Psychiatric Diagnosis: A Review of Research focuses on the heuristic value of psychiatric diagnoses. This book describes the purpose of a diagnosis that enables clinicians to make certain judgments regarding the life of the individual being diagnosed. Making a diagnosis should be identical to a shorthand way of saying certain things about the patient such as where he has been, where he is, and where he may be heading psychologically. This text determines what information is provided by a diagnostic statement in the matter of psychopathology. Other topics discussed include the diagnostic principle, psychotic and depressive reactions, schizophrenia, and neuroses. This publication is beneficial to psychiatrists and medical practitioners researching on the diagnosis of psychiatric disorders and mental or behavioral patterns that cause distress or disability.
During the Civil War, thousands of wounded Union soldiers and Confederate prisoners convalesced in a general army hospital in rural Portsmouth Grove, Rhode Island. Because of its location on the periphery of the action, the hospital has remained a footnote to the dramatic sweep of Civil War literature. However, its history and the experiences of the doctors, nurses, patients and guards that gave it life provide a new perspective on the interaction between the army and society in wartime and on life in Civil War America. This in-depth account also explores the barbarities of medicine, daily routine in a general army hospital, the role of citizens in providing aid, the later adventures of former patients and staff, and the final resting places of those who died on the grounds.
Veit Harlan (1899-1964) was one of Germany's most controversial and loathed directors. The first English-language biography of the notorious director, Veit Harlan presents an in-depth portrait of the man who is arguably the only Nazi filmmaker with a distinct authorial style and body of work.
The Muslim thinker al-Ghazali (d. 1111) was one of the most influential theologians and philosophers of Islam and has been considered an authority in both Western and Islamic philosophical traditions. Born in northeastern Iran, he held the most prestigious academic post in Islamic theology in Baghdad, only to renounce the position and teach at small schools in the provinces for no money. His contributions to Islamic scholarship range from responding to the challenges of Aristotelian philosophy to creating a new type of Islamic mysticism and integrating both these traditions-falsafa and Sufism-into the Sunni mainstream. This book offers a comprehensive study of al-Ghazali's life and his understanding of cosmology-how God creates things and events in the world, how human acts relate to God's power, and how the universe is structured. Frank Griffel presents a serious revision of traditional views on al-Ghazali, showing that his most important achievement was the creation of a new rationalist theology in which he transformed the Aristotelian views of thinkers such as Avicenna to accord with intellectual currents that were well-established within Muslim theological discourse. Using the most authoritative sources, including reports from al-Ghazali's students, his contemporaries, and his own letters, Griffel reconstructs every stage in a turbulent career. The al-Ghazali that emerges offers many surprises, particularly on his motives for leaving Baghdad and the nature of his "seclusion" afterwards. Griffel demonstrates that al-Ghazali intended to create a new cosmology that moved away from concerns held earlier by Muslim theologians and Arab philosophers. This new theology aimed to provide a framework for the pursuit of the natural sciences and a basis for Islamic science and philosophy to flourish beyond the 12th century. Al-Ghazali's Philosophical Theology is the most thorough examination to date of this important thinker.
The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.
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