The present publication forms part of a projected book that F. P. Ramsey drafted but never completed. It survived among his papers and ultimately came into the possession of the University of Pittsburgh in the circumstances detailed in the Editor's Introduction. Our hope in issuing this work at this stage - some sixty years after Ramsey's premature death at the age of 26 - is both to provide yet another token of his amazing philosophical creativity, and also to make available an important datum for the still to be written history of the development of philosophical analysis. This is a book whose appearance will, we hope and expect, be appreciated both by those interested in linguistic philosophy itself and by those concerned for its historical development in the present century. EDITORS'INTRODUCTION 1. THE RAMSEY COLLECTION Frank Plump ton Ramsey (22 February 1903 -19 January 1930) was an extra ordinary scholarly phenomenon. Son of a distinguished mathematician and President of Magdalene College, Cambridge and brother of Arthur Michael, eventual Archbishop of Canterbury, Ramsey was closely connected with Cambridge throughout his life, ultimately becoming lecturer in Mathematics in the University. Notwithstanding his great mathematical talent, it was primarily logic and philosophy that engaged his interests, and he wrote original and important contributions to logic, semantics, epistomology, probability theory, philosophy of science, and economics, in addition to seminal work in the foundations of mathematics.
This is Volume V in a series of eight on the Philosophy of Logic and Mathematics. Originally published in 1931, this study offers a collection of logical essays around the topic of the foundations of mathematics. Though mathematical teaching was Ramsey's profession, philosophy was his vocation. Reared on the logic of Principia Mathematica, he was early to see the importance of Dr. Wittgenstein's work (in the translation of which he assisted); and his own published papers were largely based on this. But the previously unprinted essays and notes collected in this volume show him moving towards a kind of pragmatism, and the general treatise on logic upon which at various times he had been engaged was to have treated truth and knowledge as purely natural phenomena to be explained psychologically without recourse to distinctively logical relations.
The present publication forms part of a projected book that F. P. Ramsey drafted but never completed. It survived among his papers and ultimately came into the possession of the University of Pittsburgh in the circumstances detailed in the Editor's Introduction. Our hope in issuing this work at this stage - some sixty years after Ramsey's premature death at the age of 26 - is both to provide yet another token of his amazing philosophical creativity, and also to make available an important datum for the still to be written history of the development of philosophical analysis. This is a book whose appearance will, we hope and expect, be appreciated both by those interested in linguistic philosophy itself and by those concerned for its historical development in the present century. EDITORS'INTRODUCTION 1. THE RAMSEY COLLECTION Frank Plump ton Ramsey (22 February 1903 -19 January 1930) was an extra ordinary scholarly phenomenon. Son of a distinguished mathematician and President of Magdalene College, Cambridge and brother of Arthur Michael, eventual Archbishop of Canterbury, Ramsey was closely connected with Cambridge throughout his life, ultimately becoming lecturer in Mathematics in the University. Notwithstanding his great mathematical talent, it was primarily logic and philosophy that engaged his interests, and he wrote original and important contributions to logic, semantics, epistomology, probability theory, philosophy of science, and economics, in addition to seminal work in the foundations of mathematics.
This is Volume V in a series of eight on the Philosophy of Logic and Mathematics. Originally published in 1931, this study offers a collection of logical essays around the topic of the foundations of mathematics. Though mathematical teaching was Ramsey's profession, philosophy was his vocation. Reared on the logic of Principia Mathematica, he was early to see the importance of Dr. Wittgenstein's work (in the translation of which he assisted); and his own published papers were largely based on this. But the previously unprinted essays and notes collected in this volume show him moving towards a kind of pragmatism, and the general treatise on logic upon which at various times he had been engaged was to have treated truth and knowledge as purely natural phenomena to be explained psychologically without recourse to distinctively logical relations.
More than merely a writing text, The Imaginative Argument offers writers instruction on how to use their imaginations to improve their prose. Cioffi shows writers how they can enliven argument—the organizing rubric of all persuasive writing—by drawing on emotion, soul, and creativity, the wellsprings of imagination. While Cioffi suggests that argument should become a natural habit of mind for writers, he goes still further, inspiring writers to adopt as their gold standard the imaginative argument: the surprising yet strikingly apt insight that organizes disparate noises into music, that makes out of chaos, chaos theory. Rather than offering a model of writing based on established formulas or templates, Cioffi urges writers to envision argument as an active parsing of experience that imaginatively reinvents the world. Cioffi's manifesto asserts that successful argument also requires writers to explore their own deep-seated feelings, to exploit the fuzzy but often profoundly insightful logic of the imagination. But expression is not all that matters: Cioffi's work anchors itself in the actual. Drawing on Louis Kahn's notion that a good architect never has all the answers to a building's problems before its physical construction, Cioffi maintains that in argument, too, answers must be forged along the way, as the writer inventively deals with emergent problems and unforeseen complexities. Indeed, discovery, imagination, and invention suffuse all stages of the process. The Imaginative Argument offers all the intellectual kindling that writers need to ignite this creativity, from insights on developing ideas to avoiding bland assertions or logical leaps. It cites exemplary nonfiction prose stylists, including William James, Ruth Benedict, and Erving Goffman, as well as literary sources to demonstrate the dynamic of persuasive writing. Provocative and lively, it will prove not only essential reading but also inspiration for all those interested in arguing more imaginatively more successfully. This edition features new chapters that cover the revision process in greater depth, as well as the particular challenges of researching and writing in the digital age, such as working with technology and avoiding plagiarism. The book also includes new sample essays, an appendix to help instructors use the book in the classroom, and much more.
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