The outbreak of the French Revolution and the Industrial Revolution at the turn of the nineteenth century transformed the world and ushered in the modern age, whose currents challenged the traditional political order and the prevailing religious establishment. The new secular framework presented a potential threat to the papal leadership of the Catholic community, which was profoundly affected by the rush towards modernization. In the nineteenth century the transnational church confronted a world order dominated by the national state, until the emergence of globalization towards the close of the twentieth century. Here, Coppa focuses on Rome's response to the modern world, exploring the papacy's political and diplomatic role during the past two centuries. He examines the Vatican's impact upon major ideological developments over the years, including capitalism, nationalism, socialism, communism, modernism, racism, and anti-Semitism. At the same time, he traces the continuity and change in the papacy's attitude towards church-state relations and the relationship between religion and science. Unlike many earlier studies of the papacy, which examine this unique institution as a self-contained unit and concentrate upon its role within the church, this study examines this key religious institution within the broader framework of national and international political, diplomatic, social, and economic events. Among other things, it explores such questions as the limits to be placed on national sovereignty; the Vatican's critique of capitalism and communism; the morality of warfare; and the need for an equitable international order.
Frank DeSario shares his almost forty year career in a vivid account of his experiences with the Boston Police department. The Mafia, the gangland slayings, the Combat Zone, bussing and the resulting racial issues and riots, the thugs and the corruption are all discussed with a first hand look at the events. Frank also shares the glamorous side of his job which included escorting high profile celebrities, religious leaders and political leaders during their visits to the Boston area. The photos are vivid but give the reader a close look at what it was like to be a cop in Boston during the last four decades. He proudly covets his #1 badge as a symbol of strength, integrity, honor and pride.
In The Four Nations, Frank Welsh offers a lively narrative history of the four component parts of the British Isles - England, Ireland, Scotland, and Wales. Moving from the Roman period, which first defined many of the current internal boundaries, through the present day, Welsh describes the history of each nation, their interactions, and the impacts of crises ranging from the Norman Invasion to the Protestant Reformation to the two world wars of the twentieth century. Along the way, Welsh questions many cherished illusions and poses some awkward questions: to what extent were Scotland, Ireland, and Wales victims of predatory English aggression? How serious is the frequently invoked specter of national fragmentation?"--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This book was originally published in 1978. The London Magazine is briefly told in the accomplisments and failures of its four editors, and during the fourteen months of his editorship, 1820-21, John Scott succeeded in establishing the London as one of the finest literary periodicals of the nineteenth century. John Taylor, the second editor, maintained the high quality of the magazine by securing many excellent writers. But by the end of 1825, the first year of Henry Southern's editorship, the magazine had lost most of its distinguished writers. When Charles night began editing the London in 1828, its great period was already a memory. This book presents a brief history of the magazine alongside the index.
This comprehensive study of Rome’s contribution to the early history of photography traces the medium’s rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City. The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome—and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers—the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones—to the work of the Roman School of Photography and its successors, among them James Anderson and Robert Macpherson of Britain; Frédéric Flachéron, Firmin Eugène Le Dien, and Gustave Le Gray of France; and Giacomo Caneva, Adriano de Bonis, and Pietro Dovizielli of Italy. Lavishly illustrated with 112 plates, many never before published, by nearly fifty practitioners, this volume expands our understanding of the place of Rome in early photography. An exhibition of the same title, to open at the Bowdoin College Museum of Art in December 2022, accompanies this study.
In the twilight of the Reagan era, as prospects appear brighter than ever for a Democratic restoration, the lawyers, lobbyists, advisers and socialites of Washington are looking ahead -- but over their shoulders, too. With good reason. Charlie Dingleman, a former congressman, has gotten a tantalizing job offer that could rescue him from the drudgery of lawyering. But he's being shadowed by an increasingly unsavory rumor started by Judith Grust, a young associate at Charlie's firm. Judith has a few dark secrets of her own, like one she shares with Hank Morriday, a lazy, shiftless welfare policy expert. That helps to drive Hank into the orbit of Candy Romulade, a P.R. executive paralyzed by a dwindling client list. Then Candy signs up a veteran local anchorman, who has a very peculiar view of the world. As these men and women collide in a lusty, mad scramble, their savage ambitions and reversals of fortune test the idea that there's no such thing as bad publicity. The result, Bad Publicity, is a pitch-perfect, often poignant novel in the classic Swiftian mold.
Now in its fifth edition, this hugely successful text remains as vivid and readable as ever. Frank Barlow illuminates every aspect of the Anglo-Norman world, but the central appeal of the book continues to be its firm narrative structure. Here is a fascinating story compellingly told. At the beginning of the period he shows us an England that is still, politically and culturally, on the fringe of the classical world. By the end of John’s reign, the new world that has emerged was in outlook, structure and character, recognisable as part of the modern age. Incorporating the findings of the most recent scholarship in the field – much of it Barlow’s own – the fifth edition includes new material on the role of women in Anglo-Norman England.
Frank Brennan has been a long time advocate for human rights and social justice in Australia. This collection of essays brings together some of his major addresses and writings on justice in the Catholic Church and in Australian society. Placing the individual's formed and informed conscience as the centre piece in any work for justice, he surveys recent developments in the Catholic Church including the handling of child sexual abuse claims and the uplifting effect of the papacy of Francis, the first Jesuit pope. He then applies Catholic social teaching and the jurisprudence of human rights to contested issues like the separation of powers and the right of religious freedom, and to the claims of diverse groups including Aborigines, asylum seekers, the dying, and same sex couples. At every step, he is there in the public square amplifying that still, small voice of conscience, especially the voice of those who are marginalised.
The author reads four 18th-century satiric novels—Joseph Andrews, A Sentimental Journey, Humphrey Clinker, and Cecilia—"from below," exploring how the gentle authors' experiences of the poor shape the novels both thematically and formally.
Frank Barlow's magisterial biography, first published in 1970 and now reissued with new material, rescues Edward the Confessor from contemporary myth and subsequent bogus scholarship. Disentangling verifiable fact from saintly legend, he vividly re-creates the final years of the Anglo-Danish monarchy and examines England before the Norman Conquest with deep insight and great historical understanding. "Deploying all the resources of formidable scholarship, [Barlow] has recovered the real Edward." — Spectator
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