and teaching transformation. A must read for the general public and educators alike, Shattering the Icons is a clarion call for the academic community in the US to transform itself.
David a U.S. Military veteran rides a downward spiral into the Pallium (the world of the supernatural) torn between life and revenge in the underside of the city of Taipei. He is confronted by evil creatures and gangsters while searching for meaning in his personal loss. Introduction:Caveat Lector, I say this because some books are dangerous. Most works can be picked up and put down leaving you unchanged. I can make you no such promise. In my humble opinion, every truly fascinating manuscript will give you answers, even if the questions were unknown to you. Knowledge, true knowledge, is not a charming collection of factoids to be regurgitated on demand or request. I have come to believe that learning is a process that shakes you to the very foundation of your being.There are many secrets that give you a glimpse into the other worlds. But be warned - once you have opened your mind to the darker possibilities, it will never again be closed. This Pandora's Box has no lid, no hinges and no lock. The only way to see what is contained within is to smash it to bits. This is my attempt to document the events that transpired and it is my humble offering to you, the reader. So Caveat Lector - Reader Beware - or you may receive your own invitation to the dance.Call me Tòmas. This is my name, even though most people either forget to ask for it, or just forget it all together. The story, on the other hand, is not mine. Regardless, I have decided to tell it. My name may find mention before this tale reaches its conclusion; we'll just have to wait and see.As I write these words the dawn has broken, the sun is shining bright, and hope is easy to find in your heart. The blackest night has passed and the shadows of malevolence have grown thin. The evils of the world have retreated once again into the depths awaiting darkness's cold caress. Hope also springs new with the first light of morning; regrettably it is often slain with the setting of the sun.Our lives can be magnificent journeys if we remove the limitations of our own misconceptions. On the other hand, this is a very dangerous endeavor. Our misconceptions of the world are our anchor, and our shield. They hold us back from seeing what the world really contains; they also protect us from what we may not be prepared to confront. Confronting the unknown can be the most important part of this magnificent journey we know as life. In the immensity of time, a human life is as a journey of a drop of rain, plummeting to the earth. To eternity, our lives are but a moment, an hour, or a day; but then again, so much can happen in just a day...Quem deus vult perdere, dementat prius(Original Source Unknown)Whom the gods would destroy, they first drive mad.Excerpt from The G.H.A.S.T. (or Gideon's Handbook for the Accidental Supernatural Tourist)The G.H.A.S.T. was created to help you avoid becoming trapped in the darker worlds. However, the current management feels that the most recent increase in its popularity is due to people trying to find the breaches in the Pallium. Therefore, all entries have been re-edited with this in mind.PLEASE NOTE, if you wish to avoid the darkness, all you need do is apply a reversed logic to the stated techniques, i.e. if you stay near home and remain in familiar surroundings, the chances of seeing anything but the mundane is highly unlikely.Travel Tip Number One:The way to find the darker worlds is look on the ordinary world in a new way. This is best accomplished in a place you have never before been. Finding that which is hidden is far from easy, unfortunately it is possible. The Pallium of the Dance is a sorry shroud for anyone looking with open eyes. It is very difficult to cross the Pallium, however for most of those who have, returning seems to be nearly impossible. You may wish to be very, very certain before you go looking for that which you do not understand.
A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.
These mini plays are designed to be used in a fun, interactive way. The characters may be acted out live, or the black and white figures following each English and Spanish lesson (leccin) may be cut out and colored and attached to construction paper and mounted on craft sticks to produce puppet plays. Use your imagination, change names of characters to fit the people acting them out, and even write your own plays illustrating moral and ethical qualities that are good for us humans to practice. Enjoy the process as youand weall make our ways closer to Gods dream of perfection for each of us.
This book is a collection of humorous sayings defining a Paisita. A Paisita is a person of Mexican decent that has not had the advantage of learning social graces. This book jokes about many situations known primarily in the Mexican community that give humor to those whom have traveled the same road as those finding a better way of life.
La originalidad que se manifiesta en su obra de teatro, "Pitirre no quiere hablar inglés" es un drama controversial vivido por Pitirre, querido símbolo puertorriqueño, en que a través de un lenguaje regional, descripción de paisajes y destellos de letras de canciones netamente boricuas, el autor nos presenta una clara visión sobre el sentir nacionalista de un creciente sector del pueblo puertorriqueño.
George Orson Welles (1915–1985) is considered to be among the greatest and most influential filmmakers of all time. At just twenty-five years old, he cowrote, produced, directed, and starred in his Academy Award–winning debut film Citizen Kane (1941). His innovative and distinctive directorial style—nonlinear narratives, unusual camera angles, deep focus shots, and long takes—continues to be emulated by directors and cinematographers to this day. The brilliant yet provocative Welles won multiple Grammys, a Golden Globe, and the greatest honor the Directors Guild of America bestowed: the D. W. Griffith Award. His final film, The Other Side of the Wind, was released in 2018, 33 years after his death. In Citizen Welles: A Biography of Orson Welles, author Frank Brady presents a comprehensive and complete picture of the artist and auteur. Painstakingly researched, Brady delves into Welles's creative achievements, from his critically acclaimed film Citizen Kane and controversial radio broadcast "The War of the Worlds" (1938) to his starring turn on Broadway in Shaw's Heartbreak House (for which he made the cover of Time). Brady also explores other notable films, including The Magnificent Ambersons (1942), Touch of Evil (1958), and Chimes at Midnight (1965). This all-encompassing work also details the personal side of Welles's life, including his romances with Rita Hayworth and Dolores Del Rio and the confounding tragedy of his final years. Presented is a captivating and compelling encapsulation of the revered and respected artist.
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